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redriver

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Posts posted by redriver

  1. There are several instances where one movie is acknowledged for the best writing and directing, and another wins Best Picture. HUNH? I know it can be explained by the method of voting. All members vote for Best Picture. Consistency is expendable. Still, it makes for a baffling result. "So, this movie was better written, better directed. But this one is the better film!"

     

    Edited by: redriver on Mar 23, 2010 3:25 PM

  2. It certainly is disturbing. That's the point. Different? Undoubtedly. But it's clever, intriguing and expertly played. Would I want all movies to be like this? Of course not. But it's good to be challenged. It's good to have healthy disagreement. We don't all like the same movies. Frankly, I'm not crazy about LAWRENCE OF ARABIA!

  3. SPADE AND ARCHER. It's not real good. The references you would expect are a little too obligatory. The story, or stories, are episodic, having little connection to a common theme. It reminds me more of Hammett's short stories than of "Falcon." On the other hand, it's fairly entertaining, not dull, and a concept that had to happen. I've been expecting it for years. The author's name is something Joe Gorres.

  4. Nobody can challenge your Fonda example. He's always good. But as Tom Joad, he explores deeper, more complex levels. A great job in a wonderful role. Newman is in his brash, defiant element as Luke. But also in HUD and THE HUSTLER, my favorite. I like Stewart in so many things. ANATOMY OF A MURDER, HARVEY. But the Capra themes of "common man survives against the system" brings out his best. He overplays Mr. Smith. But his George Bailey is pure gold. Lancaster is so passively self destructive in LITTLE SHEBA it's unforgettable. Gantry is more audacious. Birdman has more scope. But Doc is the character that sticks with me. A great script helps a lot. But Burt brings it to life.

  5. If we were the jury, the movie would be over. He's probably guilty, but probably is not good enough. Due to insufficient evidence, I would reluctantly vote to acquit. I suspect this was the author's intention. To have the point debated for years to come. If I had written the story, I'd be beaming with pride!

  6. I don't see it that way. A man is persecuted. Denied support from people who fear for their own well being. That sounds pretty American to me! If it represents the McCarthy experience, that's as much a piece of our history as anything else. This is not my favorite western. But I appreciate the tension, the fluidity and the loneliness of the story. I see plenty of the elements that make up a classic.

  7. I liked it! I like stories about tormented people. In fact, most of the dark crime dramas are exactly that. I get a lot of recommendations from threads like this. People post comments. I rent the movie. Funny how that works!

     

    I like Joan more all the time. She's not my favorite actress. But she had courage. She played unflattering roles. Seemed to accept that she wouldn't be young forever. Played nice as well as whack job. Good range.

  8. Frank "The Yank" Grimes!

     

    I agree WHITE HEAT is more cops and robbers than noir. The suspense is masterful, the action nail-biting. The direction is precise and visual, leading the story, and the audience, exactly where they need to go for maximum effect. Walsh's best film and a classic in every sense.

  9. White Heat was one of the first "classic" movies I remember seeing, outside

    of sci-fi and monster films.

     

    My experience is similar. I prefaced it with a few outdoor adventures. THE PLAINSMAN, maybe STAGECOACH. And, like you, I watched anything that featured a giant lizard destroying a city. But Cody and Co. came early in my classic movie career. It remains a favorite.

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