PrinceSaliano
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Posts posted by PrinceSaliano
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DRACULA and FRANKENSTEIN
LITTLE CAESAR and PUBLIC ENEMY
THE BLACK CAT and THE RAVEN
DOCTOR X and MYSTERY OF THE WAX MUSEUM
JOURNAL OF A CRIME and THE FIREBIRD
MISS PINKERTON and THE FAMOUS FERGUSON CASE
THE SECRET OF MADAME BLANCHE and THE AGE OF INNOCENCE
SPOOKS RUN WILD and GHOSTS ON THE LOOSE
ATTORNEY FOR THE DEFENSE and BY WHOSE HAND?
THE HATCHET MAN and THE SON-DAUGHTER
FRISCO JENNY and LILY TURNER
JEWEL ROBBERY and TROUBLE IN PARADISE
HOUSE OF FRANKENSTEIN and HOUSE OF DRACULA
NIGHT MONSTER and THE MAD GHOUL
THE CAT CREEPS and THE BAT WHISPERS
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I'm guessing the February schedule will not be altered.
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It was only once (in COPACABANA)...
Groucho Marx and Carmen Miranda
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Bela Lugosi & Boris Karloff
Groucho Marx & Margaret Dumont
Basil Rathbone & Nigel Bruce
Lon Chaney (Jr.) & Evelyn Ankers
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THE SHOP AROUND THE CORNER
(when is the last time TCM played WEARY RIVER, THE PHANTOM OF CRESTWOOD, BAD COMPANY, STATE'S ATTORNEY, IS MY FACE RED?,ARE YOU LISTENING?, JOURNAL OF A CRIME, FROM HEADQUARTERS, THE MAN WITH TWO FACES, REVENGE OF THE ZOMBIES, PHANTOM KILLER, MYSTERY OF THE 13th GUEST, ad infinitum???)
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> {quote:title=scsu1975 wrote:}{quote}
> The obvious solution to this problem is for people to stop dying.
I thought the obvious solution was to schedule a tribute during the month that is currently being programmed.
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I think it's criminal that the classic Universal Horrors are not shown on TCM. I grew up with Lugosi, Karloff, Chaney, Atwill, Ankers, Carradine, et al. Fortunately, I have them all on DVD and can watch whenever I want to. But these were television staples from 1957 to the late 70s.
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I saw it in the theater when it was released. It's too recent to be on TCM.
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Running times had nothing to do with it. Frequently those credits are so brief you can't even read them all (e.g., SON OF FRANKENSTEIN).
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MGM more often than not had their cast lists in the opening credits.
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The presence of "end credits" has much to do with the studio. Columbia (in the 40s) often did not have end credits. WB/First National in the 30s (particularly in the pre-code era) rarely had end credits. Universal and Paramount were pretty reliable .
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> {quote:title=clore wrote:}{quote}
> I'd ask him about which authors on film he most enjoys, and specifically about an old friend of mine, William K. Everson. He was the author of the first book on film that I ever read and that was in 1965. A little over a year later I met Everson for the first time and he was a big influence on my own writing.
I've heard Mr. Everson had a large collection of rare films. What became of them after his death, and was there an inventory of titles?
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> {quote:title=FredCDobbs wrote:}{quote}
> Yikes! What a creepy spooky movie!
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> It reminded me of an old Twilight Zone show.
Creepy is right. It shows what can happen when people are fearful and/or not paying attention. Fox News, anyone?
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I'd ask him about programming, specifically who makes the decisions.
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Wasn't an especially good print.
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Yes they have...and hopefully you caught them first time 'round.
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I agree.
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> {quote:title=gagman66 wrote:}{quote}
> hamradio,
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> Of course many Silents did have Two-Color Technicolor sequences, and some like STAGE STRUCK, REDSKIN. and THE VIKING were made in Color.
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> Try this photo on for size. Would love to see this movie. It has been restored very recently. Score the picture and get it on TCM!
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> *Phyllis Haver-"Pistol Packin' Roxie!" from CHICAGO (1927)*
That looks like Laura LaPlante.
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More Universal Bs; more pre-Codes; more Republic serials.
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All films produced by Paramount, except where noted
LADIES MUST DRESS (Fox, 1927)
ABIE'S IRISH ROSE (1928)
EASY COME, EASY GO (1928)
CHICKEN A LA KING (Fox, 1928)
THE WATER HOLE (1928)
MANHATTAN COCKTAIL (1928)
THE SHOPWORN ANGEL (1928)
THE WOLF OF WALL STREET (1929)
SIN SISTER (Fox, 1929)
CLOSE HARMONY (1929)
THE DANVCE OF LIFE (1929)
ILLUSION (1929)
SWEETIE (1929)
DANGEROUS PARADISE (1929)
HONEY (1930)
THE DEVIL'S HOLIDAY (1930)***
LAUGHTER (1930)
FOLLOW THRU (1930)
STOLEN HEAVEN (1931)
NIGHT ANGEL (1931)
PERSONAL MAID (1931)
BROKEN LULLABY (1932)
WAYWARD (1932)
HOT SATURDAY (1932)
SCARLET DAWN (WB, 1932)
UNDER-COVER MAN (1932)
CHILD OF MANHATTAN (Col., 1933)
THE WOMAN ACCUSED (1933)
THE KISS BEFORE THE MIRROR (Univ., 1933)
I LOVE THAT MAN (1933)
SPRINGTIME FOR HENRY (Fox, 1934)
TRANSATLANTIC MERRY-GO-ROUND (UA, 1934)
JEALOUSY (Col., 1934)
I'LL LOVE YOU ALWAYS (Col., 1935)
AFTER THE DANCE (Col., 1935)
ATLANTIC ADVENTURE (Col., 1935)
THAT CERTAIN AGE (Univ., 1938)
THERE GOES MY HEART (UA, 1938)
***Nancy Carroll nominated for an Academy Award
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> {quote:title=HollywoodGolightly wrote:}{quote}
> Just curious - how many people who might otherwise be watching TCM on any given Sunday will be watching the Super Bowl this year?
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No way!
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It sucks re BUCK PRIVATES. Happily I have all their (Universal) titles on DVD.
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Hey, THE SHOP AROUND THE CORNER is on today!
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I'm looking forward to watching my backlog to get through this lousy month...oh, and FIVE STAR FINAL.
;-)
WHEN CAN WE EXPECT THE MAY SCHEDULE ?
in General Discussions
Posted
It does seem later than usual.