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cujas

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Posts posted by cujas

  1. Not to worry--we Miss Marple Christie fanatics will simply boycott the whole project. Without the diehards--the thing has no base. When people do this sort of thing for a new audience, they always, stupidly, count on keeping the old base. They'll be in for a surprise--like the BBC when they hired Geraldine McEwan to be a "with-it", sloppily bargain basement dressed Miss Marple. And if that wasn't bad enough, they completely changed some of the plots. It flopped and they recanted with a more traditional portrayal by Julie McKenzie.

     

    PS--Holmes did have some sort of mental abnormality--you can see that in Jeremy Brett's brilliant portrayals.

     

    Edited by: cujas on Apr 11, 2011 3:06 PM

  2. In reponse to whom it may concern and whomever originated this thread.

     

     

    It's funny--I had someone mention this to me several years ago and I was too busy to get back with them.

     

    First place--Streep's film career could never come close to Hepburn's in vesatility or longevity--or for that matter quality,

     

    Then there's the matter of the stage career.--The plays and the musical.

     

    Plus one had to consider all the great actors and actresses that Hepburn worked with and held her own--if not enhancing their careers--Bogart, Tracy, John Barrymore, Cary Grant, Peter O'Toole, Jason Robards, Sidney Politier, Montgomery Clift --as well as the legendary directors: Cukor, Hawks, Ford, Capra, Huston, Mankiewicz---

     

    I could go on and on--

     

    I think it's typical of people, who have a limited knowledge of film history and who tend to see things in a limited perspective--i.e. their limited life-time, that they automatically believe that a current figure is always superior to someone they know little about.

     

    Streep may be an actress as good as, if not better than Hepburn--But Streep's time and place leave her with a career that is hardly equitable or in the same light year with Hepburn's.

     

    Edited by: cujas on Apr 9, 2011 6:05 PM

  3. Lumet was so famous for the realistic and gritty, that it surprised me to say that I'll remember him best for the LAST all-star Hollywood Movie Classic, *Murder on the Orient Express*. It starred Ingrid Bergman, Richard Widmark, Anthony Perkins, Lauren Bacall, Sean Connery, John Gielgud, Vanessa Redgrave, Michael York and many other stars. A film in the league with *Grand Hotel* and *The Towering Inferno*--not to mention great Christy.

     

    Adieu to a great director,

  4. This is a noir film that is based on a true story--

     

    What makes this film so unusual is that the the central casting in the movie are real people from a similiar town as the original story. Many have lines and act in their actual societal capacity--hospital clerks, police, small-town merchants etc.

     

    To keep the reality, this movie starts with interviews with the real participants.

     

    Please name the movie.

  5. Coming from a background in French Literature--I've appreciated and found uniquely superior how the French directors put great literary works on film.

     

    Outstanding in French and over any other cinematic attempts were:

     

    Chabrol's *Madame Bovary*--Flaubert

    Yves Angelo's *Colonel Chabert*--Balzac &

    Jean-Paul Rappeaneau's *Cyrano de Bergerac*--Edmund Rostand

     

    How would you describe these directors--who take on such literary giants? Do they have some things in common?

     

    Also,--Truffaut's "biograpy" of Victor Hugo's daughter --Adele H" -semi-historical--Was that unusual for a New Wave director?

     

    Edited by: cujas on Apr 7, 2011 5:02 PM

     

    Edited by: cujas on Apr 7, 2011 5:03 PM

  6. This comedic actor was a vaudeville, Broadway and film veteran. With a career that spanned 5 decades he supported the big movie stars Katharine Hepburn, Gary Cooper and James Cagney, among others, on screen. On Broadway he co-starred with Fred Astaire. He even appeared in dramas and horror films for comic relief.

     

     

    Hint: He often played a country-bumpkin sheriff or chief constable.

  7. Susan Hayward played women on the edge--

     

    One such portrayal was *I'll Cry Tomorrow"-- for which she was nominated for the Oscar--

     

    It was the life of:

     

    Lillian Roth--your answer

     

    Edited by: cujas on Apr 6, 2011 6:18 PM

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