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path40a

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Posts posted by path40a

  1. Thanks! My first guess was going to be Ian Hunter, but I could only think of three.

     

    What actor in a Hitchcock film wrote a thriller of his own (that was made into a movie) in addition to another that was made into a movie starring Bette Davis?

  2. I very much enjoyed it too, couldn't wait to watch this premiere and wasn't disappointed (lots of information that was new to me). I thought Ellen Burstyn (73 years old!) looked TERRIFIC, btw. I hope that TCM will continue to fund and/or support this type of excellent programming.

  3. Somebody has to go first and, because I didn?t participate in the original challenge, I had a head start. Plus, I didn?t want anyone to post a schedule using my holiday before me;-) I ignored 31 Days of Oscar month by using Valentine?s Day (2007) as my holiday! My Monday is also Lincoln?s Birthday and I scheduled populist and/or politically-based films then because we used to celebrate this day before his birthday was combined with George Washington?s to make President?s Day the following week. So, in effect, I got to do two holidays for the price of one!

     

    February 11 - Screen Debuts/Closing Acts

     

    06:00 AM Anthony Adverse (1936) - Warner Bros. - 141 min - Gale Sondergaard

    08:30 AM Four Daughters (1938) - Warner Bros. - 90 min - John Garfield

    (Syncopation Station)

    10:00 AM Oklahoma! (1955) - ps - 145 min - Shirley Jones

    12:30 PM The Maltese Falcon (1941) - Warner Bros. - 101 min - Sydney Greenstreet

    02:15 PM Paper Moon (1973) - ps - 102 min - Tatum O?Neal

    04:00 PM The Little Foxes (1941) - ps - 115 min - Teresa Wright

    (TCM Essential repeat)

    06:00 PM Mary Poppins (1964) - premiere - 140 min - Julie Andrews/Jane Darwell

    08:30 PM The Harder They Fall (1956) - ps - 109 min - Humphrey Bogart

    10:30 PM To Be or Not to Be (1942) - ps - 99 min - Carole Lombard

    (Silent Sunday Nights)

    12:15 AM The Kiss (1929) - MGM - 89 min - Greta Garbo & MGM

    02:00 AM Network (1976) - MGM - 121 min - Peter Finch

    04:15 AM The Shootist (1976) - ps - 100 min - John Wayne

     

    February 12 - pre-Capra, Capra, Politics

     

    (every weekday morning begins with a pre-code)

     

    06:00 AM Sins of the Children (1930) - MGM - 87 min

    07:30 AM You Can?t Take it With You (1938) - ps - 127 min

    09:45 AM Turn Back the Clock (1933) - MGM - 80 min

    11:15 AM The Great Mr. Nobody (1941) - Warner Bros. - 71 min

    12:30 PM Lady for a Day (1933) - ps - 96 min

    02:15 PM Mr. Smith Goes to Washington (1939) - ps - 129 min

    04:30 PM Meet John Doe (1941) - ps - 122 min

    06:45 PM Politics (1931) - MGM - 73 min

    08:00 PM Abe Lincoln in Illinois (1940) - 110 min (birthday salute)

    10:00 PM The Farmer?s Daughter (1947) - ps - 97 min

    12:00 AM The Best Man (1964) - ps - 102 min

    02:00 AM Hail the Conquering Hero (1944) - ps - 101 min

    04:00 AM Ada (1961) - ps - 109 min

     

    February 13 - Gary Cooper, Star of the Month (The Everyman: Cooper vs. James Stewart)

     

    06:00 AM The Public Enemy (1931) - Warner Bros. - 83 min

    New Monthly Feature - What a Character

    (Joseph Calleia vs. Eduardo Ciannelli)

    07:30 AM Five Came Back (1939) - RKO - 75 min

    08:45 AM Marked Woman (1937) - Warner Bros. - 96 min

    (C. Aubrey Smith vs. Henry Stephenson)

    10:30 AM The Lives of a Bengal Lancer (1935) - ps - 109 min

    12:30 PM The Charge of the Light Brigade (1936) - Warner Bros. - 115 min

    (Edna Mae Oliver vs. Aline MacMahon)

    02:30 PM Little Women (1933) - RKO - 117 min

    04:30 PM Five Star Final (1931) - ps - 89 min

    06:00 PM Hollywood My Home Town (1965) - Ken Murray?s home movies

    07:00 PM Gary Cooper: American Life, American Legend (1991) - Richard Schickel documentary

    08:00 PM The Pride of the Yankees (1942) - ps - 128 min

    10:15 PM The Stratton Story (1949) - MGM - 106 min

    12:15 AM The Westerner (1940) - ps - 100 min

    02:15 AM The Naked Spur (1953) - MGM - 91 min

    04:00 AM Ball of Fire (1941) - ps - 111 min

     

    February 14 - Valentine?s Day

     

    06:00 AM One Way Passage (1932) - ps - 68 min

    07:15 AM The Smiling Lieutenant (1931) - ps - 88 min

    08:45 AM Top Hat (1935) - RKO - 101 min

    10:30 AM Lili (1953) - MGM - 81 min

    12:00 PM Singin? in the Rain (1952) - MGM - 103 min

    02:00 PM Seven Brides for Seven Brothers (1954) - MGM - 102 min

    04:00 PM The Major and the Minor (1942) - ps - 100 min

    06:00 PM Pillow Talk (1959) - ps - 98 min (Thelma Ritter birthday salute)

    08:00 PM Midnight (1939) - ps - 94 min (John Barrymore birthday salute)

    09:45 PM Random Harvest (1942) - MGM - 125 min

    12:00 AM Ninotchka (1939) - MGM - 110 min

    02:00 AM Sabrina (1954) - ps - 113 min

    04:00 AM Some Like it Hot (1959) - ps - 120 min

     

    February 15 - Snubbed (films ignored by AMPAS)

     

    06:00 AM Dinner at Eight (1933) - MGM - 113 min

    08:00 AM The Women (1939) - MGM - 133 min

    10:30 AM The Palm Beach Story (1942) - ps - 88 min

    12:00 PM Arsenic and Old Lace (1944) - Warner Bros. - 118 min

    02:00 PM The Roaring Twenties (1939) - Warner Bros. - 104 min

    04:00 PM Scaramouche (1952) - MGM - 115 min

    06:00 PM The Mortal Storm (1940) - MGM - 100 min

    08:00 PM Kind Hearts and Coronets (1948) - ps - 106 min

    10:00 PM The Big Sleep (1946) - Warner Bros. - 114 min

    12:00 AM A Face in the Crowd (1957) - ps - 125 min

    02:15 AM The Night of the Hunter (1955) - ps - 93 min

    04:00 AM Touch of Evil (1958) - ps - 95 min

     

    February 16 - Tennis in the Movies

     

    Chester Morris/Jeffrey Lynn/Vera-Ellen birthday salute

     

    06:00 AM The Big House (1930) - MGM - 87 min

    07:30 AM All This, and Heaven Too (1940) - Warner Bros. - 141 min

    10:00 AM On the Town (1949) - MGM - 98 min

    12:00 PM City for Conquest (1940) - Warner Bros. - 101 min

    02:00 PM Gentleman Jim (1942) - Warner Bros. - 104 min

    04:00 PM Killer McCoy (1947) - MGM - 104 min

    06:00 PM Somebody Up There Likes Me (1956) - MGM - 114 min

    08:00 PM Strangers on a Train (1951) - Warner Bros. - 101 min

    10:00 PM Pat and Mike (1952) - MGM - 95 min

    12:00 AM Stella Dallas (1937) - ps - 106 min

    (TCM Imports)

    02:00 AM Blowup (1966) - ps - 111 min

    04:00 AM Now, Voyager (1942) - Warner Bros. - 117 min

     

    February 17 - Films about Fathers

     

    Arthur Kennedy?s birthday

     

    06:00 AM Trial (1955) - MGM - 109 min

    (Darkness After Dawn)

    08:00 AM Out of the Past (1947) - RKO - 97 min

    10:00 AM Gold is Where You Find It (1938) - Warner Bros. - 94 min

    (Lone Star Cinema)

    12:00 PM High Noon (1952) - ps - 85 min

    01:30 PM The Bandit Trail (1941) - RKO - 60 min

    02:45 PM Cyclone on Horseback (1941) - RKO - 60 min

    04:00 PM Bandit Ranger (1942) - RKO - 56 min

    05:00 PM Riding the Wind (1942) - RKO - 60 min

    06:15 PM Thundering Hoofs (1942) - RKO - 61 min

    07:30 PM Cartoon Alley #21 (Walky Talky Hawky, The Goofy Gophers, Haredevil Hare)

    (The Essentials)

    08:00 PM Cheaper By The Dozen (1950) - premiere - 85 min

    09:30 PM Our Vines Have Tender Grapes (1945) - MGM - 105 min

    11:15 PM Guess Who?s Coming to Dinner (1967) - ps - 108 min

    01:15 AM Kramer vs. Kramer (1979) - ps - 105 min

    03:00 AM Shenandoah (1965) - ps - 105 min

    04:45 AM A Family Affair (1937) - MGM - 69 min

     

    Notes:

     

    In my household, we have a family movie night (usually Saturday, sometimes Sunday) so the two films I selected for my TCM premieres are family friendly. The added bonus on my schedule?s Sunday is it?s a Disney film; when I was a kid, this is the same time slot when the Wonderful World of Disney aired each week on TV. On my Saturday night, I moved (my favorite) Cartoon Alley later such that it?s just before the feature (the way we saw cartoons when I was a kid).

     

    With Gary Cooper as my SOTM, I envisioned the month?s schedule including other premieres or infrequently shown films like For Whom the Bell Tolls (1943), Beau Geste (1939), Love in the Afternoon (1957), Peter Ibbetson (1935), Design for Living (1933), Friendly Persuasion (1956), The Plainsman (1936), Springfield Rifle (1952), and two I haven?t seen Ten North Frederick (1958) & Wings (1927)! I scheduled Ken Murray?s home movie short because it fit, it?s fun, and it includes both Cooper and Stewart. I saved (my favorite) High Noon (1952) for Saturday?s slot, and followed it with a bunch of Tim Holt B Westerns which are fun & family friendly.

     

    Future additions of my newly proposed ?What a Character? series could include sidekicks and/or other prolific character actors: Alan Hale, Allen Jenkins, George Tobias, Chill Wills, William Demarest, William Frawley, Frank McHugh, etc. and the ?face-off? format isn?t really necessary.

     

    Some of my end of day (e.g. those which start @ 4:00 AM ET) choices act as transitions to the next day?s theme; on those days with multiple themes, I also tried to use a transitional film. For example, Mary Poppins (1964) was both Julie Andrews?s screen debut and Jane Darwell?s last film (and The Kiss (1929) works because it was both Garbo?s & MGM?s last silent). Since pugilism is a sport with so many parallels to tennis, boxing movies precede that evening?s theme.

     

    Because of the running times (e.g. exactly 90, 105, 120 minutes in length) for some of the films, I had to put them at certain times of day when an intro and outgo was not going to cause it to run over. For the same reason, certain films were chosen over others I?d have rather shown (these tradeoffs are the toughest part of the job!). Nonetheless, some of my scheduling is very tight (e.g. Saturday night); apologies in advance for screwing up your Tivo;-)

     

    One film I really wanted to schedule, but couldn?t find the room was Frank Morgan?s A Stranger in Town (1943) - MGM - 67 min

     

    Message was edited by:

    path40a

  4. I don't boycott TCM because they showed (Annie Get Your Gun), even though there was no discussion of it's sexism in historical context before or after the film.

     

    Good point! I don't think TCM would have any female viewers if they weren't tolerant of the sexist themes which pervade SO MANY classic films. Though I haven't got the data to prove it, I suspect that classic movies with these types of themes far outnumber the ethnic and/or stereotypes (perhaps, combined) ... and I'm a guy;-)

  5. Happy Birthday Robert Osborne! How wonderful to share your birthday with so many great & entertaining actors like Mary Astor, Walter Slezak, Aline MacMahon, and Beulah Bondi too!

     

    And I just noticed that the first two I listed, as well as the last two I listed, share 'same day' birthdays!

     

    Message was edited by:

    path40a

  6. Jay Presson Allen, 84, who as an adapter of novels for plays and movies developed some of the most memorable roles for women in the late 1960s and 1970s, died Monday morning at her home in Manhattan of a stroke.

     

    Ms. Allen made her breakthrough with a stage adaptation of Muriel Spark's novel "The Prime of Miss Jean Brodie," about a romantic and frustrated Edinburgh schoolteacher who, for good or ill, has a magnetic influence on her students.

     

    In its first few years, the role brought out critically acclaimed performances from almost every actress who played it; Vanessa Redgrave, who originated the role in London in 1966, won raves, and Zoe Caldwell won a Tony Award in the 1968 U.S. production. In 1969, Ms. Allen adapted the play for the screen, and Maggie Smith won the Academy Award for best actress.

    ...

    Ms. Allen's ability to develop star-making roles for women was not limited to the stage. In 1972, she adapted the musical "Cabaret" for the screen; it was nominated for 10 Academy Awards, including best picture and best adapted screenplay. Liza Minnelli won best actress for her role as the tragic party girl Sally Bowles.

    ...

    Ms. Allen, known for her withering wit and sometimes-off-color wisecracks, was one of the few women making a living as a screenwriter at a time when women were a rarity in the profession.

  7. This week's TCM Picks have been posted:

     

    http://www.classicfilmguide.com/index.php?s=tcm

     

    Thursday morning is a continuation of Wednesday night's first installment of SOTM Bette Davis's films which lead right up to the second evening of "Race and Hollywood: Black Images on Film" including a couple of terrific movies with all-Black casts: King Vidor's groundbreaking Hallelujah (1929) and a unique look at stories from the Bible's Old Testament, The Green Pastures (1936); on Friday, you can see Tod Browning's Freaks (1932) for the first time in more than 18 months on the channel along with several documentaries (like the more recent one on Irving Thalberg) interspersed with films from that person (Elia Kazan, Judy Garland, Errol Flynn); Saturday night's salute to costume designer Jean Louis begins with two Rita Hayworth movies: her signature role in Gilda (1946), which is also this week's TCM Essential, and Pal Joey (1957); Sunday's Robert Osborne Picks include The Hurricane (1937), The General (1927), and Noel Coward's very British In Which We Serve (1942); next Monday is another day filled with TCM original documentaries including some of the best: Forever Ealing, Complicated Women, and a couple of Richard Schickel's "The Men Who Made The Movies" features followed that evening by three Samuel Goldwyn productions & TCM premieres featuring scores by Alfred Newman; then Tuesday's lineup of "Race and Hollywood" includes the TCM premiere of director John Ford's Judge Priest (1934), starring Will Rogers; and next Wednesday begins the second full night and day run of Star of the Month (Bette Davis) features, including her own (non-GWTW) Southern saga Jezebel (1938) and the gripping crime drama based on a true story, Marked Woman (1937), with Humphrey Bogart and Eduardo Ciannelli.

  8. Thank you all, for your contributions to this thread!

     

    Don't forget - tonight is Birth of a Nation (1915) and tomorrow night is the TCM premiere of an all new documentary about Bette Davis titled Stardust!

  9. Since I didn't participate in the last challenge, I have been doing some dabbling in preparation for this one. What I've discovered is that there are an awful lot of Columbia movies which appear on TCM, presumably not in the library per coffeedan's note. Since I'm not sure what specific agreement TCM has for airing these Columbia titles, would it be alright to use the "ps" (for previously scheduled) as others did on their grids entered in the first challenge?

  10. Thanks for saving me the job of typing all that in, Larry;-) That's the same picture to which I was referring in my earlier post. Something else which may be of interest, my book also lists the 19 directors that were under contract at the time of the Silver (25th Anniversary) Jubilee:

     

    Robert Alton, Compton Bennett, Clarence Brown, Edward Buzzell, George Cukor, Robert Z. Leonard, Mervyn LeRoy, Anthony Mann, Vincente Minnelli, Roy Rowland, Victor Saville, George Sidney, John Sturges, Norman Taurog, Richard Thorpe, Charles Waters, William Wellman, Sam Wood, and Fred Zinnemann.

  11. Not sure what you're looking for ... do you have the scene recorded such that you want to know, for example, as the camera pans from left to right, who each of the stars are in sequence? In other words, you need help identifying who they are? I could probably type a list of the stars that are (or could be) in the shots because there is a photograph in "The MGM Story" book I have which has all of stars from that Silver Jubilee (April, 1949) in it. 58 of its 80 stars and feature players sat for the portrait. However, that won't help you identify the stars on the piece of film, likely "Some of the Best" that you just saw;-)

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