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faceinthecrowd

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Posts posted by faceinthecrowd

  1. Anyone who has seen "Pandora's Box" or "Diary of a Lost Girl" knows that the still photos of Louise Brooks don't do her justice.

     

    Clara Bow -- "It" is paired on a DVD with a documentary,

    "Discovering the It Girl."

     

    Janet Margolin.

     

    Carolyn Jones.

     

    Joan Bennett, a natural blonde, went brunette in "Trade Winds" (1938), and was so stunning with her blue eyes that she stayed that way. In "The Woman in the Window" she's the ultimate Sophisticated Woman.

     

    Hedy Lamarr -- of course.

     

    Gail Russell.

     

    Marta Toren -- those eyes!

     

    Edited by: faceinthecrowd on Dec 13, 2009 4:09 AM

  2. I'll make a habit of looking to see if there are any messages. It's easy to miss that if you're not familiar with all of the options.

     

    For actors' last movies to be good ones is probably more the exception than the rule.

    Happily, Jean Arthur's last one was SHANE, and Walter Huston's was THE FURIES.

     

    Checking Scott on Wikipedia I see that there's a plot spoiler for MILDRED PIERCE -- they give away the identity of the person who killed Monty Beragon (which, BTW, didn't happen in Cain's novel -- no one was killed).

  3. I'd be interested in your pm -- it sounds intriguing. But I haven't learned all of the options available on this site. Do I have to adjust my settings to allow a pm to be sent?

     

    Even though this has turned into a three-person Zachary Scott fan club, I see that there have been more than 130 views, so a lot of people must have some interest in him.

  4. Research update on "multiple musicians" question:

     

    Did two violinists flank John Garfield in HUMORESQUE?

     

    Oscar Levant -- who was there -- says they did.

     

    No one who was there says otherwise.

     

    Did two cellists flank Paul Henreid in DECEPTION?

     

    Bette Davis -- who was there -- says they did.

     

    No one who was there says otherwise.

     

    As far as I'm concerned, that settles it.

     

    The statements of eyewitnesses must take precedence over mere speculation.

     

    Message was edited by: faceinthecrowd

     

    Message was edited by: faceinthecrowd

     

    Message was edited by: faceinthecrowd

  5. It was only your last clue that jogged my memory -- Vancouver, and the actor who went on to become the (co-) star of a TV series. I saw it on TV years and years ago.

     

    My first clue for a classic movie:

     

    Two Italian-Americans grow up to be a crook and a cop.

     

    I know, that could describe a hundred movies (at least), but it's a start.

  6. coffeedan:

     

    My birthday is in January, but I wasn't born yesterday.

     

    Yes, I realize that not everything on the Internet -- or in The New York Times -- is true, but after seeing so many eyewitness accounts -- including Oscar Levant's -- saying that it happened that way, I'd like to see just one saying that it didn't.

     

    One thing we seem to agree on, though -- the music was great. And anything that introduces classical music to a wider audience is fine with me, no matter how they did it.

     

    Message was edited by: faceinthecrowd

  7. Oscar Levant wrote music for CHARLIE CHAN AT THE OPERA, which I don't think I've seen.

     

    About that four person performance in HUMORESQUE, that was also done in DECEPTION, in which Paul Henreid was a cellist playing a concerto written by an egotistical composer named Hollenius (reportedly based on Jean Sibelius), who was played to the hilt by Claude Rains.

     

    The concerto was written by Erich Korngold and performed by Eleanor Aller Slatkin. As in HUMORESQUE, two performers crouched behind Henreid, each one extending an arm around him.

     

    DECEPTION -- which one critic described as being "like grand opera, only the people are thinner" -- was released the same year as HUMORESQUE, and it reunited the three stars of NOW, VOYAGER.

     

    Message was edited by: faceinthecrowd

  8. Your comparison of Rourke to Brando is right on the money. Marlon is another "love him or hate him" actor. Very few are neutral about either of these guys.

     

    And the line from BARFLY reminds me of a saying I heard:

     

    "You have three choices: conform, go crazy, or become an artist."

     

    Rourke never did the first, that's for sure. The second and third both seem to work for him.

     

    Message was edited by: faceinthecrowd

  9. "She's the most shameless rake who ever wore petticoats. If she weren't on the throne, she'd be on the street."

     

    --Douglas Fairbanks Jr., speaking of his aunt, the Empress (Flora Robson)

    CATHERINE THE GREAT

    (a.k.a. THE RISE OF CATHERINE THE GREAT)

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