The Lady Eve

It?s not that one?here?s more 4. The man has a handicap, but has talents that make up for it

Yates, Roland ? John Slattery in *Bad Company*

Well, C, you named one of them?but not the other ? so that means I must go with the other one ?good work by the way (I?m watching *Great Expectations* right now and am thinking about what an underrated actor the great John Mills was)? The other movie?An organization has been lumbering along and is not in good shape?a new face on the scene signals change?big stars?not ignored during ?awards season?

Howard Hughes had lotsa $, owned various companies, had a variety of interests and produced two dozen movies from the late 20s till the late 50s?he is often credited with the discovery, or at least the recognition of the potential of *Jean Harlow*

Utley, David - asst. art director on *The Proposal*

Utley, David - asst. art director on *The Proposal*

*The Night of the Following Day* he leaped to his death from the spire of the Chrysler Building. This heralded a new day for the multitudes who had grown bored with Adieu?s

Thank you, C?I?m torn between two films?one about a critical misunderstanding and one about a changing organization? The one about the misunderstanding concerns someone who proceeds in life under the impression that someone he knows is a strange but benevolent presence; he is wrong. The one about a new honcho in town is about an organization that is lumbering along as usual when a new person arrives on the scene and shakes things up?Which one should I post? If someone can name both, the thread is theirs. If no one gets it on the first go-round (or answers with only one of the films), I?ll narrow it down or go with the other film?

The *Entertainer*

*How to Steal a Million*?one of the last films directed by William Wyler?

Francis Ford Coppola directed *Rumble Fish* (1983), one of his own personal favorites, with *Diane Lane*

R - *Ruggles of Red Gap*

Guessing...Marie Dressler?

*Dodsworth*

Van Every, Mrs. ? Florence Bates in *Mr. Lucky*

*The Outsiders* nw: derelict

Three Finger ? Frank McHugh in *The Hoodlum Saint*

*Around the World in Eighty Days*

P - *A Prairie Home Companion*

(Close?that was *Once Upon a Time* the Cary Grant film about the caterpillar who dances to "Yes Sir, That's My Baby")

Correct? Nominated for four Oscars, Dorothy Spencer was film editor on *Stagecoach* (her first Oscar nomination), *My Darling Clementine* and *What Price Glory* for John Ford, *Foreign Correspondent* and *Lifeboat* for Alfred Hitchcock and *A Tree Grows in Brooklyn* and *Man on a Tightrope* for Elia Kazan. She also worked with Ernst Lubitsch, Joseph L. Mankiewicz, Michael Curtiz, Fred Zinnemann, Henry Hathaway, Anatole Litvak, Jean Negulesco, Mitchell Leisen, Nunnally Johnson, Delmer Daves, Edward Dmytryk and Raoul Walsh. Much of her early work was with Tay Garnett. Frank McHugh made his Broadway debut in 1925 and signed a contract with Warner Bros. in 1930. He appeared in well over 100 films - his first was Howard Hawks? *Dawn Patrol*. He appeared in WB films with just about every one of its greats ? Cagney, Robinson, Bogart, Flynn, Claude Rains, Bette Davis?he was third-billed in *I Love You Again* with Powell and Loy, was in *Going My Way* with Bing Crosby ? and in *Say One for Me* with Crosby?he worked in TV from the early 50s to late 60s. And there was a typo in my info on their marriage ? they were married nearly 50 yrs. ? from 1933 until Frank McHugh?s death in 1981. Dorothy Spencer passed away in 2002. The thread?s yours?

Thanks? Most wouldn?t guess it, but I was born in Ireland?I had a long stage career and appeared in only a handful of movies. The first two films I made are classics and I was Oscar-nominated for my first role, one I?d originated on Broadway. I did much TV in the 50s and 60s?

*Trouble in Paradise* ? And the fairy tale begins?

*Road to Morocco* Wells Fargo wagon

C - *The Old Chisolm Trail*