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Ascotrudgeracer

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Posts posted by Ascotrudgeracer

  1. The charming way society worked in San Francisco in the 1940's. People simply dropped in on their friends at any moment of the day or night...to kill them.

     

    Then the 24-hour plastic surgeon (who prefers to work at 2:00 AM).

     

    The tremendous POV camera work prior to Bogart's ugly mug being revealed.

     

    Bacall's glass elevator.

     

    Bacall's groupiness for murderers who dredge up memories of her dear ol' dad.

     

    *"Ever seen a botched plastic job?"*

  2. *I Wake Up Screaming* *(1941)*

     

    They previewed it in Pasadena using the working title *Hot Spot* and audiences spilling out of the theater were lukewarm on the comment cards.

     

    Changed the title to *I Wake Up Screaming* and audiences rushed out of the same theater to fill out cards gushing about how great it was.

     

    There were no major changes made other than the title.

  3. Casting Stewart as Rupert has been the talk of endless discussions...but it is a worthy discussion.

     

    Stewart did all that was asked of him, but it's hard for filmdom to think of him as bisexual, which is what he was supposed to be.

     

    Mason, Bogarde, Clift...all could have done the part well. I wonder if not Hitchcock simply enjoyed how easy it was to get Jimmy to do his work so effortlessly (the "cattle" remark).

     

    How about casting against type....Walter Brennan or Louis Calhern?

     

    Also, have we forgotten David Niven?

  4. This one is DOUBLE WORST because it's not only part of the movie, Bogart (playing a screenwriter) writes it for another movie:

     

    Dixon Steele (Bogart): "I was born when you kissed me...I died when you left me...I lived for a few weeks while you loved me.

     

     

    *In a Lonely Place* (1950).

     

    Only good part...Gloria Grahame getting a rubdown from that rather unfeminine gal.

     

    Message was edited by: Ascotrudgeracer

  5. Some people think Douglas Dick portrayed not only Kenneth Lawrence, but also the doomed David Kently (played by Dick Hogan) because you barely see the victim, and the resemblance is there.

     

    I think John Dall was ROBBED of an Oscar nod for this...you couldn't have asked for more from a player.

     

    Arthur Laurents...this was his best work, I feel.

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