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  1. Like RKO, Pathé, Fox & Education, this list is done by SERIES... unlike my lists for Universal, MGM, Warner and Paramount that are done ALPHABETICAL. Columbia Pictures is one of the better documented studios in terms of its short subjects. Granted, once you pass the realm of the two reel comedy short featuring The Three Stooges, there isn't a whole lot being discussed. Yet progress is being made... and there has been a nifty website dedicated to Columbia's shorties for a while (and getting updated periodically) and this is something we do not have with the other studios. You can see it here: http://columbiashortsdept.weebly.com/ The listings below are NOT to be taken as any kind of improvement or replacement for that great site. You will find no pictures HERE and I only give the most BASIC credit information. Columbia is, of course, most famous for its comedies, but it also made many nifty documentaries, travelogues, sports reels, jazz shorts and... of course, multi-chapter serials (as late as 1955!) and animated cartoons that I am not including here (since I am sticking strictly to the “live-action” non-serial material). Nonetheless I will give a nod to Columbia's toons... Charles Mintz (married to Margaret Winkler, who handled Walt Disney's cartoons of the twenties and famous for getting into a three-way battle with him regarding Oswald the Lucky Rabbit that also involved Universal) headed a Krazy Kat cartoon series that Columbia began distributing in 1929, followed by Scrappy, “Color Rhapsodies” and... after Mintz's passing in 1940 and more changes in management... the Fox & the Crow. The company, known as Screen Gems during its second decade, closed shop in early 1947 with enough 6 to 8 minute shorts “on the shelf” for Columbia to release on a reduced scale during the next two seasons. Walt Disney distributed his Mickey Mouse and “Silly Symphonies” tentatively in 1929 (The Skeleton Dance was booked in some Columbia “block booking” programs) before the studio became his official distributor at the start of 1930. Disney (who apparently wasn't fond of Harry Cohn) left and joined United Artists in the summer of 1932 just before he started releasing his “Silly Symphonies” in Technicolor. (In 1934, Mintz-Screen Gems began their “Rhapsodies” in a two color system before Disney's monopoly on the three color system was lifted.) UPA... United Productions of America... revolutionized American animation in the forties with a more modern “anything goes” style of graphics that contrasted from the Disney “chocolate box illustration” style (as critic and historian Leslie Halliwell humorously called it). Columbia started distributing their “Jolly Frolics” with a revamped Fox & Crow in 1948, then scored big with Mister Magoo and Gerald McBoing Boing. UPA later branched into television production and was always making commercials and industrial films early on, but Columbia handled their theaters-only contract through the release of the feature 1001 Arabian Nights in 1959. When UPA didn't renew their Columbia theatrical contract in order to focus on features and TV, William Hanna and Joe Barbara decided to get “back into” the theatrical business after two years of TV work (and still continuing their empire created there) with a series of Loopy De Loop. 48 titles were released from 1959 through 1965. The National Film Board of Canada distributed a couple of their 'toons through Columbia in the late sixties... and there were the occasional independent production also picked up that decade. One title of importance was Sam Weiss' Little Boy Bad (1964). Columbia took great pride in its short subjects, which often boasted better production values than the even higher-up-on-the-totem-pole studios which forked over the big bucks on their features. Although few Columbia feature films were in color prior to the forties, their shorties were dabbling with the process in the “Color Sensations” as early as 1929. More important... and this accounts for the company's enduring reputation... was its commitment to the 2-reel comedy long after Mack Sennett and Hal Roach stopped making them in the thirties. Columbia kept the Three Stooges employed through as late as 1958, even if the later titles economized with a higher ratio of “lifted” material from earlier ones. Other studios like RKO (with Edgar Kennedy and Leon Errol) and Warner Brothers (with the decade and a half run of “Joe McDoakes” one-reelers) may have (arguably) boasted a more consistent high standard of quality, BUT they were never as prolific as Columbia... and Columbia certainly was capable of knocking 'em out of the park with all of their creative personnel. In the travelogue and documentary arena, there were still “extras” released with the features as late as the seventies with one covering Norman Rockwell earning a shortie Oscar in a decade when the major studios were seldom nominated for anything not feature length. One reason the studio maintained plenty of shorts for possible theatrical release as late as it did was due to its involvement in the 16mm educational market with the Learning Corporation of America, which I also included here (just their Columbia-backed shorts). Again... Key references used are the same as with the other lists: BoxOffice, Film Daily and Motion Picture Herald Magazine back issues (latter two found on the Internet Archive), the IMDb.com site, Motion Pictures 1912-1939 (1951), Motion Pictures 1940-1949 (1953), Motion Pictures 1950-1959 (1960) and Motion Pictures 1960-1969 (1971). Then there’s Leonard Maltin’s The Great Movie Shorts (a.k.a. Selected Short Subjects, Crown, 1972), The First Hollywood Sound Shorts, 1926-1931 by Edwin M. Bradley (McFarland) and other books worth searching out such as Ted Okuda's The Columbia Comedy Shorts (McFarland), first published in 1986 at a time when The Three Stooges were dominating the wonderful world of VHS as they were on television. ************ The way these are structured are as follows... -Title first -Producers, directors and only the most important credits for space reasons are listed in (). If a series was consistent with its credits, I just list them once up top. -“bw” obviously means black and white, although it could have been colorized for home video (i.e. Three Stooges). Also the approximate... very approximate... running time in minutes or “m”. A 1 reel film ranges from 6 to 112 minutes (and I am not certain if you see this listed) and 2 reels run under 24 minutes. -Release date or copyright date ©, which is close enough... and occasionally both if I happened to be in the mood. If I have a filming date that is significantly earlier than release time, I have added that () -If a plot is available, along with supporting cast members performing, I have included it after the date in italics. ************ All Star Comedies (Broadway Comedies) This is just my personal "assortment" featuring stars who only “headlined” one or two shorts each. When Do We Eat? (Alfred J. Goulding) / bw-20m / March 19, 1934 Starring Lou Holtz. Lou's theatrical troupe must make money as a nudist restaurant. Supporting cast includes Bud Jamison, Luis Alberni, Adrian Rosley, Benny Baker, Arthur Treacher, Julia Griffith & others. His Old Flame (James Horne) / bw-18m / January 25, 1935 (filmed '34) A local citizen (Charles Murray) decides to run for town mayor, on a "family values", but an old girlfriend has some steamy love letters. With Geneva Mitchell, Billy Gilbert & others The Captain Hits The Ceiling (Charles Lamont) / bw-19m / July 6, 1935 Franklin Pangborn argues with his sea captain, not realizing he's a potential father-in-law. With Bud Jamison, Geneva Mitchell, Arthur Houseman, James C. Morton, Arthur Rankin, Phyllis Crane, William O'Neal & Stanley Blystone. Unrelated Relations (Del Lord) / bw-18m / January 9, 1936 (filmed '35) Monte (Monty) Collins and his new wife are moving into their new home. All is going well until her family decides to drop in for a visit. With Louise Caver, Tommy Bond, Mary Foy, Ken Hollis & others The Champ's A Chump (Sam White) / bw-19m / June 20, 1936 Big Boy Williams joins a college in order to get a boxer's contract. With Louis Prima, Fred Kohler, Shirley Chambers & James C. Morton Oh Duchess! (Charles Lamont) / bw-16m / October 9, 1936 Starring Polly Moran. A fish marketer poses as "royal" for her daughter's beau. With Jack Lipson, Mary Blake, Symonia Boniface, Vernon Dent, Eva & Robert McKenzie & Al Thompson Sailor Maid (Charles Lamont) / bw-19m / February 12, 1937 Starring Polly Moran. An immigrant seeks an American husband. With Eddie Laughton, Theodore Lorch, Frank Mills, Cy Schindell, Al Thompson & Black-ie Whiteford Oh, What A Knight! (Charley Chase) / bw-18m / November 22, 1937 Starring Herman Bing. A barber is mistaken for a rich woman's new servant. With Louise Stanley & Claud Allister Cuckoorancho (Ben K. Blake) / bw-17m / March 20, 1938 Starring Joe Besser. Two wanderers are mistaken for rich tycoons by a Mexican rancher. With Lee Royce, Charles Master, Lolita Cordoba,Willis Clare & Ned McGunn's Dancers Half-way To Hollywood (Charley Chase) / bw-18m / July 1, 1938 Starring Tom Kennedy & Johnny Arthur. A struggling screenwriter and his buddy make a movie in their backyard about his boss, which causes trouble with him as an unsuspecting visitor to the set. With Ann Doran, Harry Holman, Cy Schindell, Beatrice Blinn, Bobby Burns, Doodles Weaver, Al Thompson, Beatrice Curtis, Victor Travers A Star Is Shorn (Del Lord) / bw-17m / April 21, 1939 Starring Danny Webb. A Hollywood agent tries to hook up “Miss Maple Syrup” with an astrology obsessed producer. With Mary Treen, Raymond Brown & Ethelreda Leopold Black Eyes And Blues (Jules White) / bw-17m / April 18, 1941 Starring Roscoe Karns. Once again Roscoe's wife is seeking a divorce in Reno. With Dorothy Appleby, Elsie Ames, Don Beddoe, Lynton Brent, Richard Fiske & others French Fried Patootie (Wee Wee Fifi) (Jules White) / bw-18m / June 27, 1941 Starring Alan Mowbray. Two ex-soldiers attend a war convention with their wives and one must hide an old flame he meets. With Lorin Raker, Mae Busch, Greta Granstedt, Johnny Kascier & Kitty McHugh Love In Gloom (Jules White) / bw-19m / August 15, 1941 Starring Henny Youngman, running a "Meet A Mate" agency. With Al Shean and the Radio Rogues. Half Shot At Sunrise (Del Lord) / bw-17m / September 4, 1941 Starring Roscoe Karns. Roscoe's wife leaves him on account of his practical joke making. While away, he gets involved with a pretty refugee clothes gatherer. With Ann Doran, Bobby Larson, Symona Boniface, Marjorie Kane, Marion Martin & others Three Blonde Mice (Jules White) / bw-16m / January 22, 1942 (filmed '41) Starring Alan Mowbray. When a cop stops him for speeding, Alan tries to get out of it by claiming that he is rushing home to his expectant wife. When the cop decides to follow him home to check up on his story, Alan has to come up with a wife and child. With Dorothy Appleby, Monte (Monty) Collins, Bud Jamison & others Groom And Bored (Del Lord) / bw-16m / April 9, 1942 Johnny Downs has to find a way to keep his marriage a secret from his boss, who feels that marriage is not good for business. With Arthur Q. Bryan, Marjorie Deanne, Helen Lynd, Bud Jamison, Walter Soderling, Fred Toones & others Kiss And Wake Up (Jules White) / bw-18m / October 2, 1942 Johnny Downs breaks up with his angry fiance before their marriage and tries to make up by making her “jealous” with his buddy in drag. With Adele Mara, Frank Sully, Etta McDaniel & Betty Blythe Two Saplings (Harry Edwards) / bw-19m / March 5, 1943 Starring George Givot & Cliff Nazarro. Two Greek restaurant owners foil a bank robbery. With Gwen Kenyon, Ann Evers, Vernon Dent, Mabel Forest & Monte (Monty) Collins Shot In The Escape (Jules White) / bw-19m) / August 6, 1943 Starring Billy Gilbert & Cliff Nazarro. The boys make the error of aiding a lady on a muddy street, only to cleaned off at her place when the jealous husband arrives. With Grace Leonard, Kathryn Keys & Barbra Slater Quack Service (Harry Edwards) / bw-18m / September 3, 1943 Starring Una Merkel & Gwen Kenyon. The duo get jobs as process servers, and are assigned to serve papers on a prominent local doctor (Stanley Brown). With Monte (Monty) Collins, Vernon Dent, Dudley Dickerson, Bud Jamison, Blanche Payson, Snub Pollard & Al Thompson Garden Of Eatin' (Harry Edwards) / bw-19m / October 22, 1943 Slim Summerville is in the pokey after being mistaken for a kidnapper and must deal with an angry mob. With Bobby Larson, Chester Conklin & Christine McIntyre Bachelor Daze (Jules White) / bw-17m / February 17, 1944 (filmed '43) Starring Slim Summerville. Two buddies battle over a town widow. With Emmett Lynn, Minerva Urecal, Vernon Dent, Frank Sully, Victor Travers, Al Thompson & Charles Dorety Crazy Like A Fox (Jules White) / bw-19m / May 1, 1944 Billy Gilbert starring in a remake of Andy Clyde's AM I HAVING FUN? With Billy as a taxi driver. With Jack Norton, Black-ie Whiteford, Esther Howard, Dan Seymour, Heinie Conklin, Judy Malcolm & Christine McIntyre Wedded Bliss (Harry Edwards) / bw-17m / August 18, 1944 Starring Billy Gilbert & Vernon Dent. Billy tries to fix a friend's marriage. With Frank Lackteen & Christine McIntyre Silly Billy (Jules White) / bw-18m / January 29, 1948 (filmed '47) Starring Billie Burke. Billie invites the father of her daughter's fiance to her home, under the mistaken impression that he is her daughter's fiance. With Virginia Hunter, Myron Healy, Tim Ryan, Ruby Dandridge, Emil Sitka, Black-ie Whiteford, Cy Schindell. Billie Gets Her Man (Edward Bernds) / bw-17m / September 9, 1948 Starring Billie Burke. Billie thinks her daughter is pregnant and must decide if she should remarry an old chum, now a millionaire. With Patsy Moran, Dick Wessel, Emil Sitka, Gay Nelson, Jimmy Lloyd, Andre Pola, Symona Boniface, Stanley Ince, Cy Schindell, Harold Brauer, Johnny Kascier, Wanda Perry, Teddy Mangean, Virginia Ellsworth, Dee Green, Maudie Prickett, Charles Heine Conklin. French Fried Frolic (Jules White) / bw-18m / December 8, 1949 (filmed Oct) Starring Wally Brown & Tim Ryan. The boys get tangled with French girls (Christine McIntyre and Nanette Bordeaux) who need husbands to fool a rich uncle (Emil Sitka). Also Grace Lenard & Kathleen O'Malley Innocently Guilty (Bert Wheeler) / bw-15m / August 21, 1950 Starring Bert Wheeler. Through a series of misunderstandings, Bert becomes innocently involved with his boss' wife. With Christine McIntyre, Margie Liszt, Nanette Bordeaux, vernon Dent, Joe Palma, Heinie Conklin, Kathleen O'Malley The Awful Sleuth (Richard Quine) / bw-18m / April 15, 1951 (filmed '50) A soda jerk (Bert Wheeler) is a detective tale buff who doesn't recognize gangster “Memphis Mike” as a customer and confident until he is held captive later. With Ben Welden, Tom Kennedy, Minerva Urecal, Jean Wiles, Vernon Dent & Ralph Volkie Down The Hatch (Jules White) / bw-17m / November 26, 1953 Harry Mimmo is employed by a couple of jewel thieves getting him to carry a stolen ruby out of Italy by ship. With Rita Conde, Maxine gates, Johnny Kascier, Joe Palma, Emil Sitka & Philip Van Zandt Kids Will Be Kids (Jules White) / bw-16m / December 9, 1954 “The Mischief Makers” with Sally Jane Bruce & Emil Sitka. Junior & Highpockets enter their dog Daisy in a pet contest, and she wins doing a dance until a kitty interfers. Tricky Chicks (Jules White) / bw-16m / October 24, 1957 “Girlie Whirls Comedy” featuring Mureil Landers. Two girls at a night club are romantic with investigating agents and try to fool them with fake evidence on some criminals they are seeking. With Dick Wessel, Bek Nelson & Benny Rubin

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