Jump to content
 
Search In
  • More options...
Find results that contain...
Find results in...

SansFin

Members
  • Posts

    10,146
  • Joined

  • Days Won

    29

Posts posted by SansFin

  1. > {quote:title=slaytonf wrote:}{quote}

    > I was actually hoping someone knew of a way of searching past schedules to identify which movie has been shown the most. I'm still hoping.

     

    I could assemble a .txt file of movies shown. It will mean opening a database for a month, selecting the fields, copying them and then pasting that into a .txt file.

     

    Will that help you?

    How far back do you believe would be meaningful?

  2. I believe it may be a matter of an attempt to show an alternate point-of-view. What the movie depicts as an external view is how quickly a person on it would feel it is going.

     

    It is much like a robbery victim describing a weapon as a shotgun and it is later learned that it was a 7mm. It looked much larger when it was pointed at them.

  3. > {quote:title=JackFavell wrote:}{quote}

    > my favorite moment of Garbo's in Ninotchka is at the beginning when she talks about her Polish soldier. I love the way she says that line. What is it? I don't quite remember....."I kissed him like that.... right before he died." the intimation being that she killed him.

     

    When they are on the floor and Leon is trying to seduce her:

    Ninotchka: Would you like to see my wound?

    Leon: I'd love to.

    She shows him the back of her neck.

    Ninotchka: A Polish Lancer. I was sixteen.

    Leon: Poor Ninotchka. Poor, poor Ninotchka.

    Ninotchka: Don't pity me. Pity the Polish Lancer. After all, I'm still alive.

     

    After she has learned who Leon is and he is trying to stop her leaving:

    Leon: I held you in my arms. You kissed me!

    Ninotchka: I kissed the Polish lancer too, before he died.

     

    That is truly the heart of a Cossack: a young girl fierce in battle giving her enemy a moment of sweet tenderness as he dies.

     

    I love the part where he describes his lifestyle and she says:

    Ninotchka: You are something we do not have in Russia.

    Leon: Thank you.

    Ninotchka: That's why I believe in the future of my country.

  4. Gelett Burgess was an art critic, artist, poet, author, illustrator and editor. It was he who wrote:

     

    I never saw a purple cow.

    I never hope to see one.

    But I can tell you anyhow

    I'd rather see than be one.

     

    Within a span of two years all of his other works and accomplishments were considered secondary to his writing that one nonsense poem. He became so tired of people reciting it that he wrote a follow-up:

     

    Ah, yes, I wrote the "Purple Cow."

    I'm Sorry, now, I wrote it.

    But I can tell you Anyhow

    I'll Kill you if you Quote it!

  5. > {quote:title=Sepiatone wrote:}{quote}

    > I start to wondering, since the Disney channel is targeted towards an audience of children, WHO'S children are still UP at that time?

     

    The alternatives would be to rent shows from other companies or air infomercials. It costs them nearly nothing to air their own shows and I doubt that they wish having their brand associated with get-rich-quick schemes or ED treatments.

     

    Parents can appreciate their shows being repeated in this way .Sick children are often awake at night and it is comforting for them to be able to watch shows which are familiar when they are suffering.

  6. > {quote:title=casablancalover wrote:}{quote}I see your take. So, SansFin, you think of a woman being cool as:

    > Inner confidence,

    > Rational mind,

    > Gentle warmth, but one on one,

    > Not a wild attention seeker in crowds.

    > Coolness and a just little mystery about her--but there are no skeletons in the closet.

    > Emotionally even-keeled.

    >

    > Am I reading you right?

     

    That is perfectly right!

     

    > Damn, us gals can't play tough or else we're perceived as maniacal.

     

    I have found it quite beneficial when some people are a little scared of what I might do. :)

  7. > {quote:title=MissGoddess wrote:}{quote}

    > It would just apall me that even one life could be lost over anything I made.

     

    People have been killed or maimed in mad rushes to buy discounted goods on Black Thursdays. I doubt the toymakers and electronics importers lose any sleep over it.

  8. > {quote:title=darkblue wrote:}{quote}

    > > I believe I have watched all of the episodes of The Twilight Zone including one which was not put into syndication.

    > Which one was that, SansFin?

     

    I do not remember the name of the episode. I believe one of the actors was in the original Star Trek series. It involved two men in an attic and a sword. I remember a mention being made that it was not released into syndication because of racial issues.

  9. > {quote:title=kriegerg69 wrote:}{quote}

    > > {quote:title=SansFin wrote:}{quote}

    > > I had never heard of her before her death. It is probable that I have heard her songs and did not know who was the singer.

    > You're kidding? As long as Whitney was in the business, you NEVER heard of her before her death?

     

    American pop singers were of little interest to my friends or myself. They are more popular among the disco goers.

     

    I made that statement to show my disconnect with her popularity in death. It should also serve to show that she was not the all-important person many obviously believe she was.

     

    > In which case, what gives you the right to post that link to that offensive image of her, especially in light of anyone who KNEW who she was and enjoyed her work?

     

    That image was created before her death. It is obvious that not all the people who knew who she was believed in her importance or the value of her work.

     

    I did not post the image itself so as to not offend those who liked her. There is a word in the link which alerts as to the general nature and tone of the image. Those who know they would be offended by any reference to her as a scumbag should have self-censored and not risked exposure to a less-than-idyllic portrayal.

  10. I had never heard of her before her death. It is probable that I have heard her songs and did not know who was the singer.

     

    I find it odd that the world seems to divide between people who desperately need to know every detail of her life and death and people who believe she deserves a respectful obituary notice and the world should then move on to other matters.

     

    I will not post the image itself:

    http://i39.photobucket.com/albums/e199/southernyankeejeff/scumbag-whitney.jpg

  11. > {quote:title=LonesomePolecat wrote:}{quote}

    > Love this schedule.

     

    I thank you for your kind words.

     

    > George Hamilton is a fascinating SOTM.

     

    He is a fascinating actor. He built a career on his tan and easy nature. His real successes have been doing serious biographies. He is still highly regarded in the South for his portrayal of Hank Williams.

     

    > Love the movie with cats ending with TO CATCH A THIEF - brilliant.

     

    I was happy to include that movie as it has both human and feline cats. :)

     

    > But my favorite part was "Dying is easy, comedy is hard". As a director of high school shows, let me tell you, it's true! Hilarious twist to show movies with both.

     

    It is a thing I do not understand that dramas are considered more important when comedy requires much more work and talent. There is a scene in the movie: *Romantic Comedy* (1983) where a playwright explains that it take a lot of work to appear glib.

     

    I thank you again for the kind words. I believe this is the most I have ever worked to create a schedule because I had no epiphany for an overall theme.

  12. SansFin's Program Notes

     

    Bad Doc, No Biscuit

    Mad doctors are a staple of classic movies. I believe I have chosen many of the best.

     

    Account Deceivable

    Embezzlers and embezzlement.

     

    A Rabbit of Warrens

    Most of these movies have been on my list of I-wish-to-schedule-these-movies since I began entering the Challenges. I noticed a common name in their listing. The theme came from that.

     

    Faye Dunaway Birthday Tribute

    I have always loved her performances. I doubt she will be a Star of the Month because her movies are new. I wished to show some of her best.

     

    Cat as Cat Can

    I like *Rhubarb* very much as a fine little comedy.

    I would have chosed another movie with the title *The Black Cat* if I had not used all my Premieres for other things.

     

    Star of the Month: George Hamilton

    I have recently read his autobiography Don't Mind if I Do and I was impressed at the casual manner in which he drifted in and out of movies.

    *Act One* is the biography of Moss Hart.

    *Your Cheatin' Heart* is the biography of Hank Williams.

     

    A Fowl Day

    I believe it is only fair to give birds a day since I have given cats a day.

    Audrey Hepburn has a pet canary in *Paris When It Sizzles* Its name is Richelieu because she wanted a cardinal.

    There are ravens in *Sherlock Holmes Faces Death* and *Ellery Queen, Master Detective* and *The Raven*

    There is a talking blackbird in *Find the Blackmailer*

     

    Guest Programmer

    I chose two of my favorite movies and two of my favorite exceptionally long movies because we are allowed only four movies and I needed to fill the entire evening.

     

    There is an Elephant in the Room

    The theme takes artistic liberty since there are few actual scenes with an elephant in a room in these movies.

     

    Noah Beery Birthday Tribute

    Noah Beery receives only a tiny part of the recognition which Noah Beery Jr. receives. I believe these are some of his best movies. I have ended his day with comedy.

     

    A Fishy Story

    Most of these are adventures. I have been able to end this day with comedy also.

     

    Dying is easy. Comedy is hard.

    It has long been known in the theater that drama can be learned and any person can die to great effect while comedy requires innate talent. These movies have both death and comedy.

     

    Spineless Gits

    I have covered many other animals. I thought I should give insects, plants and shapeless entities fair due.

     

    The Should-Have-Been 1944 Oscars

    I believe these are the finest works of the year.

     

    Premieres:

    *Act One* (1963)

    *Alice in Wonderland* (1931)

    *Alice in Wonderland* (1933)

    *Cafe Metropole* (1937)

    *The Crime of Monsieur Lange* (1936)

    *The Day of the Triffids* (1962)

    *Ellery Queen, Master Detective* (1940)

    *Eyes of Laura Mars* (1978)

    *The Godfather Part III* (1990)

    *Laura* (1944)

    *Les Miserables* (1958)

    *Love at First Bite* (1979)

    *Rhubarb* (1951)

    *Something for the Birds* (1952)

     

    Span:

    1900s: 0

    1910s: 1

    1920s: 7

    1930s: 26

    1940s: 18

    1950s: 17

    1960s: 22

    1970s: 6

    1980s: 1

    1990s: 2

    2000s: 0

     

    Edited by: SansFin on Feb 19, 2012 8:32 PM

  13. SansFin's Challenge Schedule

     

    January 13-19, 2013

     

    13 Sunday

    Bad Doc, No Biscuit

    6:00 AM *Das Kabinett des Doktor Caligari* (1920) Conrad Veidt, Werner Krauss, Friedrich Feher. Dir: Robert Wiene. Decla-Bioscop AG, 71 mins., Public Domain

    7:15 AM *Das Testament des Dr. Mabuse* (1933) Rudolf Klein-Rogge, Otto Wernicke, Gustav Diessl. Dir: Fritz Lang. Nero-Film AG, 121 mins., P/S

    9:30 AM *Circus of Horrors* (1960) Anton Diffring, Erika Remberg, Yvonne Monlaur. Dir: Sidney Hayers. Lynx, 87 mins., P/S

    11:00 AM *Dr. No* (1962) Sean Connery, Ursula Andress, Joseph Wiseman. Dir: Terence Young. UA, 110 mins., P/S

    1:00 PM *Frankenstein* (1931) Colin Clive, Mae Clarke, Boris Karloff. Dir: James Whale. Universal, 70 mins., P/S

    2:15 PM *Dr. Jekyll And Mr. Hyde* (1932) Fredric March, Miriam Hopkins, Rose Hobart. Dir: Rouben Mamoulian. MGM, 96 mins.

    4:00 PM *Mad Love* (1935) Peter Lorre, Frances Drake, Colin Clive. Dir: Karl Freund. MGM, 68 mins.

    5:15 PM *Murders in the Rue Morgue* (1932) Bela Lugosi, Sidney Fox, Leon Ames. Dir: Robert Florey. Universal, 61 mins., P/S

    6:30 PM *Dr. Cyclops* (1940) Albert Dekker, Thomas Coley, Janice Logan. Dir: Ernest B. Schoedsack. Paramount, 76 mins., P/S

     

    Account Deceivable

    8:00 PM *Caf? Metropole* (1937) Loretta Young, Tyrone Power, Adolphe Menjou. Dir: Edward H. Griffith. Fox, 83 mins., Premiere #1

    9:30 PM *This Side of Heaven* (1934) Lionel Barrymore, Fay Bainter, Mae Clarke. Dir: William K. Howard. MGM, 77 mins.

    11:00 PM *The Cheat* (1915) Sessue Hayakawa, Fannie Ward, Jack Dean. Dir: Cecil B.DeMille. Lasky, 59mins, P/S

     

    Silent Sunday Night

    12:00 AM *A Woman Of Affairs* (1928) Greta Garbo, John Gilbert, Douglas Fairbanks Jr. Dir: Clarence Brown. MGM, 91 mins.

     

    TCM Imports

    1:45 AM *Zatoichi's Revenge* (1965) Shintar? Katsu, Norihei Miki, Takeshi Kat?. Dir: Akira Inoue. Daiei Studios, 84 mins., Exempt

    3:15 AM *Le Corbeau* (1943) Pierre Fresnay, Ginette Leclerc, Micheline Francey. Dir: Henri-Georges Clouzot. Continental, 90 mins., P/S

    4:45 AM *Three Who Loved* (1931) Betty Compson, Conrad Nagel, Robert Ames. Dir: George Archainbaud. RKO, 64 mins.

     

    14 Monday

    A Rabbit of Warrens

    6:00 AM *Chandler* (1971) Warren Oates, Leslie Caron, Alex Dreier. Dir: Paul Magwood. MGM, 86 mins.

    7:30 AM *The Roman Spring of Mrs. Stone* (1961) Vivien Leigh, Warren Beatty, Coral Browne. Dir: Jos? Quintero. AAP, 103 mins., P/S

    9:15 AM *Always In My Heart* (1942) Walter Huston, Kay Francis, Gloria Warren. Dir: Jo Graham. WB, 92 mins.

    11:00 AM *Tension At Table Rock* (1956) Richard Egan, Dorothy Malone, Angie Dickinson. Dir: Charles Marquis Warren. RKO, 93 mins.

    12:45 PM *Fugitive in the Sky* (1937) Warren Hull, Jean Muir, Gordon Oliver. Dir: Nick Grinde. WB, 58 mins.

    1:15 PM *Skyscraper Souls* (1932) Warren William, Maureen O'Sullivan, Verree Teasdale. Dir: Edgar Selwyn. MGM, 99 mins.

    3:30 PM *Passport to Pimlico* (1949) Stanley Holloway, Betty Warren, Barbara Murray. Dir: Henry Cornelius. Rank, 84 mins., P/S

    5:00 PM *The Case Against Brooklyn* (1958) Darren McGavin, Margaret Hayes, Warren Stevens. Dir: Paul Wendkos. Columbia, 82 mins., P/S

    6:30 PM *Bluebeard's Eighth Wife* (1938) Claudette Colbert, Gary Cooper, Warren Hymer. Dir: Ernst Lubitsch. Paramount, 85 mins., P/S

     

    Faye Dunaway Birthday Tribute

    8:00 PM *Bonnie and Clyde* (1967) Warren Beatty, Faye Dunaway, Michael J. Pollard. Dir: Arthur Penn. WB, 111 mins., P/S

    10:00 PM *Chinatown* (1974) Jack Nicholson, Faye Dunaway, John Huston. Dir: Roman Polanski. Paramount, 130 mins., P/S

    12:15 AM *Eyes of Laura Mars* (1978) Faye Dunaway, Tommy Lee Jones, Brad Dourif. Dir: Irvin Kershner. Columbia, 104 mins., Premiere #2

    2:00 AM *The Thomas Crown Affair* (1968) Steve McQueen, Faye Dunaway, Paul Burke. Dir: Norman Jewison. UA, 102 mins., P/S

    3:45 AM *Network* (1976)William Holden, Faye Dunaway, Peter Finch. Dir: Sidney Lumet. MGM, 121 mins.

     

    15 Tuesday

    Cat as Cat Can

    6:00 AM *Rhubarb* (1951) Ray Milland, Jan Sterling, Gene Lockhart. Dir: Arthur Lubin. Paramount, 94 mins., Premiere #3

    7:45 AM *Alice in Wonderland* (1931) Tom Corless, Ruth Gilbert, Gus Alexander. Dir: Bud Pollard. Metropolitan, 55 mins., Premiere #4

    8:45 AM *Alice in Wonderland* (1933) Richard Arlen, Gary Cooper, W.C. Fields. Dir: Norman Z. McLeod. Paramount, 76 mins., Premiere #5

    10:15 AM *Seven Years Bad Luck* (1921) Max Linder, Thelma Percy, Alta Allen. Dir: Max Linder. Linder Prods., 62 mins., P/S

    11:30 AM *The Case of the Black Cat* (1936) Ricardo Cortez, Jane Bryan, Harry Davenport. Dir: William C. McGann. WB, 66 mins.

    12:45 PM *The Black Cat* (1934) Boris Karloff, Bela Lugosi, Julie Bishop. Dir: Edgar G. Ulmer. Universal, 65 mins., P/S

    2:00 PM *Bell, Book and Candle* (1959) James Stewart, Kim Novak, Jack Lemmon. Dir: Richard Quine. Columbia, 106 mins., P/S

    4:00 PM *Breakfast At Tiffany's* (1961) Audrey Hepburn, George Peppard, Patricia Neal. Dir: Blake Edwards. Jurow, 114 mins., P/S

    6:00 PM *To Catch a Thief* (1955) Cary Grant, Grace Kelly, Jessie Royce Landis. Dir: Alfred Hitchcock. Paramount, 106 mins., P/S

     

    Star of the Month: George Hamilton

    8:00 PM *Evel Knievel* (1971) George Hamilton, Sue Lyon, Bert Freed. Dir: Marvin J. Chomsky. George Hamilton Productions, 99 mins., Public Domain

    9:45 PM *Act One* (1963) George Hamilton, Jason Robards, Jack Klugman. Dir: Dore Schary. WB. 110 mins., Premiere #6

    11:45 PM *Your Cheatin' Heart* (1964) George Hamilton, Susan Oliver, Red Buttons. Dir: Gene Nelson. MGM, 99 mins.

    1:30 AM *Love at First Bite* (1979) George Hamilton, Susan Saint James, Arte Johnson. Dir: Stan Dragoti. M. S. Prods., 94 mins., Premiere #7

    3:15 AM *The Godfather Part III* (1990) Al Pacino, Diane Keaton, Talia Shire. Dir: Francis Ford Coppola. Paramount, 162 mins., Premiere #8

     

    16 Wednesday

    A Fowl Day

    6:00 AM *The Egg And I* (1947) Claudette Colbert, Fred MacMurray, Marjorie Main. Dir: Chester Erskine. Universal, 108 mins., P/S

    8:00 AM *Everything's Ducky* (1961) Buddy Hackett, Mickey Rooney, Jackie Cooper. Dir: Don Taylor. Columbia, 80 mins., P/S

    9:30 AM *Something for the Birds* (1952) Victor Mature, Patricia Neal, Edmund Gwenn. Dir: Robert Wise. Fox, 81 mins., Premiere #9

    11:00 AM *The Birds* (1963) Rod Taylor, Tippi Hedren, Jessica Tandy. Dir: Alfred Hitchcock. Universal, 119 mins., P/S

    1:00 PM *Paris When It Sizzles* (1964) Audrey Hepburn, William Holden, Noel Coward. Dir: Richard Quine. Quine, 110 mins., P/S

    3:00 PM *Sherlock Holmes Faces Death* (1943) Basil Rathbone, Nigel Bruce, Hillary Brooke. Dir: Roy William Neill. Universal, 68 mins., P/S

    4:15 PM *Ellery Queen, Master Detective* (1940) Ralph Bellamy, Margaret Lindsay, Charley Grapewin. Dir: James P. Hogan. Columbia, 69 mins., Premiere #10

    5:30 PM *Find the Blackmailer* (1943) Jerome Cowan, Faye Emerson, Gene Lockhar. Dir: D. Ross Lederman. WB, 55 mins.

    6:30 PM *The Raven* (1963) Vincent Price, Peter Lorre, Boris Karloff. Dir: Roger Corman. Alta Vista Productions, 86 mins., P/S

     

    Guest Programmer

    8:00 PM *My Neighbor Totoro* (1988) Dakota Fanning, Timothy Daly, Lea Salonga. Dir: Hayao Miyazaki. Studio Ghibli, 88 mins., P/S

    9:30 PM *If I Were King* (1938) Ronald Colman, Basil Rathbone, Frances Dee. Dir: Frank Lloyd. Paramount, 100 mins., P/S

    11:15 PM *Les Mis?rables* (1958) Jean Gabin, Bernard Blier, Ren? Fleur. Dir: Jean-Paul Le Chanois. Deutsche Film, 210 mins., Premiere #11

    2:45 AM *Red Beard* (1965) Toshiro Mifune, Yuzo Kayama, Yoshio Tsuchiya. Dir: Akira Kurosawa. Toho, 184 mins., P/S

     

    17 Thursday

    There is an Elephant in the Room

    6:00 AM *Elephant Walk* (1954) Elizabeth Taylor, Dana Andrews, Peter Finch. Dir: William Dieterle. Paramount, 103 mins., P/S

    7:45 AM *Zoo in Budapest* (1933) Loretta Young, Gene Raymond, O.P. Heggie. Dir: Rowland V. Lee. Fox, 83 mins., P/S

    9:15 AM *The Rains Came* (1939) Myrna Loy, Tyrone Power, George Brent. Dir: Clarence Brown. Fox, 104 mins., P/S

    11:00 AM *Trailer Horn* (1950) Harry Carey, Edwina Booth, Duncan Renaldo. Dir: W.S. Van Dyke. RKO, 122 mins.

    1:15 PM *King Solomon's Mines* (1937) Cedric Hardwicke, Paul Robeson, Anna Lee. Dir: Robert Stevenson. MGM, 80 mins.

    2:45 PM *Hatari!* (1962) John Wayne, Elsa Martinelli, Red Buttons. Dir: Howard Hawks. Malabar, 157 mins., P/S

    5:30 PM *The Circus Queen Murder* (1933) Adolphe Menjou, Greta Nissen, Dwight Frye. Dir: Roy William Neill. Columbia, 65 mins., P/S

    6:45 PM *Mexican Spitfire's Elephant* (1942) Lupe Velez, Leon Errol, Walter Reed. Dir: Leslie Goodwins, RKO, 64 mins.

     

    Noah Beery Birthday Tribute

    8:00 PM *The Vanishing American* (1925) Richard Dix, Lois Wilson, Noah Beery. Dir: George B. Seitz. Famous Players, 110 mins., P/S

    10:00 PM *The Godless Girl* (1929) Lina Basquette, Marie Prevost, Tom Keene. Dir: Cecil B. DeMille. DeMille Prods., 119 mins., P/S

    12:00 AM *She Done Him Wrong* (1933) Mae West, Cary Grant, Owen Moore. Dir: Lowell Sherman. Paramount, 64 mins., P/S

    1:15 A0 PM *Noah's Ark* (1928) Dolores Costello, George O'Brien, Noah Beery. Dir: Michael Curtiz. WB, 135 mins.

    3:30 AM *Cockeyed Cavaliers* (1934) Bert Wheeler, Robert Woolsey, Thelma Todd. Dir: Mark Sandrich. RKO, 72 mins.

    4:45 AM *Kentucky Kernels* (1935) Bert Wheeler, Robert Woolsey, Noah Beery. Dir: George Stevens. RKO, 75 mins.

     

    18 Friday

    A Fishy Story

    6:00 AM *Captains Courageous* (1937) Spencer Tracy, Freddie Bartholomew, Lionel Barrymore. Dir: Victor Fleming. MGM, 115 mins.

    8:00 AM *The Old Man and the Sea* (1958) Spencer Tracy, Felipe Pazos, Harry Bellaver. Dir: John Sturges. WB, 86 mins., P/S

    9:30 AM *White Shadows In The South Seas* (1928) Monte Blue, Raquel Torres, Robert Anderson. Dir: W.S. Van Dyke II. MGM, 85 mins.

    11:00 AM *20,000 Leagues Under The Sea* (1954) Kirk Douglas, James Mason, Paul Lukas. Dir: Richard Fleischer. Disney, 127 mins., P/S

    1:15 PM *Peg O' My Heart* (1933) Marion Davies, Onslow Stevens, J. Farrell MacDonald. Dir: Robert Z. Leonard. MGM, 87 mins.

    2:45 PM *Man's Favorite Sport?* (1964) Rock Hudson, Paula Prentiss, Maria Perschy. Dir: Howard Hawks. Gibraltar Productions, 120 mins., P/S

    4:45 PM *Mr. Peabody and the Mermaid* (1948) William Powell, Ann Blyth, Irene Hervey. Dir: Irving Pichel. Universal, 89 mins., P/S

    6:15 PM *The Incredible Mr. Limpet* (1964) Don Knotts, Andrew Duggan, Jack Weston. Dir: Arthur Lubin, WB, 99 mins., P/S

     

    Dying is easy. Comedy is hard.

    8:00 AM *The Crime of Monsieur Lange* (1936) Ren? Lef?vre, Florelle, Jules Berry. Dir: Jean Renoir. Films Ob?ron, 80 mins., Premiere #12

    9:30 PM *Kind Hearts and Coronets* (1949) Alec Guinness, Dennis Price, Joan Greenwood. Dir: Robert Hamer. Ealing, 104 mins., P/S

    11:15 PM *The Ladykillers* (1955) Alec Guinness, Peter Sellers, Katie Johnson. Dir: Alexander Mackendrick. JAR, 87 mins., P/S

    12:45 AM *The Little Shop of Horrors* (1960) Jonathan Haze, Jackie Joseph, Mel Welles. Dir: Roger Corman. Filmgroup, 70 mins., Public Domain

     

    TCM Underground

    2:00 AM *Lock, Stock and Two Smoking Barrels* (1998) Jason Flemyng, Dexter Fletcher, Nick Moran. Dir: Guy Ritchie. Summit Entertainment, 107 mins., Exempt

    4:00 AM *Monsieur Verdoux* (1947) Charles Chaplin, Martha Raye, Isobel Elsom. Dir: Charles Chaplin. Chaplin Prods., 119 mins., P/S

     

    19 Saturday

    Spineless Gits

    6:00 AM *Them!* (1954) James Arness, James Whitmore, Edmund Gwenn. Dir: Gordon Douglas. WB, 93 mins., P/S

    7:45 AM *The Day of the Triffids* (1962) Howard Keel, Nicole Maurey, Janette Scott. Dir: Steve Sekely. Allied Artists, 93 mins., Premiere #13

    9:30 AM *The Blob* (1958) Steve McQueen, Aneta Corseaut, Earl Rowe. Dir: Irvin S. Yeaworth Jr. Paramount, 82 mins., P/S

    11:00 AM *Five Million Years to Earth* (1968) James Donald, Andrew Keir, Barbara Shelley. Dir: Roy Ward Baker. Hammer, 98 mins., P/S

    12:45 PM *Attack of the Giant Leeches* (1959) Ken Clark, Yvette Vickers, Jan Shepard. Dir: Bernard L. Kowalski. AIP, 62 mins., Public Domain

    2:00 PM *Attack of the Crab Monsters* (1957) Richard Garland, Pamela Duncan, Russell Johnson. Dir: Roger Corman. Los Altos, 62 mins., P/S

    3:15 PM *Tarantula* (1955) John Agar, Mara Corday, Leo G. Carroll. Dir: Jack Arnold. Universal, 80 mins., P/S

    4:45 PM *Horrors of Spider Island* (1960) Harald Maresch, Helga Franck, Alexander D'Arcy. Dir: Fritz B?ttger. Intercontinental, 89 mins., Public Domain

    6:15 PM *Mysterious Island* (1961) Michael Craig, Michael Callan, Joan Greenwood. Dir: Cy Endfield. Columbia, 101 mins., P/S

     

    The Should-Have-Been 1944 Oscars

    TCM Essentials

    Best Actress: Ida Lupino

    8:00 PM *In Our Time* (1944) Ida Lupino, Paul Henreid, Alla Nazimova. Dir: Vincent Sherman. WB, 110 mins.

     

    Best Actor: Fred MacMurray

    10:00 PM *Double Indemnity* (1944) Barbara Stanwyck, Fred MacMurray, Edward G. Robinson. Dir: Billy Wilder. Paramount, 107 mins., P/S

    Best Picture: Laura

    12:00 AM *Laura* (1944) Gene Tierney, Dana Andrews, Clifton Webb. Dir: Otto Preminger. Fox, 87 mins., Premiere #14

    Best Director: Jean Negulesco

    1:30 AM *The Mask Of Dimitrios* (1944) Peter Lorre, Sydney Greenstreet, Zachary Scott. Dir: Jean Negulesco. WB, 96 mins.

    Best Supporting Actor: Nils Asther

    3:15 AM *Bluebeard* (1944) John Carradine, Jean Parker, Nils Asther. Dir: Edgar G. Ulmer. PRC, 70 mins., Public Domain

    Best Supporting Actress: Agnes Moorehead

    4:30 AM *Tomorrow The World* (1944) Fredric March, Betty Field, Agnes Moorehead. Dir: Leslie Fenton. Cowan Prods., 86 mins., P/S

     

    Premieres:

    *Act One* (1963)

    *Alice in Wonderland* (1931)

    *Alice in Wonderland* (1933)

    *Caf? Metropole* (1937)

    *The Crime of Monsieur Lange* (1936)

    *The Day of the Triffids* (1962)

    *Ellery Queen, Master Detective* (1940)

    *Eyes of Laura Mars* (1978)

    *The Godfather Part III* (1990)

    *Laura* (1944)

    *Les Mis?rables* (1958)

    *Love at First Bite* (1979)

    *Rhubarb* (1951)

    *Something for the Birds* (1952)

     

    Span:

    1900s: 0

    1910s: 1

    1920s: 7

    1930s: 26

    1940s: 18

    1950s: 17

    1960s: 22

    1970s: 6

    1980s: 0

    1990s: 2

    2000s: 0

     

    Edited by: SansFin on Feb 19, 2012 8:32 PM

  14. > {quote:title=FrankGrimes wrote:}{quote}

    > I'd say most every Hitchcock film has an element of fear with me.

     

    It is easy to forget he also directed *Mr. and Mrs. Smith* and *The Trouble with Harry*

© 2022 Turner Classic Movies Inc. All Rights Reserved Terms of Use | Privacy Policy | Cookie Settings
×
×
  • Create New...