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Bogie56

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Posts posted by Bogie56

  1. Jittery hand held camera technique in Blair Witch is simply film school stuff. Strictly an amateur night production, and one of the most monotonous wastes of time I ever paid money to see at the show.

    And a Shaggy witch story.

  2. Overall a much better month than October.  And nice choice with Norma Shearer too.   b.  Montreal, Quebec.

     

    There are lots of my old favourites on this schedule plus some that I am looking forward to seeing for the very first first time.

     

    Nov 1.  Toritlla Flat (1942).  Wonderful comedy with a tremendous supporting cast doing some of their career best work.  Frank Morgan, Akim Tamiroff, Allen Jenkins, Sheldon Leonard and John Quaylen.

     

    Fists in the Pocket (1965).  Good film.

     

    Nov 3.  The Hunters (1958) and The Angry Hills (1959).  Two Mitchum films I have wanted to see.

     

    Nov 10.  Private Lives (1931).  Missed this one the last time it was on.

     

    Nov 12.  The Connection (1962) and Come Back, Africa (1959).  

     

    Nov. 16.  Hell's Heroes (1929).  Hoping for a good print of this.

     

    Nov 19.  The Black Pirate (1926).  Good early Technicolor film.

     

    Nov 21.  They still haven't run out of Batmans?

     

    Cat Ballou (1965).  Great Jane Fonda western with lovely minstrel score.

     

    Nov 23.  Boris Karloff day!  Just wish they weren't the same old same olds.  Has Boris every been star  of the month?

     

    The Wrong Box (1966) Very funny Bryan Forbes film with support from my favourites, Peter Cook and Dudley Moore

     

    Nov 24.  Merrill's Marauders (1962).  Haven't seen this one since I was a kid.

     

    Nov 26.  National Velvet (1945).  But will it be on in Canada?

     

    Nov 27.  North by Northwest (1959).  What a surprise!

     

    Nov 29.  The Professionals (1966).  One of my favourite westerns.

     

    Satyricon (1969) and The White Sheik (1952).  Two really good Fellinis.

     

    Nov 30.  The Silver Chalice (1954).  Pre nose-job Paul Newman film.  The story goes he took out an ad in LA telling people not to watch this film when it premiered on television.  Naturally everyone then tuned in.

     

    The Apu trilogy.  Pather Panchali is an essential.  Poetry on film.  An incredible Ravi Shankar score.  One of the best juvenile performances in film by Umas Das Guptas and an equally great twilight performance by Chunibala Devi.  Heartbreaking film.

     

    I'm a fan of all of the other Ray films too but record Pather Panchali!

    • Like 1
  3. I saw Nightmare Alley (1947) for the first time only a few weeks ago.  I was impressed with Ty, Joan Blondell, Helen Walker and the young lady who played Molly.

    I then looked 'Molly' up on the imdb and it was then a case of, 'oh yeah ... her.  Very good.'  And it struck me that she might have been a good interview for TCM considering all of the noire she made.

     

  4. Wow.  I have never heard of anyone not liking Fred Astaire.  I can understand not liking musicals and as a result not liking many of his films, but not liking Astaire himself? Wow.  Well to each his (or in this case, her) own.  I'm sure there are people I don't like that others love.

    Fred's looks are a turn-off for her.  The romantic pretence in his films does not work for her.  What can I say?    

    I have tried to encourage her to get past that hurdle but to no avail.

    I like Marie Dressler films but I would much prefer to date Marlene Dietrich.

  5. Saw a bit of The Little Foxes this evening and even though I was stepping into the film mid-stream I was impressed with the ensemble acting.

    Wyler was really good at doing 3 shots where you would be focusing on the person who was doing most of the listening.  Duryea when the brothers are concocting the scheme to steal the bonds.  Loved the bit where he is slapped in the face and his cigar just explodes.  Marshall when Collinge is saying that she doesn't much like her own son.  He doesn't say much but practically steals the scene.

    I thought Herbert Marshall was great and Bette Davis is so much fun in this.

    • Like 5
  6. Naaah, never would work, Bogie.

     

    You'd end up with too many gored little kids during the weekday hours of 8-9am and 3-4pm.

     

    (...I mean, some of those critters have pretty pointy antlers on 'em, ya know...I'm talkin' about the deer here, of course)

    Really?  Those Bambi critters?

    We have Moose crossings on Main Street up here north of the 49 and everything is sympatico.

    • Like 1
  7. The boyfriend introduces his girl to his best friend.  The best friend (usually the marquee name) immediately takes a dislike to the girl and says there is no place for a woman on their mission/journey.

    This animosity continues for a good 40 minutes or so until they fall into each other's arms and smooch.

    The boyfriend meanwhile has the good grace to get himself killed and clear the path for true love between the two stars.

    • Like 2
  8. The bad guy, instead of simply offing the captured good guy on the spot, will devise some sort of drawn-out, fiendishly clever method of execution that will take enough time to allow the good guy to figure out his escape.

    And while he is doing this he explains his plans and confesses his crimes.

    • Like 2
  9. Love Charles Ruggles.  I guess my first introduction to him was as a character, or narrator on Bullwinkle and he was charming as the grandfather, 'smelling of tabaco and peppermint' in The Parent Trap.  I just checked IMDB - his mother was murdered by an intruder and his stepfather was killed having been run over by a car - some serious tragedies for one person.

    Speaking of Rocky and Bullwinkle, that was my intro to Edward Everett Horton.  Fractured Fairy Tales.

    • Like 1
  10. A career spanning the silents and sounds, Adolphe Menjou was one of the most intelligent and versatile actors of movies.  He had the ability play roles that ranged from heartless womanizers, to sincere associate, to villainous conspirators, to shameless promoters.  As a frequent supporting player, the great majority of his movies have been aired on TCM.  But, looking diligently for new (to me) movies in the schedule I can find Men Call It Love, Broadway Gondolier, and New Moon among the selections.  I don't know if I should be looking forward to these.  I remain hopeful, at least for Mr. Menjou's contributions.

     

    Among the already-seens, I like The Easiest Way, with Constance Bennett as a kept woman who tries to get un-kept.

     

    The Great Lover, in which Mr. Menjou does a delightfully buffoonic turn, if I remember right.

     

    A Star is Born, the best, the only version.

     

    Golddiggers of 1935, in which he grandly plays an at times annoyingly over-the-top impresario, and which has the magnificent final dance-opera to 'Lullaby of Broadway.'

    But where is Menjou's best performance?  Paths of Glory (1957).

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