SueSueApplegate

Thank you so much, Darryl! It must be time for an international revival of *On Golden Pond* because Stephanie Powers starred in the UK production of the play this spring with Richard Johnson (Jemmy in 1965's *The Amorous Adventures of Moll Flanders,* and lately as Bernard Qualtrough in *MI-5).* For more information, follow the link: http://www.stefaniepowersonline.com/news.htm For an informative interview about her UK appearance in Plymouth in April, follow this link: http://www.thisisplymouth.co.uk/Humour-fore-Golden-Pond-play/story-15863296-detail/story.html Any chance Stephanie Powers might visit the next TCMFF in 2013 to introduce *McClintock* with John Wayne or *Die, Die, My Darling* with Tallulah Bankhead? And if you live in the L.A. area, don't forget about Salome Jens' performance in *On Golden Pond* in Glendale in July and August!

GEORGE Next: Kathy, Florence, Alan

I am definitely with Lynn and Jackie on this one. Excellent!

Ha! Not Wally. GUY. He appeared on the stage in Houston to promote the 1960 Zorro film, and he was so dashing in his Zorro togs. My mother was a swoonin'.... "Trouvais" seems just as obsessed with pictures of roses as I am!

Bronxie, he was a good lookin' Mensch!

I was lucky enough to see Guy Williams at a promotional appearance he made in Houston. He was so nice, and was very patient and kind with us kiddos.

Glad you're back!

Thanks, dear Izcutter! Keep those cards and letters coming in... Richard Anderson's introduction to *Seconds* also revealed that he felt Salome Jens was a wonderful actress. And viewing that film at the Turner Classic Film Festival 2012 peaked my interested in a woman whose career encompassed many film, television, and stage successes. Her face is familiar to many because of her myriad of guest starring roles in series like *Star Trek: Deep Space* *Nine*, appearing as the Female Shapeshifter, or *Melrose Place* as Joan Campbell. She also appeared in *Tales From the Crypt*, *Falcon Crest*, *Mary Hartman, Mary Hartman,* *Medical Center*, *Stoney Burke, The Outer Limits, The Untouchables*, and one of the more unusual episodes of *Gunsmoke*, entitled "Captain Sligo," with Richard Baseheart in the title role, staple character player Royal Dano, and director William Conrad, who was the original Matt Dillon on the CBS radio show. *McMillan and Wife*, *Seconds* ' costar Rock Hudson's popular detective series, also afforded Jens the opportunity to work with Hudson again in the episode entitled " Reunion in Terror," as a character named "Boom Boom" Parkins in the 70s. Jens' quirky, often off-beat characters did much to advance her in certain non-traditional roles, but her portrayal of Nora Marcus as the free-wheeling, grape-stomping paramour of Rock Hudson's reformed Arthur Hamilton enjoying his new found "freedom" in the up-and-coming Malibu counterculture, is one of her signature roles. As Nora Marcus, she is mysterious, passionate, and willing to lead Arthur Hamilton into all kinds of adventures, some of which occur on screen in the actual Malibu home of *Seconds* director John Frankenheimer. Her 1961 starring role in Paul Wendkos's *Angel Baby* is considered Wendkos' best directorial effort, and a cult favorite with fans of Salome Jens. Wendkos, famous for the *Gidget* franchise, *The Legend of Lizzie Borden*, starring Elizabeth Montgomery, and *A Woman Called Moses*, starring Cicely Tyson, was hard-pressed not to release *Angel Baby*, and it was "shelved" for a year to help ensure the success of a similarly plotted Columbia effort entitled *Elmer Gantry*, which propelled Shirley Jones to her Oscar win as Lulu Bains. *Angel Baby* not only marked the debut of Ms. Jens as a woman who believes she has been selected by God to alleviate the suffering of others with her healing skills, but it also allowed a young Burt Reynolds his first film credit before his stint as "Quint" on *Gunsmoke* a year or so later. George Hamilton, as Paul Strand, is a greedy promoter who supposedly cures Jens of her affliction, and Mercedes McCambridge is his wife who also exploits the innocent. Salome Jens will star with Andrew Prine ( *Bandolero* , *The Miracle Worker*, *Chisum* ) in Glendale Centre Theatre's *On Golden Pond*, July 12-August 11. Jens has previously appeared in many productions, and the New York Times called her one-woman show *About Anne*, incorporating the poems and words of Anne Sexton, " a magnificent moment of theater" and states that her "rich and brilliant performance gleams in the memory." (Anyone living near Glendale, California, might want to order tickets to see Jens and Prine emote in *On Golden Pond* at 818-244-8481.) Watching *Seconds* made me so curious about Salome Jens because I had seen her in so many movies and television classics, and I had to find out a little more about this fascinating feature player. Discussing her performance with Geraldine Page in *Barefoot in Athens*, a play about the death of Socrates, which first appeared on Broadway, and aired in 1966 on NBC, Jens claimed Page was "fierce" and always worked "on the edges." She also reveals she was "moved, moved humanly" by Page's performance. *Barefoot in Athens* also starred Peter Ustinov as Socrates. After watching the print of *Seconds* at the Turner Classic Film Festival in April, I feel that Jen's performances move viewers humanly and motivated me to find out a little more about her and her performance in *Seconds*, which helped make it a classic, cult or otherwise. Maybe Salome Jens will be asked to appear at the Turner Classic Movies Film Festival 2013 to introduce another screening of *Seconds*, or even *Angel Baby*.

JackFavell said: "I actually had a nightmare about Fred MacMurray last night, and can't figure out what it meant. He was in white tie and tails, looking like another Fred, in TOP HAT. Mac just glared at me, then I woke up. by the rules of screwball, this means you are well on your way to falling in love."

Miss G., I love those photos! Ladies, are we planning a conference on the Cote d'Azur any time soon? I must get my passport in order...

If Turner Classic Movies is your favorite cable channel, you will love what Robert Osborne says in Jonathan Melville's interview from 2011. And if you are currently employed as a producer, please listen closely: http://audioboo.fm/boos/567305-robert-osborne-interview-tcm-classic-film-festival-2011

Check out the blog Scottish film buff, freelance editor, writer, and journalist Jonathan Melville writes about the Turner Classic Movie Festival. I had the privilege of meeting Jonathan at previous festivals, and he is a wonderful fellow whose interests in film keep the Scottish Highlands informed about the Turner Classic Film Festival, as well as writing film reviews for the Edinburgh Evening News. Follow this link for some of his informative features: http://jonathanmelville.wordpress.com/2012/06/10/tcm-classic-film-festival-2012/#comment-253

Thank you, Capuchin!

King, I most heartily agree. I think all the actresses in the Keith Michell incarnation were excellent. Angela Pleasence also appeared on an episode of Dr. Who as Queen Elizabeth I, and last appeared in The Sarah Jane Adventures in 2011. I do feel she was quite believable as Catherine Howard, and lent it a certain "horror of naivete" about her precarious position. SansFin, I wish you a safe and successful journey!

Saturday evening, April 14, was one of the events I had been looking forward to since the announcement of the full schedule. At 9:45 in the Chinese Multiplex #3, *Seconds* was going to be introduced by veteran actor Richard Anderson and historian Kari Beauchamp. 6'3" Anderson strolled onstage looking fit and tan as if he just stepped away from the clay court after his last victory volley. The low-key, but informative introduction allowed Anderson to reveal some of his Hollywood rise to prominence as one of the most visible supporting cast players from the decline of the studio system to his berth as solid Oscar Goldman in *The Six Million Dollar Man*, and its feminist spawn, *The Bionic Woman*. The first actor to play concurrent roles in two different series on two different networks, Anderson was recommended for the role of Henry Malvine in *Dream Wife* by none other than Cary Grant as Grant's wife at the time, Betsy Drake had noticed Anderson in one of his theatrical appearances in the 1950s when Anderson was a contract player at MGM. Anderson once claimed that "when people ask me where I received my education, I tell them it was at MGM-U. The biggest lessons I learned is that acting is a talent. You can't teach it. And even if you have the talent, you have to get a part." So when the call came from Cary Grant, he was a little startled, but eventually secured one of his breakthrough roles in *Dream Wife* after appearing in scores of MGM films in the early 1950s, thanks to the intervention of the Grants, and Anderson even entertained passholders with an imitation of Grant during the explanation of his acquisition of the Henry Malvine role. Anderson's role as Dr. Innes in *Seconds* came after his appearances in the final season of *Perry Mason* and before his guest-starring stints in such favorites as *The Man From Uncle*, *Twelve O'Clock High*, *The Big Valley*, and *Dan August,* continuing his popularity as the king of supporting roles in major film and television series. With *Seconds*, both he and Cari Beauchamp acknowledged that Rock Hudson's portrayal of Tony Wilson was one of his best moments on film. Before the cameras rolled, Hudson spent time with John Randolph learning his mannerisms and preparing to imitate the man who would embody the character of Arthur Hamilton who chooses to relinquish his former life dedicated to what he believed was a hollow dream of unfulfilled hopes. By accepting the Faustian offer of old friend Charlie Evans, played by a post *Anatomy of a Murder*, pre- *Jaws* Murray Hamilton, Randolph's character agrees to visit the firm that promises to orchestrate his death, and resurrect him with a new face and a new identity. Actors John Randolph, Will Geer, Nedrick Young, and Jeff Corey had all been on the Blacklist, and *Seconds* became the first film Randolph had completed in fifteen years. John Frankenheimer's direction of *Seconds*, part of what is considered his 'Trilogy of Paranoia' along with *The Manchurian Candidate* and *Seven Days in May*, was also an overt political statement as well as a psychological tale that so affected the likes of Beach Boys' Brian Wilson under the influence of psychedelic drugs that he didn't see another movie until *E.T., the Extraterrestial* premiered in 1982. Audience members seemed much more emotionally stable and appreciative of the collaborative screen efforts, and were visibly moved by scenes depicting the emotional depths of self-delusion and self-destruction. The passholders attending Saturday's screening all seemed to enjoy Anderson's discussion, and gave him, and Cari Beauchamp, a big round of applause before he exited the stage. Personally, Anderson's second marriage to Katharine Thalberg, daughter of Norma Shearer and Irving Thalberg, produced three daughters, and according to his website biography, he is "a sports buff, a car enthusiast," and an " insatiable traveler." He certainly looks like he has been taking very good care of himself. For more about the career and accomplishments of Cari Beauchamp, follow this link: http://www.caribeauchamp.com/index.html For more about Richard Anderson, visit his website: http://www.bionik.com/biography.html Anderson's career also paralleled that of *Seconds* costar Salome Jens. More about her busy professional life in the next installment. Don't forget to have fun!

Lovely photos, as usual, Mongo. I especially enjoy the refreshing Pier Angeli with James Dean. What a beauty she was!

Thanks, hadda, for posting about your enjoyable cruise experiences!

Reminder: I will be adding newer posts to Sue Sue II in the TCM Festivals Forum.

Wouldbestar, Angela Pleasance was Donald's daughter, and did a creditable job portraying Catherine Howard. Irene Papas was excellent at portraying Catherine of Aragon, but it is true that she did not bear much actual physical resemblance to her as the real Catherine had auburn hair and fair skin, according to all contemporary reports and documented contemporary portraits, but her performance was closely related to the attitudes and actions of historical record. Check out some of Alison Weir's books, if you haven't already.

Dear Sandy, Considering airfare, level of pass, dining, travel vouchers, duration of stay, and souvenirs, festival costs for some passholders I visited with were as little as $1,200 and as much as $3,800 depending upon where you eat, how long you stay, and level of amenities. I am sure some passholders spent more, but they also took excursions and tours, as well as shopped-till-they-dropped at the TCM Festival Store. Festival support staff are courteous and helpful, and since the Hollywood Roosevelt Hotel is prepared for guests who need extra help navigating, and have several handicapped rooms available for guests, you should be well taken care of. The films, however, are screened at several different locations, and that might be a serious consideration for you. Contact hotel staff at the Hollywood Roosevelt Reservations for more detailed information. Hollywood Roosevelt Hotel : 1-800-950-7667 The Matinee Pass was $299, Classic-$499, Essential-$599, and Spotlight-$1199. For a full list of FAQs, follow this link: http://www.tcm.com/festival/about/457357/faq.html

Jackie, Cate Blanchett is amazing, and she certainly is one of the finest actresses actively plying her trade at this time, as well as Judi Dench. Wouldbestar, I also loved Keith Michell in his tour de force as Henry the VIII. Dorothy Tutin, as Anne Boleyn, was also wonderful. One of my most favorite depictions of Catherine of Aragon is Irene Papas in *Anne of the Thousand Days*. She may not have looked much like the real Catherine of Aragon, but she came closest to her in spirit. I highly recommend the latest incarnation of her biography that gives a fresh assessment of her diplomatic qualities and her personal philosophy,*Catherine of Aragon*, by Giles Tremlett.

Cinemave, lovely photo. Jean did leave us much too soon. Wouldbestar, I have to agree with your comment about Robert Vaughn. He was robbed! I thought his performance as Chet Gwynn should have cinched the race, but Hugh Griffith took home the statuette for his work in *Ben Hur*. Vaughn was so touchingly poignant and reeked of desperation in that role.I also felt that Alexis Smith should have been nominated for Best Supporting Actress in that role. Jackie, completely agree with your comments about E and E. Flynn was at his best in this film, and I think, like Robert Osborne stated in the outro, Bette Davis came to appreciate him so much more than she ever had before during a screening of *Elizabeth and Essex* in the 70s. My personal favorite is *Young Bess* because Jean Simmons is so spunky and adorable at the same time. But Glenda Jackson was remarkable in her ruminations and characterization of the unmarried monarch, and I find I watch that series at least once a year. For sheer beauty and lush costumes and sets, I can't ever stop watching Cate Blanchett in *Elizabeth*. Just so fetching on many different levels. Her profound abilities to interpret character idiosyncrasies, from Petal in *The Shipping News,* to Katherine Hepburn in *The Aviator,* reveal how clever it was for Shekhar Kapur to cast her as the woman who helped put England back together again after the bloody Marian years. But when she won for *The Aviator*, it seemed like Hepburn actually won her 5th Oscar. I think that Cate Blanchett probably captured the youthful, cautious Elizabeth, and Glenda Jackson came closest to what Elizabeth was actually like in her later years.

Thank you all for your email comments concerning the last post. Software glitches or wireless gremlins made it impossible for me to correctly post the previous article and all the accompanying photos, so this is an addendum adding the last two paragraphs and final photo: On Saturday, April 14, at the Egyptian Theatre, Mameaholics were lined up and ready to be mesmerized again, but this time by the lush colors, the bravado of the original soundtrack, and the lovely depth of field we just don't see from a dvd. Passholders buzzed with phrases from the film like "How vivid!", "Nuts, Mr.Babcock?,""Topdrawer!","Doyoulikeginfinethenwe'llplay- someafterdinner " and "Life is a banquet at the TCM Film Fest 2012!"

Happy 15,017th Post! Today we celebrated with homemade fried chicken, homemade potato salad, and brownies whipped up from my favorite scratch recipe. Hope you had a wonderful holiday weekend at the Villa Vronksgirlia near Lake Como....