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LawrenceA

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Everything posted by LawrenceA

  1. Since I'm the only one (I think) to mention Nicolas Cage in a negative light on here recently, I feel I need to elaborate on the reason for my inclusion of him in my list of "bad" actors. One reason that Cage gets dragged as much as he does is precisely because he was once thought of as a good actor, an exciting performer, and known for unconventional choices. The movies listed above (Valley Girl, Red Rock West, Leaving Las Vegas, etc.) are all good (although I wasn't thrilled by National Treasure), and I even consider Raising Arizona among my top two or three favorite comedies ever made.
  2. homunculus succulent sententious gaseous soiled
  3. I inquired with someone who knows more on the subject and they said it sounds like an episode of Alfred Hitchcock Presents, but they, too, can't be certain. https://www.imdb.com/title/tt0508248/?ref_=ttep_ep34
  4. It could also have been an episode of Thriller (1960-1962). I've seen every Twilight Zone and Outer Limits multiple times, and your description doesn't ring any bells. There are a few other shows it might be (One Step Beyond, The Veil) but I couldn't say for certain. https://en.wikipedia.org/wiki/Thriller_(American_TV_series)#Episodes
  5. Has anyone considered that it might be Sole Survivor (1970)?
  6. You posted this with a picture, and I still don't know who that is.
  7. Most of the movies that you mention where he's "overshadowed" were films where his character was meant to be less showy. That was exactly the point with True Confessions (where he and Robert Duvall swapped the roles that people would have expected them to play), and Jackie Brown (where he was perfect as the dopey goon). In Wag the Dog he was meant to counterbalance the outrageous other cast, especially Hoffman-as-Robert Evans, and Goodfellas where Ray Liotta was the main character and Joe Pesci gets the showy role. I expected De Niro to show up in this thread eventually, both because he'
  8. You must not have kept up with Woods' public comments over the past 10 years or so. He's gone beyond just being political; he seems genuinely psychotic at times. And that's besides all of the "prowling for teen girls" stories that flooded in a while back. His lack of work in the past several years has less to do with his politics and more to do with his temperament (plenty of other self-identified conservatives, including Voight, continue to work in Hollywood).
  9. I think I've seen all of Statham's movies, and most of Johnson and Diesel's. Statham has been in some good ones, and Johnson fits in the roles he chooses. I've liked a couple of Diesel's films (Pitch Black especially), but he's very cheeseball and his growling tough guy shtick gets ridiculous. I also watch Schwarzenegger, Chuck Norris, and Wesley Snipes trash flicks, and 70's heroes like Jim Brown, Fred Williamson, and Jim Kelly.
  10. June Allyson and Robert Taylor, as I've mentioned many times before when this topic is brought up. John Travolta, although I think he's appeared in some good movies, as have most if not all of these performers I don't generally care for. Keanu Reeves. He was appropriate in his "Bill & Ted" mode, but whenever he's supposed to be serious, it's usually laughable. He was astoundingly awful in Bram Stoker's Dracula, and he gave one of the worst performances that I've ever seen by a professional in Knock Knock (2015). I find it hilarious that he's now often called a "national treasure"
  11. The British title was Enemy Agent.
  12. It's Margaret Lindsay, from the film British Intelligence (1940).
  13. My Lovely Burnt Brother and His Squashed Brain (1988)
  14. A Question of Silence (1982) Netherlands, Dir: Marleen Gorris - A female psychiatrist (Cox Habbema) is assigned by the police to interview a trio of women (Edda Barends, Nelly Frijda, and Henriette Tol) who are accused of murdering a shopkeeper. As the doctor learns the life stories of the individual women, she must confront issues in her own personal life. This feminist fable is a blend of domestic drama, political statement, courtroom procedural, and black comedy. The production values are meager. but the performances are good, and I enjoyed the score. (7/10) Yol (1982) Tu
  15. Three Brothers (1981) Italy, Dir: Francesco Rosi - The title trio (Philippe Noiret, Michele Placido, and Vittorio Mezzogiorno), each dealing with personal and professional issues, are summoned to their hometown by their aged father (Charles Vanel) after the death of their mother. Excellent performances and some nice directorial touches make this worth seeing, but I wasn't as blown away by this as many seem to have been. (7/10) Too Early/Too Late (1981) France/Egypt, Dir: Jean-Marie Straub and Daniele Huillet - Arthouse documentary comprised of long-take shots of French and Eg
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