cmvgor
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Posts posted by cmvgor
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Trouble Along the Way We Were Strangers When We Meet John Doe...
At The Circus...
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Devil, The -- Jennfer Love Hewett in *The Devil And Daniel Webster* (2004)
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Uh, does anybody know the version that includes the passage...
...Up on the rooftop he stumbled and fell,
...Came down the chimney like a bat out of Hell... ??
It was popular with some of my schoolmates, and that's all I rember of that version.
Just asking.
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Yancy, Mr. C.Y. -- Dick Johnstone in *The Cheyenne Social Club*.
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X -- Heck with it. We've got 2 Ws.
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Small-time blackmailers try to step up to bigger money with a kindapping. Thing go badly when
a woman blunders into the scene and is killed. They later find they have killed the wife of an important man. It later becomes significent that the snatch was jumped farward and done a day
earlier than planned. Someone in the crew is working a seperate agenda.
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'Scratch, Mr.' -- Walter Huston in *The Devil and Daniel Webster* (1941).
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"I never quit nothin' in my life. `Cept for school. And that waun't my fault." (2,026)
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Thanks, thanks. Let's try this one.
90s. American setting, American crime thriller, made international by casting. A Brit as an American city detective. A Brit as an FBI agent. An Aussie as one of the criminal crew (its a
kidnapping that goes horribly wrong).
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Indio, El ("The Indian") -- Gian Maria Volonte` in *For A Few Dollars More*
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*Electra Glide In Blue* ??
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*35*
"Well if anybody around here's in heat it ain't me!"
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It is indeed a very good movie, and I was standing by with a lot of good clues.
Thread's yours. Go.
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Yep. Walter Burke to James Garner. Go.
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Garrett, Pat -- James Coburn as one of the title characters in *Pat Garrett And Billy The Kid*.
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Ambulance and emergency medical services not a government function, but a competetive enterprise. Races to accident scenes, fistfights over customers, poaching each other's victims,
etc.
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There is already a thread set up for something like that, but I don't mind...I've used this one before.
"Now, Henry, you a rich man. And a rich man can't afford to go broke. You go on back up there to New York, and you get you some money."
In the movie where this speech is used, it comes just before the opening credits roll.
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"I watched you very carefully. Red light stop. Green light go. Yellow light go very fast." -- Jeff Bridges in *Starman*.
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> {quote:title=faceinthecrowd wrote:}{quote}
> "There was salt in the air the day he was born -- a great quantity of salt!"
Per imdb, said by Curro Natalio in *Blood and Sand*, (1941).
I don't know what it means, either.
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Dollar, Lilly -- Dorothy Malone in *Warlock*
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Thankee, thankee; let's go with this one:
Mid-70s, contemporary to that period. Caring for citizens of Los Angeles hurt, wounded in traffic accidents, or victims of crime.
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BRIT -- Spot on!
AMER -- On the money!
...Both mean "exactly right"
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MilesArcher;
Dead-on correct. 3 days, 98 Views. This film had it's moments, but, as I described, it also had it's problems. Today the look at Hayley at that point in her career may be the biggest attraction for someone who doesn't remember the movie or have an interest in it.
Your thread, Miles.
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"Everything she writes is a lie, inclucing "and" and "the." -- Mary McCarthy to Dick Cavett, referring to Lillian Hellman.
name the movie
in Games and Trivia
Posted
Mention has already been made of the international nature of the cast. But there is also an impressive list of first-rank American talent in support.
Subplots and inner conflicts abound. Certain law-inforcement officials have reasons to cover up some aspects of the crime. They are determined to get between the facts and the FBI agent who is on the case.