Film_Fatale
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Posts posted by Film_Fatale
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Very nice guitar! And welcome to the forums, h_cue!

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Are you a big fan of 60s music, Jake? When I was in college I used to listen to oldies almost all the time.
This is one of my other 60s favourites:
http://www.youtube.com/watch?v=gfuRz1w_8ss
And in colour:
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*I'm going to be a cuckoo without a clock if this keeps on.*
Goodwin (William Conrad) in *Cry of the Hunted*.
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Merle Oberon :x

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> {quote:title=JakeHolman wrote:}{quote}
> A great movie, too...
>
> http://www.youtube.com/watch?v=cQwwqajZXD8
Most definitely an awesome movie. Just hope it might be released on blu-ray one of these days. B-)
And for some strange, this Sunday afternoon I suddenly felt like listening to this:
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*Jules et Jim*... c'est magnifique!! :x
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> {quote:title=BelleLeGrand1 wrote:}{quote}
> To celebrate Randolph Scott's birthday, I've just watched The Walking Hills for the first time and wish to highly recommend it to anyone here who hasn't had the chance to see it. It's got a great cast (Ella Raines, Edgar Buchanan, John Ireland) directed by John Sturges. Kind of a film noir Western with echoes of The Treasure of the Sierra Madre.
I don't know if I have ever seen that one. Thanks for the recommendation, Belle!
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Yes! I'm the ghost of his evil brother. I practice in bad medicine, don't you know. Theheart in my name is turned upside down.
I honestly refuse to believe that. :|
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It's possible only tcmprogrammr knows for sure why this film was matted. Maybe it was just done that way to conform to the aspect ratio of European TV, which if memory serves, was a bit wider than American TVs even before HDTV widescreen sets came along.
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> {quote:title=johnpressman wrote:}{quote}
> If you want to see a really great movie scene in an Automat, check out "Midnight Cowboy".
Haven't seen it in decades, but will keep that in mind next time I watch.
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Sean Penn was in *Fast Times at Ridgemont High*
with _Jennifer Jason Leigh_
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Well, they say there's a black sheep in every family.

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Well, even if the movie isn't showing today, it's a fun topic for a Sunday afternoon.

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> {quote:title=movieman1957 wrote:}{quote}
> The winter scenes are one thing I admired in that they did them in winter. In the early scene you can see their breath. It's the same later with some of the horses. It sure does look cold. At least in the good old days you couldn't fake it . Now I hear people say they have put in the breath with special effects.
It's true, CGI effects can be used for the breath effect, but depending on circumstances, it can easily be more expensive than actually shooting in a cold location.
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_Very_ nice poster, although the movie is apparently not on today's schedule.
But with that nice painting of Coop, who's complaining?

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> {quote:title=CineMaven wrote:}{quote}
> I can even see it be re-made.
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> Audrey Hepburn.......Anne Hathaway
> Shirley MacLaine.....Julianne Nicholson
> James Garner..........Any handsome leading man will do.
> Miriam Hopkins........Sure there are any number of capable character actresses who can play this ditsy harpy.
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As long as they don't consider Ben Affleck for the James Garner part....

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Dahl and Eddie Muller
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Dahl being welcomed to the theater. On the far right is Eddie Muller.
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The theater marquee on the day of the event:

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Arkadin,
How come that site says their version of *The Swinger* is also 81 mins.? Seems like $30 is an awful lot to find out it's the same version that just played on TCM.

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Jane Powell was in *Seven Brides for Seven Brothers*
with _Howard Keel_
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MM alert - FMC showing *Monkey Business* (1952) noon on Monday, Jan. 26th.

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Showing on Fox Movie Channel today at 9:30am ET-
John Ford's *My Darling Clementine* - with Henry Fonda, Linda Darnell, Victor Mature.




Western Movie Rambles
in Westerns
Posted
That's quite a few westerns you've watched lately, Jackie! Although of course I tend to think of *Border Incident* as another genre altogether. You watching *Silverado* and *Barbarosa* tonight?
I get what you're saying about "realism" in John Ford's westerns, and for me personally it goes a little beyond just "realism", but rather a somewhat artistic version of the world. It was explained a little bit in *Directed by John Ford*, they gave the example of Maureen O'Hara's veil in *How Green Was Our Valley*, I think. So it included things that were possible in real life, but somehow also definitely enhanced for the benefit of the camera.