CelluloidKid
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Posts posted by CelluloidKid
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New Word.....Disco
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incense .....Black Narcissus
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Universal** has announced a July 8th, 2008 release date for The Mummy (1932) - Special Edition. It will contain special features not on previous releases. Details below.
Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy, Im-Ho-Tep, he is accidentally revived after 3,700 years by a team of British archaeologists. It is revealed in a flashback that he was a high priest, embalmed alive for trying to revive the vestal virgin whom he loved, after she had been sacrificed. Alive again, he sets out to find his lost love.
BONUS FEATURES:
DISC 1:
Mummy Dearest: A Horror Tradition Unearthed
Feature Commentary by Film Historian Paul M. Jenson
Feature Commentary by Rick Baker, Scott Essman, Steve Haberman, Bob Burns, and Brent Armstrong**
Posters & Stills**
Trailer Gallery
DISC 2
He Who Made Monsters: Life and Legacy of Jack Pierce**
Unraveling the Legacy of The Mummy**
Universal Horror Documentary**
**New Bonus Features not on previous releases
Also Note: Production Notes and Cast and Filmmakers were Bonus Features in the 2007 single disc release. As well, The Mummy Archives was in the 2004 release The Mummy: The Legacy Collection. These may or may not be encompassed in the new releas
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This unique, one-time only event on theater screens in major cities nationwide highlights some of the great United Artisits films!
Portland March 14, 2008
Larelhurst Theater
New York CIty March 28, 2008
Film Forum
Detroit March 31, 2008
Uptown Birmingham 8
San Francisco April 3, 2008
Castro Theater
Dallas Apirlk 4, 2008
Landmark Inwood Theater
Cleveland April 5, 2008
Shaker Square Cinemas
Houston April 15, 2008
Willowbrook Movie Tavern
Minneapolis April 16, 2008
Landmark Edina Cinema
Raleigh/Durham April 21, 2008
The Carolina Theater of Durham
Miami/Ft. Lauderdale Aprill 22, 2008
Sunrise Cinemas Stadium 15
Las Olas Riverfront
Phoenix, Az April 25, 2008
Harkins Valley Art Theater
Chicago April 26, 2008
Music Box Theater
Seattle April 30, 2008
SIFF Cinema
Boston May 01, 2008
Brattle Theater
Los Angeles May 02, 2008
Landmark Nuart
Washington, D.C. May 10, 2008
AFI Silver Springs Theater
San Diego May 23, 2008
Landmark Ken Theater
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A shot across the bow of the Hollywood studio system, United Artists was incorporated in February 1919 as an independent production and distribution company by four of the movie industry?s creative giants: Charles Chaplin, Mary Pickford, Douglas Fairbanks, and D.W. Griffith. (Remarked one studio executive: ?The inmates are taking over the asylum.?) Under the management of Joe Schenck in the 1920s it released some of the three stars? greatest pictures (Chaplin?s The Gold Rush, Fairbanks?s The Thief of Bagdad) as well as projects with Buster Keaton (The General) and Rudolph Valentino (Son of the Sheik). As Chaplin, Pickford, and Fairbanks began to wind down their careers, UA was pressed for quality product and cut deals with such independent producers as Howard Hughes (Hell?s Angels), Samuel Goldwyn (Dodsworth), and Alexander Korda (The Prisoner of Zenda). The company was never a huge success, but for three decades it came to represent the independent spirit that periodically revitalizes the American movie industry.
Strangely, none of that is being celebrated in this Music Box program of UA releases, the earliest of which?Robert Aldrich?s crazed Kiss Me Deadly (Mon 4/7, 9:40 PM)?hit theaters in 1955. By then the surviving founders, Chaplin and Pickford, had handed over the company to two lawyers, Arthur Krim and Robert Benjamin, who closed down its production facilities and operated it primarily as a financing company. Yet even in this period UA backed some adventurous projects, from Charles Laughton?s eerie The Night of the Hunter (showing Wed 4/9, 5:00, 9:40) to John Frankenheimer?s paranoid The Manchurian Candidate (Tue 4/8, 4:30) to John Schlesinger?s sexually frank Midnight Cowboy (Thu 4/10, 9:40) to Sidney Lumet?s caustic Network (Thu 4/10, 4:30). UA bankrolled Billy Wilder?s Some Like It Hot (Mon 4/7, 5:00) and Robert Wise?s West Side Story (Sun 4/6, 4:00) and supported such emerging talents as Stanley Kubrick (The Killing, Tue 4/8, 9:40), Sergio Leone (The Good, the Bad, and the Ugly, Sat 4/5, 4:00), Woody Allen (Bananas, Fri 4/4, 5:30, Sa 4/4, midnight), and Martin Scorsese (Raging Bull, Fri 4/4, 9:20).
For more information call the Music Box at 773-871-6604
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A shot across the bow of the Hollywood studio system, United Artists was incorporated in February 1919 as an independent production and distribution company by four of the movie industry?s creative giants: Charles Chaplin, Mary Pickford, Douglas Fairbanks, and D.W. Griffith. (Remarked one studio executive: ?The inmates are taking over the asylum.?) Under the management of Joe Schenck in the 1920s it released some of the three stars? greatest pictures (Chaplin?s The Gold Rush, Fairbanks?s The Thief of Bagdad) as well as projects with Buster Keaton (The General) and Rudolph Valentino (Son of the Sheik). As Chaplin, Pickford, and Fairbanks began to wind down their careers, UA was pressed for quality product and cut deals with such independent producers as Howard Hughes (Hell?s Angels), Samuel Goldwyn (Dodsworth), and Alexander Korda (The Prisoner of Zenda). The company was never a huge success, but for three decades it came to represent the independent spirit that periodically revitalizes the American movie industry.
Strangely, none of that is being celebrated in this Music Box program of UA releases, the earliest of which?Robert Aldrich?s crazed Kiss Me Deadly (Mon 4/7, 9:40 PM)?hit theaters in 1955. By then the surviving founders, Chaplin and Pickford, had handed over the company to two lawyers, Arthur Krim and Robert Benjamin, who closed down its production facilities and operated it primarily as a financing company. Yet even in this period UA backed some adventurous projects, from Charles Laughton?s eerie The Night of the Hunter (showing Wed 4/9, 5:00, 9:40) to John Frankenheimer?s paranoid The Manchurian Candidate (Tue 4/8, 4:30) to John Schlesinger?s sexually frank Midnight Cowboy (Thu 4/10, 9:40) to Sidney Lumet?s caustic Network (Thu 4/10, 4:30). UA bankrolled Billy Wilder?s Some Like It Hot (Mon 4/7, 5:00) and Robert Wise?s West Side Story (Sun 4/6, 4:00) and supported such emerging talents as Stanley Kubrick (The Killing, Tue 4/8, 9:40), Sergio Leone (The Good, the Bad, and the Ugly, Sat 4/5, 4:00), Woody Allen (Bananas, Fri 4/4, 5:30, Sa 4/4, midnight), and Martin Scorsese (Raging Bull, Fri 4/4, 9:20).
For more information call the Music Box at 773-871-6604
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VCI** has announced a June 24th, 2008 release date for Young Caruso (1951). Featuring a young Gina Lollobrigida, the Italian language film will be English dubbed for this release.
A musical Italian biopic starring Ermanno Randi, Young Caruso chronicles the life of Enrico Caruso, the world-famous tenor of the early 20th Century. But before Caruso was singing his heart out in opera houses all over the world, he grew up underprivileged in Naples, Italy. This biopic dramatizes the singer's early years, following his poverished youth as he chases his dream of being a singer. Maurizio di Nardo plays famed tenor Caruso as an awkward young choir boy, while Ermanno Randi takes over the role in adulthood. A young Gina Lollobrigida (destined to be called "The Most Beautiful Woman in the World") co-stars as Stella.
This DVD includes over 30 minutes of rare Caruso recordings from 1907 to 1916. Also included is a special narrative for the blind. This is truly a DVD for all to cherish.
BONUS FEATURES:
30 minutes of Original Music by Enrico Caruso with historical facts
Narrative for the Blind
Trailers
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Universal** has announced a July 8th, 2008 release date for The Mummy (1932) - Special Edition. It will contain special features not on previous releases. Details below.
Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy, Im-Ho-Tep, he is accidentally revived after 3,700 years by a team of British archaeologists. It is revealed in a flashback that he was a high priest, embalmed alive for trying to revive the vestal virgin whom he loved, after she had been sacrificed. Alive again, he sets out to find his lost love.
BONUS FEATURES:
DISC 1:
Mummy Dearest: A Horror Tradition Unearthed
Feature Commentary by Film Historian Paul M. Jenson
Feature Commentary by Rick Baker, Scott Essman, Steve Haberman, Bob Burns, and Brent Armstrong**
Posters & Stills**
Trailer Gallery
DISC 2
He Who Made Monsters: Life and Legacy of Jack Pierce**
Unraveling the Legacy of The Mummy**
Universal Horror Documentary**
**New Bonus Features not on previous releases
Also Note: Production Notes and Cast and Filmmakers were Bonus Features in the 2007 single disc release. As well, The Mummy Archives was in the 2004 release The Mummy: The Legacy Collection. These may or may not be encompassed in the new release.
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Which version of "Blade Runner"...???
1982 U.S. Theatrical Cut
1982 International Cut
1992 Director's Cut
The Final Cut (2007)
Work Print Version
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Ollie Johnston (1912-2008) - Animator who was the last surviving member of Walt Disney's "Nine Old Men", who worked on classic features from 1937's "Snow White and the Seven Dwarves" to 1981's "The Fox and the Hound". After retiring from animating at Disney, he was a story consultant on 1989's 'Little Nemo: Adventures in Slumberland" and voiced characters in Brad Bird's "The Iron Giant" and "The Incredibles". He was co-subject of the documentary: "Frank and Ollie" and appears in The Pixar Story. He died of natural causes April 14, in Sequim, Washington. (Variety)
Bebe Barron (1926-2008) - Composer who, with husband Louis Barron, scored "Forbidden Planet", which was the first comm"ercial feature film to include only electronic music. She also recorded music for Maya Deren's The Very Eye of Night" and scored other experimental shorts, including: "Bells of Atlantis", which featured Ana?s Nin. She died April 20 in Los Angeles. (Variety)
Hazel Court (1926-2008) - Actress who starred in '50s and '60s horror films, including Roger Corman's The Masque of the Red Death, The Raven and Premature Burial and Sidney J. Furie's Doctor Blood's Coffin, Terence Fisher's The Curse of Frankenstein and David MacDonald's Devil Girl from Mars. She died of a heart attack April 15, in Lake Tahoe, California. (Variety)
Dieter Eppler (1927-2008) - German actor who costarred in the Edgar Wallace adaptations Face of the Frog, The Sinister Monk and Hand of the Gallows, Jerzy Skolimowski's Deep End, the Italian vampire flick Curse of the Blood Ghouls, the fantasy adventure Whom the Gods Wish to Destroy (aka Siegfried) and its sequel and with Orson Welles in The Last Roman and its sequel. He died April 12 in Stuttgard, Germany. (Video Watchdog)
Alexander Grasshoff (1930-2008) - Three-time Oscar-nominated documentary filmmaker who directed The Really Big Family, Journey to the Outer Limits and Young Americans, for which he initially won the Academy Award for Best Documentary, Feature. The film was later disqualified on a screening technicality and Grasshoff's Oscar was revoked. He died after complications from surgery April 5, in Los Angeles. (Variety)
Andrew Knight (1961-2008) - Animator and storyboard artist who worked on: "Tank Girl", "All Dogs Go to Heaven 2", "Pinocchio 3000", Werner - Beinhart!, Beauty and the Beast 2 (aka Beauty and the Beast: The Enchanted Christmas) and a few animated Asterix and Obelix features, including Asterix in America. He died of a stroke April 10, in France. (The Big Cartoon Forum)
Beno?t Lamy (1945-2008) - Belgian filmmaker who wrote and directed Wild Games, La Vie est Belle (Life is Beautiful) and Home Sweet Home. He also produced F?rid Boughedir's A Summer in La Goulette. He died of cancer April 15, in Brussels. (La Libre)
Steve Oliver (c.1940-2008) - Actor who starred in '70s B movies "Werewolves on Wheels", "Motor Psycho", "Cycle Psycho", "The Van" and "Malibu Beach" and appears in the 1980 Steve McQueen western "Tom Horn". He died of cancer March 5, in Big Bear Lake, California. (Variety)
Jack Roe (c.1931-2008) - Assistant director who worked on Willy Wonka and the Chocolate Factory, Funny Girl, Funny Lady, Paint Your Wagon, The Goodbye Girl, Silver Streak, The Bad News Bears, The Sunshine Boys, Night Moves and Straight Time. He died of heart failure April 6, in Carlsbad, California. (Variety)
Dalton Sandifer (?-2008) - Writer of many Woody Woodpecker and Chilly Willy cartoon shorts. He died April 16 in Thousand Oaks, California. (his granddaughter/IMDb)
Nina Schulman (?-2008) - Emmy Award-winning editor of Ric Burns' New York: A Documentary Film. She also edited D.A. Pennebaker's Monterey Pop and Bill Plympton's Drawing Lesson #2, produced Werewolves of Washington and as a sound editor she worked on the doc Thelonious Monk: Straight, No Chaser, FTA and Elia Kazan's The Visitors. She died of metastatic breast cancer April 10. (The Big Cartoon Forum)
Bud Stone (c.1928-2008) - Former President of Deluxe Laboratories and former President of the Technology Council of the Motion Picture and Television Industry. He received the 1996 John A. Bonner Medal of Commendation from the Academy of Motion Pictures Arts & Sciences and was known for his support of the film industry, the craft of cinematography and charitable foundations including the Will Rogers Foundation. He died April 18 in Los Angeles. (Variety)
June Travis (1914-2008) - Actress who costarred in the 1965 sci-fi horror "Monster A Go-Go" and with Bette Davis and Natalie Wood in "The Star" and opposite James Cagney in Howard Hawks' "Ceiling Zero". She died April 14 in Chicago. (Chicago Tribune)
Thanks,
Cinematical
By Christopher Campbell
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Blade Runner...Best Line!!
Batty: I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time, like tears in rain. Time to die.
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I don't think I ever saw a Mae West film on TCM!!!
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After some reasearch I found out that "The Hollywood Revue of 1929 " does survive intact with its original Technicolor sequences. It was released on laser-disk in the 1990s. Nothing eles after that! It's outof print!
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Hollywood Revue of 1929.
MGM's first talkie showcase for its stars. Directed by Charles Reisner, 82 minutes.
Joan Crawford dances and sings "Gotta Feelin' for You" and appears in the closing "Singin' in the Rain" number with the rest of the all-star cast.
Says Joan in CWJC: ...one of those Let's-throw-everyone-on-the-lot-into-a-musical things, but I did a good song-and-dance number.
Thanks,
Best of Everything JC!
Per Wikipedia (& other sources)
The film is often cited (such as on the DVD release of the 1952 film "Singin' in the Rain") as the film that led to the downfall of John Gilbert's career. John Gilbert, a popular silent film actor (best known for his work opposite Garbo), possessed a pleasant tenor speaking voice, but it didn't always match his heroic, dashing screen image. In Hollywood Revue he plays the balcony scene from Romeo and Juliet. first straight, then for laughs with contemporary slang!
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New World...Nursing Home
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Kangaroo ....Kangaroo Jack
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Other good films shot in San Francisco:
ESCAPE FROM ALCATRAZ
VIEW TO A KILL
PACIFIC HEIGHTS
THE TOWERING INFERNO
THE BIRDMAN OF ALCATRAZ
INVASION OF THE BODY SNATCHERS (1978)
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Vertigo directed by Alfred Hitchcock!
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This unique, one-time only event on theater screens in major cities nationwide highlights some of the great United Artisits films!
Portland March 14, 2008
Larelhurst Theater
New York CIty March 28, 2008
Film Forum
Detroit March 31, 2008
Uptown Birmingham 8
San Francisco April 3, 2008
Castro Theater
Dallas Apirlk 4, 2008
Landmark Inwood Theater
Cleveland April 5, 2008
Shaker Square Cinemas
Houston April 15, 2008
Willowbrook Movie Tavern
Minneapolis April 16, 2008
Landmark Edina Cinema
Raleigh/Durham April 21, 2008
The Carolina Theater of Durham
Miami/Ft. Lauderdale Aprill 22, 2008
Sunrise Cinemas Stadium 15
Las Olas Riverfront
Phoenix, Az April 25, 2008
Harkins Valley Art Theater
Chicago April 26, 2008
Music Box Theater
Seattle April 30, 2008
SIFF Cinema
Boston May 01, 2008
Brattle Theater
Los Angeles May 02, 2008
Landmark Nuart
Washington, D.C. May 10, 2008
AFI Silver Springs Theater
San Diego May 23, 2008
Landmark Ken Theater
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Apr 22, 2008
Patricia Neal to receive lifetime achievement award at Nashville Film Festival!
NASHVILLE, Tenn. (AP) -- At 82, Patricia Neal still has that delightful voice - husky yet elegant - as she recalls her favorite films of her career.
"`A Face in the Crowd,'" she says of the 1957 movie in which she starred opposite Andy Griffith. "Elia Kazan directed. I loved that one. ... Andy Griffith was gorgeous.
"I also loved 'Hud' (with Paul Newman in 1963) because it won me the Oscar. And 'The Day the Earth Stood Still' (the 1951 science fiction classic). I thought it was hysterical when I made it, but they loved it."
Neal, who was born in Packard, Ky., and grew up in Knoxville, Tenn., returned to Tennessee to receive a lifetime achievement award from the Nashville Film Festival.
Singer-actor Lyle Lovett, who co-starred with her in Robert Altman's 1999 film "Cookie's Fortune," was scheduled to present the honor Tuesday night.
"I'm delighted to be getting this in this state," said Neal, who graduated from Knoxville High School.
Neal, who now lives in New York, draws out words like "delighted" and "gorgeous" and often punctuates stories with a deep, hearty laugh.
"I did monologues all over the place," she says of her early days. "I then went to Northwestern University (to study drama) because they insisted I go. I went there two years and my father died my first year there. They insisted I go back another year and I did. I went on from there to New York and I got a job almost at once."
From Broadway she headed to Hollywood where her first films included a memorable role opposite Gary Cooper in "The Fountainhead" in 1949.
She returned to Broadway for "A Roomful of Roses" and "Cat on a Hot Tin Roof" before opening a second and more successful chapter of her film career with "A Face in the Crowd," Kazan's portrait of political demagoguery.
Neal is candid about her past, including her affair with Cooper (he was married at the time and 25 years her senior), her debilitating strokes in the 1960s (she had to relearn to walk and talk) and her leading men (her favorite, naturally, was Cooper).
She made a courageous comeback from her illness with "The Subject Was Roses" (1968) which earned her an Oscar nomination. Her return was dramatized in the 1981 TV movie "The Patricia Neal Story" with Glenda Jackson portraying her.
Today, Neal continues to travel with New York's Theatre Guild and will appear with Billy Ray Cyrus in the upcoming movie "Flying By."
She says she loves to work, always has. When she first went to New York, she recalls, "I got up every day, every day, on the streets, on the streets, on the streets. I wasn't real snobby about it."
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LONDON, England (AP) -- Scarlett O'Hara: Southern belle; feminist icon; West End star.
The vain, feisty heroine of "Gone With the Wind" comes to life in a musical stage adaptation of Margaret Mitchell's Civil War saga that opens Tuesday in London.
Directed by Trevor Nunn and starring Jill Paice as Scarlett and Darius Danesh as Rhett Butler, the show has a big budget, a big cast, big ambitions -- and, if you believe the rumors, big problems.
"Gone With the Wind" is the latest attempt to make musical theater from a much-loved literary work, following triumphs such as "Les Miserables" and troubled productions like "The Lord of the Rings." It has book, music and lyrics by Margaret Martin, a Los Angeles-based writer with a doctorate in public health who has never before had a play produced professionally. But if she is worried, she doesn't show it.
Martin, 54, is a former teenage single mother who returned to college in her 30s and emerged a decade later with a Ph.D. in community health science and a desire to do "the most fun thing I could think of doing" -- write a stage musical.
The fact that she had no experience in professional theater did not daunt her.
"I thought, 'What story does everyone know in America?"' Martin said. "And when 'Gone With the Wind' came into my mind, I never thought I wouldn't be doing it. The only question I had was the rights," she said in an interview with The Associated Press.
After spending two years writing the play and recording demos of songs, Martin managed to persuade Mitchell's estate to let her have the rights to the story. She persuaded Nunn -- whose credits range from "Cats" to an acclaimed production of "King Lear" starring Ian McKellen -- to direct after reading that he had an interest in U.S. history. Whatever critics say after opening night, it's an impressive achievement.
Millions know "Gone With the Wind" from the 1939 film that starred Vivien Leigh as Scarlett and Clark Gable as Rhett. An epic tale of love, war and its aftermath, filmed in glorious Technicolor, it smashed box-office records, won 10 Academy Awards and remains one of the best-loved films of all time.
Martin said she stuck more closely to Mitchell's Pulitzer Prize-winning novel, finding many modern-day resonances in its portrait of the 19th-century South -- not least the inclusion of "that organization of American terrorists," the Ku Klux Klan.
"The film reflected Depression-era values and completely ignored many things in the novel," Martin said.
In the movie, Scarlett is portrayed as spoiled and self-involved, Martin said. "But I see Scarlett O'Hara as a stressed-out teenage single mum who assumes responsibility for the survival of a large extended family under horrific circumstances."
Martin called Scarlett one of the first feminists in American literature. "She is madly heroic in all she does," she said. "Her experience, I think, will resonate with any woman."
The production has had a rocky ride to Tuesday's opening at the New London Theatre. Audiences at early previews reported a 4-hour running time that left some audience members rushing to catch the last trains and subways home. Two previews were canceled as cast and crew whittled the show down to a more manageable 3 1/2 hours. Critic Mark Shenton wrote on his blog that at the preview he attended, a stage manager emerged before the show and "respectfully asked audience (members) to leave as discreetly as possible if they had to go early, to avoid distracting the actors."
Paice, who played Laura Fairlie in Nunn's production of "The Woman in White" in London and on Broadway, has called working on the musical "completely intimidating, but also thrilling."
Novels have often had an uneasy transition to the stage. "Les Miserables," adapted from Victor Hugo's novel of crime and punishment, has been running in London for more than 20 years and has been produced around the world. But "The Lord of the Rings," a $25 million adaptation of J.R.R. Tolkien's fantasy saga, opened in Toronto in March 2006 to lukewarm reviews and closed six months later. A trimmed and reworked version opened in London last year. It is due to close in July after 13 months.
A previous attempt to turn "Gone With the Wind" into a musical, "Scarlett," opened in Tokyo in 1970 and came to London in 1972. But a planned Broadway run was canceled after poor reviews of a Los Angeles run, and the show has not been staged in 30 years.
Martin is undaunted.
"It has just been a completely joyful process," she said. "I've learned a lot, but at the same time it's been a very collaborative process."
Thanks,
Cnn.com
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MPI Home Video**, a small has distributor responsible for such releases as Becket (1964) and The Complete Sherlock Holmes Collection has announced a July 29th, 2008 release date for its Classic British Thrillers Collection. This single disc release will feature three films previously unavailable on any home video format - The Phantom Light (1935), Red Ensign (1935) and The Upturned Glass (1947).
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New Releases Tuesday, April 22, 2008!
Midnight
Supplements: Exclusive Introduction by Turner Classic Movies Host and Film Historian Robert Osborne, Original Theatrical Trailer
She Done Him Wrong
Supplements: Exclusive Introduction by Turner Classic Movies Host and Film Historian Robert Osborne , Bonus Cartoon "She Done Him Right"
Easy Living
Supplements: Exclusive Introduction by Turner Classic Movies Host and Film Historian Robert Osborne
Death of a Cyclist
Supplements: New, restored high-definition digital transfer, Calle Bardem (2005), a documentary on the revolutionary life and career of director Juan Antonio Bardem, Theatrical trailer, New and improved English subtitle translation, A booklet featuring an essay by scholar Marsha Kinder and a 1955 essay by Bardem on Spanish cinema
The Major and the Minor
Details: Black and White, 1.33:1 Supplements: Exclusive Introduction by Turner Classic Movies Host and Film Historian Robert Osborne , Original Theatrical Trailer
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New Word: Android
What?? No discussion of EASY LIVING, MIDNIGHT, or MAJOR & THE MINOR????
in General Discussions
Posted
Costco is selling DVD 2 Packs...I bought "She Done Him Wrong" W./Mae West & "The Major and the Minor" W./Ginger Rodgers for $11.99!
I never saw "The Major and the Minor" till I bought the 2 pack, I wasn't that impressed! I found the film a little creepy! Not one of Billy Wilder's best films!