[Oh, that face, that fabulous face. Whose is it?]

Musta overlooked it. No, it's not her.

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

That's the kindest, most decent and generous response I've ever gotten to a post I made. You are right.

[Oh, that face, that fabulous face. Whose is it?]

I can't tell, did anyone have a guess at the pic I posted?

[Oh, that face, that fabulous face. Whose is it?]

Hey, that's close. Maybe I got skunked again.

No, I think not.

[What's that technique called?]

Ah, an example of the Forward/Reverse Field Theory effect.

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

If that's Susan Denberg, who's this?:

[Oh, that face, that fabulous face. Whose is it?]

I do have to work, you know.

 

OK, somebody should get this easy:

[Oh, that face, that fabulous face. Whose is it?]

You were the first to name her! It's up to you to duke it out with the Kid for honors.

[Oh, that face, that fabulous face. Whose is it?]

Is there no face you don't know? At long last, is there no face you don't know?

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

That's her!

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

You know your faces, man.

 

Know this?:

 

 

Yes, this looks too much like her, but it's a great pic.

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

How does it feel, in this automibile?:

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

Oh, might as well name her.

[Oh, that face, that fabulous face. Whose is it?]

While we're waiting:

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

 

I wouldn't mind even if you didn't know her.

 

 

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

That was too obvious. Name the movie?

 

 

Nevermind. Hoow abooout this?:

[What's that technique called?]

I think what Dargo2 was referring to was the Reverse/Forward Field Theory.

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

How about something more obvious?:

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

This so does not look like her. I thought, this is some other face, mixed in through googlechance. I carefully compared it with more recognizable photos until I was sure.

 

And you get her in sixteen minutes.

 

Less, 'cause you had to see her and post.

 

Mmmph.

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

OK, post 50s thread. Got it:

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

The star is so distracting. . . .My best guess is Barbara Stanwyck.

 

But wait, I just saw it is the post 50s threadle. I am out of the time.

 

Edited by: slaytonf on Feb 5, 2013 10:09 PM

[Favorite line from movie.]

Freedom is the freedom to say two plus two is whatever the hell you want it to be.

 

Me

[can't find the name of this movie]

If you can't find it anywhere, keep an eye out for it on TCM. It shows occasionally.

[Oh, that face, that fabulous face II - Post 1950's. Whose is it?]

Sorry about the belated confirmation, but J, D. Cannon it is!

[What's that technique called?]

If I understand what Sepiatone means, there is a scene in The Court Jester where the forward/reverse gimmick, I would call it, is used. During the sped-up knighting ceremony, Danny Kaye is dragged along in a line of soldiers which is reversed and forwarded multiple times.