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ValentineXavier

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Posts posted by ValentineXavier

  1. I've toured the Yucatan peninsula by bicycle four times. Each time I came back, I immediately missed the food, and suffered from culture shock. My favorite breakfast there is a tall glass of fresh squeezed orange juice, plato de frutas frescas, and enchiladas de pollo en mole. Back in the 80s, you could still get filete de venado, and that was even better. In Merida, on the main zocalo, there was a licuado place right next to a panederia, which made for a good breakfast too.

  2. Yes, I did some digging after reading that Russell was dead, and found that out. The release will be the 1971 British release version, with lots of extras. But, it will NOT be the 2004 restored version, so it will be missing two critical scenes, because WB won't let the BFI use them. Also, WB will not allow a Blu-Ray release. It is my intention to buy the UK release, out on March 19, do a NTSC dub, and splice in the missing scenes, making my own personal complete copy of the film.

  3. > {quote:title=LuckyDan wrote:}{quote}I know you're addressing Fred, but I'd like to reply, if I may.

    >

    > I'd never read in my Texas history studies in school, nor have I come across any theory in my own reading that suggested "Anglo Texans" rebelled because they couldn't own slaves ...

     

    Given Texas' proclivity to rewriting textbooks to suit their politics and religious beliefs, that means nothing. Recently, they tried to write Thomas Jefferson out of their history books.

  4. Pixilation is usually a signal strength problem (local to your area or service drop,) or a satellite reception problem at the head end of your cable company. If it comes from one of those sources, it will most likely show up on more than one channel, or at least on more than one program of a single channel. The only other source of pixilation is rare occasions when the digital copy at the source is corrupted. That has occurred a couple of times in the past on TCM, but as I said, that is rare.

  5. > {quote:title=clore wrote:}{quote}This is the *Dr. Zhivago* where Russian soldiers on horseback use the adjective "bloody" and refer to each other as "chaps." They're Cockney Russians.

     

    No, no, no - they were wearing chaps, because they are horsemen, and the Russian word for "Red" was mis-translated as "bloody!' ;)

  6. > {quote:title=FredCDobbs wrote:}{quote}

    > > I'd like to see the original cut of The Big Sleep again. I think TCM showed it once, years ago.

    > Yes, I saw that. They also showed a documentary telling how some professors or someone had decided the traditional version of the film wasn't good enough and they had to re-edit it. Something like that. I don't know what version they have been showing in recent years.

    >

    > I still don't know who killed the chuffer and pushed his big Packard off the end of Lido Pier. :)

     

    Professors had nothing to do with it, it was the studio, and Bacall's agent. The usual explanation is that after seeing how much the audience liked Bogie and Bacall in *To Have and Have Not*, the studio decided to increase their suggestive interplay. However, according to the IMDb, Bacall's agent was the impetus of the idea of reshooting and recutting the film:

     

     

    >The film was completed on January 12, 1945 and was shown to American servicemen overseas, but was not released in the United States at that time. With the end of World War II, Warners pushed back the release of The Big Sleep in favor of its completed war-themed films, among these films was Confidential Agent, which also starred Lauren Bacall. After her performance in that film was panned by the critics, agent Charles K. Feldman convinced Jack L. Warner that another failure would ruin Bacall's career. In a letter dated November 16, 1945, Feldman wrote Warner that "...if Bacall receives the same type of general reviews and criticisms on The Big Sleep, which she definitely will receive unless changes are made, you might lose one of your most important assets. Though the additional scenes will only cost in the neighborhood of probably $25,000 or $50,000, in my opinion this should be done even if the cost should run to $250,000." Feldman advised Warner to "give the girl at least three or four additional scenes with Bogart of the insolent and provocative nature that she had in To Have and Have Not."

  7. I count *The Devils* as one of the best, most powerful films ever made, even though it is painful to watch. It is the story of enlightenment and joy vs dogma and corruption. For years WHV kept promising to release in on DVD "next year," and never did, then quit promising. If they ever do, we'll get no commentary from Ken.

     

    I'm a Russell fan, favorites being *The Devils*, *Tommy*, *Crimes of Passion*, *Lisztomania*, ******, *The Lair of the White Worm*, ... Well, I guess I like all of them that I've seen. Truly sad that he is gone.

  8. > {quote:title=FredCDobbs wrote:}{quote}Is that the movie where Omar Sharif plays the doctor and he helps Peter O'Toole fight the Turks, and the Arabs gain independence from control by England? I think I've heard of it. I think I remember a scene where the red train goes racing across the desert with some revolutionary named Kalashnikov on board.

     

    Nah, that's a different film. *Dr. Zhivago* is the one where Julie Christie plays a mannequin.

  9. > {quote:title=finance wrote:}{quote}The character is not actually called Blimp, other than in the title? I'm sorry, but I don't get it.

     

    Well, there could be a movie called The Quisling, without having the namesake in it, just someone else who fit the part. Same would be true of a movie named Judas, or a lot of real names that have come to denote a type of person.

  10. > {quote:title=fxreyman wrote:}{quote}

    > Would not this be much more interesting to read than what we can find out on our own in books and other media?

     

    I, for one, have found these quotes of Agee's criticism to be very interesting. I do like his style, and usually agree with what I have read of him here.

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