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mrroberts

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Posts posted by mrroberts

  1. In *The Man Who Knew Too Much* , when Jimmy goes to the wrong "Ambrose Chappell" and confronts the men in the shop. He's begging them to let his son go, he won't talk, etc. These poor guys don't know what he's talking about and they think Jimmy's just plain nuts. A "fight" starts as the men try to subdue Stewart, and he struggles to get away.

  2. You will have to submit 5 page (single spaced) essays daily on the previous days Joel McCrea films (one essay for each film). You will also daily host an intense question and answer session with our "crack" panel of judges specially chosen from these forums (that could be a scary thought).

  3. In *Rear Window* at the ending. Jimmy picks up the telephone (he's thinking its his cop buddy on the other end) and he just starts blabbing. Then silence, and Jimmy realizes who is on the other end and now the killer knows who the mystery witness (Stewart) is. Then, the heavy footsteps in the hallway, the hall light goes out and then .....

  4. After last nights broadcast of *Hunchback Of Notre Dame* , along with a whole day of films from the great Charles Laughton, I have to resurrect this thread. I restate my opinion that Charles Laughton should have received the best actor Oscar for 1939. Lots of worthy contenders, but Laughton was the stand out.

  5. My favorite Stewart movie (and I think one of his very best performances) is *Anatomy Of A Murder* . So thinking about that film, there is the scene where Jimmy first meets his client (actually the client's wife) , Laura Manion. Laura (played by one of my all time favorites, Lee Remick) is shamelessly flirting with lawyer Jimmy and he really is struggling to keep her at a distance, a perfect time for him to go into his stammering, "Ah, shucks" kind of character. I can really identify with Jimmy in that moment, how I would be if Lee Remick was practically throwing herself at me.

  6. Its really not fair to judge the early 30's films against the later work. The early stuff was just the beginning, a learning and development time, without it you wouldn't have the later stuff. I think its fascinating how much the film industry progressed in such a short time. And I do find some interesting moments and performances in the early films. That's what history is all about and I applaud TCM for showing it as much as possible.

  7. Being a car buff, I would say a bio pic of either William C Durant (founder of GM, and who made and lost several fortunes during his life) or Walter P Chrysler (a personal hero of mine) who is a great example of a rags to riches story would make for an even more interesting story. Henry Ford's life is well documented for sure, his success at building a great business empire is obvious, I don't think his personal life offers much of interest. His relationship with his son Edsel was rather tragic, he was a very domineering father who never allowed his son to take over the business (and by all accounts Edsel was a very intelligent and personable young man), and in his later years old Henry very nearly ruined his own company.

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