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Daytime May 17 Elizabeth Taylor Lassie, Come Home (Roddy McDowall, Donald Crisp) (MGM, 1943) Cynthia (Elizabeth Taylor, George Murphy) (MGM, 1947) Little Women (June Allyson, Peter Lawford) (MGM, 1949) Love is Better Than Ever (Larry Parks, Elizabeth Taylor) (MGM, 1952) Butterfield 8 (Elizabeth Taylor, Laurence Harvey) (MGM, 1960) The V.I.P.s (Elizabeth Taylor, Richard Burton) (MGM, 1963) Who's Afraid of Virginia Woolf? (Richard Burton, Elizabeth Taylor) (Warner Bros., 1966) Primetime Star of the Month Movie Roberts Night Three The Last Voyage (Robert Stack, Dorothy Malone) (MGM, 1960) Cattle King (Robert Taylor, Joan Caulfield) (MGM, 1963) Also with Robert Loggia. Since Taylor has already been featured, I assume this is Loggia's spotlight A Man for All Seasons (Paul Scofield, Wendy Hiller) (Columbia, 1966) Robert Shaw as Henry VIII How to Succeed in Business without Really Trying (Robert Morse, Michele Lee) (United Artists, 1967) Bulitt (Steve McQueen, Jacqueline Bissett) (Warner Bros., 1968) Robert Vaughn as the jerk DA, essentially the movie's real villain The Candidate (Robert Redford, Peter Boyle) (Warner Bros., 1972) Hollywood Shuffle (Robert Townsend, Anne-Marie Johnson) (Samuel Goldwyn Co., 1987)

No-theme Sunday daytime programming May 16 begins very early morning with The Merry Widow (Maurice Chevalier, Jeanette MacDonald) (MGM, 1934) I Want to Live! (Susan Hayward, Theodore Bikel) (United Artists, 1958) Then a repeat of last night's Noir Ally. Then: Bringing Up Baby (Cary Grant, Katharine Hepburn) (RKO, 1938) Mildred Pierce (Joan Crawford, Ann Blyth) (Warner Bros., 1945) An American in Paris (Gene Kelly, Leslie Caron) (MGM, 1951) Lover Come Back (Doris Day, Tony Randall) (Universal, 1961) Pretty sure Bringing Up Baby is also showing during the Katharine Hepburn tribute, making it the first non-Noir Alley movie of the month to get a second airing. Primetime East Side Stories Double Feature (as opposed to West Side, I guess) East Side, West Side (Barbara Stanwyck, James Mason) (MGM, 1949) Metropolitan (Carolyn Farina, Edward Clements) (New Line, 1990) Silent Sunday Night Love (Greta Garbo, John Gilbert) (MGM, 1927) And TCM Imports The Loneliness of the Long-Distance Runner (Tom Courtenay, Avis Bunnage) (Dist. in the US by Continental, 1962) Run Lola Run (Franke Potenta, Moritz Bleibtreu) (Dist. in the US by Sony Pictures Classics, 1999)

Angels with Dirty Faces hasn't aired on TCM in 12 years. I assume there's some sort of rights issue. It was briefly on the schedule when TCM did a Michael Curtiz tribute a few years ago, but it was yanked before it aired.

Morning February 15 Saturday Matinee. A hodgepodge. I'm only listing the films that are least 55 minutes: The Falcon Takes Over (George Sanders, Lynne Bari) (RKO, 1942) Main Street after Dark (Edward Arnold, Hume Cronyn) (MGM, 1945) The Long Long Trailer (Lucille Ball, Desi Arnez) (MGM, 1954) Then a no-them Saturday afternoon: Casablanca (Humphrey Bogart, Ingrid Bergman) (Warner Bros., 1943) The Set-Up (Robert Ryan, Audrey Totter) (RKO, 1949) East of Eden (James Dean, Julie Harris) (Warner Bros., 1955) The Manchurian Candidate (Frank Sinatra, Janet Leigh) (United Artists, 1962) Primetime Glenn Ford Double Feature Gilda (Rita Hayworth, Glenn Ford) (Columbia, 1946) The Big Heat (Glenn Ford, Gloria Grahame) (Columbia, 1953) Noir Alley is ... Touch of Evil (Charlton Heston, Janet Leigh) (Universal, 1958) Late night A couple of documentaries Times of Harvey Milk (Harvey Milk, narrated by Harvey Fierstein) (TC Films International, 1984) Antonio Gaudi (Antonio Gaudi, Isidro Boada) (Dist. in the US by Kino Films International, 1984)

Daytime May 14 Silly Schemers Maybe It's Love (Joe E. Brown, Joe Bennett) (Warner Bros., 1930) The Flirting Widow (Dorothy Mackaill, Basil Rathbone) (Warner Bros., 1930) Hot Money (Ross Alexander, Beverly Roberts) (Warner Bros., 1936) The Affairs of Annabel (Jack Oakie, Lucille Ball) (RKO, 1938) Mr. Chump (Johnnie Davis, Lola Lane) (Warner Bros., 1938) Dulcy (Ann Sothern, Ian Hunter) (MGM, 1940) They Met in Bombay (Clark Gable, Rosalind Russell) (MGM, 1941) Let's Do It Again (Jane Wyman, Ray Milland) (Columbia, 1953) Confidentially Connie (Van Johnson, Janet Leigh) (MGM, 1953) The Honeymoon Machine (Steve McQueen, Brigid Bazlen) (MGM, 1961) Primetime Walter Matthau The Fortune Cookie (United Artists, 1966) The Taking of Pelham One Two Three (United Artists, 1974) Hopscotch (Embassy, 1980) TCM Underground looks like a theme of teenage girls growing up too quickly: Times Square (Tim Curry, Trini Alvarado) (Associated Film Distributors, 1980) Foxes (Jodie Foster, Scott Baio) (United Artists, 1980)

Daytime May 13 I'm not used to seeing recurring daytime themes over the course of a month but I guess I Miss ... in acknowledgement of the pandemic is running all month. This week, it's I Miss Travel. Dodsworth (Walter Huston, Mary Astor) (United Artists, 1936) Romance on the High Seas (Doris Day, Jack Carson) (Warner Bros., 1948) Around the World in 80 Days (David Niven, Shirley MacLaine) (United Artists, 1956) Where the Boys Are (George Hamilton, Yvette Mimieux) (MGM, 1960) Rome Adventure (Suzanne Pleshette, Troy Donahue) (Warner Bros., 1962) If It's Tuesday, This Must Be Belgium (Suzanne Pleshette, Ian McShane) (United Artists, 1969) Travels with My Aunt (Maggie Smith, Alec McCowan) (MGM, 1972) Primetime Dream State: California in the Movies What Price Hollywood? (Constance Bennett, Lowell Sherman) (RKO, 1932) The Postman Always Rings Twice (Lana Turner, John Garfield) (MGM, 1946) Gidget (Sandra Dee, James Darren) (Columbia, 1959) Shampoo (Warren Beatty, Julie Christie) (Columbia, 1975) The Big Picture (Kevin Bacon, Jennifer Jason Leigh) (Columbia, 1989)

Daytime May 12 Katharine Hepburn Birthday Tribute (includes the documentary Katharine Hepburn: All about Me) Morning Glory (Katharine Hepburn, Douglas Fairbanks, Jr.) (RKO, 1933) Stage Door (Katharine Hepburn, Ginger Rogers) (RKO, 1937) Bringing Up Baby (Cary Grant, Katharine Hepburn) (RKO, 1938) The Philadelphia Story (Cary Grant, Katharine Hepburn) (MGM, 1940) Woman of the Year (Spencer Tracy, Katharine Hepburn) (MGM, 1942) Keeper of the Flame (Spencer Tracy, Katharine Hepburn) (MGM, 1943) Pat and Mike (Spencer Tracy, Katharine Hepburn) (MGM, 1952) Primetime is Order in the Court, although the first movie showing is another Tracy-Hepburn film, so it could also be seen as an extra two hours of the Hepburn tribute. Ladies of the Jury (Edna May Oliver, Jill Esmond) (RKO, 1932) Talk of the Town (Cary Grant, Jean Arthur) (Columbia, 1942) The Bachelor and the Bobby-Soxer (Cary Grant, Myrna Loy) (RKO, 1947) Adam's Rib (Spencer Tracy, Katharine Hepburn) (MGM, 1949) Perfect Strangers (Ginger Rogers, Dennis Morgan) (Warner Bros., 1950)

Daytime May 11 Tab Hunter, four movies and the documentary Tab Hunter Confidential The Burning Hills (Tab Hunter, Natalie Wood) (Warner Bros., 1956) The Girl He Left Behind (Tab Hunter, Natalie Wood) (Warner Bros., 1956) Lafayette Escadrille (Tab Hunter, Etchika Choreau) (Warner Bros., 1958) The Golden Arrow (Tab Hunter, Rosanna Podesta) (Dist. in the US by MGM, 1964) Primetime Night Two of the Body Images theme A Woman's Face (Joan Crawford, Melvyn Douglas) (MGM, 1941) The Enchanted Cottage (Dorothy McGuire, Robert Young) (RKO, 1945) Tell Me That You Love Me, Junie Moon (Liza Minelli, Ken Howard) (Paramount, 1970) Looking for Mr. Goodbar (Diane Keaton, Tuesday Weld) (Paramount, 1977) Then a silent movie before transitioning into the next morning's theme: The Patsy (Marion Davies, Orville Caldwell) (MGM, 1928)

Boy, the 7th, 8th and 9th are all also currently unscheduled. I wonder what TCM has cooking? So, let's skip ahead to Daytime May 10 Fred Astaire Birthday Tribute The Gay Divorcee (Fred Astaire, Ginger Rogers) (RKO, 1934) Roberta (Irene Dunne, Fred Astaire) (RKO, 1935) A Damsel in Distress (Fred Astaire, Joan Fontaine) (RKO, 1937) The Story of Vernon and Irene Castle (Fred Astaire, Ginger Rogers) (RKO, 1939) Second Chorus (Fred Astaire, Paulette Goddard) (Paramount, 1940) The Sky's the Limit (Fred Astaire, Joan Leslie) (RKO, 1943) Three Little Words (Fred Astaire, Red Skelton) (MGM, 1950) The Belle of New York (Fred Astaire, Vera-Ellen) (MGM, 1952) Primetime Night Two of SOTM Movie Roberts. Last week, it was thrillers, this week romances. Marie Antoinette (Norma Shearer, Tyrone Power) (MGM, 1938). With Robert Morley as Louis XVI. Waterloo Bridge (Vivien Leigh, Robert Taylor) (MGM, 1940) H.M. Pulham, Esq. (Hedy Lamarr, Robert Young) (MGM, 1941) I Married a Witch (Frederic March, Veronica Lake) (United Artists, 1942). With Robert Benchley as March's pal. Princess O'Rourke (Olivia De Havilland, Robert Cummings) (Warner Bros., 1943) The Music Man (Robert Preston, Shirley Jones) (Warner Bros., 1962) Sunday in New York (Rod Taylor, Jane Fonda) (MGM, 1963) With Robert Culp as Fonda's boyfriend

Daytime May 6 I Miss Concerts Hopefully, not too much longer! Don't Knock the Rock (Bill Haley & His Comets, Alan Dale) (Columbia, 1956) Jamboree! (Fats Domino, Jerry Lee Lewis) (Warner Bros., 1957) A Hard Day's Night (The Beatles, Wilfrid Brambell) (United Artists, 1964) Hold On! (Herman's Hermits, Shelly Fabares) (MGM, 1966) Don't Look Back (Bob Dylan, Albert Grossman) (Pennebaker Films, 1967) Elvis: That's the Way It Is (Elvis Presley, James Burton) (MGM, 1970) ABBA: the Movie (ABBA, Robert Hughes) (Dist. in the US by Warner Bros., 1979) The primetime programming has yet to be announced.

May 5 Daytime How to Get Rid of a Body Mystery of the Wax Museum (Lionel Atwill, Fay Wray) (Warner Bros., 1933) A Slight Case of Murder (Edward G. Robinson, Jane Bryan) (Warner Bros., 1938) Arsenic and Old Lace (Cary Grant, Priscilla Lane) (Warner Bros., 1944) The Stranger (Orson Welles, Edward G. Robinson) (RKO, 1946) Diabolique (Simone Signoret, Vera Clouzot) (Dist. in the US by UMPO, 1955) Macabre (William Prince, Jim Backus) (Allied Artists, 1958) A Bucket of Blood (Dick Miller, Barboura Morris) (AIP, 1959) The Gazebo (Glenn Ford, Debbie Reynolds) (MGM, 1959) Primetime, first night of the Monthly Theme Order in the Court Midnight Mary (Loretta Young, Ricardo Cortez) (MGM, 1933) Criminal Court (Tom Conway, Martha O'Driscoll) (RKO, 1946) Madeleine (Ann Todd, Norman Wooland) (Dist. in the US by Universal, 1950) Beyond a Reasonable Doubt (Dana Andrews, Joan Fontaine) (RKO, 1956) 12 Angry Men (Henry Fonda, Lee J. Cobb) (United Artists, 1957) Anatomy of a Murder (James Stewart, Ben Gazzara) (Columbia, 1959)

Daytime May 4 Esther Williams The Hoodlum Saint (William Powell, Esther Willams) (MGM, 1946) This Time for Keeps (Esther Williams, Lauritz Melchior) (MGM, 1947) On an Island with You (Esther Williams, Peter Lawford) (MGM, 1948) Duchess of Idaho (Esther Williams, Van Johnson) (MGM, 1950) Skirts Ahoy! (Esther Williams, Vivian Blaine) (MGM, 1952) Primetime , first night of the Monthly Theme of Body Images Georgy Girl (Lynn Redgrave, James Mason) (Columbia, 1966) Girlfriends (Melanie Myron, Bob Balaban) (Warner Bros., 1978) Hairspray (Sonny Bono, Ruth Brown) (New Line, 1988) Shag (Phoebe Cates, Bridget Fonda) (Hemdale, 1989) Muriel's Wedding (Toni Collette, Rachel Griffiths) (Dist. in the US by Miramax, 1995)

I've never seen anything from Ray but his Apu movies, so I have a lot to learn.

Primetime May 3 begins the "Movie Roberts" Star of the Month theme, starting with Alec Baldwin's interview of Robert Osborne for TCM's 20th anniversary. You couldn't kick off the movies any more appropriately than with Crossfire, I guess, with all three leading roles being played by Roberts. TCM never being able to resist over-theming its SOTM programming by night, appears to have sub-themed this first night as all suspenseful films as well. King Kong (Fay Wray, Robert Armstrong) (RKO, 1933) The 39 Steps (Robert Donat, Madeline Carroll) (Dist. in the US by British Gaumont Pictures Corp. of America, 1935) Night Must Fall (Robert Montgomery, Rosalind Russell) (MGM, 1937) Crossfire (Robert Young, Robert Mitchum) (RKO, 1947) Strangers on a Train (Farley Granger, Robert Walker) (Warner Bros., 1951) Night of the Hunter (Robert Mitchum, Shelly Winters (United Artists, 1955) A Kiss Before Dying (United Artists, 1956)

I'm skipping May 1, because it's the last day of 31 Days of Oscar. Daytime May 2 has no theme listed. It's a Sunday, so that makes sense. Looks like it's essentially a bonus 12 hours of 31 Days, although the alphabetical theme is over. The Smiling Lieutenant (Maurice Chevalier, Claudette Colbert) (Paramount, 1931) Mrs. Miniver (Greer Garson, Walter Pidgeon) (MGM, 1942) Woman of the Year (Spencer Tracy, Katharine Hepburn) (MGM, 1942) Gigi (Leslie Caron, Louis Jourdan) (MGM, 1958) Dear Heart (Geraldine Page, Glenn Ford) (Warner Bros, 1964) Oliver! (Ron Moody, Oliver Reed) (Columbia, 1968) The Year of Living Dangerously (Mel Gibson, Sigourney Weaver) (MGM, 1982) Primetime begins a 24-hour salute to Satyajit Ray on his 100th birthday that takes all the daytime programming of May 3 as well. Three Daughters at full-length is comprised of four short films, each about 30 minutes, but it has been repackaged in smaller segments over the years, it appears. Looks like TCM is showing all four short films in order of the original presentation but as four separate short films. Presumably with Wine Club commercials or whatever in between each one. I'm just listing it as one film. Interestingly, An Enemy of the People is an adaptation of the Isben play just like the Steve McQueen movie, but transplanted to India. Pather Panchali (Kanu Bannerjee, Karuna Banerjee) (Dist. in the US by Edward Harrison, 1958) Aparajito (Pinaki Sengupta, Samran Ghosal) (Dist. in the US by Edward Harrison, 1959) The World of Apu (Soumitra Chatterjee, Sharmila Tagore) (Dist. in the US by Edward Harrison, 1960) Devi (Sharmila Tagore, Soumitra Chatterjee) (No company credits listed, 1960) The Music Room (Chhabi Biswas, Sardar Akhtar) (Dist. in the US by Edward Harrison, 1963) Three Daughters (Anil Chatterjee, Chandana Banerjee) (Dist. in the US by Janus, 1963) The Big City (Anil Chatterjee, Madhabi Mukerjee) (Dist. in the US by Edward Harrison, 1967) Charulata (Soumitra Chatterjee, Madhabi Mukerjee) (Dist. in the US by Sony Pictures Classics, 1995) The Stranger (Utpal Dutt, Dipankar Dey) (Dist. in the US by Filmhaus, 1995) The Coward (Soumitra Chatterjee, Madhabi Mukerjee) (Dist. in the US by Gala Entertainment Corp., 2004) The Holy Man (Charuprakash Ghosh, Rabi Ghosh) (Dist. in the US by Gala Entertainment Corp. 2004) An Enemy of the People (Soumitra Chatterjee, Dhritiman Chatterjee) (Dist. in the US by the Criterion Collection, 2014)

Actually, he did age out of the role.

Most of the Farrows don't want to squabble in private. They want to destroy Allen in the court of public opinion, since it appears they will never be able to do so in a court of law, and they want to make themselves out to be righteous, noble victims. From what I've read about this thing on other websites, it is entirely one-sided, theirs. I am only slightly interested in it because some of the old footage of Woody and Mia back in the day. But I haven't had an HBO subscription in 20 years probably and won't get one just for this.

I was probably not quite old enough to have read that particular strip in the newspaper, but it was in one of the many Peanuts collections I had as a child. Around the same time, they also revealed Rosebud's identity on an episode of Eight is Enough, and elementary school me was like, "Okay, what is this movie everyone keeps talking about?" I was quite interested to learn that Citizen Kane was scheduled to air one Saturday afternoon, a day because my parents were going to a wedding or somesuch function I had to spend with my dad's parents in a town 10 miles south of our own, but I guess they were on the same cable system (back when cable was about 13 channels), because it was also airing there. I told my grandparents I had to watch it. Outside of Wizard of Oz and The Sound of Music, it had the potential to be my first classic movie viewing and certainly my first one entirely in black-and-white. I arrived too late for the opening credits, but it was a black-and-white movie, so I assumed it was Kane. There was an opening sequence about some children playing together, swimming, swinging in a barn. It didn't look very wintry. Eventually, it segued into their young adulthood. I was like, "Wait a minute. I didn't see any sled. There was no sled. This isn't Citizen Kane!" So, I turned it off, and I think my grandad and I went outside and threw a football around. I didn't watch Kane until my introduction to film class in my freshman year of college maybe 10 years later. Many years after that I watched Kings Row for the first time on TCM and realized it was the movie the station had apparently accidentally aired instead of Kane that day.

Robert Aldrich - Kiss Me Deadly (1955) William Castle - I'll have to say 13 Ghosts (1960), but I'm pretty sure that's the only film of his (as director) that I've ever seen. Ida Lupino - The Bigamist (1953) Walter Hill - Southern Comfort (1981) Lewis Milestone - All Quiet on the Western Front (1930) Mike Nichols - The Graduate (1967) Alexander Payne - Sideways (2004) Vincent Sherman - Looks like I've only seen five of his films. I guess I'll pick The Young Philadelphians (1959) George Sidney - Bye, Bye, Birdie (1963) Don Siegel - Invasion of the Body Snatchers (1956)

More complicated than I want to understand, but here you go. https://www.theguardian.com/technology/blog/2014/jul/23/subtweeting-what-is-it-and-how-to-do-it-well#:~:text=A subtweet means you are,as a Twitter "mention".&text=It's at the core of,use the service to communicate.

https://news.avclub.com/so-you-ve-been-subtweeted-by-turner-classic-movies-wh-1846289001

My picks for a Matthau solo day: Slaughter on 10th Avenue (Universal, 1957) - The cause of a brave longshoreman (Mickey Shaughnessy) lives on after he's gunned down by three racketeers (Joe Downing, Harry Bellevar, Nick Dennis) when a determined assistant DA (Richard Egan) searches hard for fearful witnesses against the men. Matthau plays the union boss who orders the hit. TCM Airings: 1 Gangster Story (Releasing Corp. of Independent Producers, 1959) - A hoodlum (Matthau) is on the lam. He robs a small-town bank, which brings the local cops and the local mob boss (Bruce MacFarlane) into the mix. Also directed by Matthau. TCM Airings: 7 Who's Got the Action? (Paramount, 1962) - A hunch horse player (Dean Martin) finds his marriage threatened by his betting ways. In desperation, his wife (Lana Turner) decides to become his bookie. Matthau plays a professional bookie who tries to hone in on everyone else's action. TCM Airings: 0 Goodbye, Charlie (20th Century Fox, 1964) - A womanizer shot by a jealous husband (Matthau) falls into the sea, only to be resurrected as an amnesiac woman (Debbie Reynolds). Once his/her memory is recovered and he/she convinces a friend taking care of his/her affairs (Tony Curtis), of his/her identity, he/she plots to marry into wealth with his help. TCM Airings: 0 The Secret Life of an American Wife (20th Century Fox, 1968) - A bored housewife (Anne Jackson) poses as a call girl for a sex symbol movie star (Matthau), hoping to prove to her husband (Patrick O'Neal), who's the star's agent, that she's still desirable to other men, thereby rekindling the spark in their marriage. TCM Airings: 0 Cactus Flower (Universal, 1969) - A dentist (Matthau) pretends to be married to avoid commitments, but when he falls for his girlfriend (Goldie Hawn) and proposes to her, he asks his nurse (Ingrid Bergman) to pose as his wife so he can "divorce" her. TCM Airings: 37 Charley Varrick (Universal, 1973) - A crop duster (Matthau), his wife (Jacqueline Scott) and a friend (Andrew Robinson) stage a bloody bank robbery without realizing they're stealing from the Mob. TCM Airings: 9 The Sunshine Boys (MGM, 1975) - A vaudeville duo (Matthau, George Burns) agree to reunite for a television special, even though they can't stand each other. TCM Airings: 58 House Calls (Universal, 1978) - A recently widowed surgeon (Matthau) embarks on a tragicomic romantic quest until he encounters a unique woman closer to his own age (Glenda Jackson) who immediately and unexpectedly captures his heart. TCM Airings: 0 The Couch Trip (Orion, 1988) - A burned-out shrink (Charles Grodin) needs a temporary replacement. A charming escaped convict (Dan Akyroyd) takes over his practice and his radio show. Matthau plays a shyster preacher who discovers Akyroyd's secret and blackmails him. TCM Airings: 0 Dennis the Menace (Warner Bros., 1993) - When the Mitchells (Robert Stanton, Lea Thompson) have to go out of town, Dennis (Mason Gamble) stays with Mr. and Mrs. Wilson (Matthau, Joan Plowright). The little menace is driving Mr. Wilson crazy, but Dennis just wants to be helpful. Even to the thief who's arrived in town (Christopher Lloyd). TCM Airings: 0 I'm Not Rappaport (Gramercy, 1996) - Two old men - a white former political radical (Matthau) and a black retired custodian (Ossie Davis) - form an unlikely friendship on a park bench in New York City, dealing with family, drug dealers and the pitfalls of old age. TCM Airings: 0

12 Lemmon solo movies I would schedule for a full day of programming: Three for the Show (Columbia, 1955) - A widowed singer (Betty Grable) marries her late husband's songwriting partner (Gower Champion), which leads to trouble when her first husband (Lemmon) turns up very much alive. TCM Airings: 3 Operation Mad Ball (Columbia, 1957) - At an army hospital in post-World War II France, a private (Lemmon) and a captain (Ernie Kovacs) try to outwit one another on such issues as wooing pretty nurses, accounting for missing medical supplies, organizing unauthorized dances and influencing their CO (Arthur O'Connell). TCM Airings: 7 Bell, Book and Candle (Columbia, 1958) - A modern-day witch (Kim Novak) likes her neighbor (James Stewart) but despises his fiancee (Janice Rule) and so enchants him to love her instead. Lemmon plays Novak's warlock brother. TCM Airings: 59 The Apartment (United Artists, 1960) - An insurance adjuster (Lemmon) tries to rise in his company by letting executives use his apartment for trysts, but complications and a romance of his own ensue. TCM Airings: 73 The Wackiest Ship in the Army (Columbia, 1960) - During World War II, a Naval lieutenant who was a yachtsman before the war (Lemmon) takes command of a sailing ship that's been under Army command while in port for a secret mission in waters patrolled by Japanese warships. TCM Airings: 13 Good Neighbor Sam (Columbia, 1964) - To help his divorced neighbor (Romy Schneider) claim a substantial inheritance, a family man (Lemmon) poses as her husband. The ruse spills over into his career in advertising, where his recent promotion depended largely on his wholesome and moral appearance. TCM Airings: 10 The Great Race (Warner Bros., 1965) - In the early 1900s, two rivals, one heroic (Tony Curtis), one despicable (Lemmon), compete in an epic auto race from New York City to Paris. TCM Airings: 44 The Prisoner of Second Avenue (Warner Bros., 1975) - A suddenly unemployed business executive (Lemmon) suffers a nervous breakdown, and his supportive wife (Anne Bancroft) tries everything to console him and pick up the financial slack. TCM Airings: 11 Macaroni (Dist. in the US by Paramount, 1985) - A businessman from the United States (Lemmon) returns to Italy for the first time in 40 years only to discover that old friends have involved him in a massive hoax. TCM Airings: 0 Glengarry Glen Ross (New Line, 1992) - An examination of machinations behind the scenes at a real estate office. Lemmon is one of the agents in an all-star ensemble. TCM Airings: 0 Getting Away with Murder (Savoy, 1996) - A moral college ethics professor (Dan Akyroyd) plots to kill his neighbor (Lemmon) who may have been a Nazi death camp commander. TCM Airings: 0 Hamlet (Columbia, 1996) - Hamlet, the prince of Denmark (Kenneth Branagh), returns home to find his father (Brian Blessed) has been murdered and that his mother (Julie Christie) is marrying his uncle (Derek Jacobi), who's the murderer. Lemmon is one of many celebrity cameos, appearing early as Marcellus, one of the two guards who sees the ghost of Hamlet's father. TCM Airings: 1

Finally found a Fox movie! Sounder. Well, at least they're showing one.

I've looked at every title from A through H. and so far, there isn't a single 20th Century Fox movie.