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Posts posted by LawrenceA

  1. feat-redqueen.jpg?w=860&h=280&crop=1

    The Red Queen Kills Seven Times  (1972) Italy/West Germany, Dir: Emilio Miraglia - A series of mysterious murders occur, connected to a 100-year curse concerning a vengeful "ghost" called the Red Queen taking revenge for her own death. Featuring Barbara Bouchet, Ugo Pagliai, Marina Malfatti, Marino Mase, Rudolf Schindler, and Sybil Danning. This very uneven thriller attempts to combine the Gothic supernatural horror films of the 60's with the emergent giallo subgenre. There are a few memorable images to be found, but the story is muddled and the direction uneven. Sybil Danning is naked a lot, naturally. There are many versions of this film floating around, with differing running times and alternate titles, including Blood FeastHorror HouseFeast of Flesh, and The Corpse Which Didn't Want to Die. The uncut, Italian-language version is on Amazon Prime at the moment.  (5/10)

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  2. 13 minutes ago, Fullofstars said:

    I'm looking for a film title from a movie I saw only part of many years ago, black and white suspense,  thats haunted me ever since.  Plot was a woman released from a psychological hospital,  has a whirlwind courtship and moves into his mansion,  but she has memories of it,  his motive is he wants her to remember some tragedy in his family she witnessed as a child.  A line ill never forget was a scene on the second floor balcony was " the mad Ternneys" i assume that was the character last name. I appreciate any help. 

    Terror in the Haunted House (1958) aka My World Dies Screaming



  3. Battle_of_Neretva_poster.jpg

    The Battle of Neretva (1969) Yugoslavia, Dir: Veljko Bulajic - Big, expensive (the costliest movie ever made in Yugoslavia) WWII epic. The very large international cast includes Yul Brynner, Orson Welles, Franco Nero, Hardy Kruger, Sylva Koscina, Curt Jurgens, Anthony Dawson, Milena Dravic, and Sergei Bondarchuk. The movie was released in various languages and various running times. The version I saw was mainly in German, and ran 145 minutes. I appreciated the effort, but I lost interest before it ended.  (6/10)



    Black Belly of the Tarantula (1971) Italy, Dir: Paolo Cavara - Giallo thriller about a mysterious killer targeting beautiful women. Cop Giancarlo Gianini is on the case. Also featuring Claudine Auger, Barbara Bouchet, Barbara Bach, Rossella Falk, Silvano Tranquilli, and Stefania Sandrelli. I liked this over-heated thriller, with an unusual score courtesy of Ennio Morricone, and a lot of skin on display.   (7/10)

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  4. 6 minutes ago, jamesjazzguitar said:

    In addition TCM and HBO are generally commercial free so they don't receive sponsorship feedback (which is typically the most influential).

    Just a clarification - Gone with the Wind was pulled from HBO Max, which is the new Warner Media streaming service. Despite the name, it's a separate entity from the traditional HBO pay channel available on cable and satellite. HBO Max is comparable to Netflix or Amazon Prime, and it offers programming from Warner Brothers, TCM, Criterion, DC Comics, HBO, and various other TV and film outlets. Gone with the Wind  was pulled from their streaming offering. I don't think it was ever aired on the HBO channel, but if it did, it wasn't often. 

    With streaming, people had to choose to watch the movie, unlike if it's aired on TCM, where someone would have to change the channel if they didn't want to see it. The current political/social climate caused the just-launched HBO Max to pull the movie, but they most likely will bring it back to their service with the aforementioned disclaimers before the movie. The corporate bosses are also very skittish about losing subscribers to their (very expensive to get running) brand new streaming service.

    And personally, I'm 100% against removing the film, or any film, from the market, particularly from streaming offerings, where the customer has to click on the movie to watch it, making a conscious decision to do so, rather than passively coming across it while flipping channels on cable. I also don't mind it being shown on TV, either, though. And that goes for other films like Song of the South as well. Like others have mentioned, there are more offensive depictions of people in other films than Gone with the Wind. I personally find Breakfast at Tiffany's to be much more racially offensive, but I still wouldn't want to see that movie banned, or for people to be denied access to it. 

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  5. I've watched a few foreign-language films recently, of varying quality:



    Les Idoles  (1968) France, Dir: Marc'o - A rock trio named The Idols performs and pontificates about life and what it's all about, man. With Bulle Ogier, Pierre Clementi, and Jean-Pierre Kalfon. Jean Eustache was the editor. Very dated and corny, but not without some meager appeal for fans of the period.   (5/10)



    Entranced Earth  (1967) Brazil, Dir: Glauber Rocha - Revolution in a fictional South American country leads a noted poet (Jardel Filho) to question his positions. This is a highly political arthouse experiment that hued a bit too much toward the pretentious for my tastes.   (6/10)



    Time of Indifference  (1964) Italy, Dir: Francesco Maselli - An aged Countess (Paulette Goddard in her final film) suffering financial trouble allows a sleazy rich guy (Rod Steiger) to paw at her daughter (Claudia Cardinale) in exchange for monetary support. Also featuring Shelley Winters, and Tomas Milian. The Americans are all dubbed into Italian which is jarring, and the pace is lethargic. Cardinale looks amazing, as usual.    (6/10) 



    Gaav/The Cow  (1969) Iran, Dir: Dariush Mehrju - In a rural village, a cow belonging to a noted citizen dies while the man is out of town. The townsfolk bury the cow and fear telling him happened (he really liked this cow). This simple, low-fi tale offers a glimpse at rural Iranian life. I would have preferred seeing a sharper, clearer print, as the one I saw was washed-out and featured nearly-illegible subtitles. The Shah's government reportedly hated the film and tried to have it suppressed, while the Ayatollah Khomeini loved it, and it's said that this film was why the religious leader allowed the film industry to continue after the revolution.   (7/10)



    El Norte  (1983) USA, Dir: Gregory Nava - A brother and sister make their way from Guatemala to the US in hopes of safety and a sustainable living, only to learn that the "promised land" of America has as many trials and tribulations as home. Nava's engrossing tale of the plight of Central Americans and the undocumented in the US is still timely, although the same territory has been covered in countless films and TV shows since, robbing this film of some impact. This must have made some impression on Oliver Stone, as several aspects of this movie would be used in his subsequent films Salvador and Platoon.    (8/10)

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  6. autopsy-of-a-ghost-19684.png

    Autopsy of a Ghost  (1968) Mexico, Dir: Ismael Rodriguez - Lunatic slapstick comedy with the Devil (John Carradine) tormenting a goofy scientist named Moleculo (Cameron Mitchell). With Basil Rathbone (in his final film) as a ghost. The trio of movie stars from north of the border are all dubbed in Spanish. The pace is relentless, and the comedy bizarre enough to make me wonder if I may have taken peyote beforehand. Carradine seems to be having a lot of fun. I only wish I was.    (4/10)


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  7. 0MoV3dQvriwpiafV80OBfTf_Xt0bpzKMClVYfxoE

    Fat Girl (2001) France, Dir: Catherine Breillat - Chunky, awkward 12-year-old Anais and her much prettier older sister Elena struggle with their burgeoning sexuality. Breillat deploys her usual deliberately provocative shock moments mixed with tedium. I liked this more than her other films that I've seen (A Real Young GirlRomanceThe Last Mistress) but not by much.   (5/10)

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  8. d824e5f3b2c2acb17cc29be7a9579123.jpg?ito

    Before the Revolution (1964) Bernardo Bertolucci, Italy - A young man grieves the loss of his friend, and begins a romance with his aunt. Much has been made of Bertolucci being only 22 when he wrote and directed this, and I suppose that's impressive. The film's visual style is compelling, but the plot is tedious and the characters are uninteresting. In that respect it shares a lot with French New Wave films of the period, most of which I'm not a fan of.   (6/10)

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  9. pagador.jpg

    The Given Word aka Keeper of Promises (1962) Anselmo Duarte, Brazil - A simple farmer makes a pact with God that if his injured donkey is healed, the farmer will make a pilgrimage to the nearest city's large church, carrying a replica of Christ's cross. However, when the farmer arrives, the local priest refuses to let him enter, touching off an ever-growing controversy, with an opportunistic reporter fanning the flames.

    Duarte exams the Catholic Church's uneasy relationship to the locals' unique blend of Catholicism and primitive spiritualism, and the conflict that occurs when the two clash. There's also a scathing indictment of cutthroat journalism and capitalist exploitation. Recommended.  (8/10)

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    1. Duck Soup
    2. Bride of Frankenstein
    3. Dracula
    4. The Adventures of Robin Hood
    5. Strangers on a Train
    6. Spartacus
    7. The Searchers
    8. The Letter
    9. In the Heat of the Night
    10. This was the toughest choice. My favorite movies that he appeared in are JFKBigger Than LifeA Face in the Crowd, and Lonely Are the Brave, but I wouldn't call any of them "Walter Matthau movies". 
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  10. 4 minutes ago, mr6666 said:

    Reade has said that she believes the complaint is in Biden’s Senate records, which are housed at the University of Delaware. The school has said that it will not release the records until two years after Biden has retired from public life. ............

    I'm sure if Joe asked real nice the University would be glad to release everything....

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  11. And in local news...

    Former Alabama Senate candidate's lawyer arrested in Gainesville


    GAINESVILLE, Fla. (WCJB)-- An attorney that once represented former Alabama Chief Justice and Senate candidate, Roy Moore, was arrested Thursday night in Gainesville.

    Alachua County Deputies arrested Trenton Rogers Garmon, 40, after they were called to the Hotel Indigo in Celebration Pointe about a man causing a disturbance.

    As deputies arrived staff told them that the disturbance was coming from the 4th floor, saying an older man was screaming racist profanities at some of the hotel guests.

    While deputies were getting on an elevator, they could hear a man screaming coming from the 4th floor. Before they arrived, they heard Garmon in an adjacent elevator that opened up back in the lobby.

    Deputies that were in the lobby witnessed Garmon verbally berating the two patrons with racial slurs and cuss words. The Deputies stopped Garmon when he began backing the two patrons into a corner of the elevator.

    A deputy grabbed Garmon's arm to take him away from the patrons, but Garmon went back to the two patrons again. This led to deputies trying to arrest Garmon.

    A deputy was able to place the first handcuff on Garmon's wrist and was given verbal commands to comply. Garmon jerked his arm away and spun around with his other arm high towards the deputy.

    Garmon had to be put in the ground to be arrested. He later said that he had been drinking wine and was obviously "heavily intoxicated."

    This is not Garmon's first run-in with the law as well. According to Huntsville, Al, news website Alabama.com, Garmon was arrested in 2019 on DUI and drug possession charges.

    The man Garmon once represented, Roy Moore, ran for Senate in Alabama in a 2017 special election, that he lost to Democratic candidate Doug Jones.

    He was charged in Alachua County with public intoxication and resisting arrest without violence. Garmon was held briefly at the Alachua County jail before being released.


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  12. 2 minutes ago, CinemaInternational said:

    Comcast owns NBC and Universal, so that is why you got a free Premium membership, because you still subscribe to their cable package, you get early access to it (the service does not go live for non-Comcast customers until July) and you will never have to pay a dime for it even after the introduction. It's a special perk and come-on. Similarily, when WB starts their HBO Max service on Memorial Day weekend,  all people currently subscribed to HBO in their cable packages (like me) will get it for free.

    Yes, I was aware of why I received it. My only question was as to the nature of the "premium" nomenclature, since I was still made to watch several commercials beforehand. I'm not really that interested in the details, though, or I would have researched them online. 

    I doubt it's a service that I am likely to use often, especially considering the "quality" of the original programming based on the available previews. I had held out hope that the 1980's-era SNL full episodes would be available, but only episodes from the past 5 years are there at the moment.

  13. 7 minutes ago, Janet0312 said:

    What was it? I've seen this film a million times and I still can't place him.

    "4. Brooks usually appeared in his own films but Wilder insisted he stay out of Young Frankenstein. The actor felt the funnyman's appearance would ruin the illusion and declared he would only make the film if he promised not to appear in it. Brooks did, however, make off-camera appearances as the howling wolf, Dr. Frankenstein's grandfather, and the shrieking cat."


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  14. I was searching through my cable TV options late last night when I discovered that the new Peacock streaming service had gone live. It's the NBC/Universal entry in the ever-expanding streaming market. As a Comcast customer, I get a free "Premium" membership. I'm not sure what premium means in this context, as I still had to watch a couple of commercials before a program started, although there were no interruptions while the program was going.

    I mention this here because there are a lot of movies available, including many studio-era Universal titles. There didn't appear to be any of the long-sought-after rare Universal titles, or the early Paramount titles that Universal has control over, but there were still enough classic films available that fans of such may be interested.

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