I've really learned a lot from your intros, but I haven't been to catch them all, so apologies if these questions were covered already. Looking forward as well to seeing 78/52.
Do you think that Hitchcock remained essentially a silent film director throughout his career? Not that his dialogue and sound design weren't brilliant, of course they were, but after watching so many of his films in a row, I feel the ones that work best are the ones that could have worked as silents, and the ones that Also, why do you think Hitchcock pulled the rights to ROPE, REAR WINDOW, THE TROUBLE WITH HARRY,
