Jump to content
 
Search In
  • More options...
Find results that contain...
Find results in...

JackBurley

Members
  • Posts

    3,298
  • Joined

  • Last visited

Posts posted by JackBurley

  1. We really should start a new thread and move all of these posts to the newly created Laurette Taylor thread. For now I have another addition, and that is to say that there were a few versions of Peg of My Heart. The 1922 version -- directed by King Vidor -- starred Laurette Taylor. Eleven years later, Marion Davies did her version of it.

     

    I wonder if Katharine Hepburn ever considered playing fair Peg? Would the role have been an appropriate for Miss Hepburn? (That was round-about, but I knew I could get this thread back on topic somehow!)

  2. "...And on a personal note, my brother, Tim, based his award winning high school performance as Mrs. Stevenson in "Sorry, Wrong Number" on a recording he had heard once of Agnes' version on the "Suspense" radio program..."

     

    How very curious, Ms. Lenox. Did Tim "Lenox" go to an all-boys school? It sounds very open-minded. Did he wear a lace bed jacket?

  3. "Does anyone know if Richard Dix got nominated for this film for an Oscar? If I remember correctly the film did win an oscar."

     

    The film received numerous Oscar nominations; and Richard Dix' nomination for Best Actor was among them. Cimarron won the Best Picture Award. It was the only RKO-produced movie to win this accolade. Other Cimarron winners were Max Ree's Art Direction; and Howard Brooks' Best Adapted Screenplay.

     

    Irene Dunne (Best Actress), Edward Cronjager (Cinematography), and Wesley Ruggles (Director) were also nominated.

  4. MaxMania wrote in the Jack Carson thread: "My favorite Jack Carson film (and one that hasn't been mentioned here yet) is also the ultimate Jack Carson film - IT'S A GREAT FEELING, in which Jack Carson plays...Jack Carson. Aside from all the fascinating subtext about lies and deception...Aside from the many entertaining cameos from WB stars...What I find most interesting about this film is just how game Carson is to poke fun at himself ('Everybody knows I'm a liar!'), and, by extension, all Hollywood stars."

     

    I read this today, after seeing Jack of Diamonds on TCM; a movie that features Zsa Zsa Gabor, Caroll Baker and Lili Palmer playing themselves.

     

    Can we chronicle a list of movies wherein actors play themselves? Of course, now none other come to mind; but I'm betting y'all can name them...

  5. "Don't forget 'Broadway Melody of 1940.'"

     

    Just wanted to be sure you're aware that Broadway Melody of 1940 has already been released on DVD. It's a swell release with an introduction by Ann Miller as well as an Our Gang short, The Big Premiere...

  6. I meant to imply that while The Best of Everything was "glossy and a great capturing of the late 1950's Manhattan", The Devil Wears Prada is glossy and a great capturing of turn-of-the-century Manhattan. Both tell the stories of older women who are powerhouse publishing executives, and the lives of young women who are just starting on the scene. Whereas the earlier film shows the "impossiblity" of women having both family and career, Prada shows the immense pressure of juggling both. At any rate, it made me long for my New York days and has made me consider again dropping by my old stomping grounds on my favorite isle of Manhattan...

  7. "Six hits and a miss confused me. The orchestra, in its musical arrangement and presentation, as well as female hair styles in ballroom/dance sequences seemed right out of the 1936-1937 era. When the short cut to the vocal group of six men and one woman the musical arrangement, singing style, and hair styles were certainly more consistent with 1942. Is it possible that the main part of this short was clipped from a 1936-1937 movie, or at least a cut from a movie of that era, and the singing group was spliced in to make this short?"

     

    How interesting! You prompted me to watch it again (the short subject Six Hits and a Miss is featured on the The Man Who Came to Dinner DVD), and you're right that there's a disparity between the dancer's shots and the musician's shots. They were definitely filmed at a different time and location. The orchestra and singers ("Six Hits and a Miss" is the name of the vocal group) are shot on a darker soundstage with black mirrored floors. The dancers are in a brightly stage with white floors. The female dancers are wearing dresses with halter tops and the skirts are cut on the bias -- it's very 1930's. But the musical arrangements are so 1940's. Did you notice that this was directed by Jean Negulesco (who also made Johnny Belinda and How To Marry a Millionaire)?

     

    I've been trying gain more information about this short over in the Short Subjects Forum. Now you've just added to the allure:

     

    http://forums.tcm.com/jive/tcm/thread.jspa?messageID=7824848

  8. Yes, that's definitely the group's name. They sang in a bunch of musicals for Twentieth Century-Fox and MGM. They're in Babes on Broadway and the "I Got Rhythm" number in Girl Crazy among other flicks. I was hoping to discover the individual names of the vocalists.

     

    The second question was derived from the opening credits of the short which acknowledges "Ruby Keeler and Paul Draper for their contributions", but it doesn't state what the contributions were. IMDB says that Miss Keeler is one of the featured dancers, but I believe this is incorrect; at least the dancer doesn't look like Miss Keeler.

  9. Thanks MGMWBRKO!

     

    I recently watched Six Hits and a Miss (it's included on The Man Who Came to Dinner DVD) short. Does anyone know the names of the singers in this group? Does anyone know Ruby Keeler's affiliation with this short?

  10. "1) What is the MINIMUM number of films that needs to be shown to call an event a film "festival"?"

     

    The San Francisco Silent Film Festival started as a one-day affair. I think they started with three movies. This annual event started several years ago. Last month's festival took up three days and many movies (I listed them in the Silents Forum).

     

    "2) Would you travel to see such a festival? If so, how far?"

     

    I'd travel for a festival. How far? That depends on the destination and the films being offered. If the movies are something I feel that I can see here at some point, I probably wouldn't go far. If, however, the screening also involves a personal appearance of someone involved with the movie -- then that ups the chances that I'll be there. When San Francisco's Castro Theatre showed Mildred Pierce last month with Ann Blyth in attendance, over fifty people flew in from all over the United States.

  11. I noticed it for the first time last night (during Richard Dix Day), and thought how my old art school compatriots would have had a field day deconstructing how that image was composed; i.e., cutting off the head of the bathing beauty... At the time that I saw it, I assumed it was Sue Lyon (1962's Lolita). But I see that Mrs. Lindley noted the figure is a brunette. So now I'm stumped too. At any rate, it's nice to know what Mr. L. was talking about.

     

    :)

© 2022 Turner Classic Movies Inc. All Rights Reserved Terms of Use | Privacy Policy | Cookie Settings
×
×
  • Create New...