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SansFin

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Posts posted by SansFin

  1. 1983:

     

    The Return of Captain Invincible

    Brainstorm

    Christine

    The Dresser

    Educating Rita

    The Meaning of Life

    Risky Business

    Scarface

    The Pirates of Penzance

    Trading Places

     

     

    Foreign:

     

    Nostalgia

    Le Bal

    Blue Mountains

    L'argent

    Deadly Circuit

     

     

    I must note that: The Return of Captain Invincible is one of the best movies of: 1980s. It is: Sir Christopher Lee and: Alan Arkin as archenemies. A perfectly delightful clip demonstrating how very evil Sir Christopher Lee can be: 


    • Like 3
  2. I am posting this now so that I will not be horribly behind again when I am able to return later tonight:

     

    1982:
     
    Jekyll and Hyde... Together Again
    Blade Runner 
    The Dark Crystal 
    Deathtrap 
    My Favorite Year
    The Secret of NIMH
    Swamp Thing
    Tootsie
    Ferocious Female Freedom Fighters
    An Unsuitable Job for a Woman
    Victor/Victoria
     
     
    Foreign:
     
    Identification of a Woman
    Red Earth
    • Like 3
  3. 1980: 

     

    Airplane!

    The Blues Brothers 

    Caddyshack

    The Gods Must Be Crazy 

    Hopscotch

    The Long Good Friday 

    Motel Hell

    The Sea Wolves

    Those Lips, Those Eyes

    Wholly Moses!

     

     

    Foreign:

     

    Oblomov

    Kagemusha

    Moscow Does Not Believe in Tears

    A Limousine the Colour of Midsummer's Eve

    Dvoynikat

    Dami kanyat

    Lulu - Please do not mistake this for: Loulou. This is: Walerian Borowczyk version of: Frank Wedekind plays. 

    • Like 3
  4. Yes, as I think about it, doors in warehouses and the like open outward.  In such cases, the hinges would have secure pins, protecting the door from removal.  Commercial establishments tend to vary, but they have doors (the ones that swing, that is) that hinge on pins at the top and bottom of the doors, not mounted on the sides.  As for residences, consider all the homes and apartments you've entered.  Have any ever opened outward?  This also includes the doors in office buildings, hospitals (to rooms), and educational establishments (schools, universities).

     

     

    It is feature of the fire code here that all doors in commercial and public buildings must open outwards. I believe that this is to ensure that people do not have to stop to open the door if they are escaping a fire. There has been discussion of this locally because of situations with people who have turned their front rooms into small stores or tea shops.

     

    Fire department has assumed a stance that they will overlook the situation if it is not expected to have more than one or two people in the shop at any one time. One establishment which became quite popular claimed they were being harassed because Fire Department demanded they change their doors while other shops nearby do not have to comply with the regulation.

     

    I have seen hinges which have a pin that does not have the usual simple decorative ball at the top. The pin has instead a tab which fits into the hinge plate. It is necessary to open the door and remove the screw from the tab in order to remove the pin. It is actually quite handy on old doors because the tab is excellent place to hammer to drive pin up when removing and down when installing. There is no good place to apply force on ball-top pin because of risk of damaging the finish.

  5. It's good that many here remember Alan Rickman in a variety of roles. Still, I'm surprised that so few (I think I'm actually the only one) who has talked about his portrayal of Severus Snape in the Harry Potter series.

     

     

    I love him very much in that role. It is as if the need to restrain his hatred causes him to hate even more. This aspect can not be placed in the script nor created by the lighting nor imposed by the cinematography. It comes solely from the actor.

     

    I have read that: J. K. Rowling took him aside before filming of the first movie and explained character conflicts beyond what had appeared in print at that date. She knew in basic outline of the character's love for Lily and his deep distress at her marrying James as well as his true place in: Dumbledore-Voldemort conflict. He could have used that information for self-promotion but instead he solely used it to inform his performance. This is honor and class which I would not expect of Hollywood actor.

     

    I urge all to seek out: The Song of Lunch (2010). It is sheer perfection. I found the written poem to be banal. He brought it to life with elegant pathos.

    • Like 5
  6. On SyFy network beginning tonight is new season of: FaceOff. It shows how movie make-up is created and applied. It is presented as competition among artists to deliver character who meets stated requirements. It will air on Wednesday nights this year. They usually re-air episode later in the night and again the next week as lead-in to new episode.

     

    It does concentrate heavily on fantasy and science fiction characters but they have done also Shakespeare characters and other mainstream characters. I found the Shakespeare episode very interesting because it was to highlight that men played women characters in time of Shakespeare and so challenge was to make men look like women characters from variety of plays. I felt that three were quite successful as I would have thought they were women if I had seen them in casual environment.

     

    I do hope that none are repelled by 'reality show' aspect because it is not truly of that ilk. There are no interpersonal rivalries. They are quick to help each other when difficulties arise. Primary challenge is for each to do their best and draw deeply on their talents and skills. It is a panel of make-up experts who decide which creations do not meet technical standards or conform to requirements. 

     

    I find it very interesting how many aspects come into play when creating characters. Anatomy must be correct even with most outlandish alien characters. Silhouette of character is important to establishing: 'presence.' I knew that color and shading were important but it is amazing to see how slight changes during final preparation makes huge changes.

     

    • Like 2
  7. I must tell of: Sluzhili dva tovarishcha (1968). It is a movie which can never be forgotten.Parts of the ending burn into your brain. It is sympathy and hatred for both sides inside each person who is fighting stupid war.

     

    The comedy and irony of the situations draw you in. You realize that each character is part of you, what you think, feel and difference between what you want to do and what you must do.

     

    It is available on: YouTube in full for free viewing in: Mosfilm channel with English subtitles. I am sorry that I can not post link to it here because of forum rules.

     

    I speak a little more of it and provide link at:

    http://silverscreenoasis.com/oasis3/viewtopic.php?f=80&t=6283#p157609

    • Like 2
  8. You're right Bogie, I forgot. So here goes my unseens:

     

    The Liquidator ( I'm taping this one tomorrow)

     

    War and Peace

     

     

    Rod Taylor stars in: The Liquidator (1966) but: Trevor Howard is my favorite here. He is at his ahumorous best. I find it a very amusing spy-movie spoof.

     

    The: War and Peace (1966) in my list is: Sergey Bondarchuk's version which is more than seven hours. 

    • Like 1
  9. 1967:

     

    Barefoot In The Park

    Bonnie and Clyde

    Camelot

    The Dirty Dozen

    The Double Man

    The Producers

    Games 

    Five Million Years to Earth 

    The President's Analyst

    Triple Cross

    Two For the Road

     

     

    Foreign:

     

    The Snow Queen

    Viy

    Samurai Rebellion 

    Happy End

    The Firemen's Ball

    I Even Met Happy Gypsies 

    Belle de Jour

    Closely Watched Trains
    • Like 2
  10. One thing I'll say about 1966...you people really love HOW TO STEAL A MILLION!

     

     

    Was it mentioned? I must have missed it. :unsure:

     

    What is not to like? Audrey Hepburn. Peter O'Toole. Hugh Griffith. Moustache. A statue worth a million dollars in a heavily-guarded museum which must be stolen to prevent family disgrace. It is perhaps the epitome of: 1960s comedy-caper-romances.

    • Like 3
  11. I’ve never seen HOW TO STEAL A MILLION.

     

     

    I am sure that you will like it very much as you have a known preference for: Audrey Hepburn and you listed: Gambit (1966) as a favorite. It is excellent example of: 1960s comedy-caper-romance. It has sophisticated humor with touches of slapstick. Repartee is biting. Supporting character actors are all quite good. 

     

    I will miss your lists also. I do hope that you might continue to interject your observations on choices in other posters' lists.

    • Like 2
  12. speedracer5 - I find it quite interesting that your lists and mine so often have at least a few movies in common which indicate common tastes and then remainder of lists are so very divergent in tastes.

     

     

    1966

     

    1. How to Steal a Million

     

     

    Perhaps I should take a moment to see if I did remember to mention that movie in my list for: 1966.

     

    Oh, yes, I see now that I did.

    • Like 3
  13. I believe that: 1966 is one of those rare years with excellent movies being made in many countries in wide variety of genres. I feel that it far surpasses: 1939 in both quantity of great movies and in quality of those movies.

     

    The Absolute Top Ten Best Movies Of 1966 in order of personal preference:

     

    How to Steal a Million

    How to Steal a Million 

    How to Steal a Million 

    How to Steal a Million 

    How to Steal a Million 

    How to Steal a Million

    How to Steal a Million 

    How to Steal a Million 

    How to Steal a Million 

    How to Steal a Million 

     

     

    Other movies of 1966:

     

    Alfie

    Any Wednesday

    Fahrenheit 451

    The Fortune Cookie

    Gambit

    The Good, The Bad, And The Ugly

    How to Steal a Million 

    The Liquidator

    Penelope

    The Quiller Memorandum

    Fantastic Voyage

    Seconds

     

    The Liquidator is airing: Monday afternoon.

     

     

    Foreign:

     

    A Man and a Woman - Simply one of the most touching movies ever created. Theme music is known to all.

     

    Daisies - Quintessential Czech surrealism.

     

    Masculin-Feminin - I feel that this is: Jean-Luc Godard's best movie.

     

    A Report on the Party and the Guests - This is shockingly realistic surrealism.

     

    Wings - Exquisitely beautiful pain.

     

    War and Peace - The unabridged version. ;)

     

    Watch Out for the Automobile - This is a comedy but it is in many ways realistic insight into part of the culture of the time.

     

     

    Merely great Foreign movies:

     

    Persona

    Hunger

    Dai-bosatsu toge 

    Andrei Rublev

    Falling Leaves

    Who Wants to Kill Jessie?

    Woman of the Lake

    Zatoichi's Vengeance

    Ritzar bez bronya

     

    I should perhaps mention that: How to Steal a Million was made in: 1966 also. It is: Audrey Hepburn at her charmingly naive best and: Peter O'Toole being: Peter O'Toole. Interesting little caper wrapped in romance and comedy.
    • Like 4
  14. 1963:

     

    Charade

    Donovan's Reef

    Dr. Strangelove

    The Great Escape

    The Haunting

    Jason And The Argonauts

    The Raven

    The Servant

    The List of Adrian Messenger

    Tom Jones

     

    Foreign:

    When the Cat Comes

    8 1/2

    High And Low

    Voyage to the End of the Universe

    Contempt

     

    When the Cat Comes is one of my favorites of Czech surrealism.

    • Like 3
  15. Haven't been following this too closely. Is "space jelly" a feminine product?

     

     

    It is oblique reference to personal activities taking place in bathtub full of Jell-O. 

     

    I prefer: Black Raspberry but: Lime and: Banana-Kiwi made with sparkling wine are very popular.

     

    I have heard that unfortunate experience with near-suffocation in bathtub of: Cherry Jell-O was inspiration for: The Blob (1958).

    • Like 3
  16. I meant what I said about GHOSTS and WEREWOLF as a compliment. I'm not quite sure if you took it that way from your response.

     

     

    I took your post as meaning our tastes are similar in some respects. I meant in my post to illustrate why I include such movies in my lists of favorites rather than selecting 'important' movies of that year which are not as much to my taste as goofy and fun horror movies.

    • Like 1
  17. I feel I've met a kindred spirit! First 13 GHOSTS, now WEREWOLF IN A GIRL'S DORMITORY! I love it!

     

     

    I do not rank movies by social imperative, dramatic impact nor cinematographic importance. My interest is solely whether I like a movie and wish others to share the enjoyment of watching it. It is of help when movie has other qualities which justify its recommendation to film buffs, cinephiles or film snobs but grandiose attributes do not affect my personal taste.

     

     

     

     

    I haven't seen THE PLEASURE OF HIS COMPANY, ALYE PARUSA, TEN DARK WOMEN, or DEVCHATA.
     

     

    The Pleasure of His Company is gentle little Fred Astaire comedy. I believe that it should be relatively easy to find.

     

    I am sorry to say that I doubt that you would enjoy: Devchata. It is very much a movie for women who have experienced such things.

  18. 1962:

     

    Boys' Night Out

    Dr. No

    Gypsy

    Hatari!

    The Longest Day

    The L-Shaped Room

    The Music Man

    That Touch of Mink

    Tower Of London

    The Trial

     

    Foreign:

     

    Cleo From 5 to 7

    La Jetee

    Kurotokage 

    The Outrageous Baron Munchausen

    Mothra 

    Ivan's Childhood 

    Sanjuro

    Nine Days of One Year

    Man in Outer Space

    Five Miles to Midnight 

    On the Sunny Side

    Electra - Please do not confuse this with movie of same year with same name directed by: Ted Zarpas.
    • Like 2
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