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Fedya

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Posts posted by Fedya

  1. When I saw the thread title, I was wondering whether somebody was giving Osborne a four-star review, or whether it was a "naughty" word.

     

    TCM Message Boards: Uncut-and commercial-free.

     

    (And I get the heebie-jeebies thinking of Dargo's posts panned-and-scanned.)

    • Like 1
  2. The War Wagon (1967)

     

    John Wayne plays a man who comes into the town of Emmett, NM, after having been in prison for three years. Apparently he was framed by town boss Bruce Cabot, who took Wayne's ranch. In the meantime, Cabot struck gold on what had been Wayne's land. So Wayne plans to steal a shipment of that gold. The only thing is, it's transported in an armored covered wagon.

     

    To carry off the heist, Wayne assembles gunman/safecracker Kirk Douglas; inside man Keenan Wynn; explosives expert Robert Walker Jr., and Kiowa tribesman Howard Keel. (OK, stop laughing.) Douglas doesn't like that Walker is an inveterate drunk; Wynn doesn't like that Walker has the hots for his young bartered bride.

     

    There's nothing new here, but it's more than entertaining enough. Wayne and Douglas have a lot of dry humor back and forth; there's lovely photography; and the climactic heist is more than exciting enough. Bruce Dern has a bit part, although he gets shot early on.

     

    8/10. Worth watching, and apparently on some low-cost DVDs.

    • Like 4
  3. Why am I not surprised that LHF doesn't like the 1931 version of The Maltese Falcon?

     

    And before the Humphrey Bogart version (which I tend to think of more as a straight mystery than noir) there was Stranger on the Third Floor and even before that the French Le jour se lève (aka Daybreak and remade in Hollywood as The Long Night).

    • Like 1
  4. The Salzburg Connection (1972).

     

    Barry Newman plays a publishing-house lawyer on vacation in Austria who does a bit of work in meeting with an author who got an advance for a book on Austrian lakes that was never written. It turns out that the would-be author has already been killed, and his now-widow (Anna Karina) and her brother (Klaus Maria Brandauer) know stuff they're not letting on.

     

    It all turns out to be part of a plot to find a crate full of names of Nazis that had been dumped in the lake, and secret agents from every country under the sun, as well as various Nazis, want that crate.

     

    It's muddled and the print is terrible, although there's one good scene where Newman saves Karina from captors by causing a traffic jam until the police can show up. The crappy print is a shame since the movie was filmed on location and there should be a lot of great location shooting.

     

    5/10. I'm feeling generous.

    • Like 1
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