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faceinthecrowd

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Posts posted by faceinthecrowd

  1. Update on Reshevsky vs. Bogart:

     

    I've just played that game over, and I see that Bogart played 5....Nxd5 in the Two Knights -- the usual amateur's move, rather than 5....Na5, the pawn sac favored by GMs. And Bogie played 6....f6, a move I've recently been trying to refute; I see that Sammy played 7. dxe5, so I'll assume that this is the best answer.

     

    As to the final position: I'm surprised that Reshevsky didn't play on. If Black retreats his knight to b6, White can play d5, then maneuver his king to d3, d4 and c5. Black's pawns look a little weak.

     

    No doubt there's a lot I'm overlooking here; but that's the great thing about chess: even woodpushers can put their two cents in.

  2. I have to note that *Searching for Bobby Fischer* -- unlike the book, which was very interesting -- was guilty of some ridiculous dramatic license. It has Josh offering a draw in the last round even though he has a winning position! In reality, he never had a win and had to fight to get the draw he needed to take first place in the tournament. GM Larry Evans said, "It doesn't ring true" -- a huge understatement. Well, that's Hollywood for you. But if the movie got anyone interested in chess, that's OK with me.

  3. Thank you for the links, Kid_Dabb. I've bookmarked them, and I'm eager to play over Bogie's games. I see that he liked to play the French -- in fact, that's what he was playing in *Casablanca.* He had the black pieces, and he was holding a white knight and frowning, apparently anticipating a strong move by his opponent.

     

    And I want to look at the draw he achieved against Reshevsky in a simul -- although I've often wondered whether Sammy was aware of the publicity value that result might have.

     

    About the Wayne movie -- I didn't know there was a chess scene in *McLintock!* The film I was thinking of was *The Fighting Kentuckian,* which also happens to feature one of the few solo appearances of Oliver Hardy. (BTW, when the Duke won, did he growl, "That's checkmate, Pilgrim"?)

     

    I now realize that the list of movies with chess scenes is longer than I thought. If memory serves, the game in *The Seventh Seal* wasn't very good -- Death says, "I take your queen," and the Knight says, "I didn't see that." What a time to blunder!

     

    And in *The Thomas Crown Affair,* after a while McQueen says, "Let's play something else." You can hardly blame him: Dunaway was never more beautiful than in that film. And I guess her stroking the bishop was very distracting to Steve.

  4. Glad you enjoyed it. I've been playing online in real time at Chess.com -- the basic membership is free, and no download is needed. That's an advantage for me, because I always feel nervous about what effect a download may have on my computer.

     

    "Chess in the movies" is a subject that has undoubtedly been done. There is *The Thomas Crown Affair,* and *Night Moves,* and a movie (whose name escapes me) starring John Wayne -- who, to my surprise, was an enthusiastic player (once, after a loss to William Windom, he delivered a right hook to the board and sent it flying).

     

    And I wonder how many people realize that the first time Humphrey Bogart appears on the screen in *Casablanca,* he's analyzing a chess position -- it was from a game that he was actually playing by mail at the time.

  5. To joefilmone:

     

    As I noted on another thread, Gore Vidal said, "There's enough happiness in real life. I don't have to watch a movie to see it." Maybe he was joking, maybe not.

     

    But on the subject of this thread: "Lilya 4-Ever" is an uncompromising movie about a Russian girl who is abandoned by her mother and step-father and forced into a life of prostitution. I don't regret seeing this film -- I gave it five stars -- but I don't plan to watch it again.

  6. *Alias Nick Beal* is a fascinating film, a mixture of noir and fantasy. (Note the name -- once we learn who the title character is, "Nick" is easy to understand, but also think about "Beal.")

     

    Milland is unusually sinister here, and Audrey Totter is perfect. I can never decide whether she's alluringly sleazy, or sleazily alluring. Either way, she's terrific.

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