Jump to content
 
Search In
  • More options...
Find results that contain...
Find results in...

robertocasti

Members
  • Content Count

    5
  • Joined

  • Last visited

About robertocasti

  • Rank
    Newbie
  • Birthday 02/11/1967

Contact Methods

  • Website URL
    http://www.robertocasti.com

Profile Information

  • Gender
    Male
  1. Ciao. -- What did you notice about Rita Hayworth's performance when you were watching this scene? She's deliberately singin' and dancing, sending a message to someone. The words of the songs, her tone and poses are like a public statement. The use of the spot light while she enters in the scene and then her close-ups with a strong blurried light describe well who she is and wants to be. -- What are some of the deeper layers of meaning that are contained in this film noir musical sequence? The strong sensuality of the character - voice and body - and her desire to be independent. -- In what
  2. Ciao. -- How do you feel the noir influence operates in this scene from Mildred Pierce? The background music has a dramatic tone that describes well the increasing tension between the characters. -- How does Curtiz arrange these two actresses to heighten the tension of the scene? Pay attention to how they move and how they are framed in the scene, especially the use of close-ups. The actresses start to move from the right (normal) to the left (drama) of the scene and every time the tension rises the camera alternately close-up to the actresses with a spot of light over their faces (t
  3. Ciao. -- How would you compare the opening of M to the opening of Ministry of Fear? Both movies let us in to the story with a series of clues until we get the most significant one: in M is the police poster bulletin about a series of child murders; in Ministry of Fear is the sign outside the building, Lembridge Asylum. They also have in common the using of a clear sound effect, not disturbed by the environment. -- Describe in your own words how Fritz Lang uses the clock in this scene as a major element to set mood and atmosphere. In the very first part of the opening we can clearly s
  4. Ciao, - Do you notice anything unusual about how this private detective is acting? He's quite aggressive and makes phisical contact with the people (the elevator boy, the woman in his office) - Describe some of the things Marlowe says or does that make him a new kind of private detective? He lets the lady enter into his office and then locks the door with the key without being seen. Now he can study the woman. While he's asking her about typing he takes her hand and notices her manicure. Then he starts asking questions unmasking the lady, piece by piece. - Why do you think this kind of priv
  5. Ciao. -- What examples do you see that fit with Nino Frank's contention that Laura is a "charming character study of furnishings and faces?" While the running shot is focusing on the collection of valuable objects (a showcase of "glasses", a pendulum-clock) we can also glimpse a terrace outside the room, with a skyline of buildings in the background. We are in a penthouse. The camera keeps going and other furnitures are shown, everything is furnished in very good taste. Then we see Dana Andrews, his body and expression are in contrast with the scene. He's smoking a cigarette, glued on hi
© 2021 Turner Classic Movies Inc. A Time Warner Company. All Rights Reserved Terms of Use | Privacy Policy | Cookie Settings
×
×
  • Create New...