SueSueApplegate

He's BBBBBAAAAAAAAAACCCCCCCCKKKKKKKKK and the Message Board's got 'im! These Memorial Day Posters are lovely, Kyle. Thank you for sharing them with us!

He either swallowed a key or that's a map of the secret passageways in the Death Star...

Top O' The Mornin' to you all! Miss G, Thank you so much for posting this link. I do hope it makes an appearance on TCM very soon. I have an Irish Heritage Travel Magazine that includes a lengthy article about the making of *The Quiet Man* and I treasure it, just like the film. It's endearing qualities do still resonate with film lovers more than 60 years later.

Historian and costume designer Deborah Nadoolman Landis ( *Raiders of the Lost Ark, Animal House, Coming to America* ), and costume designer Bob Mackie ( *The Carol Burnett Show,* *The Sonny and Cher Show* , Cher Tour Ensembles) in his understated best with bowtie to match, launched the second formal film discussion on the Festival calendar on Thursday evening at 9:30 p.m. in the Chinese Multiplex. A gathering of Banton fans waited with anticipation in order to see those art-deco inspired designs that might never have sprung to life if Claudette Colbert hadn't stood her ground in her tiny little pumps and demanded Banton and his muse as "emperor of the bangle" so Colbert could walk like an Egyptian. Claudette Colbert in one of her most iconic roles,*Cleopatra (1934).* Mackie shared with audience members his recollection of the first time he saw *Cleopatra* as a 13-year-old youth in Ingewood, California, at a revival in the 1950's, and marveled at the slinky satin outfits from the 30's, which were much different than the molded, pointed forms of women in foundation garments popular in the 50's. Nadoolman Landis also revealed information about her upcoming exhibit that she is curating for the Victoria and Albert Museum in London, and reminded passholders that many of the costumes created by Travis Banton were done in color. One of Colbert's gowns, appearing as a white satin sheath onscreen, was actually rendered in a shade of mint green satin, and both presenters agreed that many outfits completed in colorful shades like pink and yellow often appear in various shades of gray in a black and white film. Nadoolman Landis also lamented the lack of an in-depth biography of Travis Banton, often seen as the stylist who transformed Marlene Dietrich's image as much as director Josef Von Sterberg. For more information on Deborah Nadoolman Landis' Victoria and Albert Museum Exhibit in London, follow this link: http://www.vam.ac.uk/content/exhibitions/exhibition-hollywood-costume/

How about Michael Caine and Sean Connery introducing The Man Who Would Be King directed by John Huston and also starring Caine's wife Shakira Baksh ? Then Michael Caine might introduce Zulu or The Ipcress Files and Sean Connery might introduce a Bond film or Darby O'Gill and the Little People. Any Sean and Michael fans out there? Plus, they're buddies so they could share a suite, and TCM could have two for the price of one. (O.K. They probably want their own space, but it's still a good idea!) Edited by: TCMWebAdmin on May 21, 2012 9:44 PM

At the Turner Classic Film Festival 2012 in April at the Hollywood Roosevelt Hotel, authors Shannon Clute and Richard Edwards were interviewed at a passholders event about their latest collaborative work, *The Maltese Touch of Evil* (Dartmouth College, 2011), which is a thoroughly up-to-date reference work for all readers who love to ponder the spectrum of film noir, and is a literate and highly documented source for fans of movies like *Gun Crazy* , *The Maltese Falcon* , *The* *Grifters* , *The Killers* , and the iconic *Out of The Past*. A compendium of Clute's and Edwards' popular podcasts enitled *Out of* *the Past: Investigating Film Noir* , selected by Australian Broadcasting Corporation as part of their Top of the Pods series, and years of scholarly research, the detailed reader includes chapters detailing the void in film noir studies, conflicting definitions of what noir means to different focus groups, specific examples of universally accepted standard scenes, and how noir films appeal as constrained texts. Black and white photos specifically illustrate topics like how a "noir childhood ain't pretty" and what a flawed charater like Walter Neff ( Fred MacMurray) in *Double* *Indemnity* can illuminate with his sweaty, imperfect voiceover. Each entry is documented with number of the specific podcast episode for current reference. Both Clute and Edwards heartily agreed that film noir is a distinctly American creation even though the process emerged from emigre European directors like Jacques Torneur, Billy Wilder, Edward Dmytryk, and Robert Siodmak. Clute also revealed his interest in film noir evolved from his love of "hard-boiled" fiction.. The book signing was a popular event with noir buffs as passholders formed a long line to have their tomes personally autographed by Clute and Edwards, and was the second official panel offering on Thursday in the popular Club TCM, located in the Blossom Room, the site of the first Academy Awards banquet on May 16, 1929.

Thank you, Bronxgirl, for the kind comments. Last night on TCM... Tuesday evening's screening of *Gun Crazy* on TCM was a delight, and Robert Osborne's introduction included comments that I heartily agree with. When Peggy Cummins attended the Turner Classic Movies Festival 2012, Mr. Osborne stated that she was "beautiful, trim, and a great guest." And I completely concur. Ms. Cummins was amiable and well-liked, often signed autographs, and even attended the final party at Club TCM, sitting with Eddie Muller in one of those sexy little red booths where folks can truly schmooze. Also seated with Muller and Cummins was Eunice Gayson, the first Bond girl, who appeared at the festival screening of *Dr. No.* Muller was busy extolling the virtues of one of the loveliest prints at the festival, *Cry Danger*, and his co-host for that introduction was none other than the lovely Rhonda Fleming who revealed several personal behind-the-scenes moments that added to the exciting, but tense scenes in the film, and which also starred the multi-talented Dick Powell. Unfortunately, Ms. Fleming did not attend the Club TCM celebration. Muller, an enthsiastic guest and director of the Film Noir Foundation, was impressed with the clarity of the print of *Cry Danger* and proclaimed it one of the best prints of all the fillms that he screened at the third annual Turner Classic Movies Film Festival. Follow Eddie's exploits at: http://eddiemuller.com/ Mr. Osborne also claimed that *Gun Crazy* was one of the most popular screenings at the festival, and I hope that my earlier column helped to contribute to that film noir fervor. I was lucky enough to visit for a while with Ms. Cummins, and she was friendly, and enjoying every moment of her visit to L.A. I am glad I was able to see her one last time at the always poignant farewell party at Club TCM. A very lovely lady, and I felt privileged to have met her. Ms. Cummins flew home to London on Tuesday.

Thanks for the kind comments about Mom, Bronxie! I always felt like she looked like a movie star, and at times, certainly acted like one! And for linking up the food chain: Well, veal parmesan, a basket of rolls, and cheesecake...at least you are being sensible about what you eat! And Sans, I hope Mr. Sansfin is doing well! Let us know about the secret Fedex surprise!

Bronxie, just keep "singing in the sunshine," and we'll laugh every day-hay-hey-hey... SansFin, I like Jeeves and Wooster. I thought Stephen Fry (the butler) was also very good in it. Happy Mother's Day, everybody! (I posted a picture of my sweet Mom on Sue Sue II in the Festivals Forum. She actually made the hat she is wearing in the photo. I'll be posting more Sue Sue blogs soon.

Love that Carole Lombard, loaded for bear! Mongo, did you see that photo I posted of my Mom on Sue Sue II on the Festivals Forum? She actually made the hat she's wearing. Happy Mother's Day, everybody!

Happy Mother's Day! Dorothy Ruth loved the movies, and she passed that passion on to her children. Thanks, Mom, for everything!

Loved Flora Robson as Q.E. One, and that adorable Doug Mc Clure. I can't believe you hadn't run across that great Doris and doggie photo op before.

Thanks, Miss G., for some treasures! I second the Maven kudos...

Bronxie, glad to hear you might be back to your "Briezy" self soon! I make a killer mango salsa which is delish and extremely healthy... Lynn, loved that fabulous story and intriguing photo. More! More!

That's a cute one, Mongo. I have never, ever seen it before.

Thanks, Mongo. George Lindsey was a lovable character, and fondly remembered by Andy Griffith, who issued a press release from the memorial home saying that the last words they had spoken to each other on the phone had been "I love you." I appreciate your memorial, Mongo.

Kyle, thank you so much for the lovely photo of Bob and Dolores Hope's cozy cottage. I think I could be quite snug in such a sweet abode. Coop's place is probably entirely too roomy and extravagant for me, prompting distant family members to engage in increasingly lengthy forays into my foyer.... Barb, I missed that episode. I will have to keep an eye out for it. Anything close to Lake Como and George Clooney's favorite home away from home is on my list. Sorry to hear about the Brie prohibition...

O.K., Barb. I am packing and ready to move! Houdini never had such a magical spell to cast. The spacious family room opening onto the patio with that vision of the pool does it for me. What a cozy "get away" from the Rat Pack even though Frank's place isn't that far away. I am detecing a faint odor of toasted Brie and freshed grilled tomato and basil crostinis right before I dive into the pool while wearing my Esther Williams vintage one-piece as I hear the tinkle of ice cubes as I rest my vodka collins on the coffee table...

Oooooh. Lynn, these are lovely. O.K. Tell us about the house and the party, and don't forget about a play-by-play on the hor's d'oeuvre's tray. I choose Coop's place! Barb, which one do you choose?

Maybe you and Rudy should seek shelter immediately!

oohlala! Cheyenne and Sugarfoot! How about ebay, Mongo? Or the auction house from the TCM Festival this year? Bonham's. You can find info about them at the Club TCM page: http://www.tcm.com/festival/programs/general/457417/club-tcm.html

Those sound great, Jackie. Right now I am working on *A Year in the World* by Frances Mayes. When I need a break from essays that always begin with "In today's modern society" I indulge in a bit of House Hunter's International, or a scenic film like *River of No Return* with the Canadian Rockies as the scenic landscape. I'm watching and grading right now.

Of course, Mongo! I may not post much here, but I do travel your thread with abandon!

Hubba-Hubba Guy Madison, Mongo! Love that candid with Eve Arden and her hubby. I would have truly enjoyed having a career like hers. She had a lovely family and happy home life, and was very level-headed. I also enjoyed that candid of Glenn Ford and his son, Peter, whom I met at TCM Film Festival 2012. He was so funny. He had just had his father's biography published. Thanks, Mongo!

I just viewed the hour long episode with Lillian Gish and it was delightful. Almost as in-depth a performance as her appearance in *Night of the Hunter.* She was such an accomplished performer. I just found her autobiography at a used book store and can't wait to get to it.