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TomJH

NAME A MOVIE GEM THAT DESERVES TO BE BETTER KNOWN

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Lupino got a bit of a raw deal from Warners. Even though she had shown that she was capable of great dramatic stuff in her early films for the studio, Warners stopped giving her really strong material after The Hard Way.

 

The one later exception to that I will now include on this thread:

 

THE MAN I LOVE (1947)

 

 

Raoul Walsh, of all people, directed this sensitive portrait of relationships in the big city, much of the film set in night clubs. The film opens with a great sequence inside a jazz bar with Ida Lupino lip synching a wonderful heart-felt rendition of Gershwin's title tune. Walsh allows a number of the individual musicians, the sax player, the drummer, the coronet player, to all have their brief closeup moment in this sequence. Lupino's chemistry with these musicians is apparent as she strolls amongst them, a cigarette in her hand, at one moment in mid-song leaning to light the pianist's cigarette with her own. The feeling of the sequence is romantic, nostalgic and decidedly moody.

 

 

"One day he'll come along," Lupino sings, "the man I love,

And he'll be big and strong, the man I love . . ."

 

 

And those lyrics give a strong clue as to what this film about lonely people in the big city, searching for the right relationship, is all about. Yes, there are myriad characters introduced early in the film which threaten briefly to overwhelm the story.

 

 

Fortunately, though the story comes back to rest where it should - upon Lupino, stung from a sour relationship. She encounters sleazy saloon owner Robert Alda, on the make for any woman he can get, as well as Bruce Bennett, another loser in the love wars but with Bennett Lupino and the audience can detect a sense of decency. But he's a guy was has been hurt by a woman and he's afraid to commit.

 

 

Raoul Walsh, who usually cared about his characters, unlike some other directors known for action films, seduces the audience with the milieu captured in the jazz clubs, as well as the persuasive performances of the leads - Lupino, Bennett (one of the best performances of this actor's career, he carries a quiet anguish about him), as well as Alda, who is fairly odious. The film also has, in a sub plot, a fine turn by Dolores Moran as a bored trollop who is only trouble for those around her.

 

The Man I Love has, in my own opinion, a memerable bittersweet ending which does not compromise its story.

 

 

It's the film's opening scene, however, when Lupino and those musicians do their tribute to Gershwin that is probably the film's finest sequence. That alone makes this film worth several viewings, in my opinion, which is possible, since TCM does broadcast THE MAN I LOVE on occasion.

 

 

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Yes, THE MAN I LOVE was one of her better assignments at Warners. I also like DEEP VALLEY a lot, too. But for the most part, she languished at the studio with substandard material.

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I had a few more films I wanted to add to this thread:

 

*A BELL FOR ADANO (1945)* is a superb 20th Century Fox production about a war-torn Italian village and the Allied soldiers sent to restore order. John Hodiak and Gene Tierney star.

 

I also want to recommend another Fox classic from the 1940s. This time it's a film noir starring Ida Lupino and Richard Widmark called *ROAD HOUSE (1948)*. There's another picture with the same title starring Patrick Swayze, which is not even close.

 

And don't miss *I'D CLIMB THE HIGHEST MOUNTAIN (1951)*, a Fox offering with Susan Hayward and William Lundigan as a couple experiencing the joys and sorrows of ministry in rural Georgia. A most exceptional film!

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' OH GOD '.....to me is more than meets the eye....there is alot to this movie.....not the sequels, the sequels stink......but the first one is very deep.......It isn't putting down GOD at all , just the opposite.......and it isn't saying George Burns is God, not at all. God does say in it that if he came to us as God really is, our minds couldn't handle it, so God took an image we could relate to. That makes sense to me......and in this movie I don't laugh when instead of looking like George Burns, God looks like a black woman, because why not, it's God.......and in these days of religion vs relion to the point of holy wars and terrorists, I love John Denver asking God, " Why me, why are you choosing me ? I don't belong to any religion ".....and God says, " Neither do I "......I don't belong to any religion...I like that........and at the end God saying, " If you find it hard to believe in me, maybe it will help you to know that I believe in you. " ..........I don't watch this for the humor, I find it very deep, and I agree with about 99 % of it......I feel this movie could and should become more of a classic, if people would really watch it and think, and listen....up to God at the end going to see the other animals of the world saying, " I created them also "....." Will I ever talk to you again ", the man asks.....God says, " I'll tell you what, if you talk to me, I'll listen ". ......To me this is a loving God, and very deep stuff without being impossible to watch, actually made easy to watch because of Burns and Denver and Garr

 

Oh yes, was Jesus your son ?......and God says," yes, Jesus was my son, Gandi was my son, Mohammed was my son, Moses was my son, the man that had no room at the inn was my son and the man that charges too much for a steak in this inn is my son " .....to me, that isn't funny, thats deep, in a light way.

 

I'm not saying everybody is going to transend or agree with this movie 100 %, but I think most people could find things in this movie that are very spiritual and moving and lets us think of God in a good way, not as a reason to blow people up and buildings up, which is the opposite of Heaven, that is Hell on earth by the powers of hate, not God....What is that saying in War And Peace....God Is Life, God Is Love, To Love Life Is To Love God....

 

Edited by: WhyaDuck on Apr 25, 2013 7:52 PM

 

Edited by: WhyaDuck on Apr 25, 2013 8:01 PM

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When I tried to recommend 'Oh God' to some people back then, there were several who refused to watch a movie with that title. Said "it isn't right to make a movie like that".

 

I suspect that there might be a bigger protest today about a movie like that one. We've gotten a lot more sensitive in the last thirty+ years rather than less.

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> I also want to recommend another Fox classic from the 1940s. This time it's a film noir starring Ida Lupino and Richard Widmark called *ROAD HOUSE (1948)*. There's another picture with the same title starring Patrick Swayze, which is not even close.

I can second this recommendation, particularly if you like your Richard Widmark on the deranged side. :D

 

Ida does a great rendition of "One for My Baby (and One More For the Road)", too.

 

I do have to say this thread can be a tad depressing. Reminding me of films I've long-wished to see, but aren't accessable. The Light That Failed and If I Were King are both high on my list. Universal doesn't seem interested in releasing their Paramount gems on DVD, so I suppose I can just hope they show up on TCM, someday . . .

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CRIME WITHOUT PASSION (1934)

 

Produced, directed and written by Ben Hecht and Charles MacArthur, this fascinating production has an eye opening, jaw dropping opening montage sequence that will have any viewer riveted to the screen. It depicts the three vengeful Furies of Greek mythology created from the blood of murder victims, flying high over the skyscrapers of a major metropolis in diaphanous gowns, almost naked underneath, looking like the wives of Dracula, as they smash windows and laugh manically while observing moments of passion between these wee weak mortals.

 

It's a stunning combination of Lee Garmes photography and the economical but still impressive visual effects of Slavko Vorkapich. While nothing in the rest of the film is quite so audacious as this opening (how could it be?), Crime Without Passion stills remains a witty and highly inventive production.

 

 

Aside from the cleverness of its screenplay, much of the strength of the fim lies in the perfect casting of Claude Rains as a highly successful defense attorney who specializes in using every trick of the law in order to get clients of dubious innocence off scott free. Buoyed by the self-satisfaction of his own legal brilliance, Rains is openly contemptuous of the police and opposing attorneys. Aside from that, however, Rains has women trouble, and the film deals with this cunning attorney's unintentional involvement in a crime and his attempt to cover his own tracks.

 

 

This was, in fact, Rains' first completely visible performance, following his Invisible Man screen debut, and he's a joy to watch, smooth, contemptuous, a manipulator used to playing with the courts and the lives of others. Now he is using that brilliant legal mind of his to try to extricate himself from a jamb. It's apparent from the film's opening, however, that the Furies are watching.

 

Appearing as the two women in Rains' life are Margo as a passionate night club dancer of whom the attorney has tired, and Whitney Bourne as the contrasting icy society lady with whom he is now obsessed. Rumour has it that cinematographer Lee Garmes actually directed most of this independent production, released by Paramount. The film also benefits from its dramatic, at times Latin sounding musical score by Frank Tours. Keep your eyes open and in a brief hotel lobby scene you will see a brief wordless cameo by Mrs.Charles MacArthur, a young Helen Hayes.

 

 

The climax of the film, set in a night club, is suitably ironic and delicious. Crime without Passion is a little seen gem that is, unfortunately, hard to find. However, for those interested, here is a link to a YouTube showing of that knockout bizarre opening sequence. Hold onto your seats, folks:

 

 

 

 

 

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KHIA/CtC0m8MzJ05M5x36VUdP0iJHWOOAhFGSCe/rUlq2oLoemzTqR4pHJAP9R/t1/CgqfxD1b9qcRzBG5obQC3jIOx5fqP55qs10ksSzEknue9djjMhwKAtdQjmGRkUdIS2wp1DpdzIwwhA9cUEndcLanZaPBrawmSwk3Lr1T7j0962T4Y3LzaLGjsW5PKGPcVA8EXqPosOi3Fibu3VCgZxgch7eM1buE9E/YGnxQSPzEDcnrmgtWQVAAxjrSi9Nqbq3OuR0o4LqwIHlNAtQoV0UHMUU0eiGgIxxSLnrSr96QlO2KBXmHrQpDIoUDobk13YDemcl4Fzy77nrTOa6dxux1BKtcRocFs/akze5OET86iDcBe4zTlZB16AUD75x/RRSF5ftDGWZtz0po1ypI9OtM9SJuVATYgUDmPUpXbCnY9zUqZWFuSCScd6rmkrz3Cxvk9SfapX/JYb0DNdDtbyQXd7Ck0pnnXZR/enyWUSAcsajA2AFOYDmBCP5aXUYGaCNa0jifnVAHP1N3Jqj8e2pktyzDPdT2rQp/8sN71XtbhWeB1dQyMMEGgyWzwyKrAAg4apay8MTeGU2x5c1GapDLpV4wC80ROxPUe1N470rKGiYZ6YJoLvDp8EvKx5c46YpzFpQP0Rbd8VCWF1cySKW5I1Hd5ABirM/Fel6dYuI3F1NGvmWEZAPuegoIPiC2TR4WmfAkfyonr71lOtagpXbBjhIyVRfT39WXiXX7rVJzcXAwSP3aj6VFUp1LSEgb57d6Ajxsu2BT/AEu0LyBiPKdvaeaVbrK6865d/8ALB6N6j71cNO4blkCyi3McP8AGTtn7UEbp3DdvMWmuG8K3jXLMPWp/TGsoQFS159tmbtTi5WKWH5W0DfLxHDf6vf7U0njMSnwwV5fSgmTqlzGV8LESr05RUppupSF5I5XYk7qSarZlWa1VkPmxv8AeuW92RLDJno3KaDTLK5DQg565xTOUcuapdjfclrHlgOV2XlSn7R8K0ds55cGgsqup6UbNQn36zxK3Nv8AepJZlZeYHagWJorHakhKDQzneg43Qk9qbytnNKyN2FNpTtQG5qFI849aFBFyXYIxnFIT3yxLkHc1FfNTzH86jb285tgd1BNLe8zjfqc1Iz3ZUMFPSqpBOTMqs3vtUm8xcbnAJ70DwXRd8ntS9rKzyIFJyTUVGWDEEYHvUvpi4HOO2woJCGIx3XihepwalBuoz3phDlEy7k75pzHKGIxQPoCEiKnsNqXVuZAR3FR80witZHJwAtL2cviWsbdfLQGyGi8Nht0qBvpfDLxS9QNs/xDfFTjEFjUbrGnm9tx4TBZV3Rv9qDPeItJF03NbEA/wApO34VT54WiYxyLhgTnIzV4uGntZmM6MhU9GG34VAapIryl15Tg0EHBpjuPEfMcWd8DtU9qGoW9tbNZaFEscEiYkeRTnPt/eo0yvI45iSBmm1y5AbB6e/egSlnhuIDb3CYdHFRsVh4UuWUlR3pd4eZ85zv09afWXiRgDqo/mGc0F20iLQLDTbMrbJeOQx5xsD6ipKS9n1aM2sSiGEYw42B9qjNY14pp1rbJZwiQxgh8dOlRcd9LIEkeRlQ4EgBxg0FgntrWzYJbTeJIQOfPQ0wuowo3PXOM96Ra5Y8uGyxJ3I60rLMkqA4GBlAzB5ZWj6RsfLt/EKZ3bCJcEiNjn7Glp5wuEkOAT5W9PeozULkRRkOT06ZoJy21QCCTmPRid6drqZT5c5BU9fzrPm1Al2jLnl2wfWpSPUA9s3KSRjGQaC7aPqr86jOBgEjPSrvaWt5PbpcRyIqOM8h7isbh1IQphW82Bt7Vp3CfEca8PPcXMqmG3UkZbfAoJT5xlmMTUg4IPanPzqBdiPSsw1fjIvNJOucyMSMdh2poOOY0jAZyMDp70GqNer6im1xfLyHBAqgRcXwTsoSVDvjY96kYdTS6cJGwIPoaCwfOj1ahTLx09RQoKemsRzRsyBsZ2JFN/mcblhvvUHBIvWxwCc49ac/L8xXlLEDoTQT9jJzOWLDpgVL84ymTnbNQGlxNjzZ2qwJCHCY7dKA6OXIXoWIqxWxEMSgYAxVec5vIkA8uc08luQBTsaCbZi35iTttXbeZ8jAP8AaqlyXc/1qZtpeWBWzuf6UD29lE0T26HJYdP1pbRJbToezHPX71C6deCTVGydjkAVMaWgR7iLHXKcfY70DjxnYZQRgUr5h38vpUbNKRchicZzmpCKVSgOetBGcQ6VHqtsI5GZSmSrJsQaznVNEutPcpKOZB9Mi9DWrysG2BBGaayQgrnAJH8wyCPsaDGJ0KHBzuBim0qtIcAYAOTn0rWdb0m1vIefwY1cD6QMDHsaoF9pxtZGQ7Y6A7Gghkg8uc4JIxmnMcZOQfTGaPgIAuNsb5pWBcnKjOBgZoJbiJWZLDnQLiLGfUbVGReQZ/gbYinup3Mt1DaLKvL4aFR/q6UydDgnO1A6BAHhkjB6cp6H0pCS6KZBfcdfekTKpgKP9S9SP61FX1xI65VskHO1A9vb2NM86Fw3Q56VFajcOqGM5AyD7VMcNaU2vIZrL99NAwYs3OOdDtlferpbfD2ziDujFomBZc9VGOlBityXWfkIII2p7DL4cJRScYyakeMbAw63OkSHylRgfam6WLukjchgZ9jigRs5md15mO7VbOL7hNJ0GwtYGKzT5ZwD1FVuDSbhVSSNCzdcYppxHqF3f3Km7BURLyIp7UDOfUp3IHOcCm7XLk5J60gc0KBeG5Mbhhs2e3ar3w5rlhFZzXRLJcxx8rc3T7is8NHWRlUqCcHcj1oL3/iMf7JQqlfPz/zD8qFBZBByXC8gLKdwwqcsYH8PcZ270bQ9IurzwYY4yGHdtthV5suFI1j/AOomYsRjCDYUFYs/3bhfpzUzBKojA3B9aS1TSnsZXd1I5lb1pvGWIwxORQSQYeMrNvjP40yuZeZ853/AKUZuYxhlJyP1phO5XZt8negkrVsSKCevvUlNdiOLtkCq9BNyydR6g0W5vyebGdqCd0XzTtJzeZcAfj1qxxzqt2Gw0sQx7kf/tUfRLxiGYEBS2TmnpX5EKSAsGjIOx3xQTlxcAsOdt6c2dyPpY1T7zWp7VuaRTLFjKyL2HvR7TXI5QGTy5/WguizjcbDf8q41wOYL271XotRypYuDgb12TUMNnmFBLSyBsqNwex71C6rZx3KGOQc3L9DgeZf711tSUgMpyc4IpKe68WPmR/MP4fWgqV1AIZCpIbfII7/8ANHhK84HTJwc9utPNTRJnL5IyuGwNwfWotf3TqrgMR3AoLNfWEB4atryPzMsgRvYZI/tUFMuAdxjONvWrvwxFp97wpqMFxJyyIWZsnBXbII/EVSblMAEE5x0xQR8oKHm9etNV0o3d9CDzi3lcAPGMGTsCfapBLRrmVUA6mtK4Q0GC0i5iuTJv5t8eoFAOBOG/wBkQyPdW6JfKxVpY/pkHZh9x1qU1K7lDo1lC8yXSspKdEcbbn/ABU26AQlVPKeXAPpUTplgmm2iQxsxYjMhLE8zHcn8TQVq54VtEhM02Zb135nbPlHtj29ahLnQ1UEImcnJA71oUkRfOaEVjGD9I9BTtA00W0kvzcSnKHkFZxxHw3ex3bloHCscr3yD3rfTbxA7KD6mkGto5HdmQEt6lB5ou9MeOfwVUl8dMUwmt3hlMbjDL1r0tf6LZeDIVtY2lfYEr0NVv/ANi2XlTmdjlqDCCjDcii1vN58PrG8hEPhhFG/lGDdRtz8JrB7crDcyRP6/VQYxQrVP/SA/91P/AMX/ADQoLiRR3cbxqB1XYbVLowxUa2I1AHZqcRyjGx3oFLy1iu4Rx9j6VWLuyNvKVIwR3q0xygvTbU7cXMfMqdenvQVsRqFIPQ9vemlzbgBiMdaeSKVODt602ckIysQWJ6tBEzLgsyg5BqOnflkYZOWGSKlrk4ByNs/pUFNIvi5fG2fagm9HUR2gDHBzk/nRb48jKGBA6e9MH1ERwqp6CmFzfRgBgwK96CVsb3x7Yw82XTbcdRSJjUSUFSew7GoGC/WG4Zo3xj0PWpCPUY3YLkYPU5oJm3mlX6iNzinEtyzKBnt32NQgnUZ37VxroYJBJz0BoJBblmfKtgj07mnkDSTElGCsNiDUHBdYkwM796l4plOHBAfbBPQ0C1xhlVmbLnY4H1R8w5CeYY9NutPZbiGZMMAsqjqDTGS7JHhyBeboDQO7Odlt7lfEdedNwD19RqTssyrKCyHrg707srQ3Md1NDJjwlBZS3Y0wt5Ha4WPwmdWOMKQGHup9aC5cO6ajShQkE5XI6jtWgWqiGHYZxjAqB4MW6jtPDvXE0R81vMFxlfRh2I6Vaj9GO1AWVlOxOSO1Ild67tzMfU13NAUJnGaM2AMCu52ogOTk9qArDbHc9aAGK6DknNCgKUBOTXAgzk0csBRSwoCkYpOQ4BozNSEr4WgUyKFIc7e1CghpmPITnfm/3oiyPy9aFCgVhkfmO9PUJ2GaFCggdbAjmyvc1C3BOQ2dyP96FCgjrp2EZwarWpMVDEHfNChQR8k0jQ4Ldaj3lfnKhjjNChQIeI3PzE704SZ855ugzQoUDuK5l5B5jS5nkyNnShQoDxXEiuN8/f7VKQzSFBlvShQoFfEaWJY7ouxFIIzHJ64zlChQJGaSNyqMQrLuKe6USLuNwd1P8AvQoUG1aHvp8LdOZQSB0qTcYQjJxQoUBCNpopHvQoUHcdd6LjoMmhQoAV2O5rrf5RoUKBnkk7k10kpoUKAhz6npSDZIOSaFCgW8MepoUKFB/9k=!

 

 

images?q=tbn:ANd9GcRjU6Bhbk-vZ-wbMWoDc1s

 

 

CRIME_WITHOUT_PASSION.jpg

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Thanks, Tom. CRIME WITHOUT PASSION does seem like a good one!

 

Tonight I watched STELLA, a 1950 treasure from 20th Century Fox, starring Ann Sheridan and Victor Mature. It's sort of a black comedy about a family trying to cover up a murder and then trying to find where the body had been buried in order to collect the insurance. It reminds me of a cross between DOUBLE INDEMNITY and THE TROUBLE WITH HARRY. But it's played for laughs. Very good and worth seeing! The stars are in their prime.

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Thanks, TB. I have found it very hard to come across most of the films that Ann Sheridan made in the '50s. I'm going to recommend one, though, sight unseen, because, according to any reviews that I've read, it's a wonderful little drama.

 

*COME NEXT SPRING* (1956) is, apparently, a lovely slice-of-life of small town Americana, starring Steve Cochran as an alcoholic who returns to his wife (Sheridan) and family in their Arkansas town years after having deserted them. Cochran's task is to try to win back not only his family, who have been managing well on their own, but the community, as well, which regards him as a disgrace.

 

Said Ann Sheridan in an interview with John Kobal not long before her death:

 

I'd rather you remembered me for something else, like *Come Next Spring *(1956). That was a good little picture.

 

It was a sleeper. If it had been sold properly, it could have done well. But, unfortunately, it was part of *Steve Cochran's *package for *Republic*, and *Herbert Yates *(the president of the studio) didn't care whether it sold or not. It was supposed to have A bookings all over the place. Well, it didn't. No point in crying over it, but it could have done well. But they had this personal feud going on between *Steve *and *Yates*, and the film paid for it. But I never got better word of mouth and reviews than for that. It was a sleeper that was never allowed to wake up. *Republic *was really a cowboy studio, you see.

 

If anyone reading this has seen Come Next Spring, and would like to make a contribution about this rarely seen film, it would be much appreciated.

 

220px-Come_Next_Spring_FilmPoster.jpeg

 

 

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COME NEXT SPRING was available at Netflix streaming last year which is where I watched it. Maybe they will add it again. She's right. It's her best film.

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What might be an interesting thread is what female stars of the 30s had the best career during the 50s. I can only think of Crawford and Stanwyck. As related in the Darnell thread the 50s was a time of change for the studios and these 'older' 30's stars had competition from actress that became stars in the 40s; Hayward for example, being one of these actress. Yea, she made some films in the late 30s but she didn't become a star until the 40s.

 

Ann Sheridan was only two years older than Hayward but like so many other actresses of her generation she didn't have a very robust career during the 50s.

 

 

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{font:Calibri}My pick is *Taggart,* a 1964 Western no Dan Duryea fan can miss. Dick Foran, David Carradine and Emile Meyer are also in the cast and Tony Young is the homesteader who avenges his family’s murder but is hunted from the grave by the killer who hires Duryea’s character to finish what he can’t. It’s Dan’s picture and, as usual, we love hating him. {font}

 

{font:Calibri}{color:black}If those "furies" weren't nude under those gowns the body suits or whatever left nothing hidden. How did this get past the Hayes/Breen censors or did this help set them up? I want to see the whole thing as I suspect that the opening was an attempt to apply a moral lesson aura to some possibly lurid happenings to come.{font}

 

 

 

 

 

 

{font:Calibri}Alias Nick Beale sounds worthwhile just to see George Macready-one of the great villains of Hollywood history-playing a minister. Milland was always wonderful as a cool, suave louse. And I am now committed to seeing *The Proud Land* if for nothing else than hearing a Jerome Maross score I haven’t yet.{font}

 

 

 

 

 

 

{font:Calibri}Prince Saliano: *The Crimson Canary?* Your Highness, if we ever meet dinner’s on me and I promise you more than “One Meat Ball”.{font}

 

 

 

 

 

 

{font:Calibri}DougieB: I still waiting to see *Lucy Gallant.* I never seem to be in the right place and time but am still trying.{font}

 

 

 

 

 

 

{font:Calibri}TopBilled: I thought I was the only person who loves *I’d Climb the Highest Mountain.* I don’t know where all those late 40s-50s films Fox let NBC run on Saturday nights in the 60s went to but they’ve got to be somewhere. {font}

 

 

 

 

 

 

{font:Calibri}I too enjoyed *Oh, God!* when I first saw it What I remember most is when Jerry asks God why he permits so much trouble in the world and the reply is something like “Me? I gave you a perfect world. You’ve messed it up with pollution etc”. This rightly puts the ball in our court. They also try to make Him a media celebrity to their liking rather than listen to what He has to say and take it to heart. I realized I’d not be able to accept everything about the movie but did get some good from it.{font}

 

 

 

 

 

 

{font:Calibri}*Come Next Spring* has a great cast according to the poster. I’ll look for this one too. Thanks for all the tips. {font}

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Thanks, Tom, for the info on Crime Without Passion.

 

What a GREAT opening sequence! Yikes!

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I am a huge Horror fan, and I think ALOT of Horror films should be better known. However, out of Horror Films, "Murders in the Zoo" 1933, should be better known; especially in the Horror community. The film stars Lionel Atwill, as a perversly sadistic zookeeper and hunter, whom slowley goes insane. Atwill is diabolical as Eric Gorman, a hunter and capturer of wild animals in the jungle. The film is a shocking pre-code Thriller/Horror picture that deserves to be put out there in the spotlight, along side "Frankenstein" and "Dracula." Right from the begining of the movie, the viewer witnesses Gorman sewing a victim's mouth shut, and you actually see his mouth all sewin up when he gets up in front of the camera; blood dripping from his mouth. The film is disturbing in the sense that if you pay close attention to the interaction between Gorman and his wife, after Gorman forceibly grabs his wife's breast, he tells her how death and killing arouses him ! (Not for everyone, but defintly needs to be seen and heard from more.)

 

 

220px-Murders_in_the_Zoo.jpghttp://en.wikipedia.org/wiki/File:Murders_in_the_Zoo.jpg

 

 

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How about Herbert Brenon's *A KISS FOR CINDERELLA (1925)* with Betty Bronson, Tom Moore, and Esther Ralston? The follow up to Brenon's hugely successful adaption of James W. Barrie's *PETER PAN (1924),* and another Barrie Stage Play*,* this is truly a forgotten Masterpiece deserving of a major restoration effort. Although William K. Everson listed this among the great american film of the Silent era, it is little known and very seldom seen today.

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Crime Without Passion has an opening like no other than I have ever seen in a film. That's why I'm glad I found that YouTube Link for it. You don't have to take my word for it but instead see it to judge for yourself.

 

But the entire film is a real treat, especially for Claude Rains fans. And that Hecht-MacArthur screenplay is really clever. But nothing is as wild in the film as its first three minutes. It is, to put it mildly, a real attention grabber.

 

By the way, there are some websites that offer DVDs of Crime without Passion, though I have no idea about the quality of those images. For those intrigued by that opening I linked it might be worth a gamble.

 

Here's an ebay link, for example:

 

 

crime-without-passion-1934-claude-rains-

 

 

http://www.ebay.com/itm/Crime-Without-Passion-1934-Claude-Rains-Margo-DVD-/300600937520

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Thank you, TB. It's nice to get further confirmation that Come Next Spring is a winner. I would love to see this bucolic piece sometime. As a fan of Ann Sheridan, I find it frustrating that one of her best films is so hard to find.

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COME NEXT SPRING is for sale on ioffer. It's worth taking the effort to locate a copy. Not only is it Ann Sheridan's best work, but it is also Steve Cochran's best work.

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*THE FURIES* (1950)

 

Director Anthony Mann really hit his stride in "A" productions with his three westerns of 1950. While Winchester 73 remains his most famous and best of this trio, this Freudian effort with a dominating central role for a woman should not be overlooked.

 

The crux of this film, based on a novel by Niven Busch of Duel in the Sun fame, is of the love as well as competition that exists between a larger-than-life land baron who has become something of a legend within his own time and his strong willed daughter who, ultimately, seeks to out fox the old fox.

 

 

The film is also to be remembered for two moments of stunning violence, one a hanging, the other involving a pair of scissors. Both acts of violence, in turn, taint the characters responsible for them though, by the film's end, there appears to have been a softening of attitude in order to find a sense of forgiveness for what were, in fact, heinous acts (though one, to be fair, was an impulsive act, while the other was purely cold blooded vengeance).

 

 

The Furies, a name that refers to the New Mexico territory that the land baron owns, is also a film, like one of Mann's other 1950 westerns, Devil's Doorway, that provides a sympathetic portrait of racial minorities, in this case Mexicans. While the land baron would just as soon see them, as squatters in his view, off his land (ready to resort to violence, if need be), his daughter sees them as human beings and has, in fact, a lifelong friendship, perhaps even relationship, with one of them. Personally, I think this could have been an even stronger film if it had explored the possibililty of that relationship but, perhaps, audiences in 1950 weren't quite prepared for that.

 

 

Mann uses the landscape, in particular the ominousness of black mountains, at times beautifully photographed, well. This is not the picturesque beauty of a John Ford western here. Somehow the land itself seems, at times, as threatening as are the actions of some of its inhabitants.

 

 

The Furies further benefits from some really superior performances from its cast. Barbara Stanwyck fans will have reason to rechoice her strong performance here as the daughter. She is passionate, strong, gutsy, just like her father. The latter role, that of the land baron, is played by Walter Huston in his last screen role, and it's a glorious career finale. Few actors have departed with a more impressive performance than Huston who is booming, larger than life, his character at times selfish and, on one occasion in the film, turning cold-bloodedly vindictive. Huston is a pure joy in this complex role.

 

 

Also scoring well are Gilbert Roland, genuinely noble as the head of the Mexican family living, much to the aggravation of Huston, on his land, and Blanche Yurka. Yurka's part is small but her cackling performance is strong and her character plays a pivotal role in the story resolution. There is also a terrific performance by Judith Anderson as the woman Huston brings to his estate much to the frustration of Stanwyck.

 

 

Then there's Wendill Corey. Ugh! A genuinely obnoxious character played with a smug smile by the charmless Corey which does not make him any more palatable. Oh, well, let us glorify instead in the scenes of love and conflict between Stanwyck and Huston, as well as those at-times ominous black-and-white images of the countryside, curtsy director Mann and cinematographer Victor Milner. And to cap if all off, a booming, dramatic musical score by Franz Waxman.

 

 

Film_Furies.jpg?1328128297

 

 

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!

 

 

images?q=tbn:ANd9GcQlUdBTrBd-YV2ZLoXqSGu

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THE FURIES is an excellent choice for this thread. Critically lauded for years, the film seems to be neglected by some. The performances are all top-notch. Indeed, Judith Anderson's work is terrific in this picture (the scene with the scissors is truly terrifying). Anderson previously played the cold aunt of Stanwyck's character (as a child) in THE STRANGE LOVE OF MARTHA IVERS, though the actresses did not share screen time in that earlier movie. Fans of Anderson will also want to check out PURSUED, another noir western where once again she gives an outstanding performance.

 

I think THE FURIES works mainly because of the dynamic between Stanwyck's character and Huston's character. The Freudian subtext between daughter and father suggests incest in a few places, and that makes their scenes more tense than usual.

 

The heinous acts committed earlier in the film, as well as the interracial aspects of the story, are somewhat muted and that is to the film's detriment. I am sure that Mann intended to depict the most unflinching account possible. It occurs to me that THE FURIES would have been a perfect candidate for a spaghetti western remake in the late 1960s or early 1970s. I think Quentin Tarantino could remake it today for modern audiences, and no doubt he would be unsparing in his use of violence and sex to convey the abuses of a frontier world that Mann's work only hints at.

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*SILVER RIVER* (1948)

 

A lavishly mounted western which died at the 1948 box office and has remained largely neglected in the years since, Silver River remains often compelling viewing due to its strong characterizations and the interplay of those main characters. It is also noteworthy for being one of only two screen occasions in which Errol Flynn played a disreputable character.

 

The film really works more successfully as a character study than it does a convention western, though it does begin with an exciting Civil War action sequence, directed with the panache only to be expected of Raoul Walsh. Walsh was always interested in his characters, however, often bringing a greater sense of depth to the drama.

 

While not one of the great Walsh films, Silver River has always been an underrated production. Playing Mike McComb, a Union officer unfairly cashiered from the army, who turns bitter and into an ambitious opportunist, eventually a corporate buccaneer in the silver mining business, Flynn is effectively understated and nuanced in his interpretation of the role. It remains, in fact, one of the actor's best performances.

 

The Stephen Longstreet screenplay, based upon a novel of his, draws direct parallels to the Biblical tale of David and Bathsheba. Like David, Flynn is a man who desires another man's wife, enough to send that man into Indian territory in the hopes that he will be killed. Ann Sheridan gives a strong, gutsy performance as the woman, demonstrating considerable screen chemistry with Flynn, while Thomas Mitchell has a field day as the conscience of the film, judging Flynn's behaviour, in a colourful characterization as a drunken lawyer (clearly derivative of his Doc Boone performance in Ford's Stagecoach). Some of the best scenes in the film, in fact, are between an understated Flynn and the flamboyant Mitchell. Bruce Bennett, as Sheridan's husband, brings a sense of decency to the role (a real contrast to Flynn's character), and Tom D'Andrea, as Flynn's friend, adds a welcomed laid back humorous touch to a few scenes, as well.

 

Raoul Walsh brought a sensitivity to one of the film's best scenes. It occurs towards the end, after Flynn's fiancial empire has (predictably) collapsed, and his palatial home is being cleared by all its possessions by contractors for his creditors. By this time in the film Sheridan, as his wife, has left Flynn, as well.

 

The only possession in the home that Flynn doesn't want touched is a giant portrait of Sheridan that hangs on a wall. Flynn leans against a door jamb, a fornlorn figure reading a newspaper, trying to act nonchalant to the activity of his home being stripped all around him. He has a brief dialogue exchange with D'Andrea, his only friend, who then departs, leaving Flynn alone with the workmen.

 

Flynn stops reading the paper and pushes himself away frm the door jamb. Behaving stoic about losing his possessions, he then starts to walk away. He stops for a moment, though, and, almost as if by irresistible impulse can't help but look to his side and then upward. Walsh's camera follows Flynn's gaze and it rests upon the giant portrait of Sheridan.

 

With that one telling scene, Walsh and Flynn have etched a searing depiction of loneliness and vulnerability. With everything else that is currently being stripped from him, the one thought that most torments him is the loss of his wife. The empire building opportunist has finally received his comeuppance.

 

Certainly Silver River is not without its flaws. It has a noticeably weak ending but that takes nothing away from the strong character interplay which had made the film so frequently compelling. This is the only Flynn western that is not available on DVD. Fortunately, TCM shows the film quite often, so viewers will have the opportunity to see that in the last of the seven features in which Errol Flynn was directed by old buddy, "Uncle" Raoul Walsh, that on screen magic between the two men was still there.

 

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!

 

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KUTlGU2a448QYXMI7OmeQVOgCozHeTfS0ZXJkTFy0EsFXJLkwHdWlctWZBKFJspt45jfaCcImTETZnclMwJD2FT3ZI3WeBZuJpmLd2LDX5xddm5aDNdJKZm7gTwPW94DacYKphUQAyQQA4HOx3xyjFwZ6SpjlSprgFyGspgvtJRBKhMFvzVDrpChTHNPAJ1tAQz54TNUU3dVieHKLOjxeQgOZIzDmQPvismUyjNKTxYnp9zRYV1QCEyEC5bMT7eEAu4lPzzpiwMoUpRA4OdIyMxKXlnTANAojyMagOpJsIawx0mfsj3hTk6CGrsOr7Vf7PzgLPt5LeTLVwW3mkwqS1W8RHpk6hRPQULAUDuO47iOBjzKaMi1J/RU3kWgJKrR/xomA1aUEVC9kjmfZMCrN/KAYaZX2UpP6oPu0aqVuGjiRLypA4ACOJggOEqYjfuMYmsDnMWALdTu8IinKKdbjcRAVLck6nd8zAMmE1Dob9ElPhqPT2gxcUWFrKSoHeAfIkfOLSXUPaAc8GmFdMOKC2oul7htRdvwYA7XyAukmKN8q5YHitLhEZ2TqFMtKRmLhhf8AO1cg6WGscdo5/wDYpqbE94kkgjTvhlADP8LXgFQljbdAd87kBt7P84KVA0oSnXWAtMIxFRmGWTmTlLE6gvYPwiUnS/Jvf5QtdjyFTVkt8JfzDN4QyAvv3H1gC0I4mEXtSMtWvX4QQd/wAAbSHyiylC81yGa/E3twhGx6UqbVqSLqZuTBGpbcBAMvYKd38pZm5T3Z1LaNqYtcYxlASES0EhwdLH5Dxig7OYYqV3qErCwSA4sDZKgeXFtWI00hnoMOQLqZR8QPvgEbFK/PMQSGCXHIkt9IrKlI7xBN3LesekYrgkicGUhuaTlPUbj4x5zXyJlNMUhSErb4FkE2O8buTbmgDKnEpiCQmwY726nyhcUokud94nmVCspBUSVG/46wO0BtoNpa5cspWDdJ/D8YBEbzHR4D0TEsT/ACmmE0bRWGy8FoILNxYnyEKqMLmomhZQUpBerdBeCsMmGUju3OrqvZ2a3hBaZ0BSYmtRmKUnMAS8bmeBaOqKFZmJVxhqkKexiT8iSLskc2EB59UqdaidSSYyJ8X/v5rfpq94yA1J0ENvYM/bL/AGfnClK0ENPYk/arP6nzgHdE1lkx5XWL1mftq/mMenLn5ElTOWdhHnU2kSoqVnQHJLZw9y9g0AAua5PP7okpEvMT1fyvG1y0tqPMRPRy0hQIL2PUQFlNWwgRc8nSCZkwRGaonQAeEANUpUJZJtpAdJHVdMJNy8c0uANpFjP1BHsflB6JkVSCy0nn72g/vIBn7LT2M3X4NfT5jSJu00xqBKCXVmlPxDlJRtFLg1WpBIAfMAkngHuRwYPeCe0WJpVJCAkoUqakseCUnTpaAo6iflBiomTHeJK2a6iOEDKgLvsihRnFvhCTm8dPWG5MzhYcNYQcJre6mhX5uiuhmvhHotMgNuL74A2gpwqVMWXcZQ/jdrQuYPTLXVTpqwuUbJTlLPlUMySddySf2m3wwqxVUmUyACXsLcTf2isxeevuVKt30zKkAW21MAA3C/kYAnDFpIWtNgqYsjgWOVxwcpJgmmPr6QBTUolS0SxohIHUjUJcMTd2NX9YCedNhb7XYeZsrMn4kOrqltoeW16YtzM5sRTV6/j7oDzKMgyqwxaVrCUqKQVMprEA/SAoDcT0IGcE7rO6IImpVXOnjAW1Oovc6wYgxWyVBxYcdLmjNp6/fAWfetfhEgqhqcniRFWVi4ISAQRdUUogI8SU86YbXUrTTXdGohmjaPWMgJ5Ogho7Ekd6t/wBH5wrydBDN2K/vV/sfMQDdV3Qu5Gyb8LQgIrCAfs5antdIJ8Duh5xNbSJn7J8yGhGmIb4dzQEU6oLAZEjpEtFPUonMXYN6/dGKDJcjoOcbokMC8wBKg/SI5ixoI7UY5ZI6wAdbK2X32ECy1QViKrAc4gk6QEhi1lgG43384p1FywEW2HzHTlOqfY6H8cIBi7J0oMw5tHSnVnCgsEfPwiHtvJlhcnKdo3ItoxDhunr1jWEFJLEEqMyWwBABTtBdO0G6IO2SUdgpLl1Jcl7JZvD6mAU6r41dYigitUM6tC/p0/GBwIDopYQ60mNBEiWogkFIHiAxdRsNIVESUM5cnQMd/ziwoMSmSgzBSBaQQb8Df1eAc8MqZa5S1rUgrItLBzEMq6iWYDod8UE3E1zFTJyXSiUCmVZwVGxWd2gboY1WV8pNOZktACpmxplIOu03D6QH2drZsydKp9lUvOHdIFO0pzvDDfAXuF1cYkFRRcJI2TvD3ZUFz5swWAQroSkrwLW9qZMwgZggJcBKQpKb73SL2APAPAqK9/gnhuGZKvRTwBwUren16I5k5TnKkEhrFTewMDTahbOFg8XSk0Cy6vbW8wcAHQHDb4CkxHGJqlLDlKSSCkXHAsWisiwxaTtLUC6SstwLgK9y3hFfAZGo3GAQGRhicoH/kt90Rqtazvr8oCOO5ZvHIjsQAc87R6mMjU34j1jIAiToIYexq2nK5oPuIXZWggulrTLGx4gsYD0erDy1cMp9oQpxyiCZPadYDElud4CmbdgdGeA5VNJYkm2nIQVSq2XMB1AtElDMsUMAUtT8oxKQN0crLRol4AauuAeZ6RHTiJK42T4xzTaQEypwSOcQSKkpXm8D0MamKcxJJlwDXgUsEoOaylkNuDo2Vnjcs3OKDGEFM0AyyjKpQDl83EfXWLfCaBZCBcHKtaSXA1DKGr7JMVWOrOwWsS4JN2bKxHgD5wFVVpu/GJ8Uw/uVAXukG/HePONy2XOQncCH8C6vQReVk6XVEo2kqDlJKSGP49oCkEwJA6fj1gmTNYWtFdU0i5SsqwQfQ9DvjpNSICwMhU3YS6lKKWAe6nYW3mLSk7PTqWVUTpqchEoy5bkOVLISTY8H/i5Qd2DrJKFlb/AGgSrKosRbnF/jlf36TLABAP5wIBbQjiOfKA84lsjuwoggjMRYWZw5F9G84hqEghNwlk33ud5/HCL6uw0pVnWpFgAkNYAWAANzZohFIZ0s5SjOgnZVYqTqC5528BALZEY0ETpbrYJytYje4sSdzvBEjDHNzbdAczlf2dA/WPudIBhnxuUZdFKlbBZWrnMXKlWDc7wrwG42jWNRtIgO8z2aJKmcCEJCQMgYkaku7n2iAmCEyWTffugOJUl4kNIpngmXKIEdoeAoJ42j1MZHdb/eL/aPvGoCSVoI7jiVoI7gNpTE8teUvyiFJgicm0BkxtTp7mIZK9oGMJPgI4BvAWKlvG0HhEY0iRKwICKsS4EQJ0ETVE24jE07wEaR5xaYJh/erL2QGfc9tB9eEByaJSlBIDvDdSyu6QEjdrzO8wA1dRiXtJJABAFyLG27lC1jEsDK3PeeR39YZsRm5gB4/jyhbxk6ci3pAR4GPt0sHLFurN84bJFzJQUogqvozbnij7Elql2dkK9xDdWYwHKVAOd1yw0gJOza6aokvMRnUktMSsHKk8ADY23xQThToWU93LG0RoLAXPg0D0HaBEtCpQcLMxZJ3FzYv0YRQYhPUtalXYWUA409UgJ2QkXNgAN7NbpHS6l994SpNStJBBPTiOYgoY6p9PCAuKuckXba57vrFRiE1spFi7uNefyiKoxQrLsXgZSio3vASyC5Je8XWBUqps1KEgqJLkDVhckVcqnYagdYcOwUhSJkxYDskJucvxFy2u4b4C2xPDhMQsJkqCkOxH5pItx5esLOGYVNnZzMEqYkOMjHMP1kgMzR6DMxtbBPdrdLsyk2HgHMKnaTEAmahfdhAW4Kn1VwUzboBYry05S3lSdmwZLljxIJccH0gGRhwRUpkz8zOAsJLEOHsSDpbdDXIWFE5LE8CdY3L7Izs3fL7sMpwM6c5fQs7mxEAoYpKlJnES8wSL7TEvrZt2kFYBg6qqYQFJTlDkq08OcG4v2fKllQUlLWIUo4MIL7J4ShIWuZMvYJyKtfVw1zygI8QwBclGYlJAZ7sb2FjrFaEb4ZsZwr7JaiqY2XMnMghJYaZmAvxfzhSBtYEeMBSVh0X0feMjmf8AEepjICaXoI7AjiWbCO4DbwcJWcBjp8XKAYOSvJ7GA4qyAABAiYmmHMYiaxPhAE7okBtHEu4EdhMBBVaQbJWCA3AQNVI2YM7PU5Wp9yW8zp9YC8wiiy7R1I8uUWKoxCGDRHMX1gB6pNzyYV8USyR1hknzHKvAen3iF3FU28YAzsb/er45LecWeKk2Z2JdwRbLv46wu4PMUFkoX3ZDX6X039Inm4jNGZlqcggkWcHXpAR0lEiZUFK15A5IPqz7usTVmFuT3ZIOfL3a1DOCSWSoFjmt7aPFQVEGJp1T3gSCBmDJBGpH63Eu5fUvfSAgv5RNLBXs2fXrHi6pcFHdks6isJtuSFgEjqxvE1LgBE4HcQTbQFxbyI9YAMYTYMdrfweNilynSLirk5bb44lyjAVQA2t0gunqVoStKCxUHAexUAcpV0cLQLODrA6xNKls14COi7aVMssVAkWIVY8DBk/tWmagIqKcqQC4ykhjxdJHGK/EsOHxMG48DzI3e0CU2GlaTlIChYguCOFxqOcA5YfRSRLSuXmlhTFll23g6Brdd0ELM0ZmUlTGxDsQ4tpFHMqnl5XBYMQ7sWAL8NPSDqSpUiUsJVYA7XzvwNoAitqsqkoK0IUoB1KDi77RGrWiKsw5XdkrnSVudgyrAkfm/rEuGAipXQiprSiZUJp9hO0rQ3sOAd3vFniHY4ypstEqoXMASV5wjYSXIDMWvxF9qAkkyioBC1TUZ2QrMqwfmdzRDiuBYelwhU0FOolkgHdquxPR4gn1k3uyCQshTMQApTWOot46QJSzJa7GbkmCxlzh3ZB4BZ2T45YBNxBIE1YS7BRZ7ln3njGRJi0rLPmg6hahqDvO8EgEbgOJXwiO45lDZEdNAdolk6QdUy3Pg8BIRFmKclCSLlvKAr536OjaxytLJHnE0kKbHWCKqQw6CAgpDmKUJDkkDhcmGj7Hn89Q6D6wo4aopmJViQfIvHrciU6X5Av10gFZ2NlKSoEXIsbuOYeAcGwjuAUlip3cbxoD5CHhEl7G0L1bJyzAdxKh8xAQqSYBnu5iymgRWVTBzweACRfMeJP0UUKI2VciPeLymkskCKzG5TBfgfWAopU4p0bxEG0tXKUfthMAOWQ/wDCrXzEAZY0RAF1UiW/2czMP1klBY9Ykw6jeakE31HUXDTwBFzgktu9mAfBLUQOZH0BgGCkkkS5aN7BrOfUxaolZUtvMDYYAdokMlKRewcgEwYqclnzZv2XV7AwAE2TmUxjUjKUkxPSqzKJCSeth4k/SN1qQJW0sk8RmAc8NzcIBYnC784PEpoAmJOUvfnFoEkj4fUQE1OgEEEpI58DAJkfkswEjNJXYKFyneAfVo7mTm1Gmjh/URuXVhSSlQCkGxH40gLvoCVBNTIUJqXzEJOv6QKVMQeUEqp0pQoZcoaYMG5wu4Zjk6kK5cuYQlYsrKCSniEqDZhcefKPRcDwRVTJTMRMzpWrKFWzJYCywOe6A83xGlTPWZksCYoEIIBYNv8n9IbcIpEy5Rlyw5SG03trwJPGCp2DTJEwoAS81gFkbKdoiwLbR3EOBffaMwCqPeZFsFC/3eUBWKwTMkZhcOrRmkQdsOzqFoOUNMSnMLX00fenluePTPyKXq3Pk/FtCYoO0iwgEnhc20gPnucGUesZG6g7Sup943AcCYdHMZ3p4mMjIDpNUsaKI8Y7GITP01eZjIyA0qumHVaj4mMVXTDqtXmYyMgNCqXkfODk9p6oBhUTgGANWg0GsZGQGK7UVZ1qZ3/ADFfWI1Y/UHWfNP76vrGoyAw47UHWdM/iP1jhWMTjrNmH94xkZAYMYnf4szIxxMxGYr4pii/EkxkZARioVkfOOTOPExkZAZ3h4mJZdfMSCkLUEq1AJAPWMjICTl5zZe9W3DMWt/4iU9oqk/7eb/Gr6xkZAcjH6gf7eb/Gr6xkzHqhQZU6YRwK1fWMjICE4jM/xF/xGO/6Ynf4q/4jG4yA5Vis06zF/wARjX9KTf8AEX/EYyMgMXiU0s8xZbS5t0gqi7TVUkESqmdLCtQmYpIPUAxkZAZ/Wirt/aZ1tPtFWu9r2jg9oqnNm7bm451PYNq/ACMjIAnutd/wC7qP8AmrsQT+01UsELqJygdQVqPuYyMgK4l4yMjID/9k=!

 

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