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Bronxgirl48

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Posts posted by Bronxgirl48

  1. I didn't know that about ACROSS THE WIDE MISSOURI. I feel there should have been more characterization; maybe that's what Wellman orginally intended? I'd love to see THE TALL MEN and THE FAR COUNTRY.

     

    I thought the MacMahon-Crisp relationship was intriguing, but the ending was a bit too pat for me.

     

    I have to admit I'm getting a bit queasy about the Mann sadism. Is it in every one of his movies?

  2. Miss G., I will heartily second a night of Hollywood movies set in bella Italia. Then when TCM sets the schedule, we'll get our proscuitto de parma (as Troy's dubbed voice so sexily orders at that cozy restaurant), our vino, throw carb caution to the winds with spaghetti carbonara, and finish off with ricotta cheesecake. I think Troy looks terrific in that white suit; it really plays up his golden hair. I've always loved Suzanne, and apparently in that scene Connie seems to love her too, and I say, why not? I'm not sure, but I think Jerry Vale made a single out of Al Di La, or perhaps it was on one of his albums.. Great voice, but I've really got the warmies for Emilio Pericoli, who you see on the clip singing it. God, that's one handsome Italian.

     

    I love those schmaltzy singers from that time period; Connie Francis is a favorite.

     

    I just purchased my first computer (this one) last year, and it obeys my every command. Although the other evening, THIS came onto my screen: I LOVE YOU BRONXGIRL WILL YOU MARRY ME?

     

    I feel like Wally Cox in that Twilight Zone episode, "From Agnes, With Love".

     

    Message was edited by: Bronxgirl48

  3. I liked ACROSS THE WIDE MISSOURI. It has the most breathtakingly beautiful scenery I've ever seen in a western. Gable relies too much on his King of Hollywood smile, and has only one brief but effective dramatic moment, when he's telling his Indian bride how much he's come to care for her.

     

    Adolph Menjou seems thoroughly to enjoy himself as a French-Canadian trapper. He of course is not his typical sartorically resplendent self, although his beard seems well-maintained for a mountain man.

     

    There is a near-brilliant comic choreography of brawling that John Ford should have emulated. Wellman keeps it short and sweet

     

    On the other hand, Clark's foot chase with the Indians is pretty hamhanded, and makes one recall the poetry and excitement of Fonda's similiar scene in DRUMS ALONG THE MOHAWK.

     

    Message was edited by: Bronxgirl48

  4. I saw THE MAN FROM LARAMIE on the Western Channel the other night. Loved Stewart in it, and Arthur Kennedy gives his usual fine performance, although I was confused about his character's motivations in the second half.

     

    Alex Nicol ("Say please!") is something to see as the spoiled sadistic psycho son.

     

    I'd like to see the other Stewart Manns before commenting further on this one.

     

    Message was edited by: Bronxgirl48

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