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slaytonf

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Posts posted by slaytonf

  1. Checkmate (1935), Felix Aylmer, Evelyn Foster.

    Checkmate (1973), Diana Wilson, An Tsan Hu.

    Checkmate (2008), Sanjay Narvekar, Ankush Chaudhari.

    Checkmate (2010), Zachary Wood Barnes, Robin Bjerke.

    Checkmate (2012), Adrián Mas, Frank Perozo.

    Checkmate (2015), Danny Golver, Vinnie Jones.

  2. 14 hours ago, TikiSoo said:

    Heh, I saw CHITTY BANG BANG in the theater as a child too and it left zero impression on me. I revisited it when TCM showed it years ago and again, zero impression. That's not good for a kids fantasy movie.

     

    9 hours ago, Sepiatone said:

    Yeah, TIKI, I put off seeing it for years due to most kids I knew who saw it back when it came out, kept pronouncing the "CH"  like "SH".  ;)  And after finally seeing it, I discovered why.  ;)

    Sepiatone

    My mommie told me if you can't say anything nice, don't say anything at all.  Nyah.

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  3. You will notice that when Potts starts telling of Baron Bomburst and his quest for the famous auto there is a shot of a ship just offshore.  There descend the traditional wavy lines across the screen and it transforms into the Baron's ship belching foreboding black smoke with him and his minions aboard.  That is when the fantasy begins and all the magical transformations of Chitty happen.  It continues until the triumph over the Baron by the child-commandos and the return of the Potts and Miss Scrumptious to JOE (jolly old England) and the return to reality.  That is, until the very end when there is a delightful fantastical coda.

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  4. Is it a great movie?  Well, I dunno.  The Brits cherish it.  All I know is whenever I chance across it, even only intending it as a temporary bridge to something else, I end up watching to the end.  The songs and dance numbers are entertaining.  And the rousing title theme is terrific.  And there is one truly fine song toward the end ("Doll on a Music Box") that I can't understand why hasn't become a standard.  You can't knock the principals, especially Sally Ann Howes, whose voice is a ray of sunlight in a despairing world.  There is capable support from a list of familiar faces, who each get a moment or two to grab center stage:  Lionel Jeffries, James Robertson Justice, Robert Helpmann, Anna Quayle, and Gert Frobe.  The last playing with wonderful bombast the role of Baron Bomburst.  They exaggerate their performances just the right amount to create a whimsical tone that keeps the movie from being crushed by its scale.  And it is one of the handful of movies featuring adorable children you do not feel an overpowering urge to reach out and strangle.  Credit director Ken Hughes and cinematographer Christopher Challis for the visual charm and wit.  The pace is energetic and never drags even in the quieter interludes, and there are real thrilling shots, like when Chitty is first rolled out into the sunlight, and the aerial shots of the Great Western Railway train and Chitty.  Rowland Emett designed the car, and Caractacus Potts' fantastical machines which are a delight and hilarious to see (mal)function. 

    Great or not, I get hooked.

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  5. A title theme for a movie that evokes "Street Scene" is for The Big Combo (1955), an underrecognized film noir cops and robbers pic starring Cornel Wilde, Richard Conte, Jean Wallace, Lee Van Cleef, Earl Holliman, and Helen Walker.  I say evokes rather than rips-off because the tune and the movie score is by David Raksin, a highly esteemed movie composer.  Whatever, it's a killer tune.  Dig that sax:

    Another great role for Richard Conte.

  6. Avid movie fans who caught this movie (and a good catch it was) tonight may have experienced a dejá-vu sensation at the opening bars of the title music.  And it would be understandable, as this is perhaps the most re-used theme in all of movie sound tracks.  Composed by Alfred Newman for his first full movie score for Street Scene (1931), it takes its title from it.  Its Gershwiny jazzy lilt conveys sophistication, and jaded worldliness.  It evokes the milieu of the big city, the walks of life rubbing elbows, crossing paths, leading to joy or tragedy in the jumbled kaleidoscope of life.  A list of the movies it was used in would be familiar with TCMmers:

    I Wake Up Screaming (1941)

    The Dark Corner (1946)

    Kiss of Death (1947)

    Gentleman's Agreement (1947)

    Where the Sidewalk Ends (1950)

    How to Marry a Millionaire (1953)

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