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PAULETTE GODDARD

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Wow, just found out that Miss Paulette Goddard & I share the same birthday, June 3rd. What's even crazier is that she passed only 2 years before I was born, which explains my attraction to such a beauty & talent considering that we're both gemini's. Just thought I'd share that small bit of info with the TCM community. Thanks to everyone who's interested in this beautiful actress.


(Taken from Wikipedia)
Paulette Goddard
Actress
  • Paulette Goddard was an American actress. A child fashion model and a performer in several Broadway productions as a Ziegfeld Girl, she became a major star of the Paramount Studio in the 1940s. Wikipedia

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An Outstanding Woman
 

   Among Chaplin's leading ladies, Paulette Goddard stands out for a number of reasons. She was the female lead in his last silent film (Modern Times 1936) and in his first talkie (The Great Dictator 1940). She enjoyed a success beyond and independent of Chaplin, right up in to the 1970s, with the TV film, The Snoop Sisters (1972) - she made forty-seven films in all. She was something of a match for Chaplin - strong willed, independent, a lover of life - her very personality an influence itself on the characters Charlie wrote for her in her two Chaplin films.

modern-times-pub-168_wider.jpg

   She became his third wife, but unlike the previous two, was strong enough to survive the experience & part company without bitterness or sensationalism. It is difficult not to have an admiration of this free spirit of Hollywood, a town that she may not have got the better of, but that she certainly used as a playground to some extent.

   She was born on June 3rd in 1911 as Marion Levy in Whitestone, New York - though her mother called her Pauline from a young age. This soon became Paulette, and the name Goddard came from her wealthy uncle, Charlie Goddard, who was something of an influence on her, mainly thanks to the lavish parties he threw at which a number of the stars of the day would turn up - inspiring the young Paulette to think of a future as a star herself.

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   It wasn't long before she was modeling Hattie Carnegie fashions, and just three years later saw her on Broadway as a Ziegfeld girl in No Foolin' (1926) and then Rio Rita, jobs probably secured thanks to uncle Charlie's acquaintance with Florenz Ziegfeld. She also had a small part in Archie Selwyn's The Conquering Male. The life of a pretty showgirl would never be short of the attentions of the social elite of New York, and in 1927 she met and married millionaire playboy Edgar James, president of the Southern States Lumber Company of Asheville. Their life together took them to North Carolina where the business was based, but it was not a place, or lifestyle, that Paulette found comfortable. She divorced James, and along with a generous alimony settlement, she headed for Hollywood.

Paulette's first film saw her with a bit part in the Laurel and Hardy short Berth Marks (1929) whilst other films included The Girl Habit (1931), Kid from Spain, Young Ironsides and another Laurel and Hardy picture, Pack Up Your Troubles (all 1932). She was still signed with Hal Roach when she finally met Chaplin in 1932.

paulette_goddard_-_mary_pickford_-_charl

   Chaplin had been invited for a weekend cruise aboard Joe Schenck's yacht - Schenck was the then president and chairman of United Artists, the company Chaplin had helped to found along with Doug Fairbanks, Mary Pickford and D.W Griffith. Paulette, another guest, was considering investing $50,000 of her alimony payment in a dubious movie company and asked Chaplin's advice. Not only did he persuade her to forget this dodgy deal, but also to revert her hair color to its natural brunette - Paulette had become a Hollywood platinum blonde, possibly in a bid to win her more parts from studios. Obviously taking more than a shine to this pretty & charismatic actress, he bought out her Roach contract and signed her up for himself.

chaplin_and_paulette_goddard_at_catalina

   The fruit of their professional relationship was the film Modern Times, whilst their personal relationship became the material of Hollywood gossip columns. This bore other consequences too - on the positive side Chaplin's sons, Charlie Jr. and Sydney, looked up to her as a big sister and loved to play with her and have her around. The flip side of the coin was that Chaplin's dedicated chauffeur and private secretary, Toraichi Kono, felt usurped by Paulette's new found place in the Chaplin home, and resigned (though not before Chaplin gave him & his wife $1000 each and secured a job for him at United Artists Japan). Paulette and Charlie went everywhere together and Charlie even bought a yacht so they could spend Sundays cruising out to Catalina.

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   Modern Times saw a brilliant team up for Paulette and Charlie - he as the Tramp, and her as the Gamine, surviving by her wit and courage on the waterfront, stealing bananas and handing them out to her fellow urchins. You can see Paulette as many things in this film - a female version of Charlie himself, a loner at odds with the world, making her own rules dictated by circumstance, or, on the same track, the Kid grown up - a female version of course - though this leads again to the Charlie-girl. Perhaps the main difference between them in the film is the way in which their characters defy authority - Charlie with an air of innocence, whilst Paulette certainly does so with intent and purpose. Paulette was pretty much an equal in Modern Times and the ending, the two outsiders against The World silhouetted as they walk off bravely in to their future (and a sunset) gave a new twist to the quintessential Chaplin ending - this time, for the last time, not alone.

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   When the film had been completed and premiered (at Grauman's Chinese Theatre on February 12th 1936) Chaplin and Paulette went for a trip round the Pacific Rim - taking in Hawaii and Singapore along the way. The major event of this trip was that they were at last married, though neither of them would confirm this to reporters upon their return to California. But it was not all plain sailing. There is little doubt that Charlie and Paulette were very good for each other for a time - and that time was somewhat longer and happier than Charlie's involvement with either of his two previous wives, but they did eventually begin to drift apart. Paulette had some involvement with George Gershwin (other men in her life besides her marriages included Clark Gable, John Wayne and Howard Hughes), and Charlie had been seen about with comedienne Thelma Todd.

The Great Dictator

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   Generally, they remained on good terms, however, and by the time Chaplin was ready to make his next film (The Great Dictator) Paulette was to be his leading lady once again. There were a few other films before this one for Paulette. They included yet another Laurel and Hardy feature, The Bohemian Girl (1936), two highly thought of films in 1939 - The Women (with Joan Crawford) and the Cat and the Canary (with Bob Hope), and also Second Chorus in 1940 with Fred Astaire. In 1938 she was a serious contender for the part of Scarlett O'Hara in Gone with the Wind (it eventually went to Vivien Leigh). By 1940 however, she was well on her to becoming a major Hollywood star and had a ten year contract with Paramount Studios.

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   For Chaplin's first talkie she was cast much more as second fiddle to Charlie's excellent performances as both the Jewish barber and the mad dictator himself, Adenoid Hynkel, though her scenes in which she does battle with the stormtroopers in the streets of the ghetto are one of the highlights of the film. Again she plays her character feisty and determined, though less of a motivator than the gamine, and once she leaves the country with her family she is pretty much ignored until the ending and Charlie's words of 'wherever you are, look up Hannah!'.

After Charlie Chaplin

   Not long after The Great Dictator, Charlie and Paulette made their estrangement official by way of divorce. Paulette received another alimony payment and the yacht that Chaplin had bought during their courtship (part of the settlement was also to include one more film directed by Chaplin for Paulette - this never happened). But the 1940s saw her career just get better and better as she appeared in a huge number of films. These included Nothing but the Truth, Hold Back the Dawn, The Lady Has Plans, The Forest Rangers, Standing Room Only, I Love a Soldier, Kitty, Diary of a Chambermaid, Variety Girl, Unconquered, Ideal Husband, The Torch and Bride of Vengeance. For So Proudly We Hail! she was nominated for Best Supporting Actress (won that year by Katina Paxinou in For Whom the Bell Tolls).

It has been said that Paulette quarreled with director Cecil B. DeMille on the set of Unconquered which in turn led to a lower volume in her career and a relegation to the B-Movies of the industry for most of the 50's - including Babes in Bagdad, Paris Model and Vice Squad. Her last film for the silver screen was in 1964 - Time of Indifference (or Gli Indifferenti).

Her personal life was no less lively than her screen career. In 1944 she married actor Burgess Meredith. They divorced in 1950 and eight years later she married the German novelist Erich Maria Remarque, author of the classic All Quiet on the Western Front. Another novelist and a close friend of Paulette's, Anita Loos, claimed that Paulette was the inspiration for her heroine in Gentlemen Prefer Blondes - Loos would later say "Gentlemen prefer blondes, until they get a load of Paulette!".
 

(Taken from - http://www.charliechaplin.com/en/biography/articles/221-the-gamine-paulette-goddard)

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TO EVERYONE THAT WATCHES THESE 2 VIDEO'S I URGE YOU TO MUTE THE MUSIC PLAYED ON THE VIDEO & LISTEN TO THESE TRACKS INSTEAD, AS IT IS MY TRIBUTE TO HER, & AS A MUSICIAN I BELIEVE THAT THESE TRACKS ARE MORE SUITEABLE AS I'M SURE FANS OF MISS GODDARD WILL AGREE. THIS IS IMPORTANT IN HOW I SEE IT SIMPLY BECAUSE THE MUSIC IS THE TONE & MOOD FOR VISUALS. IF YOU LIKE THE MUSIC ALREADY PLAYED, THAT'S COOL, BUT FOR ME I WOULD STRONGLY RECCOMEND THE ONES I HAVE PICKED OUT. (MUSIC TRACKS BELOW VIDEOS)




MUSIC TRACKS -
Johnny Cash & Bob Dylan - Girl From The North Country
http://www.youtube.com/watch?v=AqD6m55mTGU
Gorillaz - Rhinestone Eyes

The Beatles - Something

John Lennon - Oh, My Love

Dean Martin - Just In Time

Elvis Presley - It's Now Or Never

Elvis Presley - She's Not You

Audioslave - I Am The Highway

Guns N' Roses - Patience

Dean Martin - Powder Your Face With Sunshine (Smile, Smile, Smile)
http://www.youtube.com/watch?v=F6FSO7Jmhjw
Bobby Darlin - Fly Me To The Moon
http://www.youtube.com/watch?v=Myr0YiNHjWs
Paul McCartney - My Love

The Beatles - You Never Give Me Your Money
http://www.youtube.com/watch?v=oN2AD6Bbj5s
Paul McCartney - New

Eddie Vedder - Long Nights
http://www.youtube.com/watch?v=YfmaTskAdCc
Pearl Jam - Sirens

paulette-goddard-36-modern-times-roller-

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Have you seen the flim Hold Back The Dawn?    This is a very good, well made movie with Boyer,  DeHavilland and Goddard.

 

The acting styles and personas of DeHavilland and Goddard are very different and this movie shows that well.   

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Have you seen the flim Hold Back The Dawn?    This is a very good, well made movie with Boyer,  DeHavilland and Goddard.

 

The acting styles and personas of DeHavilland and Goddard are very different and this movie shows that well.   

Can't say I have. Thanks for the tip, I'll certainly look into it & watch it eventually. Sounds good to me regardless of who or what the film's about, just knowing Paulette's in it makes the world of difference. There's a lot of her films I have yet to see, but I can guarantee that I'll be seeing as many as I can in the near future starring Miss Goddard.

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