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RoySites

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About RoySites

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  1. RoySites

    Cecil Hepworth

    Thanks for the link DREDNM, The article doesn't mention it by title but one of Hepworth's biggest contributions to cinematic language occurred in 1905 in a short subject called RESCUED BY ROVER (1905). It is a delightful little "dog to the rescue" movie and was one of the very first and most influential movies to establish geographic continuity. He sets up a pattern of shots which allows the viewer to anticipate what is coming next. This led indirectly to the development of the cross. The cross-cut is often erroneously described as D. W. Griffith's invention but actually appears in a well de
  2. Hi Roverrocks, I read your post with interest. Last year my second book based on silent films, Nosferatu: A Symphony of Horror, was published. Shortly after I completed another silent film book I had been working on for a while about The Lodger which is now available through Amazon and other on-line booksellers. If you are familiar with the old Photoplay books from the teens, twenties and thirties it is based around that idea but in an expanded and amplified way. The text of the original novel by Marie Belloc Lowndes is interspersed with scenes from Hitchcock's movie. Sections of the film whi
  3. Hi Roverrocks, I agree with your assessment about the 1979 Nosferatu. I prefer the subtitled German language version as opposed to the dubbed English language version. Kinski's version is an excellent adaption and expansion of the story. Many fascinating insights, somber and tragic in tone.... I would also recommend Shadow of the Vampire if you have not seen it. It is based on an old rumor about Max Schreck, the actor who played Nosferatu.. I won't give any spoilers for those who have not seen it. It is scary and funny. Willem Dafoe plays the Count to a tee. It is a loving homage to Murnau.
  4. Hi Everyone, I haven't posted here in a while but thought you might be interested to know that I have completed a lengthy book about F. W. Murnau's silent masterpiece, NOSFERATU: A SYMPHONY OF HORROR. It is now available through Amazon and other booksellers. NOSFERATU was the second silent film I ever saw as a child (in a 30 minute condensation called THE TERROR OF DRACULA). It was also the first 8mm silent film I ever purchased. I have loved the film literally my entire life, have viewed it countless times, and I finally decided to write a book about it. It is heavily illustrated and a l
  5. Animated cartoons were still in their infancy in the teens and twenties. Slapstick comedy filled the need that later Warner Bros cartoons filled. The human actors were extraordinary stunt men. Road Runner and Wily E. Coyote are animated versions of the same humor. My personal belief is to first view a film in its historical context, which would include the audience it was made for, the progress of film evolution to that point in time, (acting styles, cinematography, special effects and so on), etc. Animated cartoons couldn't fill the need yet. Humans did it better.... Plus it is difficult to a
  6. Hi everyone, I'm sorry to use this post this way. Please forgive me. This is a message for gagman. Please get in touch with me through my email. I have tried to contact you but it doesn't appear my messages are being forwarded to you. I have a piece of authentic memorabilia I would like to send you. I am sure you will appreciate it. It relates to Colleen Moore... Your friend, Roy
  7. Falconetti's acting is so perfect and so intense that it is difficult to watch her suffering and shame.... This is probably the finest acting performance of the silent era.
  8. Hi Everyone, It's been a while since i last posted. Hi Jeffrey. Has anyone noticed or commented on the fact that Criterion is about to release UNDERWORLD, THE LAST COMMAND, and DOCKS OF NEW YORK. For those of you not in the know, Criterion puts out particularly fine editions of all of their films, often from the studio negative. This should be a particularly fine set of films to get. Roy ps: Release date is August 24th. Edited by: RoySites on May 31, 2010 5:37 PM
  9. Rumors of my death have been greatly exaggerated.... Actually, after my heart thing I was in a bad car accident. A big truck hit me, seriously. It's been a rough year, hahaha..... Roy
  10. Hi Jeffrey, I'm still around. It's been awhile since we emailed. Just so you know, the issue of LAM is urban legend. A while back someone took an old Blackhawk Films catalog from that time period and faked a listing that Blackhawk had it for sale circa 1971. It was a joke and if you go to the http://www.michaelgebert.com/lam/lam1.html website you can see the faked listing. Follow it all the way through.... Roy
  11. So, I guess that was his birthday suit? :-) Roy
  12. Hi drednm, I'm not sure. I've not seen Flaming Youth and don't immediately recall seeing any stills from it. But you may be right. I was just glad to get the autograph. Roy
  13. Hi Everyone, Let me say authoritatively that White Shadows was filmed in Black & White. There are straight B&W prints and tinted and toned prints in circulation with certain scenes that have a techicolor-esque quality due to the tinting and toning process. But it won the Academy Award in 1930 for B&W Cinematography, not color cinematography. It has always been regarded as one of the most beautiful Black & White movies ever filmed, and 35mm nitrate prints glisten on the screen. Roy
  14. Hi Miss Gulch, You can get this public domain title through Grapevine. If you don't have any success let Jeffrey know and we can work out something. Roy
  15. Hi Jeffrey, The new NOSFERATU is a delight. It is the clearest print I have ever seen. It is rock-steady. It has the fullest aperture, the best lights, darks and gray-tones. It has the orignal score impeccable performed by a full-orchestra in 5.1 surround and runs at the correct speed. It has lovely tinting. It has excellent extra features. And, most importantly, it has more footage (not just longer running time) than any edition of the film released since its premiere in 1922. Murnau-Stiftung outdid themselves on this one. Roy
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