Capuchin

This might just be an incredible coincidence, but it seems like a stretch to me to think it's just random. For the 16th Programming Challenge, the lovely SansFin created a day of Camelot movies (part of the challenge was to have movies set in a particular city). The two most noticeable slots (the first movie of the day ( *Prince Valiant* ) and the first movie in primetime ( *Camelot* )) were both premieres, movies which apparently never appeared on TCM before and are outside the normal libraries. Those two movies are now on TCM's January, 2011 schedule for the 17th. Two other movies TCM is planning to show that evening were also on her schedule ( *A Connecticut Yankee In King Arthur's Court* and *Knights Of The Round Table* ). Since she did an entire day of Camelot-related movies and TCM is only doing an evening, they obviously couldn't use all of her picks, but the only variance was their selection of *Siege of the Saxons* instead of *The Black Knight* when/where they needed to fill a 90 minute time slot. Both are Columbia releases, and both have been previously shown on TCM. I looked in her notes, and she had listed *Siege of the Saxons* as a possible. It's too bad she didn't pick it and get a clean sweep. I remember reading that people thought the TCM programmers used ideas from the challenges, but I never expected to see something which seems, to me, so clear cut. I suspected it was more of an impression people had, probably based on coincidence. Does anyone remember what/when a part of your challenge schedule appeared on the real schedule a few months later? How many premieres did you prompt them to use? (Apologies in advance that I'm not going to be able to participate too much in this thread -- I can read the boards directly, but to post I have to go through a WiFi to a remote server to another remote server to my home computer to the boards connection, and to say it's a PITA is an understatement. Rest assured I'm deeply interested in this and will be reading all responses.)

I hate to say it, but I got interested in classic movies for a really bad reason. Each of us could choose one tv program to watch every week, subject to mom's approval. Other than that, we could only watch what someone else had chosen or that mom thought we should see. The sole exception was Channel 2, a collaboration of a local university and the fledgling PBS network. We could watch as much of that as we wanted since it was labeled "The Education Channel." One day, when I was about 10, after a science program ended, I decided to watch whatever was on next, under the belief that any tv was better than no tv. Now you have to understand that in those days, anything from the BBC was considered cultural, and therefore appropriate for Public Television, and the British have always been fairly liberal when it comes to female nudity. "Educational" does not begin to describe it! I was too young for it to have any sexual meaning, but I knew I wanted to see more. So I began watching that channel every minute I could. I soon found that twice a week they showed a British movie from the 30s, and having at least one scene of a woman undressing seemed to have been a requirement for the industry. By the end of that summer, I found myself liking even those rare films where the ladies kept their clothes on. And I've been hooked on old movies ever since.

> {quote:title=Neilski wrote:}{quote} > Capuchin > You didn't mention that they used a Pig Valve as yet................Yes/No ? Bovine, not porcine, even though it's sort of redundant to put a bit of bull in me . . . Good luck!

*Mr. Blandings Builds His Dream House on Haunted Hill* -- An advertising exec picks the absolute worst building site ever.

> And my heart goes out to you for what you have had to endure with your valves. Thanks, but it isn't as bad for me as it sounds. The first one was weird, an aortic aneurysm causing strange symptoms, but no great pain, and I went into surgery less than 12 hours after it began. The replacements have been because ultrasounds showed endocarditis had damaged the valve (artificial valves are magnets for infection). No obvious symptoms, no pain, just a shadow on the screen meaning it's time to do it again. The main part, at the moment, is that I can empathize with you on the fatigue -- I'm sleeping about 12-14 hours a day, in 1-3 hour increments, and my greatest fear is that I'll meet an angry kitten (I'm sure one could beat me up right now). > I have Direct tv dvr - so it's a receiver with tivo. I tape lots of things. I've also got DirecTV, but I bought a stand-alone DVR so I'm not tied to the recorder's idea of when movies begin or end, and I can dub from its hard disk to a DVD. My collection of DVDs (mostly films I've recorded off-air) is reasonably large (>1000). > Capuchin...do you have good Home Health Care. My insurance only pays for a maid to come in once a week. Because of a different health issue, I sometimes need constant monitoring for weeks at a time. That used to mean going to a hospice, but a few years ago I switched to having caregivers come into my home. It was quite expensive (not covered by insurance) and always a hassle because of the scheduling problems. Fortunately, someone I knew a long time ago was between jobs and willing to work cheap, so I asked her to come to the US and handle everything. She's head-strong, curses me out in six languages, and when she gets mad, she's more than a little frightening. We're going to be married next month. > How do you manage things in life? The way I always have -- do what I can, when I can, and let the rest slide. Regrets for what you can't get done will eat you up. Oh, and watching good movies always helps!

I think all of the Jeeves and Wooster novels by P.G. Wodehouse would have made great movies (I think only two of them were). There were many great adaptations for TV, including the 1990-1993 series on BBC starring Hugh Laurie (tv's Dr. House) -- it's a blast watching him play a brainless twit. It's also be great to see Patrick F. McManus's books turned into movies. Never Sniff a Gift Fish or Real Ponies Don't Go Oink would be hilarious on-screen.

With SansFin out of town for a few days, and with the thread moved into an obscure forum, I think it's safe for me to chip in my two cents' worth . . . I love her username. The only one I think would be any more appropriate for her would be: "Interupt-me-while-I'm-watching-a-movie-and-I'll-castrate-you-with-a-dull-knife," but I doubt the software would allow that. From my point of view, it doesn't matter what name she uses. I'm not even concerned about her changing her real last name to mine (mine is difficult to spell and even more difficult to pronounce). It's her issue, and I'll support whatever she decides. I think the only reason she considered changing is because the situation went to her head. She's usually very much like Garbo in the first half of Ninotchka (very level-headed, no-nonsense, and in the right light, when she's in the right mood, she even looks like her), but she became a giggly schoolgirl for a couple of weeks. And to JackFavell -- Will I think the way she tells me to? Yes, in this instance. She has very well-defined areas for when she's in control, when I'm in control, and when we should reach a joint decision. This one is definitely within her ballpark, and I'd be a fool to try to go against her. (Besides the possibility of hurting her feelings, she was a hand-to-hand combat instructor when she was in the service. Granted it was only an intro course a few decades ago, but she has a long reach and is still at her fighting weight.)

Welcome to the boards. I know only too well what movies can mean for someone in your situation (I'm currently recovering from my fourth aortic valve replacement in three years). I wish I could list some uplifting westerns you might enjoy, but (sigh!) it's not exactly my favorite genre. You should be able to find a lot of advice in the Westerns forum. Good luck!

> {quote:title=Sprocket_Man wrote:}{quote} > This isn't about common words with regional pronunciations, but proper names whose pronunciations are basically immutable. Nothing is immutable. People pronounce certain letter combinations in a certain way, and the fact that someone else pronounces those same letters differently, even when it's in proper names, does not make it wrong. It's usually called "having an accent." I knew someone whose middle name was "Thirty." She would have been fighting a losing battle if she expected a hardcore Brooklynite to pronounce it any way except "Toidy." Henry Paper once told me that during his stint at the U.N., he had to quickly get used to being called everything from Enry Pauper to Henly Pupur. His only concern was that they printed it correctly on his paychecks. My own last name is difficult for most people to pronounce, and I'd have to be completely **** to expect anyone to get it right every time.

Sue2 -- The problem with that one is you named a webpage instead of a photo. Most of the time, you can right-click a photo and use the "open in new window" to take you to the standalone picture.

Fedya -- Great Idea! I particularly like the Bowflex and finallyfast picks.

> {quote:title=Mogul-o-maniac wrote:}{quote} > A bigger problem is that, according to the late World War II historian Stephen Ambrose, wires -- those for communication or demolition -- are the first things that get cut -- accidentally -- in battle, That is perfectly true for battles, but what happened in *TBotRK* wasn't a battle: it was a skirmish. Lines (both communication and demolition) quickly fall in a battle because of the high volume of ordnance and the movement of large bodies of troops. Neither was present in the movie. While a wire could be severed by a stray bullet or mortar shrapnel, the odds against it are very high. Also, if the charges were properly wired, the loss of one would not affect the others -- you don't run them in series.

I'm afraid that if you want really big hair, you have to look beyond movies: Amy Winehouse Cindy Wilson

Welcome to the boards. Many here share your feelings -- if you search for "character actors" you'll find several threads about them.

Great schedule countessdelave! Czechmates is wonderful, especially with Midnight in the line-up. It's-It is great. I've never actually seen It with Clara Bow and would certainly like to.

I thought a lot of movies were bowl-derized versions of best selling books.

> {quote:title=traceyk65 wrote:}{quote} > Capuchin-- > "Where am I going and why am I in this handbasket?" OMG. Love it. Great schedule! Thanks for the kind word about the schedule, but I can't take credit for that phrase -- it was quite popular in the 60s.

> {quote:title=countessdelave wrote:}{quote} > Great job, Capuchin! > > I especially like your SOM, Ray Milland. I've always liked The Gilded Lily. Good choice of a premiere. I liked your "No Sequels" and "Favorite" themes and, as always, appreciate a tribute to the folks behind the camera. This time it's Winton Hoch. Thanks. *The Gilded Lily* is a double whammy by pairing Ray Milland with Claudette Colbert. "No Sequels" actually started out as "Bogie Bites It" (movies in which Bogart dies), but I don't think what I ended up with is too shabby.

All the schedules are exceptional. Everyone is to be congratulated for their wit, insights, and hard work. Highlights, for me, of each: SansFin -- Jean Simmons as SOTM. Charles Lane, Jean Pierre Aumont, and director John Sturges nights. I also like the Ozu choices. Best movies you picked -- Rhubarb, Night of the Quarter Moon, Staircase, Another Man's Poison, Lullaby of Broadway, Monty Python, Camelot, and 8 1/2. kingrat -- Jean Simmons as SOTM. The Film Festival, Negulesco Noir, and the Ralph Bellamy morning. Movies -- The Letter, Sunrise, His Girl Friday, La Dolce Vita, Kitty, Seconds, Leave Her to Heaven, and The Mask of Dimitrios. audreyforever -- Joel McCrea as SOTM. Films from Above and the Barbara Stanwyck birthday tribute. Movies -- Heaven Can Wait, Here Comes Mr. Jordan, Woman Wanted, Party Wire, Down Argentine Way, That Night in Rio, Weekend in Havanna, and virtually every movie in the Stanwyck tribute! rdmtimp -- Director Mark Robson's morning, Busby Berkeley's, Virginia Mayo's birthdays, Warren William spotlight, and the Preston Sturges evening. Movies -- 42nd Street, Bird of Paradise, Time Bandits, Wonder Man, If I were King, McLintock!, The Children's Hour, The Mouse on the Moon, and Gold Diggers of 1933 / 1935. capuchin -- Ray Milland as SOTM. Tributes to two charactor actors and a cinematographer. Where am I going and why am I in this handbasket?, No Sequels, Joan Blondell (love her), and Inferiority Complex. Movies -- Dirigible, Dial M for Murder, The Gilded Lily, The Devil's Disciple, Flesh and the Devil, My Favorite Year, My Name is Nobody, and Joan of Arc. LonesomePolecat -- I love every movie in your Andy Griffith Show Reunion. Alec Guinness as SOTM (I was thinking about using him). Coronations, The Dead Talk Back, and 1960s Career Day. Movies -- Hide-Out, The Ladykillers, The Great Race, Here Comes Mr. Jordan, Goodbye Charlie, Ikiru, The Ex-Mrs. Bradford, and A New Leaf. All of them are great, and I hope TCM is looking here for ideas!

> {quote:title=kingrat wrote:}{quote} > Capuchin, another outstanding schedule. There's so much here that the programmers could use, like the Joan Blondell and Ray Milland tribute. My favorite is the tribute to Winton C. Hoch. It's great for the cinematographers, composers, costume and set designers, and other behind the screen personnel to get the recognition they deserve. Thanks. I love Joan Blondell. Just thinking about any of her movies makes me smile. Unfortunately, she doesn't get yearly recognition on TCM because her birthday is in August. The same can be said of Cecil Kellaway. So many people forget what goes on behind the screen. If you look at IMDB's "entire cast and crew" list, the performers make up only a small portion. What dismays me is that so many of the crew are listed as "uncredited."

> {quote:title=movieman1957 wrote:}{quote} > Thanks for playing. A terrific schedule. I appreciate you taking the time to put one up against the other fine schedules. Thanks. Now that I've got my system down, it doesn't seem to take all that much time. I just make a list of all the movies that fit a particular theme, put the title/movie length into a CAD program, and then treat it like a jigsaw puzzle, picking what fits and then moving them around until it looks nice. > I hope you come around more. I'm afraid it's kind of a trade-off. When I'm active, there is a ton of important things SansFin needs to be doing. When I'm down, she's limited to reading, watching tv, and posting. So, most of the time, it's either her or me.

> {quote:title=audreyforever wrote:}{quote} > Nice schedule, and we even used some of the same titles! By the way, I believe The Searchers was just on this month, and I think years ago, since you marked it as a premiere. Thanks. *The Searchers* used to be a premiere -- the only resource I had when I was working on it was the list of movies I picked, and decided not to use, for previous challenges. (I guess that means this schedule is made up entirely of rejects -- oh, well.) I'd be very surprised if that was the only mistake. I hope I didn't use too many of yours -- I haven't looked at the other schedules yet. Will get to that later today or tomorrow. Edited by: Capuchin on May 28, 2010 6:38 PM

Capuchin's Programming Notes -- Not much to say, really. The themes are self-explanatory, and I didn't pick any movies far out of the mainstream. I think Ray Milland is an obvious choice for SOTM. He's been slighted far too long. Harold Goodwin is an overlooked character actor who deserves more recognition. Joan Blondell definitely deserves a tribute but has one of those unfortunate August birthdays so she never gets one. Cecil Kellaway is another great character actor and also has one of those benighted August birthdays. I used 13 of the premieres to show a Universal serial in the Underground slot. Why? Just because I could. (smiley)

Capuchin's Schedule -- Week of 2 Jan 11 to 8 Jan 11 Sunday -- 2 Movies are for the Birds 6:00am *To Kill A Mockingbird* (1962) Gregory Peck, dir: Robert Mulligan, Brentwood, 129, p/s 8:15am *Birdman Of Alcatraz* (1962) Burt Lancaster, dir: John Frankenheimer, UA, 149, p/s 10:45 am *Bird of Paradise* (1932) Dolores del Rio, dir: King Vidor, RKO, 80 12:15pm *The Black Bird* (1926) Lon Chaney, dir: Tod Browning, MGM, 70, p/s 1:30pm *Watch The Birdie* (1950) Red Skelton, dir: Jack Donohue, MGM, 71 2:45pm *The Firebird* (1934) Ricardo Cortez, dir: WilliamDieterle,WB, 74 4:00pm *The Birds* (1963) Tippi Hedren, dir: Alfred Hitchcock,Universal, 119. p/s 6:00pm *Sweet Bird Of Youth* (1962) Paul Newman, dir: Richard Brooks, MGM, 120 Evening -- Also-Starring Charactor Actor Harold Goodwin 8:00pm *Dirigible* (1931) Fay Wray, dir: Frank Capra, Columbia, 100, p/s 9:45pm *Union Pacific* (1939) Joel McCrea, dir: Cecil B. DeMille, Paramount, 135, p/s Silent Sunday Night Midnight *The Vanishing American* (1925) Richard Dix dir: George B. Seitz, FP, 110 mins. Import 2:00 AM *Napoleon* (1927) Albert Dieudonne, dir: Abel Gance, Abel Gance Films, 235 Monday -- 3 Doctors are people, too 6:00am *Johnny Belinda* (1948) Jane Wyman, dir: Jean Negulesco, WB, 102 7:45am *Panic In The Streets* (1950) Richard Widmark, dir: Elia Kazan, Fox, 96, PD 9:30am *Guess Who's Coming to Dinner* (1967) Spencer Tracy, Katharine Hepburn, dir: Stanley Kramer, Columbia, 108, p/s 11:30am *The Man Who Knew Too Much* (1956) James Stewart, Doris Day, dir: Alfred Hitchcock, Paramount, 120, p/s 1:30pm *The Greatest Show on Earth* (1952) James Stewart, Betty Hutton, dir: Cecil B. DeMille, Paramount, 152, p/s 4:15pm *Dark Victory* (1939) Bette Davis, dir: Edmund Goulding, WB, 104 6:00pm *Spellbound* (1945) Ingrid Bergman, dir: Alfred Hitchcock, Vanguard, 118, p/s Evening -- Star Of The Month and Birthday Tribute: Ray Milland 8:00pm *The Lost Weekend* (1945) Jane Wyman, dir: Billy Wilder, Paramount, 100, p/s 9:45pm *Dial M For Murder* (1954) Grace Kelly, dir: Alfred Hitchcock, WB, 105, p/s 11:30pm *The Gilded Lily* (1935) Claudette Colbert, dir: Wesley Ruggles, Paramount, 80, P 1:00am *The Uninvited* (1944) Ruth Hussey dir: Lewis Allen, Paramount, 99,p/s 2:45am *A Woman of Distinction* (1950) Rosalind Russell, dir: Ed Buzzell, Columbia, 85, p/s 4:14am *The Major and the Minor* (1942) Ginger Rogers dir: Billy Wilder, Paramount, 100, p/s Tuesday -- 4 Elementals 6:00am *Duel In The Sun* (1946) Jennifer Jones, dir: King Vidor, Vanguard, 144, p/s 8:30am *Garden Of The Moon* (1938) Margaret Lindsay, dir: Busby Berkeley, WB, 94 10:15am *Sky Murder* (1940) Walter Pidgeon, dir: George B. Seitz, MGM, 72 11:30am *Stars In My Crown* (1950) Joel McCrea, dir: Jacques Tourneur, MGM, 89 1:00pm *Fog Over Frisco* (1934) Bette Davis, dir: William Dieterle, WB, 68 2:15pm *The Wind And The Lion* (1975) Sean Connery, dir: John Milius, MGM, 119 4:15pm *The Snows Of Kilimanjaro* (1952) Gregory Peck, dir: Henry King, Fox, 114, p/s 6:15pm *Singin' In The Rain* (1952) Gene Kelly, dir: Stanley Donen, MGM, 103 Evening -- Where am I going and why am I in this handbasket? 8:pm *The Devil and Daniel Webster* (1941), Walter Huston, dir: W. Dieterle, WDP, 112, p/s 10:00pm *The Devil and Miss Jones* (1941) Jean Arthur, dir: Sam Wood, RKO, 92 11:45pm *The Devil's Brother* (1933) Laurel & Hardy, dir: Hal Roach, MGM, 90 1:15am *The Devil's Disciple* (1959) Burt Lancaster, dir: Guy Hamilton, UA, 83, p/s 2:45am *The Devil's Circus* (1926) Norma Shearer, dir: Benjamin Christensen, MGM, 70 4:00am *Flesh And The Devil* (1926) Greta Garbo, dir: Clarence Brown, MGM, 113 Wednesday -- 5 No Sequels for these Main Characters 6:00am *Camille* (1936) Greta Garbo, dir: George Cukor, MGM,109 8:00am *Leave Her to Heaven* (1946) Gene Tierney, dir: John M. Stahl, Fox, 110, p/s 10:00am *Sunset Boulevard* (1950) William Holden, dir: Billy Wilder, Paramount, 110, p/s Noon *White Heat* (1949) James Cagney, dir: Virginia Mayo, WB, 114, p/s 2:00pm *The Treasure of the Sierra Madre* (1948) Humphrey Bogart, dir: John Huston, WB, 126 4:15pm *High Sierra* (1941) Humphrey Bogart, dir: Raoul Walsh, WB, 100 6:00pm *Butch Cassidy and the Sundance Kid* (1969) Paul Newman, Robert Redford, dir: George Roy Hill, Campanile, 110, p/s 7:50pm *The Haunted Mouse* (1941) dir: Tex Avery, WB, 6 Evening -- I Can't Even Kill Myself 8:00pm *I'll Cry Tomorrow* (1955) Susan Hayward, dir: Daniel Mann, MGM, 119 10:00pm *The Man Who Shot Liberty Valance* (1962) James Stewart, John Wayne, dir: John Ford, Paramount, 123, p/s 12:15am *Sabrina* (1954) Audrey Hepburn, dir: Billy Wilder Paramount, 112, p/s 2:15am *The Apartment* (1960) ShirleyMacLaine, dir: Billy Wilder, UA, 125, p/s 4:30am *The Man Who Played God* (1932) George Arliss, dir: John G. Adolfi, WB, 80 Thursday -- 6 August Birthday Victim #1 -- Cecil Kellaway (22 August) 6:00am *The Cockeyed Miracle* (1946) Frank Morgan, dir: S. Sylvan Simon, MGM, 82 7:30am *Harvey* (1950) James Stewart, dir: Henry Koster, Universal, 104, p/s 9:15am *I Married A Witch* (1942) Fredric March, dir: Rene Clair, UAP, 82, p/s 10:45am *The Reformer And The Redhead* (1950) Dick Powell, dir: Norman Panama, MGM, 90 12:15pm *We Are Not Alone* (1939) Paul Muni, dir: Edmund Goulding, WB, 112 2:15pm *The Postman Always Rings Twice* (1946) Lana Turner, dir: Tay Garnett, MGM, 113 4:15pm *Wuthering Heights* (1939) Merle Oberon, dir: William Wyler, SG, 104, p/s 6:00pm *Kim* (1950) Errol Flynn, dir: Victor Saville, MGM, 113, Evening -- Favorite Movies? 8:00pm *My Favorite Year* (1982) Peter O'Toole, dir: Richard Benjamin MGM, 92 9:35pm *My Favorite Duck* (1942) dir: Chuck Jones, WB, 7 9:45pm *My Favorite Spy* (1951), Hedy Lamarr, dir: Norman Z. McLeod, Paramount, 93, p/s 11:30pm *My Favorite Spy* (1942) Kay Kyser, dir: Tay Garnett, RKO, 86 1:00am *My Favorite Brunette* (1947) Dorothy Lamour, dir: Elliott Nugent, Hope Ent, 86, p/s 2:30am *My Favorite Wife* (1940) Cary Grant, dir: Garson Kanin, RKO, 88 4:00am *Man's Favorite Sport?* (1964) Rock Hudson, dir: Howard Hawks, GP, 120, p/s Friday -- 7 August Birthday Victim #2 -- Joan Blondell (30 August) 6:00am *The Corpse Came C.O.D.* (1947) George Brent, dir: Henry Levin, Columbia, 87, p/s 7:30am *Topper Returns* (1941) Roland Young, dir: Roy Del Ruth, Roach, 87, p/s 9:00am *Bullets Or Ballots* (1936) Edward G. Robinson, dir: William Keighley, WB, 82 10:30am *The King And The Chorus Girl* (1937) Fernand Gravet, dir: Mervyn LeRoy, WB, 94 12:15pm *He Was Her Man* (1934) James Cagney, dir: Lloyd Bacon, WB, 70 1:30pm *The Crowd Roars* (1932) James Cagney, dir: Howard Hawks, WB, 70 2:45pm *Two Girls On Broadway* (1940) George Murphy, dir: S. Sylvan Simon, MGM, 73 4:00pm *Off The Record* (1939) Pat O'Brien, dir: James Flood, WB 71 5:15pm *Union Depot* (1932) Douglas Fairbanks Jr, dir: Alfred E. Green, WB, 67 6:30pm *There's Always a Woman* (1938) Melvyn Douglas, dir: A. Hall, Columbia, 81, p/s Evening -- Inferiority Complex? 8:00pm *My Name Is Nobody* (1974) Terence Hill, dir: Tonino Valerii, Rafran, 117, p/s 10:00pm *Madame X* (1966) Lana Turner, dir: David Lowell Rich, Eltee, 100, p/s 11:45pm *Little Miss Nobody* (1933) Winna Winifried, dir: John Daumery, WB, 52 12:45am *The Great Mr. Nobody* (1941) Eddie Albert, dir: Benjamin Stoloff, WB, 71 Underground 2:00am *The Mysterious Mr. M* (1946) Edmund MacDonald, Pamela Blake, Danny Morton, dir: Lewis D. Collins, Universal, 227, 13 Episodes, all premieres Saturday -- 8 Bowery -- Dead End -- Brooklyn 6:00am *Boys of the City* (1940) Leo Gorcey, dir: Joseph Lewis, Four Bells, 62, PD 7:15am *Smart Alecks* (1942) Leo Gorcey, dir: Wallace Fox, Banner, 66, PD 8:30am *Mr. Wise Guy* (1942) Leo Gorcey, dir: William Nigh, Banner, 70, PD 9:45am *Dead End* (1937) Joel McCrea, dir: William Wyler, SG, 92, p/s Brooklyn 11:30am *Whistling In Brooklyn* (1943) Red Skelton, dir: S. Sylvan Simon, MGM, 87 1:00pm *Anchors Aweigh* (1945) Gene Kelly, dir: George Sidney, MGM, 143 3:30pm *The McGuerins From Brooklyn* (1942) William Bendix, dir: Neumann, Roach, 45, p/s 4:15pm *Libeled Lady* (1936) Jean Harlow, dir: Jack Conway, MGM, 98 6:00pm *On The Waterfront* (1954) Marlon Brando, dir: Elia Kazan, Columbia, 108, p/s Evening -- Winton C. Hoch -- Cinematographer Essentials 8:00pm *Joan of Arc* (1948) Ingrid Bergman, dir: Victor Fleming, RKO, 145 10:30pm *The Quiet Man* (1952) John Wayne, dir: John Ford, Argosy, 129, p/s 12:45am *She Wore A Yellow Ribbon* (1949) John Wayne, dir: John Ford, RKO, 104 2:30am *The Searchers* (1956) John Wayne, dir: John Ford, Whitney, 119, P 4:30am *So Dear to My Heart* (1948) Burl Ives, dir: Harold D. Schuster, RKO, 79 Premieres -- *The Searchers* (1956) *The Gilded Lily* (1935) *The Mysterious Mr. M* (1946) -- 13 Episodes count as 13 premieres.

> {quote:title=MissGoddess wrote:}{quote} > May the best schedule win! Oh! Don't say that! I want mine to have a chance . . .