darkblue

It means when you come to the Slosson Cut-Off, get out of your car and cut off your slosson.

I hate dumping on a movie that others have great love for, so I'm not gonna say much about 'No Country' here. I'm not saying it's a terrible movie, mind you - just not the accomplished one it's reputed to be (in my opinion). The fact that I got pretty bored trying to watch it the second time was the tip off (and even the first time, when I wasn't bored, it had that groan-worthy scene - among a few - where the cop handcuffed the monster with his hands in front and then sat down with his back to him - sheesh, how stupid do the Coens think we are?) Okay that's enough. Like everyone, the first time I watched it, it was pretty compelling. After that, not so much. I do usually love the Coens' films, though. 'The Man Who Wasn't There' (2001) is a particular favorite with me.

That's so weird! I was on a little smokey & the miracles kick last night - reading his AMG biography and album reviews. And then I come in here just now and there they are!

I don't think I'd ever want to see anyone try to do it with less energy than that.

First movie I ever saw of Jane's. Loved it, loved her. I also really liked seeing Dwayne Hickman, who'd I'd really enjoyed watching as "Dobie Gillis" (one of my favorite "classic" shows). But, of course, it's Lee Marvin who benefitted most from the movie. He, along with Cole and Kaye are what make the movie so memorable.

An example of something that's great about TCM occurred at 5:30 a.m. Thursday. They showed a movie that was titled 'Blood Kin' (1970) - although the title was originally 'Last of the Mobile Hot Shots'. Same movie, though. It's not the movie specifically that rates the term "great", of course - it's the fact that TCM programmers showed us this long-forgotten obscurity. I love when they do that! Those little known films that have virtually disappeared from tv are like treasure to me.

Not surprising. I found Goldman to be a terrific novelist in the 60's.

That's it. I'm out.

More of a pickle than a noodle, but thanks.

Maybe I can find something to busy their mouths with.

Didn't Jerry Lewis launch a law suit over this? Heard he hadn't been that mad since Sammy Petrillo!

Really? I coulda swore someone told me they made one outta coconuts.

Pigeon sisters, actually. Me and Felix and Oscar are going up there later, but Felix will probably leave early.

They are - and we have a deal, dammit! They're supposed to get out of the way, while we look the other way on statue defacation.

Did they ever run across any Nazi's on Gilligan's Island?

I find it disorienting driving on the "wrong" side of the road like that.

I enjoyed reading that article, Dargs. Far more than I ever enjoyed watching that insipid show - which I think amounts to about a third of an episode over the course of 3 total viewings.

Dyanne Thorne in 'Ilsa: She-Wolf of the SS' (1975)

Do these pants make my *** look big?

Peter O'Toole (Night of the Generals - 1967)

I watch shows like Conan and (when he was on) Letterman every night. I've noticed that TV is creating much bigger stars - judging by audience reaction - than most movies do today. Your noting of old stars getting that way from the recognition of being in movies more constantly seems to have some connectivity here. I've seen stars from series like 'The Walking Dead', 'Breaking Bad', 'Dexter', Orange is the New Black' - really, too many to mention here - get huge reactions from audiences - the kind of reactions that used to be reserved for movie stars. Just a thought.

Richard Jordan's death scene was real believable, wasn't it. Apparently he died from being tired.

I don't get that at all. She was also in 'An American Werewolf in Lomdon', right? Totally average-looking "babe". Nothing special.

Unbelievable what could win those prizes back then. Bad, bad movie. Stinkeroo.

I can't believe TCM is running that amateurish piece of garbage 'Logan's Run' again. What the hell, TCM? Why do you run that god-awful thing so bleeding often? And during Oscar month?? Ridiculous.