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TopBilled

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Posts posted by TopBilled

  1. SEPTEMBER 2022

    TAIL SPIN (1939)..FOX
    RIVER LADY (1948)..UNIV
    INSIDE THE WALLS OF FOLSOM PRISON (1951)..WB
    ADVICE TO THE LOVELORN (1933)..UA
    MR. SOFT TOUCH (1949)..COL 
    THE MATCHMAKER (1958)..PAR
    BAD COMPANY (1931)..RKO
    UNCERTAIN GLORY (1944)..WB
    BIG LEAGUER (1953)..MGM
    KENTUCKY (1938)..FOX

    SILVER QUEEN (1942)..UA
    THE ROSE TATTOO (1955)..PAR
    AGGIE APPLEBY MAKER OF MEN (1933)..RKO
    BEWARE OF PITY (1946)..BRIT
    TO HELL AND BACK (1955)..UNIV
    THE NIGHT IS YOUNG (1935)..MGM
    TEMPTATION (1946)..INT
    NO MAN OF HER OWN (1950)..PAR
    SORORITY HOUSE (1939)..RKO
    HITLER’S MADMAN (1943)..MGM

    CALIFORNIA PASSAGE (1950)..REP
    FIRST A GIRL (1935)..BRIT
    SAIGON (1948)..PAR
    MEET ME AFTER THE SHOW (1951)..FOX
    THE SPANISH CAPE MYSTERY (1935)..REP

    BIG JACK (1949)..MGM
    NEVER A DULL MOMENT (1950)..RKO
    LADY KILLER (1933)..WB
    MY NAME IS JULIA ROSS (1945)..COL 
    DREAMBOAT (1952)..FOX

    • Like 1
  2. 1 hour ago, Fading Fast said:

    "The greatest thing about DREAMBOAT, on a much deeper level, is how it functions as a running commentary on the past and the history of filmmaking...and we are all doing this every time we watch an old film on TCM. So in that regard, it's way ahead of its time."

    Agreed. "Sunset Blvd." was a darker version of the same idea, done at about the same time in movie history

    I think I like DREAMBOAT a little better than SUNSET BLVD because it seems a bit more clever. Plus Ginger Rogers' character doesn't take herself as seriously as Gloria Swanson's character does.

    Then we have Clifton Webb playing a character that is playing Clifton Webb playing another character in SITTING PRETTY. It is very self-reflexive and post-modern, certainly ahead of its time, in a way that SUNSET BLVD is not.

    • Like 2
  3. 42 minutes ago, Fading Fast said:

    ⇧ I saw this movie one time and I'll bet that it was the one time TCM aired it. You captured it well; it's a fun silly romp. 

    I had never seen DREAMBOAT until a few days ago when I sat down to watch it and write my review. I had bought the disc over ten years ago. I don't know why I had procrastinated so long. But it is a very funny film. I thought some of the scenes were well done. I really loved how Ginger over-emoted in the silent picture scenes. She was spoofing all the old cliches about ham-fisted silent movie acting. 

    There is also a clever scene where Clifton Webb's character is in a lounge while one of his old movies plays on a TV screen. He gets into a brawl with some guy, and it's obvious he hasn't fought anyone in years. He keeps looking at a fight scene from his old movie up on the TV to get pointers. So we have this hilarious situation where in the present day he is mimicking one of his silent routines from 25 years ago. 

    The greatest thing about DREAMBOAT, on a much deeper level, is how it functions as a running commentary on the past and the history of filmmaking...and we are all doing this every time we watch an old film on TCM. So in that regard, it's way ahead of its time.

    • Like 1
  4. Today's neglected film is from 1952. It has aired once on TCM.

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    This is a high concept charmer from the folks at 20th Century Fox that provides Clifton Webb and Ginger Rogers with some of their best comedy roles. I say roles in plural form, since they get to appear as various characters in several movies within a movie. They are cast as silent motion picture icons whose old classics find new viewers broadcast television.

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    In real life Ginger Rogers never made any silent films, so she’s actually a bit too young to be seen as a woman that was at her peak in the mid-to-late 1920s, on a par with Garbo, Dietrich or Swanson. Also, while Miss Rogers is shown hosting a TV show in the modern day scenes, she actually never hosted or starred in a weekly series. She was a movie star that came of age after sound was introduced, so successful that she didn’t need TV to stay popular, even in her later years.

    Of course, there is some irony in the fact that Rogers' own hit films were released on video in the 1980s and have subsequently aired on retro movie channels.

    208552E0-1C3E-498C-B222-1603CECCD126_1_201_a

    As for Clifton Webb, he did make a few silent films that were largely forgotten; but he was never an equal of Valentino, Gilbert or Chaplin. His movie comeback occurred with LAURA in 1944…though in this story, his character makes a triumphant return to the screen in SITTING PRETTY (1948), which was a more recent hit for Mr. Webb complete with sequels.

    The scenario is outlandish but admittedly a lot of fun. Webb’s a stodgy professor who never told his square of a daughter (Anne Francis) about his sensational Hollywood past. When the old flicks are aired on a local channel, she finds out dad was one of the world’s greatest lovers– affectionately termed a dreamboat.

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    She’s taken aback. So is Webb, who is embarrassed by the corny old movies. A trip to New York City to seek an injunction against the network leads to Webb reuniting with Rogers.

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    Meanwhile, Miss Francis is wined and dined by attractive Jeffrey Hunter, who plays a young network employee. Like a caterpillar emerging from a cocoon, Francis is a butterfly is ready to spread her wings.

    4889B8D6-3BCA-4392-89E4-2870E9BDAE0B_1_201_a

    There’s some excellent comic support from Fred Clark and Elsa Lanchester, and much of what transpires is done tongue-in-cheek. I rather enjoyed this spoof of silent cinema and its knowing wink about the industry as seen through television.

    Oh, and while we're at it-- Ginger Rogers may not be what we call a dreamboat, she is definitely smoking hot.

    5BD2D2ED-B081-41F3-9DAE-3520BCCD69C1_1_201_a

    • Like 2
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