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Sgt_Markoff

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Everything posted by Sgt_Markoff

  1. Cecil B. deMille had a very reliable female screenwriter among his most trusted colleagues. I have to think a while to recall her name. She held quite a bit of creative input over productions.
  2. In a word, yes. They are each very good musicians. I've even seen Phil in concert. They're both just 'better' than the style they chose to pursue. No need for it. Inexplicable and disappointing.
  3. I can't venture a guess as to why they sold out. But it changed their music for the worse (according to the way I see it, anyway) even if it boosted their career or made 'other types of fan' happy. Me, I'm a rocker and I was very disappointed in their decision. I wouldn't change my seat if they were in my row on a plane flight but I'd have to bite my lip not to say something awkward.
  4. Aye. New York City still remembers Petrosino. I think there's still plaques and statues and whatnot.
  5. The bottom line is that diversity programming and diversity marketing makes more money. Cold, hard, cash on the barrelhead speaks the coldest and the hardest and the cashest and the loudest.
  6. Yes, sure. Why certainly. Its like asking whether one sticks with a band after they've sold out. Rod Stewart was once an authentic rocker. So was Phil Collins. But I can't go along wit em once they turned on to that infernal, downward, path.
  7. ...another interesting visual effect which one may not always be very readily able to give a name to... The Droste Effect. (now you know!) https://en.wikipedia.org/wiki/Droste_effect
  8. --TB This may be true very often in practice --even 99% of the time in practice --but what I'd like to point out is that its also still just a bias, merely being reversed. Its not impossible that a Wal-Mart staffer might ever have anything valid to say. We'd be making a stereotype if we believed that 'absolutely'. Look at a guy like Mezz Mezzrow. Technically white. At what point could we say he ought not to talk about the black experience?
  9. Worth bearing in mind when faced with conflicting generalizations...the infamous 'No true Scotsman' https://en.wikipedia.org/wiki/No_true_Scotsman
  10. --JJG Quickly? I wouldnt agree with that based on what I've read this month from Foner. The plantation system was far too devastated. By the age of the Great Fortunes (late 1800s, turn of the new century) yes, I would agree that wealth had resurged. Enough time had passed.
  11. (TopBilled) But like the old saying goes, an author doesn't actually have to murder anyone in order to write a murder mystery. TopB you may be insisting (in your last post) on enforcing the standard of 'direct experience' from the best of intentions; even though its the obverse proposition. Its rather like, applying a 'negative restriction' instead of a 'positive' one. If I say "I wrote this murder story" you could put me on the spot by asking me whether I have any murder experience. If I don't, then what right do I have to pretend? Well ...who is to say I am pretending? I'm not goin
  12. Vautrin's remark rings true. 1865, 1866, and 1867 were huge crop failures in the South. Former slaves forced from economic necessity to return to their old masters for work often received less 'means' (in the form of the new wages system) to live on --ironically--than under the plantation system where they had guaranteed vegetable gardens. I was surprised to read that on a plantation, slave quarters were communal; meals were potluck and elderly slaves took communal care of infants while the adults and children worked the field. Once thrown onto the free labor market all of this became incredib
  13. here's an example of the current wisdom going around the market:
  14. Those are worthwhile inputs Cid Man. I'm going to pass on your tip to my various reading groups. I sure wasn't aware of any such organization (SHA); and I frequently devour all sorts of history books. I have to reckon that most men-in-the-street have probably had even less opportunity to become apprised of this kind of resource. The Civil War itself has gotten some big theatrical play in contemporary times; but as we all know Hollywood needs some kind of 'succinct' story to dramatize. When I suggest that the era suffers from lack of widespread familiarity in today's marketplace of ideas,
  15. (TopBilled) These are really murky waters to chart a course through. Its tempting to draw assumptions. All I can mention is that these issues are beginning to gain a lot of attention these days in the writing market, thanks the climate of general uproar over sensitivity. For example, Hollywood right now has a trend of insisting on 'authentic voices' (as well as 'new' voices) and diversity (or perhaps just tokenism) is clamored for. The very question you raise here is coming more to the surface than ever. Regarding your last question I've reprinted here yes I would say that this parti
  16. H'mm, scant info on IMDb. Oh well. I'm glad someone made a docu about it anyway. Seems like a project of substance. Sorry if I mis-read your reply in any manner, TopB.
  17. Some fab shots of old New York http://www.nycvintageimages.com/sites/default/files/imagecache/product_full/Midtown-Skyline-Overview-nyc-1530.jpg http://www.nycvintageimages.com/sites/default/files/imagecache/product_full/Times-Square-nyc-0393.jpg http://www.nycvintageimages.com/sites/default/files/Boys-in-Front-of-14th-Street-Theater-nyc-0079.jpg http://www.nycvintageimages.com/sites/default/files/imagecache/product_full/34th-Street-between-Sixth-and-Seventh-Avenues-nyc-0367.jpg love that photo... https://www.theatlantic.com/photo/2012/04/h
  18. It's a mistake to frame the struggle in simplistic terms like this: 'deal with the backlash of how they oppressed and marginalized other human beings'. For instance, take a look at something like the draft riots in New York City in 1863. That wasn't plantation owners. The whole country was torn apart and only slowly being put back together. https://en.wikipedia.org/wiki/New_York_City_draft_riots Despite the work of abolitionists, even northern states and border states only slowly changed their laws regarding treatment of the negro. For years after the war, streetcars were segregated,
  19. This happens to be close to the title of a history book I'm currently reading; ("Reconstruction: 1863 - 1877 America's Unfinished Revolution", 773 pps) and I chose it because it is authoritative in the field. Author Eric Foner is preeminent in this subject matter; I hope they consulted his materials when they produced this series. Foner is the son of another famous American historian I enjoy: Jack D. Foner, who documented the long struggle of America's labor unions. Anyway the timeperiod in question is indeed, extraordinary in the vast, sweeping changes wrought upon the face of the count
  20. Okay maybe 'Persuaders' doesn't need to be included in the list above; after all its more action-comedy than dramatic. Moore is made for light roles; I can enjoy him in 'the Saint' (although I prefer Patrick McGoohan's series 'Secret Agent' or 'Prisoner' far more). But he almost always lacks credibility in any more taut thriller (at least for me anyway). I can barely even defend him as Bond and only then if forced to remind the hideous fans of contemporary EON about the merits of classic EON. Otherwise Moore has soured too many flicks for me to admire him. Sorely limited actor; although I agre
  21. 'going for a buggy ride' or 'just got back from a buggy ride' used to specifically mean, coming back from likely, a sexual rendezvous of some sort where both parties were willing. If you phrase this question the wrong way it could sound as if you're implying ...impropriety.
  22. Roger Moore with just about anyone in any film. He's played with Michael Caine ('Bullseye'), Lee Marvin ('Shout at the Devil'), Tony Curtis ('the Persuaders') and Stacy Keach in something-I-can't-recall. It rarely works unless his co-star has the same accent, (like Susannah York in 'That Lucky Touch'). Almost the only film I like him in, is 'The Wild Geese'
  23. That bit about the 'seashell' decolletage' somewhat stirs my interest, amateur malacologist that I am. Surprised you guessed that about me. I wonder what shells they used. Prehistoric women though, sounds like a film for a 'cavegirl'.
  24. Well...prostitutes, pimps, strippers; accordion-playing hobos murdering little blind girls...I guess its not hard to see why it might not be to Fred's taste. Not sure what to say about it though, I heart Fred Astaire.
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