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Showing content with the highest reputation on 02/20/2021 in Posts
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Sir Sidney Poitier, the American-born, Bahamian-bred film great, is 94 today. He and Sophia Loren are the only living actors on the American Film Institute's 1999 list of the top 50 greatest screen legends of all time. Poitier was the No. 22 male. Loren was No. 21 in the category of Top 25 Female Legends. Since there's no Oscarfest on TCM this month, the cable channel will air two of his films tonight: "Lilies of the Field" (1963 at 8 p.m.) and "Guess Who's Coming to Dinner" (1967 at 10 p.m.). Poitier was recently honored by Arizona State University, which named its film school after him. The actor's biggest connection to the state: "Lilies of the Field," the comedy/drama in which he played handyman Homer Smith -- a godsend to a group of immigrant nuns in the Arizona desert. Smith was persuaded by the willful Mother Superior (Lilia Skala, pictured below) to build a chapel for the townspeople. Produced and directed by Ralph Nelson (who would collaborate with Poitier again), the production was adapted by James Poe from the 1962 novel by William Edmund Barrett. The film received Academy Award nominations for Best Picture, Best Actor (Poitier), Best Supporting Actress (Skala), Best Adapted Screenplay (Poe) and Best Black-and-White Cinematography (Ernest Haller). Poitier was the No. 1 box-office star for 1967 and headlined three hit films -- "To Sir, with Love," "In the Heat of the Night" and "Guess Who's Coming to Dinner." Somehow, he didn't receive an Academy Award nomination for any of the films. The 40th annual Oscars ceremony was delayed two days -- to April 10, 1968 -- in the aftermath of the assassination of the Rev. Dr. Martin Luther King, Jr. So Poitier was on hand to announce that his "Guess Who's Coming to Dinner" co-star Katharine Hepburn had won the award for Best Actress (it was accepted by her friend George Cukor). Also, Poitier was there to congratulate his "In the Heat of the Night" co-star Rod Steiger on his Best Actor win. The two actors returned to the stage when "In the Heat of the Night" was named Best Picture.3 points
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Cecil D. Demented Legally Blonde The Great White Hype The Wrong Arm of the Law Chopping Mall Every Little Crook and Nanny Tanks a Million Mummy's Boys A Haunting We Will Go Too Many Crooks3 points
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Isn't she a great talent? I had heard she took the part because she wanted to see if she could sing, I believe her father is a professional singer. But her comic timing, gestures, voice, everything is just top notch. Most especially considering how young she was when she made Rocky Horror. I've never seen her give a bad performance & she's kept her life & career classy despite that potentially exploitative early role as Janet.3 points
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Last night I trotted out the old chestnut ROCKY HORROR PICTURE SHOW '76 that I usually have on Halloween because it can easily be interrupted for trick or treaters. This time I watched it through silently like my first viewing in 1976, in a virtually empty, quiet theater. I remember my reaction well, the film adaptation was so dynamic! The movie made the performances intimate (although when seeing the stage show, I was in the front row center) while expanding the experience with the marvelous sets & orchestration. While thrilled it became a Saturday Night Midnight feature at our local neighborhood "palace", I stopped going around 1980 when people started acting out in front of the screen. The movie is wonderful, I don't know why people find it "terrible". Every performance is spot on & my eyes wandered to different actors this viewing, often catching really funny emoting. I noticed Brad & Janet's bedroom sets were exactly the same set just with different lighting & noticed graffiti on the tile wall of the laboratory, never noticed before. What a 1976 audience called "cheesy" special effects were actually pretty expensive for the day (castle rising) but still gave a 50's creature feature vibe. Some effects (like the plaster/cheesecloth castings) were extremely low tech, but cleverly done retaining the feel the stage show. I especially love the Criminologist's pasted photo/text folder & classroom pull down dance steps. The songs are great, with a rockabilly feel...the 50's were very popular for newly emerging punk scene in the mid 70's. Meatloaf was spectacular, his voice was so high back then! The costuming was incredibly daring for the time and actually set the tone for Punk and later Goth, now all pretty mainstream styling. But to me, the real strength in the movie is the editing. It's sharp, succinct and never drags. The musical interludes are paced perfectly in the story. The editing prowess & humor has been overlooked because it's become so familiar, but someone had to think up the triple Dr Scott-Janet-Brad-Rocky-Silence schtick. There is a lot of camp classic film references here, but it's never a cheap shot for laughs, more of an acknowledgment of movies we loved growing up. That seems to be the universal thematic chord the film carries.3 points
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Poitier's skin color apparently mattered to a lot of people in the 1960s. Max Brooks, the son of Anne Bancroft and Mel Brooks, once talked about how his mother received hate mail after she embraced Poitier at the 1964 Oscars. As a result, the younger Brooks said, Bancroft became obsessed with the idea that someone might harm young Max. She even accepted fewer film roles to be with her child as much as possible.3 points
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I'm sorry LHF. I didn't mean to insinuate you might look like the guy in the photos. I'm sure you probably look more like Sean Connery, like me.3 points
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Our eighth precode star is DAVID MANNERS He was featured in DRACULA (1931). He costarred alongside Barbara Stanwyck in THE MIRACLE WOMAN (1931): And he was the love interest in Katharine Hepburn's first film, A BILL OF DIVORCEMENT (1932):2 points
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You can have blue eyes without having blue-eyed parents.2 points
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Robin and the 7 Hoods (1964) High Fidelity (2000) Garfield: A Tail of Two Kitties (2006) Ratatouille (2007)2 points
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#4 kind of looks like Frank Maxwell - he was in many TV shows but I remember him from General Hospital as a love interest for Nurse Jessica Brewer (who, in real life, was married to Jeffrey Hunter). I have no idea where the clip of #4 is from (could be a Hitchcock TV episode).2 points
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SPEEDRACER5's SCHEDULE Sunday, June 5 DAYTIME THEME: CHALLENGE #1: Lucille Ball, Queen of the B's at RKO 6:00am GO CHASE YOURSELF (1938) Lucille Ball, Joe Penner, Richard Lane. Dir. Edward F. Cline. RKO. 75 mins. (p/s). 7:15am THE AFFAIRS OF ANNABEL (1938) Lucille Ball, Jack Oakie, Ruth Donnelly. Dir. Ben Stoloff. RKO. 75 mins. (p/s). 8:30am NEXT TIME I MARRY (1938) Lucille Ball, James Ellison, Lee Bowman. Dir. Garson Kanin. RKO. 65 mins. (p/s). 9:45am BEAUTY FOR THE ASKING (1939) Lucille Ball, Patric Knowles, Donald Woods. Dir. Glenn Tryon. RKO. 68 mins. (p/s). DAYTIME THEME: CHALLENGE #4 Gemini Twins: Double Trouble 11:00am THE PARENT TRAP (1961) Hayley Mills, Maureen O'Hara, Brian Keith. Dir. David Swift. Disney. 124 mins. (p/s). 1:15pm KISSIN' COUSINS (1964) Elvis Presley, Arthur O'Connell, Glenda Farrell. Dir. Gene Nelson. MGM. 96 mins. (p/s). 3:00pm THE DARK MIRROR (1946) Olivia de Havilland, Lew Ayres, Thomas Mitchell. Dir. Robert Siodmak. Universal. 85 mins. (p/s). 4:30pm TWICE BLESSED (1945) Preston Foster, Lee Wilde, Lyn Wilde. Dir. Harry Beaumont. MGM. 76 mins. (p/s). 6:00pm TWINS (1988) Arnold Schwarzenegger, Danny DeVito, Kelly Preston. Dir. Ivan Reitman. Universal. 112 mins. PREMIERE--2006 EXEMPT PRIMETIME: Girls Trip! 8:00pm WHERE THE BOYS ARE (1960) Dolores Hart, Yvette Mimieux, Paula Prentiss. Dir. Henry Levin. MGM. 99 mins. (p/s) 9:45pm SHAG: THE MOVIE (1989) Phoebe Cates, Bridget Fonda, Annabeth Gish. Dir. Zelda Barron. Palace Pictures. 100 mins. (p/s). 11:30pm SUNKIST STARS AT PALM SPRINGS (1936) 19 mins. (p/s). SILENT SUNDAY NIGHT 12:00am GIRL SHY (1924) Harold Lloyd, Jobyna Ralston, Richard Daniels. Dir. Fred Newmeyer. Harold Lloyd Corp. 82 mins. (p/s). 1:30am HAUNTED SPOOKS (1920) Harold Lloyd, Mildred Davis, Wallace Howe. Dir. Alf Goulding. Hal Roach. 25 mins. (p/s). TCM IMPORT 2:00am MASCULINE FEMININE (1966) Brigitte Bardot, Jean-Pierre Leaud, Chantal Goya. Dir. Jean-Luc Gordard. Royal Films International. 103 mins. (p/s). 3:45am CONTEMPT (1964) Brigitte Bardot, Jack Palance, Michel Piccoli. Dir. Jean-Luc Godard. Embassy Pictures. 103 mins. (p/s). 5:30am SO YOU WANT TO GIVE UP SMOKING (1942) Short Film. 10 mins. (p/s). 5:45am SO YOU WANT TO KEEP YOUR HAIR (1946) Short Film. 11 mins. (p/s). Monday, June 6 DAYTIME THEME: CHALLENGE #2 BAD GUYS: A Tribute to Dan Duryea 6:00am BALL OF FIRE (1941) Barbara Stanwyck, Gary Cooper, Dan Duryea. Dir. Howard Hawks. RKO. 111 mins. (p/s). 8:00am SCARLET STREET (1945) Edward G. Robinson, Joan Bennett, Dan Duryea. Dir. Fritz Lang. Universal. 103 mins. (p/s). 9:45am CRISS CROSS (1949) Burt Lancaster, Yvonne DeCarlo, Dan Duryea. Dir. Robert Siodmak. Universal. 88 mins. (p/s). 11:15am MINISTRY OF FEAR (1944) Ray Milland, Marjorie Reynolds, Carl Esmond. Dir. Fritz Lang. 84 mins. (p/s). DAYTIME THEME: Whirlwind WWII Romance 12:45pm THE CLOCK (1945) Judy Garland, Robert Walker, James Gleason. Dir. Vincente Minnelli. MGM. 90 mins. (p/s). 2:15pm THE VERY THOUGHT OF YOU (1944) Dennis Morgan, Eleanor Parker, Dane Clark. Dir. Delmer Daves. Warner Brothers. 99 mins. (p/s). 4:00pm THE SAILOR TAKES A WIFE (1945) Robert Walker, June Allyson, Hume Cronyn. Dir. Richard Wharf. MGM. 92 mins. (p/s). 5:45pm ON THE TOWN (1949) Gene Kelly, Frank Sinatra, Ann Miller. Dir. Gene Kelly. MGM. 98 mins. (p/s). 7:30pm MIGHTY MANHATTAN, NEW YORK'S WONDER CITY (1949) 20 mins. (p/s). PRIMETIME: BFFs Carl Reiner & Mel Brooks 8:00pm EXCAVATING THE 2000 YEAR OLD MAN (2012) Carl Reiner, Mel Brooks, Bob Newhart. Dir. Matthew Buzzell. Shout! 44 mins. (p/s). 8:45pm THE PRODUCERS (1967) Zero Mostel, Gene Wilder, Dick Shawn. Dir. Mel Brooks. Embassy Pictures. 88 mins. (p/s). 10:15pm THE JERK (1979) Steve Martin, Bernadette Peters, Carl Reiner. Dir. Carl Reiner. Universal. 95 mins. PREMIERE #1 12:00am YOUNG FRANKENSTEIN (1974) Gene Wilder, Peter Boyle, Madeline Kahn. Dir. Mel Brooks. Fox. 105 mins. (p/s). 1:45am DEAD MEN DON'T WEAR PLAID (1982) Steve Martin, Rachel Ward, Carl Reiner. Dir. Carl Reiner. Universal. 88 mins. (p/s). 3:15am ROBIN HOOD: MEN IN TIGHTS (1993) Cary Elwes, Amy Yasbeck, Patrick Stewart. Dir. Mel Brooks. Fox. 114 mins. PREMIERE #2 5:15am THE MAN WITH TWO BRAINS (1983) Steve Martin, Kathleen Turner, David Warner. Dir. Carl Reiner. Fox. 90 mins. PREMIERE #3 Tuesday, June 7 DAYTIME THEME: HURRAY FOR HOLLYWOOD! 6:45am IT'S A GREAT FEELING (1949) Dennis Morgan, Doris Day, Jack Carson. Dir. David Butler. Warner Brothers. 85 mins. (p/s). 8:15am SULLIVAN'S TRAVELS (1942) Joel McCrea, Veronica Lake, Robert Warwick. Dir. Preston Sturges. Paramount. 91 mins. (p/s). 10:00am JAILHOUSE ROCK (1957) Elvis Presley, Judy Tyler, Mickey Shaughnessy. Dir. Richard Thorpe. MGM. 96 mins. (p/s) 11:45am MIGHTY JOE YOUNG (1949) Terry Moore, Ben Johnson, Robert Armstrong. Dir. Ernest B. Schoedsack. RKO. 94 mins. (p/s). 1:30pm INSIDE DAISY CLOVER (1965) Natalie Wood, Christopher Plummer, Robert Redford. Dir. Robert Mulligan. Warner Brothers. 128 mins. (p/s). 3:45pm VALLEY OF THE DOLLS (1967) Barbara Parkins, Patty Duke, Sharon Tate. Dir. Mark Robson. Fox. 122 mins. (p/s). 6:00pm THE MUPPET MOVIE (1979) Kermit the Frog, Fozzie Bear, Animal. Dir. James Frawley. Associated Films. 97 mins. (p/s). 7:45pm LOS ANGELES "WONDER CITY OF THE WEST" (1935) 8 mins. (p/s). PRIMETIME: TCM SPOTLIGHT: European Vacations 8:00pm SUMMERTIME (1955) Katharine Hepburn, Rossano Brazzi, Isa Miranda. Dir. David Lean. 100 mins. (p/s) 9:45pm ROMAN HOLIDAY (1953) Gregory Peck, Audrey Hepburn, Eddie Albert. Dir. William Wyler. Paramount. 118 mins. (p/s). 11:45pm UNDER THE TUSCAN SUN (2003) Diane Lane, Sandra Oh, Lindsay Duncan. Dir. Audrey Wells. Walt Disney Studios. 113 mins. PREMIERE #4 1:45am GIDGET GOES TO ROME (1963) Cindy Carol, James Darren, Jessie Royce Landis. Dir. Paul Wendkos. Columbia. 103 mins. (p/s). 3:30am COME SEPTEMBER (1961) Rock Hudson, Gina Lollobrigida, Sandra Dee. Dir. Robert Mulligan. Universal. 112 mins. (p/s). 5:30am VISITING ITALY (1951) James A. Fitzpatrick. 7 mins. (p/s). 5:45am ROMANTIC RIVIERA (1951) James A. Fitzpatrick. 8 mins. (p/s). Wednesday, June 8 DAYTIME THEME: Be Still My Heart, Happy Birthday Moondoggie! 6:00am GIDGET (1959) Sandra Dee, James Darren, Cliff Robertson. Dir. Paul Wendkos. Columbia. 95 mins. (p/s). 7:45am FOR THOSE WHO THINK YOUNG (1964) James Darren, Pamela Tiffin, Woody Woodbury. Dir. Leslie H. Martinson. United Artists. 96 mins. (p/s). 9:30am THE LIVELY SET (1964) James Darren, Pamela Tiffin, Doug Mcclure. Dir. Jack Arnold. Universal. 95 mins. PREMIERE #5 11:15am GIDGET GOES HAWAIIAN (1961) James Darren, Michael Callan, Deborah Walley. Dir. Paul Wendkos. Columbia. 102 mins. DAYTIME THEME: "...So Kiss a Little Longer...Hold hands a little longer..." 1:00pm KISS ME KATE (1953) Kathryn Grayson, Howard Keel, Ann Miller. Dir. George Sidney. MGM. 111 mins. (p/s). 3:00pm KISS THE BLOOD OFF MY HANDS (1948) Joan Fontaine, Burt Lancaster, Robert Newton. Dir. Norman Foster. Universal. 79 mins. PREMIERE #6 4:30pm KISS TOMORROW GOODBYE (1950) James Cagney, Barbara Payton, Helena Carter. Dir. Gordon Douglas. Warner Bros. 102 mins. (p/s). 6:15pm KISS OF DEATH (1947) Richard Widmark, Coleen Gray, Victor Mature. Fox. 101 mins. (p/s). PRIMETIME THEME: CHALLENGE#3 BEN MANKIEWICZ' PICKS 8:00pm CASABLANCA (1942) Humphrey Bogart, Ingrid Bergman, Paul Henreid. Dir. Michael Curtiz. Warner Brothers. 102 mins. (p/s). 9:45pm CITIZEN KANE (1941) Orson Welles, Joseph Cotten, Dorothy Comingore. Dir. Orson Welles. RKO. 119 mins. (p/s). 11:45pm ALL THE PRESIDENT'S MEN (1976) Dustin Hoffman, Robert Redford, Jason Robards Jr., Dir. Alan J. Pakula. Warner Brothers. 138 mins. (p/s). 2:30am PATHS OF GLORY (1958) Kirk Douglas, Adolphe Menjou, Ralph Meeker. Dir. Stanley Kubrick. United Artists. 86 mins. (p/s). 4:00am ACE IN THE HOLE (1951) Kirk Douglas, Jan Sterling, Bob Arthur. Dir. Billy Wilder. Paramount. 119 mins. (p/s) Thursday, June 9 DAYTIME THEME: "Join Me, Perhaps You May Be Able to Help Solve a Mystery" 6:00am THE THIN MAN (1934) William Powell, Myrna Loy, Maureen O'Sullivan. Dir. W.S. Van Dyke. MGM. 80 mins. (p/s). 7:30am THE CANARY MURDER CASE (1929) William Powell, Louise Brooks, Jean Athur. Dir. Malcolm St. Clair. Paramount. 80 mins. PREMIERE #7 9:00am THE HOUND OF BASKERVILLES (1939) Basil Rathbone, Richard Greene, Nigel Bruce. Dir. Sidney Lanfield. Fox. 80 mins. (p/s). 10:30am NANCY DREW AND THE HIDDEN STAIRCASE (1939) Bonita Granville, Frankie Thomas, John Litel. Dir. William Clemens. Warner Brothers. 60 mins. (p/s). 11:30am FOOTSTEPS IN THE DARK (1941) Errol Flynn, Brenda Marshall, Ralph Bellamy. Dir. Lloyd Bacon. Warner Brothers. 96 mins. (p/s). 1:15pm THE MALTESE FALCON (1941) Humphrey Bogart, Mary Astor, Peter Lorre. Dir. John Huston. Warner Brothers. 100 mins. (p/s). 3:00pm MURDER MY SWEET (1944) Dick Powell, Claire Trevor, Anne Shirley. Dir. Edward Dmytryk. RKO. 95 mins. (p/s). 4:45pm LAURA (1944) Gene Tierney, Dana Andrews, Clifton Webb. Dir. Otto Preminger. Fox. 88 mins. (p/s). 6:15pm KISS ME DEADLY (1955) Ralph Meeker, Albert Dekker, Paul Stewart. Dir. Robert Aldrich. United Artists. 104 mins. (p/s). PRIMETIME: STAR OF THE MONTH: ROBERT STACK 8:00pm WRITTEN ON THE WIND (1957) Rock Hudson, Lauren Bacall, Robert Stack. Dir. Douglas Sirk. Universal. 92 mins. (p/s). 9:45pm THE TARNISHED ANGELS (1958) Rock Hudson, Robert Stack, Dorothy Malone. Dir. Douglas Sirk. Universal. 91 mins. (p/s). 11:30pm AIRPLANE! (1980) Robert Hays, Lloyd Bridges, Robert Stack. Dir. David Zucker. Paramount. 88 mins. (p/s). 1:00am TO BE OR NOT TO BE (1942) Carole Lombard, Jack Benny, Robert Stack. Dir. Ernst Lubitsch. United Artists. 99 mins. (p/s). 2:45am THE LAST VOYAGE (1960) Robert Stack, Dorothy Malone, George Sanders. Dir. Andrew L. Stone. MGM. 91 mins. (p/s). 4:30am SABRE JET (1953) Robert Stack, Coleen Gray, Richard Arlen. Dir. Louis King. 90 mins. (p/s). Friday, June 10 DAYTIME THEME: Judy Garland's 100th Birthday 6:00am A STAR IS BORN (1954) Judy Garland, James Mason, Jack Carson. Dir. George Cukor. Warner Brothers. 154mins. (p/s) 8:45am ZIEGFELD GIRL (1941) James Stewart, Judy Garland, Lana Turner. Dir. Robert Z. Leonard. MGM. 131 mins. (p/s). 11:00AM FOR ME AND MY GAL (1942) Judy Garland, George Murphy, Gene Kelly. Dir. Busby Berkeley. MGM. 104 mins. (p/s). 12:45pm EASTER PARADE (1948) Judy Garland, Fred Astaire, Peter Lawford. Dir. Charles Walters. MGM. 103 mins. 2:30pm STRIKE UP THE BAND (1940) Mickey Rooney, Judy Garland, June Preisser. Dir. Busby Berkeley. MGM. 120 mins. (p/s). 4:30pm BABES ON BROADWAY (1942) Mickey Rooney, Judy Garland, Fay Bainter. Dir. Busby Berkeley. MGM. 118 mins. (p/s). 6:30pm THOROUGHBREADS DON'T CRY (1937) Judy Garland, Mickey Rooney, Sophie Tucker. Dir. Alfred E. Green. 80 mins. (p/s). PRIMETIME: Judy Garland 100th Birthday 8:00pm THE WIZARD OF OZ (1939) Judy Garland, Frank Morgan, Ray Bolger. Dir. Victor Fleming. MGM. 101 mins. (p/s) 9:45pm MEET ME IN ST. LOUIS (1944) Judy Garland, Margaret O'Brien, Mary Astor. Dir. Vincente Minnelli. MGM. 113mins. (p/s) 11:45pm MATCH YOUR MOOD (1968) 7 mins. (p/s). UNDERGROUND: Space Babes 12:00am BARBARELLA (1968) Jane Fonda, John Phillip Law, Anita Pallenberg. Dir. Roger Vadim. Paramount. 98 mins. (p/s). 1:45am CAT-WOMEN OF THE MOON (1953) Sonny Tufts, Victor Jory, Marie Windsor. Dir. Arthur Hilton. Astor Pictures. 64 mins. PREMIERE--EXEMPT 3:00am QUEEN OF OUTER SPACE (1958) Zsa Zsa Gabor, Eric Fleming, Lisa Davis. Dir. Edward Bernds. Allied Artists. 80 mins. (p/s). 4:30am FIRE MAIDENS OF OUTER SPACE (1956) Anthony Dexler, Susan Shaw, Paul Carpenter. Dir. Seymour Roth. Topaz Film. PREMIERE--EXEMPT Saturday, June 11, 2022 DAYTIME THEME: Here Comes the Bride 6:00am JUNE BRIDE (1948) Bette Davis, Robert Montgomery, Fay Bainter. Dir. Bretaigne Windust. Warner Bros. 97 mins. (p/s). 7:45am FATHER OF THE BRIDE (1950) Spencer Tracy, Joan Bennett, Elizabeth Taylor. Dir. Vincente Minnelli. MGM. 93 mins. (p/s). 9:30am SEVEN BRIDES FOR SEVEN BROTHERS (1954) Howard Keel, Jane Powell, Russ Tamblyn. Dir. Stanley Donen. MGM. 103 mins. (p/s). 11:15am THE PRINCESS BRIDE (1987) Cary Elwes, Mandy Patinkin, Robin Wright. Dir. Rob Reiner. Fox. 100 mins. PREMIERE #8 DAYTIME THEME: Marriage Troubles 1:00pm TWO FOR THE ROAD (1967) Audrey Hepburn, Albert Finney, Eleanor Bron. Dir. Stanley Donen. Fox. 112 mins. (p/s). 3:00pm THE MARRYING KIND (1952) Judy Holliday, Aldo Ray, Madge Kennedy. Dir. George Cukor. Columbia. 93 mins. (p/s). 4:45pm WHO'S AFRAID OF VIRGINIA WOOLF? (1966) Elizabeth Taylor, Richard Burton, George Segal. Dir. Mike Nichols. Warner Brothers. 131 mins. (p/s). 7:00pm HOLLYWOOD MY HOMETOWN (1965) Ken Murray. 52 mins. (p/s). PRIMETIME: THE ESSENTIALS: Saturday Night Fever 8:00pm SATURDAY NIGHT FEVER (1977) John Travolta, Karen Lynn Gorney, Barry Miller. Dir. John Badham. Paramount. 119 mins. (p/s). 10:00pm GREASE (1978) John Travolta, Olivia Newton-John, Stockard Channing. Dir. Randal Kleiser. Paramount. 110 mins. (p/s). NOIR ALLEY: Ann Savage 12:00am DETOUR (1945) Tom Neal, Ann Savage, Claudia Drake. Dir. Edgar G. Ulmer. PRC Pictures. 68 mins. (p/s) 1:45am MIDNIGHT MANHUNT (1945) William Gargan, Ann Savage, Leo Gorcey. Dir. William C. Thomas. Paramount. 64 mins. PREMIERE #9 3:00am RENEGADE GIRL (1946) Alan Curtis, Ann Savage, Edward Brophy. Dir. William Berke. Affiliated Productions. 65 mins. PREMIERE #10 4:15am PYGMY ISLAND (1950) Johnny Weissmuller, Ann Savage, David Bruce. Dir. William Berke. Columbia. 69 mins. (p/s). 5:30am THE WONDERFUL WORLD OF TUPPERWARE (1959) 29 mins. (p/s).2 points
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David Kellner (1670 - 1748) was a German-born composer and theorist of the Baroque era. (Remember that circle of fifths diagram from your music lessons? He did that.) He was a soldier for ten years in The Great Northern War before he settled in Stockholm where he worked as an organist. He was among the last virtuosos of the lute. Alexandra Whittingham is a British guitarist who has won wide acclaim. You can hear and see more of her here Run time is 5'442 points
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Hart to Hart Robert Wagner and Stefanie Powers played Jonathan and Jennifer Hart.2 points
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Bette Davis in the movie that made her a major star; What a brave performance. Acting over glamor.2 points
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I've also heard enough about Mia over the years to say this. She is a good actress, but an individual who makes the Joan Crawford of Mommie Dearest look like Donna Reed. She's a terrifying person.2 points
