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Cinemascope

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Posts posted by Cinemascope

  1. Yes, I'm surprised My Gal Sal isn't shown more often, I think it's a perfectly good little musical with Rita Hayworth, made before Cover Girl.

     

    And I was actually lucky enough to watch a 3-D print of Miss Sadie Thompson back when I was in college, it was awesome!

     

    As for the Cesar films -- don't worry, I always keep a tab open with the TCM schedule and another with the FMC schedule. :)

  2. At least in the present it has lost a negative connotation! :)

     

    Main Entry: dame

    Pronunciation: 'dAm

    Function: noun

    Etymology: Middle English, from Anglo-French, from Latin domina, feminine of dominus master; akin to Latin domus house -- more at DOME

    1 : a woman of rank, station, or authority: as a archaic : the mistress of a household b : the wife or daughter of a lord c : a female member of an order of knighthood -- used as a title prefixed to the given name

    2 a : an elderly woman b : WOMAN

  3. Well, as reported earlier in some websites, it looks like this R2 DVD is indeed a colorized version of the movie, not the B&W classic. :(

     

    I suppose it might be almost watchable by turning the color all the way down on the telly... hopefully when they release an R1 DVD it'll not be a colorized version.

  4. I'm pretty sure it opened at Loew's theater because MGM was doing the distribution.

     

    If memory serves, GWTW was produced by Selznick International Pictures, but distributed by MGM -- and of course Clark Gable was "on loan" to Selznick.

     

    According to imdb.com,

    Selznick bought the book rights for $50,000.00 Louis B. Mayer, Selznick's father-in-law set out to make GWTW an MGM picture, initially offering to buy him out at a profit. Although other studios, notably Warner Brothers' (who had proposed Bette Davis/Errol Flynn and advantageous financing) or Selznick's own distributor, United Artists, were interested in providing a production financing package, none of them had an actor capable of filling Rhett Butler's boots except MGM's Clark Gable. After much vacillating on Selzick's part, a deal was struck with Mayer on January 19, 1938 that gave Selznick Gable and $1.25 million toward production in return for distribution rights and 50% of the profits, which were further shrunk by Loew's Inc.'s 15% interest and requirement to pay Gable's $4,500.00 per week salary and 1/3rd of Gable's $50,000 loan-out bonus. GWTW was, of course, a monster hit--- grossing some $20 million during it's initial release. Selznick eventually earned $4 million on the picture and a few years later sold his rights to John Hay Whitney for a paltry $400,000.00 in order to keep his independent production company afloat. Whitney would turn around and sell these rights back to MGM for a cool $2.4 million.

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