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Showing content with the highest reputation on 03/01/2021 in all areas

  1. The Wedding March (1928) the March family in Little Women (1933)
    4 points
  2. Unlikely this will happen but I'd love to see Noir Alley program some European noir. Belmont, Delon, Jean Gabin, Christian Marquand and Lino Ventura all made outstanding noir films in the 1950s.
    4 points
  3. Athos’ Schedule October 16 - October 22, 2022 Sunday, October 16th Challenge #2 “B” Stands for Bad Guys and Gals: A Little Funny in the Head 6:00am Wait Until Dark (1967) Audrey Hepburn, Alan Arkin. Dir. Terence Young. WB. 108 min. (p/s) 8:00am Cape Fear (1962) Gregory Peck, Robert Mitchum. Dir. J. Lee Thompson. UI. 106 min. Noir Alley Repeat 10:00am Brighton Rock (1947) Richard Attenborough, Hermoine Baddeley. Dir. John Boulting. Associated British Picture Corporation. 92 min. (p/s) 11:45am Psycho (1960) Anthony Perkins, Vera Miles. Dir. Alfred Hitchcock. PAR. 109 min. (p/s) 1:45pm Play Misty for Me (1971) Clint Eastwood, Jessica Walter. Dir. Clint Eastwood. UI. 102 min. (Bad Guys - Exempt) 3:30pm Platoon (1986) Tom Berenger, Willem Dafoe. Dir. Oliver Stone. Orion Pictures. 120 min. (Bad Guys - Exempt) 5:45pm The Collector (1965) Terence Stamp, Samantha Eggar. Dir. William Wyler. COL. 119 min. (p/s) Gig Young Double Feature 8:00pm Come Fill the Cup (1951) James Cagney, Phyllis Thaxter. Dir. Gordon Douglas. WB. 113 min. (premiere) 10:00pm They Shoot Horses, Don’t They? (1969) Jane Fonda, Michael Sarrazin. Dir. Sydney Pollack. Cinerama Releasing Corporation. 120 min. (p/s) Silent Sunday Night 12:15am The Iron Mask (1929) Douglas Fairbanks, Belle Bennett. Dir. Allan Dwan. UA. 95 min. (Silent - Exempt Premiere) TCM Imports: Lino Ventura in 1969 2:00am Army of Shadows (1969) Lino Ventura, Paul Meurisse. Dir. Jean-Pierre Melville. Valoria Films. 145 min. (Imports - Exempt Premiere) 4:30am The Sicilian Clan (1969) Jean Gabin, Alain Delon. Dir. Henri Verneuil. FOX. 122 min. (Imports - Exempt Premiere) Monday, October 17th Happy Birthday, Marsha Hunt! 6:45am Blossoms in the Dust (1941) Greer Garson, Walter Pidgeon. Dir. Mervin LeRoy. MGM. 99 min. (p/s) 8:30am Kid Glove Killer (1942) Van Heflin, Marsha Hunt. Dir. Fred Zinnemann. MGM. 74 min. (p/s) 10:00am The Affairs of Martha (1942) Marsha Hunt, Richard Carlson. Dir. Jules Dassin. MGM. 66 min. (p/s) 11:15am The Human Comedy (1943) Mickey Rooney, Frank Morgan. Dir. Clarence Brown. MGM. 117 min. (p/s) 1:15pm None Shall Escape (1944) Marsha Hunt, Alexander Knox. Dir. Andre De Toth. COL. 85 min. (p/s) 2:45pm A Letter for Evie (1946) Marsha Hunt, John Carroll. Dir. Jules Dassin. MGM. 89 min. (p/s) 4:30pm The Happy Time (1952) Charles Boyer, Louis Jourdan. Dir. Richard Fleischer. COL. 94 min. (p/s) 6:15pm Blue Denim (1959) Carol Lynley, Brandon De Wilde. Dir. Philip Dunne. FOX. 89 min. (p/s) Challenge #5: 1944 Guest Programmer: Father O’Malley from Going My Way 8:00pm The Keys of the Kingdom (1944) Gregory Peck, Thomas Mitchell. Dir. John M. Stahl. FOX. 137 min. (p/s) 10:30pm Heaven Knows, Mr. Allison (1957) Deborah Kerr, Robert Mitchum. Dir. John Huston. FOX. 108 min. (p/s) 12:30am Come to the Stable (1949) Loretta Young, Celeste Holm. Dir. Henry Koster. FOX. 94 min. (p/s) 2:15am Lilies of the Field (1963) Sidney Poitier, Lilia Skala. Dir. Ralph Nelson. UA. 94 min. (p/s) 4:00am Boys Town (1938) Spencer Tracy, Mickey Rooney. Dir. Norman Taurog. MGM. 96 min. (p/s) Tuesday, October 18th Berlin Stories 5:45am A Foreign Affair (1948) Jean Arthur, Marlene Dietrich. Dir. Billy Wilder. PAR. 116 min. (p/s) 7:45am The Man Between (1953) James Mason, Claire Bloom. Dir. Carol Reed. UA. 100 min. (p/s) 9:30am One, Two, Three (1961) James Cagney, Horst Buchholz. Dir. Billy Wilder. UA. 104 min. (p/s) 11:30am The Spy Who Came in from the Cold (1963) Richard Burton, Claire Bloom. Dir. Martin Ritt. PAR. 112 min. (p/s) 1:30pm Funeral in Berlin (1966) Michael Caine, Oskar Homolka. Dir. Guy Hamilton. PAR. 102 min. (p/s) 3:30pm The Quiller Memorandum (1966) George Segal, Alec Guinness. Dir. Michael Anderson. FOX. 104 min. (p/s) 5:30pm The Counterfeit Traitor(1962) William Holden, Lilli Palmer. Dir. George Seaton. PAR. 140 min. (premiere) Star of the Month: Linda Darnell 8:00pm Centennial Summer (1946) Jeanne Crain, Cornel Wilde. Dir. Otto Preminger. FOX. 102 min. (premiere) 9:45pm My Darling Clementine (1946) Henry Fonda, Linda Darnell. Dir. John Ford. FOX. 97 min. (p/s) 11:30pm Forever Amber (1947) Linda Darnell, Cornel Wilde. Dir. Otto Preminger. FOX. 138 min. (p/s) 2:00am The Walls of Jericho (1948) Cornel Wilde, Linda Darnell. Dir. John M. Stahl. FOX. 106 min. (premiere) 4:00am Unfaithfully Yours (1948) Rex Harrison, Linda Darnell. Dir. Preston Sturges. FOX. 105 min. (p/s) Wednesday, October 19th Lee Remick 6:00am A Delicate Balance (1973) Katharine Hepburn, Paul Scofield. Dir. Tony Richardson. American Film Theatre. 133 min. (p/s) 8:15am The Long, Hot Summer (1958) Paul Newman, Joanne Woodward. Dir. Martin Ritt. FOX. 115 min. (p/s) 10:15am Wild River (1960) Montgomery Clift, Lee Remick. Dir. Elia Kazan. FOX. 110 min. (p/s) 12:15pm Baby the Rain Must Fall (1965) Lee Remick, Steve McQueen. Dir. Robert Mulligan. COL. 100 min. (p/s) 2:00pm The Detective (1968) Frank Sinatra, Lee Remick. Dir. Gordon Douglas. FOX. 114 min. (p/s) 4:00pm No Way to Treat a Lady (1968) Rod Steiger, Lee Remick. Dir. Jack Smight. PAR. 108 min. (p/s) 6:00pm Sometimes a Great Notion (1971) Paul Newman, Henry Fonda. Dir. Paul Newman. UI. 114 min. (p/s) TCM Spotlight: New York Times Best Sellers 8:00pm The View from Pompey’s Head (1955) Richard Egan, Dana Wynter. Dir. Philip Dunne. FOX. 97 min. (premiere) 9:45pm Not as a Stranger (1955) Olivia de Havilland, Frank Sinatra. Stanley Kramer. UA. 135 min. (p/s) 12:15am The Cardinal (1963) Tom Tryon, Carol Lynley. Dir. Otto Preminger. COL. 175 min. (p/s) 3:15am The Robe (1953) Richard Burton, Jean Simmons. Dir. Henry Koster. FOX. 135 min. (p/s) Thursday, October 20th Around the World with Orson Welles 5:45am The Third Man (1949) Joseph Cotten, Alida Valli. Dir. Carol Reed. London Film Productions. 104 min. (p/s) 7:30am Prince of Foxes (1949) Tyrone Power, Orson Welles. Dir. Henry King. FOX. 107 min. (premiere) 9:30am The Black Rose (1950) Tyrone Power, Orson Welles. Dir. Henry Hathaway. FOX. 120 min. (premiere) 11:45am Moby Dick (1956) Gregory Peck, Richard Basehart. Dir. John Huston. WB. 116 min. (p/s) 1:45pm The Trial (1962) Anthony Perkins, Jeanne Moreau. Dir. Orson Welles. Paris-Europa Productions. 119 min. (p/s) 4:00pm The Sailor from Gibraltar (1967) Jeanne Moreau, Ian Bannen. Dir. Tony Richardson. UA. 91 min. (p/s) 5:45pm Catch-22 (1970) Alan Arkin, Martin Balsam. Dir. Mike Nichols. PAR. 122 min. (premiere) Bob’s Picks 8:00pm Beloved Infidel (1959) Gregory Peck, Deborah Kerr. Dir. Henry King. FOX. 123 min. (Bob - Exempt) 10:15pm The Reckless Moment (1949) James Mason, Joan Bennett. Dir. Max Ophuls. COL. 82 min. (p/s) 11:45pm 5 Fingers (1952) James Mason, Danielle Darrieux. Dir. Joseph L. Mankiewicz. FOX. 108 min. (p/s) 1:45am The Clouded Yellow (1950) Jean Simmons, Trevor Howard. Dir. Ralph Thomas. Carillon Films. 95 min. (Bob - Exempt) 3:30am Footlight Serenade (1942) John Payne, Betty Grable. Dir. Gregory Ratoff. FOX. 80 min. (Bob - Exempt) Friday, October 21st Fox Friday Challenge #1: “B” Stands for B Movies: Sol M. Wurtzel 5:00am 36 Hours to Kill (1936) Brian Donlevy, Gloria Stuart. Dir. Eugene Forde. FOX. 66 min. (B Movie - Exempt) 6:15am Thank You, Mr. Moto (1937) Peter Lorre, Thomas Beck. Dir. Norman Foster. FOX. 67 min. (p/s) 7:30am The Man Who Wouldn’t Die (1942) Lloyd Nolan, Marjorie Weaver. Dir. Herbert I. Leeds. FOX. 65 min. (B Movie - Exempt) 8:45am Backlash (1947) Jean Rogers, Richard Travis. Dir. Eugene Forde. FOX. 66 min. (B Movie - Exempt) Challenge #4: “B” Stands for Back in the Day - Film Series: Charlie Chan 10:00am Charlie Chan in Egypt (1935) Warner Oland, Pat Paterson. Dir. Louis King. FOX. 72 min. (p/s) 11:15am Charlie Chan at the Opera (1936) Warner Oland, Boris Karloff. Dir. H. Bruce Humberstone. FOX. 68 min. (2006- Exempt Premiere) 12:30pm Charlie Chan at the Circus (1936) Warner Oland, Keye Luke. Dir. Harry Lachman. FOX. 72 min. (p/s) 1:45pm Charlie Chan at the Olympics (1937) Warner Oland, Katherine DeMille. Dir. H. Bruce Humberstone. FOX. 71 min. (2006 - Exempt Premiere) Ida Lupino at Fox 3:00pm The Adventures of Sherlock Holmes (1939) Basil Rathbone, Nigel Bruce. Dir. Alfred L. Welker. FOX. 85 min. (p/s) 4:30pm Moontide (1942) Jean Gabin, Ida Lupino. Dir. Archie Mayo. FOX. 94 min. (premiere) 6:15pm Road House (1948) Ida Lupino, Cornel Wilde. Dir. Jean Negulesco. FOX. 95 min. (p/s) Tyrone Power and Gene Tierney 8:00pm The Razor’s Edge (1946) Tyrone Power, Gene Tierney. Dir. Edmund Goulding. FOX. 145 min. (p/s) 10:45pm Son of Fury: The Story of Benjamin Blake (1942) Tyrone Power, Gene Tierney. Dir. John Cromwell. FOX. 98 min. (p/s) 12:30am That Wonderful Urge (1948) Tyrone Power, Gene Tierney. Dir. Robert B. Sinclair. FOX. 82 min. (p/s) TCM Underground: Carol White 2:00am Poor Cow (1967) Terence Stamp, Carol White. Dir. Ken Loach. Vic Films Productions. 101 min. (Underground - Exempt) 3:45am I’ll Never Forget What’s’isname (1967) Orson Welles, Oliver Reed. Dir. Michael Winner. RANK. 97 min. (Underground - Exempt) Saturday, October 22nd Happy Birthday, Joan Fontaine! 5:30am The Constant Nymph (1943) Charles Boyer, Joan Fontaine. Dir. Edmund Goulding. WB. 112 min. (p/s) 7:30am This Above All (1942) Tyrone Power, Joan Fontaine. Dir. Anatole Litvak. FOX. 110 min. (p/s) 9:30am Ivy (1947) Joan Fontaine, Patric Knowles. Dir. Sam Wood. UI. 99 min. (p/s) 11:15am Kiss the Blood Off My Hands (1948) Joan Fontaine, Burt Lancaster. Dir. Norman Foster. UI. 79 min. (premiere) 12:45pm Rebecca (1940) Laurence Olivier, Joan Fontaine. Dir. Alfred Hitchcock. UA. 130 min. (p/s) 3:00pm Suspicion (1941) Cary Grant, Joan Fontaine. Dir. Alfred Hitchcock. RKO. 99 min. (p/s) 4:45pm Letter from an Unknown Woman (1948) Joan Fontaine, Louis Jourdan. Dir. Max Ophuls. UI. 87 min. (p/s) 6:15pm September Affair (1950) Joan Fontaine, Joseph Cotten. Dir. William Dieterle. PAR. 104 min. (premiere) The Essentials 8:00pm Becket (1964) Richard Burton, Peter O’Toole. Dir. Peter Glenville. PAR. 148 min. (p/s) 10:45pm The Desert Rats (1953) Richard Burton, James Mason. Dir. Robert Wise. FOX. 88 min. (p/s) Noir Alley 12:30am Night Has a Thousand Eyes (1948) Edward G. Robinson, Gail Russell. Dir. John Farrow. PAR. 81 min. (premiere) Lillian Gish 2:00am Duel in the Sun (1946) Jennifer Jones, Joseph Cotten. Dir. King Vidor. Selznick International Pictures. 144 min. (p/s) 4:30am The Unforgiven (1960) Burt Lancaster, Audrey Hepburn. Dir. John Huston. UA. 125 min. (p/s)
    4 points
  4. Bridge on the River Kwai (1958) Colonel Bogey March 🎶
    2 points
  5. 1) Woody Allen - Broadway Danny Rose 2) Roger Corman - The Wasp Woman 3) Andre deToth - House of Wax 4) Blake Edwards - Experiment in Terror 5) David Fincher - The Social Network 6) Sam Fuller - The Naked Kiss 7) Mervyn LeRoy - The Bad Seed / Gypsy (too close to call!) 8) Penny Marshall - 9) Norman McLeod - 10) Ronald Neame - The Poseidon Adventure Thanks, Det Jim! I agree with Kingrat. These are fun!
    2 points
  6. The Adventurers 1970 next: Henry Fonda, John Wayne and Shirley Temple
    2 points
  7. Inn of the Sixth Happiness
    2 points
  8. I know very little about this film besides the fact that ever since I first read of it many many years ago, I have spontaneously and at random moments of my life burst out loud with an enthusiastic, tantric recital of "Pepe le Moko! Pepe le Moko! Pepe le Moko!" over and over again. It tickles me. I want to some day hobble through the streets of Montmatre wearing only one high-heeled shoe, a cigarette dangling betwixt my lips, and repeatedly shout out "PEPE LE MOKO!!!!!!" with increasing desperation, starring in my own sort of parfum commercial.
    2 points
  9. I really like ODDS AGAINST TOMORROW. Eddie mentioned it was one of the last B&W noirs of the era. I thought Belafonte, Ryan and Begley were all great. I hadn't seen that much of Robert Ryan until I started watching Noir Alley a few years ago. He's right up there with Robert Mitchum and John Garfield as far as I'm concerned.
    2 points
  10. Bill Robinson was wonderful in all of his film performances. It's too bad his only starring role, in STORMY WEATHER, was his last in film. Most of us have seen the dance number he performed with Shirley Temple in THE LITTLE COLONEL, but have you seen the original choreography on which it was based? According to Ms Temple herself, Mr. Robinson tried to teach her his famous stair dance, but she was having trouble with the intricate rhythm and steps (she was 7 at the time!) so he taught her a variation, which she mastered, and he had it filmed. He then watched the film of her and matched his taps to hers so they would match. Talk about an unselfish performer! Here is video of his famous stair dance, in its original form:
    2 points
  11. The Girl In 419 (1933) Fast paced comedy-drama pre-coder from Paramount set in a police hospital full of crime cases. Smiley James Dunn plays the hospital's chief doctor who is also Don Juan to many of the nurses. When an orderly at one point asks how to find him the receptionist replies, "You make a sound like a woman and he comes running." But this doctor also gives scoops to a reporter as long as that reporter compensates him with a bottle of good liquor. Soon Dunn takes a special interest in an unconscious woman brought in (Gloria Stuart) because, well, as he says, she's too beautiful to die. And it's not that long before he declares, even though she hasn't been able to utter a single word as she passes in and out of consciousness, that he's in love with her. As it turns out she was found in an alley after suffering a terrible beating for reasons explained towards the end of the film. Good thing she didn't have a mark on her face or it's doubtful Dunn would have taken such an interest in her. William Harrigan plays a gangster who is on semi friendly terms with Dunn, with good ol' Jack La Rue as a henchman Harrigan gets angry didn't knock Stuart off as ordered and now wants him to go to the hospital to finish the job. David Manners plays a young doctor who hero worships Dunn (who's hardly a great role model for medical professionalism, to say the least). Vince Barnett does his accented comic shtick as a sidekick to Dunn who does everything for him, including scrubbing his back after he hunts him down in the shower. Speaking of comic shticks, Billy Gilbert is also on hand as a hospital patient going for a world record when it comes to sneezing. Awww-choo! Finally there is also Kitty Kelly as the hospital's receptionist who is always making with the wisecracks as she fends off eager doctors wanting to take her out. She might not be the most sensitive type to answer emergency calls, though. In responding to one call she cracks wise, "Jumped off the 58th floor? That's a new high!" Needless to say, this film is a fun breezy ride that only runs a few minutes past an hour. Those who enjoy pre-coders for their fast paced punchiness, as well as political incorrectness (wait till you see what one doctor does to a patient at the film's end), should have a good time. Dunn is a likeable lead and the cast surrounding him all give professional accounts of themselves. 2.5 out of 4
    2 points
  12. The 24-hour salute to Satyajit Ray on his 100th birthday recalls the similar tribute to Akira Kurosawa on his 100th birthday. I hope to record some of the ones I haven't seen.
    2 points
  13. I've never...ever...ever...EVER understood the critical fascination with Broadway Danny Rose, as the dressup New Jersey imitations just came off as cringeworthy. Love and Death is still the last classic Early Funny point just before "seriocomic" Annie Hall, where Woody could still be silly with random non-sequiturs and deadpan burlesques of Bergman and Eisenstein, but still angst over the futility of the universe. And Annie Hall was "you had to be there", but only for its unique 8-1/2 like mix of real and subjective imagination scenes, applied to neurotic 70's NY relationship humor. It spawned a lot of bad imitations for a decade, but Woody's opening speech about "My philosophy of two jokes" captures more of his cosmology in one film than he could drag out in six. Zelig was more of an uncharacteristic return to his New Yorker-magazine non-sequitur silliness of Take the Money & Run and Bananas, even though it's from his "stylistic imitation" period, where he's trying to imitate 30's newsreels. And The Purple Rose of Cairo is taken almost straight out of one of his specific early short stories, although with more harsh Depression-era malaise pasted on for "message".
    2 points
  14. Angela Bassett.....she has a very nice filmography. Next: THE VICTORS (1963) DIE! DIE! MY DARLING (1965) THE NAKED RUNNER (1967) STRAW DOGS (1971) THE REMAINS OF THE DAY (1993)
    2 points
  15. Coming Up in March: disney features March 6 BAMBI (1942) March 13 SECRETS OF LIFE (1956) March 20 MARS AND BEYOND (1957) March 27 THE LOVE BUG (1968)
    2 points
  16. Okay, you list three actors and the next person guesses which movie they made together. It can be three people who made more than one movie together, which means there might be more than one correct answer. Got it..? *** Example: Loretta Young, Don Ameche and Charles Coburn Answer: THE STORY OF ALEXANDER GRAHAM BELL (1939)
    1 point
  17. Did I miss something? I usually come to this site to discuss film noir. All of a sudden the conversation is about telephone poles, Miss Kitty from GUNSMOKE and whether Hudson NY has changed in sixty years. I guess I had higher expectations for this site. Silly me.
    1 point
  18. I thought it was pretty good (for a B). Really creepy.
    1 point
  19. USA TODAY Life @usatodaylife The Hollywood Foreign Press Association addressed its membership controversy during the #GoldenGlobes ... kind of. Golden Globes viewers deserved more accountability from the HFPA after membership scandal No one expected the Golden Globe Awards to be a beacon for diversity and inclusion. But no one expected it to try and skirt by its controversy either. usatoday.com 2:00 AM · Mar 1, 2021·SocialNewsDesk
    1 point
  20. 1. Woody Allen The Purple Rose of Cairo (1985) 2. Roger Corman N/A 3. Andre DeToth The Indian Fighter (1955) 4. Blake Edwards Darling Lili (1970) 5. David Fincher Zodiac (2007) 6. Sam Fuller House of Bamboo (1955) 7. Mervyn LeRoy Random Harvest (1942) 8. Penny Marshall Jumpin' Jack Flash (1986) 9. Norman Z McLeod The Secret Life of Walter Mitty (1947) 10. Ronald Neame The Prime of Miss Jean Brodie (1969)
    1 point
  21. THE WINGS OF EAGLES (1957) Next: Fred MacMurray, Betty Hutton and Dorothy Lamour
    1 point
  22. 2.) A great musical score by Korngold.
    1 point
  23. Clark Next: Carson, Lee and Paycheck
    1 point
  24. Love And Mercy (The Story of Brian Wilson) Next: Another favorite biopic about a rock star
    1 point
  25. This month on Svengoolie: The Thing That Couldn't Die (1958) on 3/6, Mystery of the Wax Museum (1933) on 3/13, The Shadow of the Cat (1961) on 3/20 and The Beast Must Die (1974) on 3/27.
    1 point
  26. YES, that is the truth. While I have seen LADY SINGS THE BLUES and am glad MISS ROSS got a nomination for it, that is one TEDIOUS, OVERLONG film and she sounds ABSOLUTELY NOTHING LIKE either young or old LADY DAY. In the case of THE UNITED STATES VS. that is not the case...MISS DAY looked and sounded a good deal like BILLIE HOLIDAY. Maybe I'll sit down and try to finish the rest of the film. I should be more hesitant of speaking criticism when I only watched a small portion of the film, but sometimes I come to the boards with it as a way of asking "am I alone on this here?" the way they introduced the story- with the heavy handed frontispiece about lynching** and- again- the badly, badly written radio interview with the condescending white lady interviewer just TURNED ME OFF COMPLETELY. It was very SCREENWRITING 101: DAY ONE: ESTABLISHING EXPOSITION IN YOUR STORY. **I ABSOLUTELY understand that STRANGE FRUIT and the story of BILLIE HOLIDAY'S troubles with the government go hand in hand, but i felt like unloading this right at the start as opposed to establishing the fact more subtly within the narrative was a mistake.
    1 point
  27. For books on Hollywood Musicals, I prefer Richard Barrios' book: Although it might get a little too detailed for some. Barrios was a fabulous TCM guest, sure miss seeing him at classic film festivals.
    1 point
  28. Noir Alley has scheduled Pepe le Moko (1937) for March 27/28. Maybe this is a harbinger of more non-U.S. noir to come? Also, TCM Imports has previously screened some films in this niche.
    1 point
  29. "Nomadland," the story of a woman (played by Frances McDormand) who travels around America with fellow nomads, was named Best Motion Picture Drama of 2020 Sunday at the partly virtual 78th annual Golden Globe Awards. The film's director, the Chinese-born Chloé Zhao (pictured below with presenter Bryce Dallas Howard), became only the second woman to be honored by the Hollywood Foreign Press Association for her efforts behind the camera (Barbra Streisand won the 1983 Best Director award for "Yentl"). Zhao quoted a message from a real-life nomad named Bob Wells: "Compassion is a breakdown of all the barriers between us. A heart-to-heart bonding. Your pain is my pain. It's mingled and shared between us." She added: "Now this is why I fell in love with making movies and telling stories, because they give us a chance to laugh and cry together. And they give us a chance to learn from each other and to have more compassion for each other." The British actor and filmmaker Sasha Baron Cohen (pictured below with his actress wife Isla Fisher) won two awards for his satirical movie "Borat Subsequent Moviefilm." The production, a sequel to Cohen's 2006 hit "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan," was named Best Motion Picture, Comedy or Musical. Cohen, who reprised his role as the fictional Kazakhstani journalist Borat Sagdiyev, won for Best Performance by an Actor in a Motion Picture, Musical or Comedy. Meanwhile, on the television side, the controversial fourth season of the Netflix series "The Crown" received four awards, including Best Drama Series. Josh O'Connor and Emma Corrin (who portrayed the star-crossed British royals Prince Charles and Princess Diana, respectively) won lead acting honors for a drama. Gillian Anderson (pictured below), who appeared in "The Crown" as British Prime Minister Margaret Thatcher, received a supporting actress award. It was Anderson's second Golden Globe win. In 1997, she won the Best Actress in a Drama award for her performances as FBI Special Agent Dana Scully in the FOX series "The X-Files." Here are the winners from the 78th annual Golden Globe Awards: FILM Best Motion Picture, Drama "Nomadland" Best Motion Picture, Musical or Comedy "Borat Subsequent Moviefilm" Best Motion Picture, Animated "Soul" Best Performance by an Actor in a Motion Picture, Drama Chadwick Boseman, "Ma Rainey's Black Bottom" Best Performance by an Actress in a Motion Picture, Drama Andra Day, "The United States vs. Billie Holiday" Best Performance by an Actor in a Motion Picture, Musical or Comedy Sasha Baron Cohen, "Borat Subsequent Moviefilm" Best Performance by an Actress in a Motion Picture, Musical or Comedy Rosamund Pike, "I Care a Lot" Best Performance by a Supporting Actor in a Motion Picture Daniel Kaluuya, "Judah and the Black Messiah" Best Performance by Supporting Actress in a Motion Picture Jodie Foster, "The Mauritanian" Best Motion Picture, Foreign Language "Minari" (United States) Best Screenplay, Motion Picture Aaron Sorkin, "The Trial of the Chicago 7" Best Original Score, Motion Picture Trent Reznor, Atticus Ross and Jon Batiste, "Soul" Best Original Song, Motion Picture Diane Warren with Niccolò Agliardi & Laura Pausini, "Io sì (Seen)" from "The Life Ahead" Best Director, Motion Picture Chloé Zhao, "Nomadland" Cecil B. DeMille Award Jane Fonda TELEVISION Best Television Series, Musical or Comedy "Schitt's Creek" (CBC/Pop TV) Best Television Series, Drama "The Crown" (Netflix) Best Television Limited Series, Anthology Series or TV Movie "The Queen's Gambit" (Netflix) Best Performance by an Actor in a Television Series, Drama Josh O'Connor, "The Crown" (Netflix) Best Performance by an Actress in a Television Series, Drama Emma Corrin, "The Crown" (Netflix) Best Performance by an Actor in a Television Series, Musical or Comedy Jason Sudeikis, "Ted Lasso" (Apple +) Best Performance by an Actress in a Television Series, Musical or Comedy Catherine O'Hara, "Schitt's Creek" (CBC/Pop TV) Best Performance by an Actor in a Limited Series, Anthology Series or TV Movie Mark Ruffalo, "I Know This Much Is True" (HBO) Best Performance by an Actress in a Limited Series, Anthology Series or TV Movie Anya Taylor-Joy, "The Queen's Gambit" (Netflix) Best Actor in a Television Supporting Role John Boyega, "Small Axe" (Prime Video) Best Actress in a Television Supporting Role Gillian Anderson, "The Crown" (Netflix) Carol Burnett Award Norman Lear
    1 point
  30. WALT next: Borgnine, Hemingway and Truex
    1 point
  31. Burt Lancaster Next: The Way We Were (1973) Night Moves (1975) Eyewitness (1981) Videodrome (1983) Chaplin (1982)
    1 point
  32. BEN next: Cline, Kelly and Kensit
    1 point
  33. Ralston, T.T. -- Edward Arnold in Nothing But the Truth (1941)
    1 point
  34. Pope, Tony, played by Raymond Burr in "Crime of Passion"
    1 point
  35. 1 point
  36. 1 point
  37. Lane, Elizabeth -- played by Barbara Stanwyck in CHRISTMAS IN CONNECTICUT (1945)
    1 point
  38. Gray, Dorian -- played by Hurd Hatfield in THE PICTURE OF DORIAN GRAY (1945)
    1 point
  39. NO ORCHIDS FOR MISS BLANDISH (1948)
    1 point
  40. MOVIE ROBERTS monday the 3rd of may private screenings: robert osborne (2014) crossfire (1947) with robert young, robert mitchum & robert ryan the night of the hunter (1955) with robert mitchum tuesday the 4th of may king kong (1933) with robert armstrong the 39 steps (1935) with robert donat strangers on a train (1951) with robert walker night must fall (1937) with robert montgomery a kiss before dying (1956) with robert wagner monday the 10th of may waterloo bridge (1940) with robert taylor marie antoinette (1938) with robert morley tuesday the 11th of may h.m. pulham esq. (1941) with robert young the music man (1962) with robert preston princess o'rourke (1943) with robert cummings i married a witch (1942) with robert benchley sunday in new york (1963) with robert culp monday the 17th of may bullitt (1968) with robert vaughn the candidate (1972) with robert redford tuesday the 18th of may hollywood shuffle (1987) with robert townsend how to succeed in business without really trying (1967) with robert morse a man for all seasons (1966) with robert shaw the last voyage (1960) with robert stack cattle king (1963) with robert taylor monday the 24th of may chaplin (1992) with robert downey jr. the great santini (1979) with robert duvall tuesday the 25th of may the long riders (1980) with robert carradine mean streets (1973) with robert de niro in cold blood (1967) with robert blake reflections in a golden eye (1967) with robert forster the thing from another world (1961) with robert cornthwaite
    1 point
  41. Our ninth musical star is BETTY HUTTON She played Texas Guinan, a larger than life entertainer in INCENDIARY BLONDE (1945): She was good with a gun as Annie Oakley in ANNIE GET YOUR GUN (1950): And she said to a guy named Fred, "Hey you-- LET'S DANCE (1950)!"
    1 point
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