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SUE SUE II...
Permlink Replies: 256 - Pages: 18 [ Previous | 1 ... 7 8 9 10 11 12 13 14 15 16 17 18 | Next ] - Original Post: Apr 17, 2012 7:55 PM Original Post By: SueSueApplegate

Posts: 3,352
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MAKIN' WAVES...for Debbie Reynolds at the Kennedy Center Honors...
Posted: Aug 14, 2012 12:24 AM   in response to: CineMaven in response to: CineMaven
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Dear Cinemaaaaaaaaaaven! Thanks for stopping by! Hope all is well in your "neck of the woods." Just been enjoying Deborah Kerr films all day long. I love Summer Under The Stars. It's been wonderful.

Can't wait for TCMFF 2013!

I just had a thought about the Kennedy Center Honors, and I have just recommended Debbie Reynolds for a position on the Honors list. If you feel the same way, go to their facebook page and recommend her: https://www.facebook.com/KennedyCenter

"I may have a nose full of splinters, but it's all good wood!" (Molly Brown)


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Re: MAKIN' WAVES...
Posted: Aug 13, 2012 11:43 AM   in response to: SueSueApplegate in response to: SueSueApplegate
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:) Looks like things are getting "ship shape" Sue Sue. :) < Nyuk! Nyuk! >

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MAKIN' WAVES...
Posted: Aug 9, 2012 12:51 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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OFFICIAL CRUISE NEWS:
http://www.tcmcruise.com/talent

TCMFF favorites Debbie Reynolds, Norman Lloyd, and Mickey Rooney will be surfing along with Sally Ann Howes and Arlene Dahl to the tunes of the wonderful Alloy Orchestra!


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TARZAN, JOHNNY WEISSMULLER, JUNGLE JIM and ME!
Posted: Aug 3, 2012 1:56 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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I can remember watching Tarzan and the Amazons with great anticipation. Maybe it was that I was only 11 and kept hearing the word Amazon crop up in conversations having to do with my height. Maybe it was that I so enjoyed all the Tarzan movies, and Edgar Rice Burroughs' stories and novels.

But I do remember being spellbound by Maria Ouspenskaya and waiting for her to pronounce that all would be spared. (I am watching her right now.) She looked so Egyptian in her frock and headdress, but ultimately superior to all she surveyed. I can remember sitting in front of the massive television set, wanted to wear leopard skins, carry a spear, and organize all those gold bracelets on my arms for dramatic effect.

And everytime Johnny Sheffield would be in trouble, it would make me tear up. He was so cute and adorable. How could anything evil befall such an unpretentious lad?

But the highlight of all this Saturday devotion occurred in 1962 when I met Johnny Weissmuller in New Orleans. He was elegantly decked out in his Jungle Jim attire, a leopard-skin accent on his wide-brimmed hat, and was shaking hands, visiting with children, and signing autographs. I remember him taking out the huge, shiny knife and telling us that even thought it was pretty and shiny, that we should never use a knife like this unless our parents were with us because it was so dangerous. He was kind to the children and adults who had come to pay homage to one of our favorite screen heroes, and he was smiling and laughing. That's how I will always remember him!

I am thoroughly enjoying this Saturday's TCM lineup. Maybe a classic Tarzan film will be on the schedule at the next TCM Film Festival!


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ONLY ONE MORE DAY OF Q & A!
Posted: Jul 28, 2012 9:56 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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I am thoroughly enjoying Denny Miller's Q & A at The Silver Screen Oasisl

He's been answering questions about Katharine Hepburn, George Cukor, Chris McIntire, Jeanette Nolan, Dean Martin, Frank Sinatra, Vincent Minnelli, and his experiences making Wagon Train ! What a perfect guest for the National Day of the Cowboy!


Follow this link to read all about it:

http://silverscreenoasis.com/oasis3/viewtopic.php?f=85&t=5858Maybe he might be invited to next year's TCMFF 2013!


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AQUALILLIES UPDATE!
Posted: Jul 23, 2012 1:44 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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If you enjoyed seeing the Aqualillies at the first Turner Classic Film Festival in 2010 with Esther Williams and Betty Garrett prior to a poolside screening of Neptune's Daughter, you might want to watch this CBS video airing this a.m. :
http://www.cbsnews.com/8301-505263_162-57477704/aqualillies-give-modern-twist-to-water-ballet/

Footage from the first festival is included.

See what the Aqualilliles are up to now!

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TARZAN TO THE RESCUE!
Posted: Jul 21, 2012 11:35 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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It's been a busy summer for Sue Sue, but I wanted to let everyone know about the upcoming guest author and actor visiting The Silver Screen Oasis next weekend...

Actor and author Denny Miller is coming!


Western fans will fondly remember Denny Miller as "Duke Shannon" from Wagon Train . Miller was featured in the iconic television program from 1961 to 1964, and has appeared in hundreds of other episodic television programs like The Rockford Files , Magnum PI , Gilligan's Island, Dr. Quinn: Medicine Woman , and Lonesome Dove: The Series, as well as appearing in Tarzan, The Ape Man.

The thread devoted to the Q & A with the Silver Screen Oasis visiting author and screen personality Denny Miller, author of Didn't You Used to Be...What's His Name? , Toxic Waist...Get To Know Sweat, and the upcoming Me Tarzan, You Train! can be found at the link below.

If you would like, you can register and post your own question there or just enjoy reading the exchanges with Mr. Denny Miller, beginning Friday, July 27th.


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Re: SALOME JENS, Seconds to None.......
Posted: Jul 10, 2012 9:10 PM   in response to: darrylfxanax in response to: darrylfxanax
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Thank you so much, Darryl!

It must be time for an international revival of On Golden Pond because Stephanie Powers starred in the UK production of the play this spring with Richard Johnson (Jemmy in 1965's The Amorous Adventures of Moll Flanders, and lately as Bernard Qualtrough in MI-5).

For more information, follow the link:
http://www.stefaniepowersonline.com/news.htm

For an informative interview about her UK appearance in Plymouth in April, follow this link:
http://www.thisisplymouth.co.uk/Humour-fore-Golden-Pond-play/story-15863296-detail/story.html

Any chance Stephanie Powers might visit the next TCMFF in 2013 to introduce McClintock with John Wayne or Die, Die, My Darling with Tallulah Bankhead?


And if you live in the L.A. area, don't forget about Salome Jens' performance in On Golden Pond in Glendale in July and August!


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Re: SALOME JENS, Seconds to None.......
Posted: Jul 9, 2012 9:00 AM   in response to: SueSueApplegate in response to: SueSueApplegate
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Great piece on a truly multi-talented actress! TCM aired ANGEL BABY some months ago. I loved it! I'll be on the lookout for more of Salome's work. Thanks, SueSue!

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SALOME JENS, Seconds to None.......
Posted: Jun 30, 2012 2:43 AM   in response to: lzcutter in response to: lzcutter
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Thanks, dear Izcutter! Keep those cards and letters coming in...

Richard Anderson's introduction to Seconds also revealed that he felt Salome Jens was a wonderful actress. And viewing that film at the Turner Classic Film Festival 2012 peaked my interested in a woman whose career encompassed many film, television, and stage successes. Her face is familiar to many because of her myriad of guest starring roles in series like Star Trek: Deep Space Nine, appearing as the Female Shapeshifter, or Melrose Place as Joan Campbell.

She also appeared in Tales From the Crypt, Falcon Crest, Mary Hartman, Mary Hartman, Medical Center, Stoney Burke, The Outer Limits, The Untouchables, and one of the more unusual episodes of Gunsmoke, entitled "Captain Sligo," with Richard Baseheart in the title role, staple character player Royal Dano, and director William Conrad, who was the original Matt Dillon on the CBS radio show. McMillan and Wife, Seconds ' costar Rock Hudson's popular detective series, also afforded Jens the opportunity to work with Hudson again in the episode entitled " Reunion in Terror," as a character named "Boom Boom" Parkins in the 70s.

Jens' quirky, often off-beat characters did much to advance her in certain non-traditional roles, but her portrayal of Nora Marcus as the free-wheeling, grape-stomping paramour of Rock Hudson's reformed Arthur Hamilton enjoying his new found "freedom" in the up-and-coming Malibu counterculture, is one of her signature roles. As Nora Marcus, she is mysterious, passionate, and willing to lead Arthur Hamilton into all kinds of adventures, some of which occur on screen in the actual Malibu home of Seconds director John Frankenheimer.

Her 1961 starring role in Paul Wendkos's Angel Baby is considered Wendkos' best directorial effort, and a cult favorite with fans of Salome Jens. Wendkos, famous for the Gidget franchise, The Legend of Lizzie Borden, starring Elizabeth Montgomery, and A Woman Called Moses, starring Cicely Tyson, was hard-pressed not to release Angel Baby, and it was "shelved" for a year to help ensure the success of a similarly plotted Columbia effort entitled Elmer Gantry, which propelled Shirley Jones to her Oscar win as Lulu Bains.

Angel Baby not only marked the debut of Ms. Jens as a woman who believes she has been selected by God to alleviate the suffering of others with her healing skills, but it also allowed a young Burt Reynolds his first film credit before his stint as "Quint" on Gunsmoke a year or
so later. George Hamilton, as Paul Strand, is a greedy promoter who supposedly cures Jens of her affliction, and Mercedes McCambridge is his wife who also exploits the innocent.


Salome Jens will star with Andrew Prine ( Bandolero , The Miracle Worker, Chisum ) in Glendale Centre Theatre's On Golden Pond, July 12-August 11. Jens has previously appeared in many productions, and the New York Times called her one-woman show About Anne, incorporating the poems and words of Anne Sexton, " a magnificent moment of theater" and states that her "rich and brilliant performance gleams in the memory." (Anyone living near Glendale, California, might want to order tickets to see Jens and Prine emote in On Golden Pond at 818-244-8481.)

Watching Seconds made me so curious about Salome Jens because I had seen her in so many movies and television classics, and I had to find out a little more about this fascinating feature player. Discussing her performance with Geraldine Page in Barefoot in Athens, a play about the death of Socrates, which first appeared on Broadway, and aired in 1966 on NBC, Jens claimed Page was "fierce" and always worked "on the edges." She also reveals she was "moved, moved humanly" by Page's performance. Barefoot in Athens also starred Peter Ustinov as Socrates. After watching the print of Seconds at the Turner Classic Film Festival in April, I feel that Jen's performances move viewers humanly and motivated me to find out a little more about her and her performance in Seconds, which helped make it a classic, cult or otherwise.

Maybe Salome Jens will be asked to appear at the Turner Classic Movies Film Festival 2013 to introduce another screening of Seconds, or even Angel Baby.


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Re: Just a few minutes ago...
Posted: Jun 23, 2012 1:19 AM   in response to: SueSueApplegate in response to: SueSueApplegate
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Suex2,

Congrats on the original recipe SueSue thread reaching 20,000 views! Everyone loves Suex2's recaps of the Film Festivals!

YAY!!!!

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Just a few minutes ago...
Posted: Jun 15, 2012 4:53 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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Saturday evening, April 14, was one of the events I had been looking forward to since the announcement of the full schedule. At 9:45 in the Chinese Multiplex #3, Seconds was going to be introduced by veteran actor Richard Anderson and historian Kari Beauchamp. 6'3" Anderson strolled onstage looking fit and tan as if he just stepped away from the clay court after his last victory volley.

The low-key, but informative introduction allowed Anderson to reveal some of his Hollywood rise to prominence as one of the most visible supporting cast players from the decline of the studio system to his berth as solid Oscar Goldman in The Six Million Dollar Man, and its feminist spawn, The Bionic Woman. The first actor to play concurrent roles in two different series on two different networks, Anderson was recommended for the role of Henry Malvine in Dream Wife by none other than Cary Grant as Grant's wife at the time, Betsy Drake had noticed Anderson in one of his theatrical appearances in the 1950s when Anderson was a contract player at MGM.

Anderson once claimed that "when people ask me where I received my education, I tell them it was at MGM-U. The biggest lessons I learned is that acting is a talent. You can't teach it. And even if you have the talent, you have to get a part." So when the call came from Cary Grant, he was a little startled, but eventually secured one of his breakthrough roles in Dream Wife after appearing in scores of MGM films in the early 1950s, thanks to the intervention of the Grants, and Anderson even entertained passholders with an imitation of Grant during the explanation of his acquisition of the Henry Malvine role.

Anderson's role as Dr. Innes in Seconds came after his appearances in the final season of Perry Mason and before his guest-starring stints in such favorites as The Man From Uncle, Twelve O'Clock High, The Big Valley, and Dan August, continuing his popularity as the king of supporting roles in major film and television series. With Seconds, both he and Cari Beauchamp acknowledged that Rock Hudson's portrayal of Tony Wilson was one of his best moments on film.

Before the cameras rolled, Hudson spent time with John Randolph learning his mannerisms and preparing to imitate the man who would embody the character of Arthur Hamilton who chooses to relinquish his former life dedicated to what he believed was a hollow dream of unfulfilled hopes. By accepting the Faustian offer of old friend Charlie Evans, played by a post Anatomy of a Murder, pre- Jaws Murray Hamilton, Randolph's character agrees to visit the firm that promises to orchestrate his death, and resurrect him with a new face and a new identity.

Actors John Randolph, Will Geer, Nedrick Young, and Jeff Corey had all been on the Blacklist, and Seconds became the first film Randolph had completed in fifteen years. John Frankenheimer's direction of Seconds, part of what is considered his 'Trilogy of Paranoia' along with The Manchurian Candidate and Seven Days in May, was also an overt political statement as well as a psychological tale that so affected the likes of Beach Boys' Brian Wilson under the influence of psychedelic drugs that he didn't see another movie until E.T., the Extraterrestial premiered in 1982. Audience members seemed much more emotionally stable and appreciative of the collaborative screen efforts, and were visibly moved by scenes depicting the emotional depths of self-delusion and self-destruction.

The passholders attending Saturday's screening all seemed to enjoy Anderson's discussion, and gave him, and Cari Beauchamp, a big round of applause before he exited the stage.

Personally, Anderson's second marriage to Katharine Thalberg, daughter of Norma Shearer and Irving Thalberg, produced three daughters, and according to his website biography, he is "a sports buff, a car enthusiast," and an " insatiable traveler." He certainly looks like he has been taking very good care of himself.

For more about the career and accomplishments of Cari Beauchamp, follow this link:
http://www.caribeauchamp.com/index.html

For more about Richard Anderson, visit his website:
http://www.bionik.com/biography.html

Anderson's career also paralleled that of Seconds costar Salome Jens. More about her busy professional life in the next installment.

Don't forget to have fun!


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Registered: 02/17/07
Re: THE MAME EVENT, Part Two, 3D, The Movie, Redux and et al....
Posted: Jun 4, 2012 10:09 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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Thank you all for your email comments concerning the last post.
Software glitches or wireless gremlins made it impossible for me
to correctly post the previous article and all the accompanying
photos, so this is an addendum adding the last two paragraphs
and final photo:

On Saturday, April 14, at the Egyptian Theatre,
Mameaholics were lined up and ready to be mesmerized again,
but this time by the lush colors, the bravado of the original
soundtrack, and the lovely depth of field we just don't see from a dvd.

Passholders buzzed with phrases from the film like "How vivid!",
"Nuts, Mr.Babcock?,""Topdrawer!","Doyoulikeginfinethenwe'llplay-
someafterdinner " and "Life is a banquet at the TCM Film Fest 2012!"


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THE MAME EVENT...
Posted: Jun 3, 2012 4:57 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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Stylicon Travis Banton designed the gowns for the initial run of the
stage version of Auntie Mame, so the necessity for fabulous fashion in
the film version called for someone with a superior eye for detail who
wasn't afraid to gild the golden girl from the Broadhurst proscenium arch
antics, and Orry Kelly (Australian John Kelly) was elected.

After Auntie Mame's initial run from October of 1956 until June of 1958 at
the Broadhurst Theatre in New York, director Morton DaCosta helped
transition the play, written by Jerome Lawrence and Robert E. Lee, for the
screen, and the wonderful Betty Comden/Adolph Green script made the
play even more merry, even though "suckers" had to be censor-substituted for
"sons!#$@%^&**%" in the "Life is a Banquet" line, often voted as one of the most
favorite iconic film quotes of all time.

By the time Orry Kelly was presented with Rosalind Russell's 5'8" frame for the
exquisite clothes he designed for Auntie Mame, he had already draped
Shirley Jones in Oklahoma, Mitzi Gaynor and Kay Kendall in Les Girls,
Anne Baxter in I Confess, Joan Caulfied in The Lady Says No, Leslie
Caron in An American in Paris, and Ingrid Bergman in Casablanca .


The beauty of the wonderful set designs in the film belongs to interior decor
consultant Don Alvarado, set decorator George James Hopkins, and art
director by Malcolm C. Bert. I couldn't wait to enjoy the entire vision of the
colorful, imaginative film sets, the first vision of Mame's Beekman Place Apartment
decked out in it's Chinese glory with the spookiest door I've ever seen, Yul Ulu's
one-of-a-kind hydraulic couches, and the colourful Christmastime set graced by
the salvation of Beauregard Jackson Pickett Burnside.

All this history about Auntie Mame was swirling around in my vast
internal landscape as I was having my last cup of coffee before dashing
downstairs at the Hollywood Roosevelt to see a film I have loved,
admired, and viewed for many years. (Why all this fasincation? All my
goddaughters think I AM their very own peronal Auntie Mame.) I felt so
exhilarated at the thought of actually being able to see this film on the big
screen with
the director's view of sets, costumes, and characters. I knew that
being accompanied to see this film with a dear friend who felt
the same way about the iconic movie as I did would completely alter and
elevate my viewing experience.



On Saturday, April 14, at the Egyptian Theatre, Mameaholics were lined up
and ready to be mesmerized again, but this time by the lush colors and
fill-original soundtrack, and the lovely depth of field we just don't see from a d



Passholders buzzed with phrases from the film like "How vivid!",
"Nuts,
Mr. Babcock?," "Top drawer!", "Doyoulikeginfinethenwe'llplaysome

Posts: 3,352
Registered: 02/17/07
WALK LIKE A TRAVIS BANTON EGYPTIAN...
Posted: May 22, 2012 3:38 PM   in response to: SueSueApplegate in response to: SueSueApplegate
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Historian and costume designer Deborah Nadoolman Landis
( Raiders of the Lost Ark, Animal House, Coming to America ),
and costume designer Bob Mackie ( The Carol Burnett Show,
The Sonny and Cher Show , Cher Tour Ensembles) in his
understated best with bowtie to match, launched the second
formal film discussion on the Festival calendar on Thursday evening
at 9:30 p.m. in the Chinese Multiplex.

A gathering of Banton fans waited with anticipation in order to see
those art-deco inspired designs that might never have sprung to life if
Claudette Colbert hadn't stood her ground in her tiny little pumps and demanded
Banton and his muse as "emperor of the bangle" so Colbert could walk like
an Egyptian.

Claudette Colbert in one of her most iconic roles,Cleopatra (1934).


Mackie shared with audience members his recollection of the first time
he saw Cleopatra as a 13-year-old youth in Ingewood, California, at
a revival in the 1950's, and marveled at the slinky satin outfits from the
30's, which were much different than the molded, pointed forms of women
in foundation garments popular in the 50's.

Nadoolman Landis also revealed information about her upcoming exhibit
that she is curating for the Victoria and Albert Museum in London, and
reminded passholders that many of the costumes created by Travis
Banton were done in color. One of Colbert's gowns, appearing as a white
satin sheath onscreen, was actually rendered in a shade of mint green satin,
and both presenters agreed that many outfits completed in colorful shades like
pink and yellow often appear in various shades of gray in a black and white film.
Nadoolman Landis also lamented the lack of an in-depth biography of Travis
Banton, often seen as the stylist who transformed Marlene Dietrich's image as much
as director Josef Von Sterberg.

For more information on Deborah Nadoolman Landis' Victoria and Albert Museum Exhibit in London, follow this link:
http://www.vam.ac.uk/content/exhibitions/exhibition-hollywood-costume/