JackFavell

Nutella is YUMMY! I have a big carton of cottage cheese in the fridge, I'll have to try these, Sansfin! I'm out of jam and preserves though.I think I'll make my own, I have some nectarines that might be nice as an accompaniment. I hope rice flour doesn't stick to the pan.

I couldn't agree more. I find it interesting after all these years of having stomach problems that the things I can't eat are the things that are most fooled with.

I was just throwing soy out there as a possible solution. I bet you aren't psychosomatic, for years I've had problems but never knew the ingredients that made me sick. Once I ticked them off the list, and it's only been recently that I finally found out, it has made me feel so much better~! It's well worth going without when you realize that those things that you are allergic to are pretty much poisoning your body.

oh you are killing me with this pastry! I have not tried much baking yet with flour substitutes. I'll have to give it a try, but I simply don't know the amounts of each flour or anything. I have just been going without, which is better for my waistline anyway.

>Will I give up Dr. Pepper for Mt Dew??? OH perish the THOUGHT!! Noooooo! OK, sansfin, point taken. I will make sure I boil them, not bake. I am just dreaming of pie crust right now, which I can't have! On the other hand, I am never one to go the easy route when baking. It almost never works so no won ton wrappers for me. The dough looks pretty simple. of course, if there's anyone who could ruin it, it would be me.

Oh my gosh, Ro that looks good! I found some soy free chocolate online at amazon. I may have to buy some just so I can make this recipe! So easy!

They use soy in chocolate all the time, it's impossible to find it without. Since it isn't dairy related, I wonder if that is what is giving you the problem?

She makes it look so easy! I can imagine the mess and the disaster after I made them! but I can see this as one of those once a year baking projects like I used to do, before flour became an issue for me. What happens if instead of boiling them, you baked them? Or is that never done?

OH my gosh, thank you, Sansfin and Ro! That flour substitute looks perfect. I have Rice flour and potato starch here, but no Xantham gum or Tapioca starch. I am trying tostay off of starchy foods anyway, but when I absolutely have to have something sweet, baked or bready, I will definitely keep this in the house. And Ro, I have a bunch of fruit in the house right now, and a little ice cream maker shoved in the back of my freezer that I keep meaning to use. That recipe looks so easy! I also have a bunch of cream so I could make my own ice cream (but I haven't, too lazy). Edited by: JackFavell on Jun 18, 2013 9:35 AM

Oh that's good to know about kale, sansfin! I'll try the other choices, though beets are the only food I don't really like much, along with liver. I make regular potato chips all the time and have been meaning to make sweet potato chips for a long time. I've found that potatoes crisp better if you put parchment on your cookie sheet before laying out the slices of potato. Zucchini is WONDERFUL cooked the same way, in thin slices though it never really gets crisp. I would love to make lazy vareniki's but I can't eat wheat flour anymore. I haven't yet found a perfect substitute. I bet farmer's cheese and eggs are pretty good together though.

Happy Birthday Kyle! I hope it was....

Oh my all this food schmooze is making me hungry! I love it, especially hearing about the local restaurants, but I can't eat half the foods either! MissG, I know there's an ice cream out there that has only sugar, cream and vanilla in it, I got it once and now I can't find it anymore. It was a big name brand too. Don't know if that helps at all. My problem is not with dairy, but with all the corn syrup and soy and wheat they put into everything now. So it's kale chips only for me!

Those all sound good to me. But what is 'grotto' pizza? Deep dish?

You guys are so experimental with your movies, we need to get you trying some new foods! filet mignon is nice.

How can you not like sour cream and onion? Oh lordy. I can understand all these new flavors like salt and vinegar or salsa flavored chips or BLT, but sour cream and onion is a staple. Practically.

For a time, this was the only vegetable Alice would eat with gusto, so I bet the kidling would love it! And super easy for mom too. Cause that's the bottom line. Oh yeah, I always get the kale that's in bunches, it's fresher than the kale in big bags already pre-cut. That stuff is awful around here, tough and not very good no matter how you cook it. Edited by: JackFavell on Jun 15, 2013 2:34 PM

It's so easy to make them! They are crispy, and they do have a certain green flavor to them, but if salted, I defy anyone not to like them! Except for maybe Frank Grimes. If you have spray oil it works better, like PAM, but if not that's OK. I just oil a pan (cookie sheets or jelly roll pans work best), tear off 1 inch size pieces, no stem, of kale and throw them down onto the pan preferably not touching one another. When I have a full tray (you can go with a ton of little pieces, they kind of shrink) I either spray the oil on top in a light layer, or I stir the oil and pieces up with my fingers until they are all coated (I hate to use extra bowls or bags) and then I move them back into one even layer of kale on the cookie sheet. salt them, and pop them into a 350 or 375 degree oven, for no more than 5 minutes. It's good to watch them the first time, because they burn easily. Sometimes I just use the broiler (but not too high a setting) and then I can watch them for done-ness, A little brown is OK, but they go from that into a charred mess in seconds. Sometimes they are crispier than others, but I like them no matter what. My family will literally devour them in seconds once I put them in a bowl on the table. They are quite delicate. Sometimes we crumble them over our food, they are great over a baked potato. Adds such a nice crunch! I like them because they are so easy to make and you can literally use only a few leaves and have an entire meal's worth. Also good because you don't have to really think about cooking it till the end, after everything else is done. The hardest part is tearing up the kale. Edited by: JackFavell on Jun 15, 2013 2:14 PM

Yummy! That sounds tasty. We had Italian sausages here, and homemade potato salad with kale chips. Nice to see you posting my friend, even if you don't have paragraphs.

> Here is how I liked them: > > 1. The Ladykillers > 2. The Steel Helmet > 3. The Chase > 4. Scandal Sheet > 5. The Outrage > 6. Peyton Place > 7. The Law and Jake Wade > 8. The Sin of Harold Diddlebock > 9. Crime in the Streets > 10. A Foreign Affair > 11. The Sea Wolf > 12. The Milky Way (1969) > 13. French Cancan > 14. Battleground > 15. Boys' Night Out > 16. The Shopworn Angel (1938) > 17. Operation Pacific > 18. Saratoga > 19. Tycoon > 20. The Man Who Cheated Himself > 21. I Was a Male War Bride > 22. The Barkleys of Broadway > 23. Dodge City > 24. So Big (1953) > 25. Upstream > 26. Funny Face > 27. The Little Hut > 28. Search for Beauty > 29. Torch Song > 30. Kings Row Glad to see *The Ladykillers* ranked so high! It's just a PERFECT movie. You got it right, it's charming. I think Ro would LOVE it. You pegged it with your comparisons. It's such a sweet movie, but one with a sharp edge. You never see that combination. More and more, I love the little touches in it - like the beginning when little Mrs. Lopsided whangs away with such strength at the pipes and waits to fill her teapot absent-mindedly. Here's this tiny woman, and in this first scene we get her entire (deceptively frail) character and the film's plot laid out for us in the most economical of ways. I'd never really caught the implications of the film before, it's so enjoyable just as a comedy. It's actually also a hilarious commentary on how we view old age. Somehow, it's also a sly comment on how systems go awry when people are involved - re: the villains' meticulous plot; the police don't really want to recover the money. In the end it works out almost as if God had planned it - it goes to the most deserving person it could probably go to. Wonderful. I really love Peyton Place. It's my guilty pleasure, so I'm surprised at how much you liked it. I love Diane Varsi and Hope Lange. King's Row really blew me away a few years ago when I first saw it, but I realize that I love the look of it more than anything else. It's hard to make a film about such evil things while following the code. I really like Ronnie, he's super, Ann Sheridan makes the second half bearable. The two women (Betty Field and Nancy Coleman) were the most interesting thing about the movie but we barely see them, instead we are given Robert Cummings on a platter, scene after scene, who could have been a voiceover as far as I am concerned. Claude Rains was remarkable but again was only in the film for a moment. Don't even speak to me about Charles Coburn! ACK! The Chase is a beautiful visual movie. I don't remember much more except that I liked it's dark ambience and cinematography. It moves so quickly and is so twisty that Robert Cummings didn't annoy at all, he didn't have time! You've hit on a lot of my guilty pleasures here - I just loved Tycoon, and I don't have the excuse that it was from my childhood. I only saw it in the last year or so! I thought it was much better than I was expecting, and of course, Laraine Day is one of my favorite actresses so that's probably what I liked best. It's a good solid romantic adventure film. Nothing special, exactly but just what you need once in a while. Something to watch on a rainy day. I think the color helps boost the movie. It is in color isn't it? That's how I remember it. Oddly enough, Boy's Night Out is also a guilty pleasure - one of my favorite 60's comedies. I just love Kim and the way she puts it over on the boys, each in a different way. Love the differences between the guys, and how they talk to one another about sex, which is not really what they are looking for. It's funny. More later.

We're all glad too Jeff! Gorgeous cover.

Oh, Cranes Are Flying is a beautiful movie. Heartbreaking. I saw it last time it was on TCM, several years ago and wished I had recorded it. It's amazing to me that it's not a better known film here. The leading actress is just superb.

> {quote:title=FrankGrimes wrote:}{quote}1. *Underworld U.S.A.* -- An underrated Sam Fuller film. It has similar elements to *Pickup on South Street*, namely a street thug, a prostitute, and a "mother" figure. The story revolves around Tolly Devlin (Cliff Robertson), who is looking for vengeance against those who killed his father. This makes the film play a little like a western. But it's more of a gangster film in that the three men Tolly is after are "legitimate" businessmen. What makes the film good is the emotion that starts to slowly surface. I didn't know this was a Sam Fuller movie. So far I've seen *Baron of Arizona, I Shot Jesse James, Pickup on South Street, The Crimson Kimono* and *House of Bamboo*. I tried to watch *The Big Red One* but stopped after the first 5 minutes... I just couldn't take it, though I am usually not squeamish. I wasn't ready for it at all when I rented it, maybe now I could handle it better. I actually liked *The Crimson Kimono*, but I disliked *House of Bamboo*. *Pickup* is the best film I've seen so far, miles above the others that I've watched. It's great. Where would you rank *Underworld USA* amongst the other Fuller films? > 2. *The Man in the White Suit* -- What an enjoyable little film this is. Its humor is mostly black and the commentary on manufacturing and money is strong but done with a light touch. Sidney Stratton (Alec Guinness) is an inventor who is looking to make a stain-proof fabric. The idea is brilliant, but not to those who need to churn out clothing that will eventually wear and ruin. His possible invention makes him public enemy number one to both business and labor. In a strange way, the film is almost like a comedic version of *Night and the City*. Like I said, you blew my mind with that last statement! Oh my gosh, it's really true! Everyone's against Harry, and everyone's against poor Sidney. Both sides come together to close in on our hero, a dragnet that's getting smaller and smaller. Alexander Mackendrick is one of my very favorite directors of all time and this may be my favorite of his movies, with *The Ladykillers*. He made few movies and they are all pretty near great. I just love his precision. *Night and the City* and *MITWS* have the same shaped world, concentric circles of society. The movies are similar in style too which is just plain weird - how can they be so alike? Both are rather stark, very black and white movies, in more ways than one. Both make you wonder at any given moment who is the good guy, and who is the bad? It's messed up. Mackendrick's timing - he knows just what you will think at any point in his films - and he uses your reactions in the comedy. He draws it out to the nth degree, prolonging it, making the payoff even funnier. His clockwork stories with characters who think they can control every little thing, people especially, always start to spin out of control slowly then gather speed. The mistake is in thinking you can control anything at all. They are Rube Goldberg machines, all the invention of MacKendrick's mind, one marble setting off a hundred marbles which then end up knocking down anything in their path. He's really interested in the Cosmic Joke, the human factor which triggers the finger of fate - stepping in to ruin everything. Life. It's no accident that Sidney's chemical experiment gets bigger and more elaborate as the movie goes on (like Harry Fabian's schemes), just as the forces against him multiply. But then it all focuses on that one little test tube, cheerfully chugging away. That test tube is Sidney. Which is why I love the ending... "I see." And it all is going to start over again - his brain is chugging away. It's a parable of man in his greatness - the scientist, the artist, the high minded, but also his anarchic ruinous presence in society. Man at his worst. It's delicious. > 4. *Trouble Along the Way* -- This is a very sweet "John Wayne" flick. As much as I like Duke, I'd have to say Sherry Jackson and Charles Coburn are really the stars. Sherry plays John Wayne's daughter in the film and Coburn plays "Father Burke," the man who hires Wayne to save his Catholic university through a football program. The film ends up being a sweet father/daughter story. I also liked the truth that is found in the film in regards to college football. I was so shocked at this movie, in a good way, for a number of reasons. One was that Wayne and the little girl were so good together, and the movie wasn't really goopy and sentimental, though it had it;s moments. I was also surprised at the verbal slap down that Donna Reed's character got in that cap you posted and the injection of reality into the film for Wayne's character too. I am curious.... I haven't seen *A Hole in the Head* for a really long time, but I felt like the two could be companion pieces? If I'm way off please don't be afraid to tell me. > 5. *Lady in the Lake* -- A unique film noir due to its forced, first-person perspective. "Playing the role of Phillip Marlowe" took a little while for me to get used to, but I eventually came to enjoy the gimmick. The story itself is all right, but it's Audrey Totter who ends up bringing this one home. She's annoying to start, but rather inviting by end. A very solid film. Gosh, I think Audrey Totter goes from A to Z in this film, and I just love her character and the way she relates to Montgomery. That's what really drew me in this time. I want to watch it again now, I think it's a movie that gets better if you look at it more than once and as a love story. > 6. *The Strawberry Blonde* -- How can I not like a film that has Rita Hayworth playing Miss G?! And she does a fantastic job! I wasn't sure what to expect with this film, especially after Jackie spoke so highly of it. Well, she was right. Again! The film is nothing but charming. I think any guy can relate to the set-up: the desiring of the prettiest girl but knowing the less-pretty girl is the right one. I thought the cast was magnificent. This may be my favorite James Cagney performance. He was excellent. He captures the male feelings so well in this one. Loved Rita. Loved Olivia. Jack Carson is great. Alan Hale and George Tobias are terrific, too. I loved Olivia pretending to be the liberated woman with different ideals and then Cagney's telling her to knock it off. I'm really happy you liked it, and that you liked Olivia in this one. I thought she might win you over with this performance. But Cagney is just magnificent, playing those kind of deluded emotions, hanging on to the ideal of womanhood that was probably never real in the first place. He's so confused, and his scene where he takes the fall for Hugo, telling Amy to wait while he goes down to the police station to 'help out' the cops, well it tears me up. So does the scene where he comes back from prison and finds Mary at the park bench. It's lovely. Wow, it has pitch perfect performances from those four leads, and Alan Hale, and for me, it's the start of Rita really being a great actress. I think she's just fantastic here, especially at the end when you see her and Jack Carson as the Bickersons. Needless to say Jack Carson is also magnificent. I feel like I've known every one of these people in my own life. We've all got a Hugo Barnstead in our past. And a Strawberry Blonde. > 7. *Le Million* -- Of the films in this group, this is the most creative of the bunch. Once again, Jackie recommends a winner. The film combines the feel of a silent film with sound. It's rather genius. The film is about a floating artist who is on the verge of being evicted because he's way behind in his rent. In an ironic twist of fate, he ends up winning the lottery. There's only one problem: the ticket is in his coat, a coat his girlfriend has given away. The film then becomes a comedic chase for the ticket. The film is very whimsical, very "Rene Clair." It's so charming. I guess Clair really hated sound, he thought that it was a mistake, so he set out to do a picture that used sound in a different way. The scene you posted a picture of is my favorite, behind the bench at the opera, very fake, but very lovely, with the false lovers in front with an audience, and the real lovers hiding behind the scenery but with true feelings coming out. It's lovely, with petals falling all around them. Very sweet. That and the football game with the jacket. Annabella was so good, I really noticed her this time. So pretty and your eye just goes to her. I really liked the cab driver too. He reminded me of Jackie Gleason. I like how the artist realizes through the lottery ticket problems just how good a woman Annabella is. > 8. *A Matter of Life and Death* -- The Archers are filmmakers that continue to impress me. I just love their worlds. They are often "otherwordly," and this easily falls into that category. The film is very much "Powell & Pressburger." Similar to *Here Comes Mr. Jordan* and *Heaven Can Wait* (1978), Heaven has made a grave error. It's just the error has been flipped. Instead of taking someone before their time, here they have failed to take someone whose time had come. How to rectify this situation? A Heavenly hearing is to be arranged to settle the case, ala *The Devil and Daniel Webster*. David Niven plays the man whose life is in dispute. I've come to really like David. He's always so pleasant to watch. But, for me, it was Roger Livesey who was most absorbing. The film as a whole fell a little short when compared to the other films I have seen by the Archers, but I still liked it. I think Quiet Gal would like it. David Niven is a very natural, likable guy in almost any movie. He pretty much never fails. Roger Livesey is the more interesting character, you are right, you want to know more about him. I love those otherworldly movies from this time period. I thought the court part was interesting, but I liked the romance and the main characters best. It's very thoughtful, but not as moving as I remembered it. I liked the idea of the book showing up afterwards. > 9. *Easy Living* -- Preston Sturges wrote the screenplay for this comedy and it really does feel like a "Sturges" pic. It all starts with a disagreement between wealthy banker J.B. Ball (Edward Arnold) and his spoiled wife (Mary Nash). This leads to Ball tossing his wife's prized fur coat out the window and into the unexpecting arms of Jean Arthur. One misunerstanding after another ensues in this madcap comedy. Jean is her darling self in this one, but I found Arnold to be the most enjoyable. Luis Alberni plays a conspiring hotel owner looking to capitalize on some dirt. He provides a lot of the laughs. A good comedy from the heyday of comedies. You know me too well! I do love Luis Alberni! He's my favorite, though the whole thing with Arnold and his wife is pretty hilarious, and probably still holds true for some couples, if I'm remembering correctly. I think there's a bathtub scene that I especially liked. I always like Milland best in these light pictures, he seems suited to this and the *Three Smart Girls* type movies. Not that he doesn't do well in *The Lost Weekend* and Hitchcock, and with Wayne, just that I think of him this way, probably because that's how I first saw him. Jean Arthur is always great. She's always the draw for me. > 10. *Blackboard Jungle* -- One, two, three o'clock, four o'clock rock! Welcome Back, Dadier? I mostly liked this film. Richard Brooks does lay it on thick, going to the extremes to make his points. Still, there is enough here to like. For me, it's all about Glenn Ford, Sidney Poitier, and Vic Morrow. All three of them are fantastic in the film. Glenn is very "Glenn." He's seething and ready to boil. Morrow is downright frightening. He plays sadistic well. And Sidney had me hating him early on, which is saying a lot. He was quite good. That's interesting. I can understand hating Vic, but Sidney? I don't remember him at the beginning. I thought he pretty much stayed out of the bullying. He's really good in this, it's a career maker for him, I think. I just hate the part where they wreck the guy's record collection. Although something in me also wants that guy to man up and not be such an easy mark. I think Vic Morrow is sensational, and I like the little punk too, I can't remember the actor's name. He's the one who at the end refuses to help the bad kids in the knife fight. I do like seeing Glenn win the kids over by teaching in a different way. Those scenes are quite good. > 11. *Regeneration* -- Jackie found a real gem with this 1915 silent. It does not feel like a 1915 silent with the exception of the pushing of religion. The seeds of the gangster genre are firmly planted with this one. The story is about a kid whose mother dies when he is ten and he is adopted by his neighbors, who end up being uncaring to him. This ends up defining him as a man until he meets and falls in love with Marie (Anna Q. Nilsson), a good-hearted teacher. Can a man of crime be with a law-abiding teacher who is looking to plant the seed of good in children? There's your film. This is definitely a "Quiet Gal" picture. > http://www.youtube.com/watch?v=v39Xazz2s6Q I waited a long time to see this one, I'd been wanting to watch it ever since I heard of it. When I did, I was worried that it would not live up to my expectations, but it was so outside the normal 1915 type movies i'd seen, it really got to me. I thought it was very ahead of it's time, very Walsh, and even kind of modern looking. Some of the shots are really astounding, like the one with the bad guy coming toward the camera and having half his face in closeup, the other half off the screen. Rockcliffe Fellowes was fantastic, and I loved his little friend, the guy he protected, who is not credited. They both really moved me. I actually cried at the end. Did Fellowes remind you of Brando? He did me, maybe because I had just seen The Wild One. Extremely vulnerable. > 12. *Chicago Calling* -- I'd call this film a "spin-off" of *A Tree Grows in Brooklyn*. It's not as good a film, but the emotion is pretty strong. The film also plays like a Depression-Era film. Dan Duryea plays "Bill Cannon," a drunken father whose wife has reached her wit's end with his alcoholism. She and his daughter, who he dearly loves, end up leaving him, as they look to head east. From here, the film becomes all about a phone call from Chicago, a call he needs to answer. There's a catch: the phone company is yanking his service. He needs to find a way to pay the bill. Where can he get the money? Can the help of a young boy (Gordon Gebert) save Bill? Miss G mentioned this film being a bit like *The Bicycle Thief*. She's right about that. For a small little film, it's pretty doggone good. This is yet another picture I feel Quiet Gal would like. I think Dan Duryea could do anything. He's excellent, both at the beginning when he's kind of lackadaisical, and then as he becomes more and more desperate. You always see how he feels all the way through, there's never a false note. His weakness as an alcoholic is not such that you don't understand him or feel like he's really a bum. I thought he gave a tremendous performance. > 13. *The Wild One* -- What makes this film is, without a doubt, Marlon Brando. He's so head and shoulders above everyone else in this picture. I can just imagine how the youth of the time could identify with him and James Dean. There's no doubt, they exude "cool." What I loved about Brando's "Johnny Strabler" is his torment and doubt. He looks so darn comfortable in his skin (or leather jacket), yet he's not. He's really a mess. That's Brando. The film did fall short for me because of the gang goofiness. It was hard for me to see Alvy Moore as a gang member. Talk about jarring. And Lee Marvin was also hamming it up quite a bit, too. But what I did like was the entire idea of a community trying to keep with its tradition and boundaries and the youth clashing with this notion. It's such an influential film. I agree about Brando being most powerful and above everyone else, except for maybe Robert Keith. What I liked was the way the girl was a good girl, but she also saw what the gang members saw... the weakness of the adults, like her father, the hypocrisy. She felt trapped and yet she did her best to understand everyone. Robert Keith was really good, he and Jim Backus should have won awards... they were both great at showing the indecision and moral lethargy of the modern father... wanting to do the right thing, but not really knowing what it is. Caving in to the least little social pressure in an attempt to be liked. Not that different from Ryan in Ryan's Daughter. Yikes. Parents today should be looking at these movies, and seeing what NOT to do. > 20. *Beat the Devil* -- I guess I was expecting more of a story with this one and that kept me from going for it. The characters in the film are all pretty good. I loved Jennifer Jones and her world of lies. She's a trip. I was all right with Bogie, although he seemed to be along for the ride. Robert Morley was excellent. I may come to appreciate the film more in future viewings. I can see what you didn't like about it. I didn't think much of the movie when I first saw it, but now I really like the way it all plays out, and the characters really are characters. The ending is great. > > > > Midge is so cute! > 22. *Three Came Home* -- Claudette Colbert is the star of this film that was based on a true story about women and children in a Japanese P.O.W. camp during World War II. The story is an amazing one but I wasn't moved by the film. And I liked Claudette and her counterpart, Sessue Hayakawa. But my worries and concerns for the women and children just never reached a high level. I thought you'd like this one better because of the head games and delusion of Hayakawa. > 23. *The Lady in Question* -- Now this is an "odd bird" kind of film. The film centers around Andre Morestan (Brian Aherne), a shopkeeper who is excited to be selected for jury duty. He eventually finds himself on a jury for a "passion killing" trial. Rita Hayworth plays the accused. The way the film is told is very light and full of whimsy. And the star of the show is Aherne. His performance is quite enjoyable. He's the epitome of ignorant bliss. The film features the *Gilda* teaming of Glenn Ford, Rita Hayworth, and Charles Vidor. I'll try to watch this one soon. I'm not the biggest Aherne fan in the world, but when he's good he's very good. > 25. *The Renegade Ranger* -- This film reminded me of John Wayne's westerns from the 30s. It's entertaining but there isn't much to it. Captain Jack Steele (George O'Brien) is ordered to arrest a rancher (Rita Hayworth) and bring her back to town to face justice. But is she guilty? Will a former friend (Tim Holt) stand in the way? I'd like to see this one. I like all the players. Sorry I talked your ear off! I really like some of these movies a LOT, as if you couldn't tell! I've hit a couple of times with your lists lately. Don't feel like you have to write a book back to me, either, if you don't feel like it. As much as I want to chat about them, I just enjoyed hearing that you liked some of the films I like.

WOW! I love love love some of the things you wrote.... Man in the White Suit as a comic version of Night and the City??? You blew my mind!!! That's really good. I'm off for my morning walk, but I'll be back to chat about your marvelous reviews.

I'll have to see if I can find it. I think I remember trying to watch it before and not really being able to get into it. But I'll give it a shot again.