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Bildwasser

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Posts posted by Bildwasser

  1.  

     

    I remember many years ago reading about Caesar's magnanimity toward

    his enemies, something that came back to bite him very hard. Like that old

    saying No good deed goes unpunished, though the punishment is usually not

    fatal. Rome was definitely an oligarchy, with the top dogs in dispute among

    themselves. In addition to the fear that Caesar might try to become an all-

    powerful dictator, I believe some of the conspirators had personal and family

    issues that made them feel slighted and now it was time to get revenge. There

    is some similarity with the Corleones, though they were obviously working with

    a much smaller canvas.

     

    Some of the patron-client relationships in The Godfather also likely had to do

    with the immigrant experience, the newcomers from the old country looking for

    help from those who had come before, especially if they were powerful and could

    provide favors and jobs. A little bit like Tammany Hall, but on a more intimate level.

     

     

  2.  

    I'm sure most American students remember CliffNotes with their

    distinctive black and yellow covers. In some stores they had their

    own individual display rack. I presume they're still around, though I

    haven't been in the market for them in some time. Of course they were

    supposed to be used as a supplementary study guide for the book

    itself, but it seems some unscrupulous individuals actually read them

    instead of the book. Hard to believe, isn't it? :)

     

    CliffNotes would seem to be the perfect product for George Costanza,

    though he was so lazy he may not have even made the effort to read

    them.

     

     

     

     

     

  3.  

    It is good to keep in mind that Shakespeare's play is a work of fiction

    and not of history and that he used the material to suit his own artistic

    ends and not those of a historian. I believe he was the one who popularized

    the Et tu, Brute line.

     

    I'm sure Coppola got some of the sweep of the film from the book and

    perhaps some from general knowledge about organized crime, its expansion

    into Las Vegas, its getting more involved in legitimate businesses, etc. This

    is just following the timeline of Mafia history. He likely added things from his own

    experience as an Italian-American, and then something from human nature,

    such as the fight for power and retaining it, which is a pretty universal impulse.

     

    Yes, Caesar was a pretty nasty piece of work, but considering the environment

    he was operating in, he almost had to be just to stay in place.

     

     

  4.  

     

    No doubt that when it came to sophisticated cunning, smarts, and general style,

    Michael was a few levels above old school knuckle draggers like Vito and hot-

    heads like Sonny. He was a pretty perfect fit for the family moving out into the

    larger world, heading west, and posing as semi-legitimate businessmen. He is

    definitely as cold as ice, especially when he's wearing that gray suit and homburg

    hat getup. Very chilling and calculating. But at the end of the day, it still comes

    down to violence and the threat of violence. Unless he also has someone in a

    financial hold, why do what he wants? Because he might just get someone to whack

    you, baby.

     

    In a very general way I can see somewhat of a relationship between Julius Caesar

    and The Godfather. It's in the specifics that there is a weakness. Julie was a much

    more cultured gent than Vito, and there isn't the family blood ties that there are in

    the film. Then it's hard to see Fredo in the Brutus role, as the poor lad wouldn't

    think of killing his pappy. And then there is the problem of Sonny as Antonius, as

    Sonny predeceased Vito, and Antonius stuck around for the war against Augustus,

    Michael. I think the Corleones using Roman references was just another way to

    sugarcoat their usual self-serving ways. Yeah, you should kill yourself (and keep us

    out of trouble) just like those old noble Romans did. Thanks, sucka.

     

     

     

     

     

  5.  

     

     

     

    I kind of doubt thugs like the Corleone family really needed any

    pointers from Machiavelli. I'm guessing they learned most of their

    lessons from their environment. Violence, intimidation, and a little

    deceit and cleverness don't require much education. Hard to see

    Vito or Sonny with their noses buried in The Prince, though Mikey

    may have come across it in one of his college courses. Kill someone,

    threaten to kill someone made up a big part of their "technique" For the

    most part their methods were rather crude but effective.

     

    Don't forget that Vito divided all of Brooklyn into three parts.

     

     

  6.  

    That's why it's just a project in my imagination. Michael would of course

    outsource the job (maybe even to someone outside the U.S.), and have a

    solid alibi ready. AMC ran all three Godfathers movies a while back. I was

    tempted to watch the third one, since I haven't seen it since it first came out.

    Maybe it would be better than I remember it, and I've also forgotten much of the

    plot details too. But it started very late at night and AMC has a whole lot of

    commercials. Maybe some other time.

  7. Since most (though not all) American mobsters were of Italian descent and

    since most Italians are Catholic, it's not surprising that they did their duty as

    Catholics. That would add another thematic possibility to the Mafia as typical
    businessmen trope, one that is probably best left alone here. They also played

    up the family values schtick while having their mistresses on the side.

    As spectacular and well-done as the Godfather movies are, when you come

    right down to it, Vito and Michael are just murderous scumbags, maybe interest-

    ing, well-dressed ones, but scumbags none the less. I like to imagine Michael

    getting the same treatment as the Joe Pesci character in Goodfellas, though that

    obviously ain't going to happen.
  8.  

    See, these boards also have an educational purpose, despite much evidence

    to the contrary. Back in the day I didn't pay much attention to which band

    did the song, and it wasn't until much later that I heard of The Statler Brothers.

    I guess as far as the Hot 100 chart went, they were a one hit wonder.

     

    I only have one or two of Elvis' albums after the late 1970s period. He had to move

    on from that new wave sound sometime, and open things up a little. I sort of lost

    track a while back.

  9.  

     

    1949_king_vidor_la_fonte_meravigliosa.jp

    Yep, they're laughing now, but one day they'll look back at the liver

    phosphate with awe and the name Howard Roark will go down in history.

     

     

     

     

     

    *The Soda Fountainhead*

     

     

     

     

     

     

    Rebel soda jerk Howard Roark will not bow to the whims of the mass of

    ignorant, knee-jerk, unthinking sheeple. He will make his own fountain treats,

    no matter what others think. Thus the broccoli malted, the carrot split, and

    the hot onion sundae are born. But when another employee puts two cherries

    on the sundae instead of one, Roark goes berserk and dynamites the entire

    drugstore.

     

     

  10.  

    I suppose Peace Train could be criticized for being too simplistic and

    naive, but then again a lot of the well-known protest songs, or whatever

    you want to call them, are like that.

     

    Instrumentals are not my favorites, but this one is pretty good, better than

    those recorded by The Estelle Winwood Quintet. Maybe next week I will

    put Traffic onto a main artery.

  11.  

    Sometimes I do some quick switching between one browser and another

    and IE9 comes up with zeroes and Firefox has the numbers, though there

    could be certain times when FF doesn't, though I haven't hit them yet. Just

    wish they'd get it straightened out.

  12.  

    Being such a brainiac, she likely would have left Hollywood in a few

    years, earned a doctorate from good old Heidelberg U., and written

    a sequel to Goethe's Faust, or something along those general lines.

     

    There is too much valid evidence that JFK was a major ****. He

    did have physical problems, but he also had a Dr. Feelgood who helped

    him with that. Fiddle and Faddle were the nicknames of his two White

    House secretaries who were there for something other than typing, and

    there were a slew of others from near and far. He might have made Monroe

    too. As to her death, I still think it was suicide. I don't think there is enough

    convincing proof to think it was anything else. There was an interesting article

    in the newspaper a few days ago about how with modern forensic techniques,

    more answers would have been provided, as things were relatively sloppy back

    in 1962.

     

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