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LesleySargoy

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About LesleySargoy

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  1. What was the first Judy Garland film you recall watching? What was your first impression of her? The Wizard of Oz. First impression is of that strong voice! What an amazing talent she had and she was only 16-17 when she made this movie. How do you view her differently after viewing these clips than you might have viewed her previously? I don't view her that much differently, only that she was much more versatile than perhaps we give her credit for. She wasn't only a singer/dancer, but a very accomplished actress. I'll never forget her dramatic performance in Judgement at Nurembe
  2. What other aspects of battle of the sexes do you see indicated in this clip or in the film Top Hat? Just the "pursuing male/reluctant female" aspect of the storyline, similar to the Jeannette MacDonald/Nelson Eddy clip we watched earlier in the week. It also seemed like Fred and Ginger were more competitive with each other on the dance steps than in other films. How does this film distinguish itself from other Depression era musicals we have watched or discussed this week? Long introductory song sequence, before the dance came in. Also, interesting use of costume, particularly o
  3. What do you notice about the Lubitsch touch? How do the props, the dialogue, and the staging help you understand the character of Alfred (Maurice Chevalier)? Because the film is coming off the silent era, I first noticed the richness in visual detail, particularly with the luxurious surroundings of Alfred's home. You get a sense of character and story just by looking at all of the details. Based on this scene, what are some of the things you notice about the scene’s use of sound? Describe a specific sound or line of dialogue you hear and what you think it adds to the scene’s effectiv
  4. 1 What do you notice about the interaction between the characters in these two scenes? Please give specific examples. If you have seen either or both of these actors in other films or television shows, please share your perceptions about them. Jeanette MacDonald barely tolerates the Nelson Eddy character, won’t even look at him until he starts singing. Then a smile comes to her face, even though she still won’t turn around and look at him. Finally as he finishes, she turns to him and smiles. Afterwards, when he asks if she likes the song, she plays it cool, swapping in other girl’s n
  5. Do you agree that the clip exhibits a brighter perspective of life than might be realistic? Why or why not? Yes, only because this time period was the great depression. People wanted to get away from their troubles and be entertained. A little bit of escapist fantasy is what the audiences were looking for (and perhaps still are). Nothing like the movies to project yourself into another world! What themes or approaches might you anticipate from this clip in other Depression era musicals? Very similar themes in all of them - the escapist entertainment. The only one I can think of
  6. UPDATE: Tried to mirror the iPad directly to the TV through the Lightening to HDMI Cable Adapter instead of the Apple TV. Same issue, got the sound but no picture. TCM material works but not the feature film. If I don’t mirror from the iPad to the TV, the movie plays directly on the iPad. Would rather watch films on the big screen, but guess I’ll have to wait and see if there is some update to the TCM app that removes the DRM restrictions for mirroring under iOS 11.
  7. Thank you so much for your suggestion. Interestingly, the streaming worked from my MacBook Pro over to Apple TV by using WatchTCM through Safari. Tried it again from the app on my iPad and I only get the sound, no picture. However, if I don't mirror the content over to Apple TV, the movie plays fine on the iPad... strange? I might try to mirror the iPad directly to the TV through a Lightning to HDMI Cable Adapter ... bypass the Apple TV entirely and see what happens then...
  8. Hello All, I recently upgraded my my iPad Pro to iOS11. Before I did this, the TCM Watch App worked perfectly on the Apple TV with AirPlay Mirroring. I'd start the movie in TCM Watch (iPad), click on AirPlay Mirroring > Apple TV and the film would appear on my TV screen. Now with the iOS11 upgrade, all I get is a black screen. Short segments like the "host" section with Ben Mankiewicz will mirror, but not the main film. Can't figure out why? Does anyone have any ideas on how to fix this? I tried re-downloading the TCM Watch app, but it still doesn't work. Or even better, TCM
  9. What are some of the common Hitchcock touches that you see in this opening scene? Be specific. The panoramic view of a famous place (London) with all of the prominent buildings shown to their best display. Its almost like we are on an airplane and coming in for a landing on the spot where the government official is talking about eradicating water waste and pollution. Even the music if very "official" (pomp and circumstances). However, Hitchcock throws in a surprise when an ordinary man yells, "LOOK!" and everyone sees the dead body floating. This is an abrupt switch in storyline, simil
  10. Based on the opening sequence alone, what do you feel you already know about Marnie as a character? In what ways does Hitchcock visually reveal her character through her interaction with objects.We know right away that this woman's is making herself over when the two suitcases appear. She is dumping things in the suitcase on the left, which represents her old identity, while the other suitcase is packed very neatly with her new clothes. These new outfits are Hitchcock's visual representation of her new identity. We don't know why she is making this change, we can only assume it is to hide from
  11. In what ways does this opening scene seem more appropriate to a romantic comedy than a “horror of the apocalypse” film? What do we learn about Melanie (Tippi Hedren) and Mitch (Rod Taylor) in this scene? Melanie and Mitch are flirting with each other when Melanie is pretending to work at the bird shop. Although Mitch is sees through her, he plays along with her practical joke. They engage in very witty banter, reminiscent of the 1930s romantic comedies - The Thin Man (1934) comes to mind. Mitch and Melanie are very sophisticated and urbane, just like Nick and Nora Charles, as shown by their
  12. Psycho opens with title design by Saul Bass and music by Bernard Herrmann. This is their third collaboration for Hitchcock, including Vertigoand North by Northwest. How does the graphic design and the score introduce the main themes of this film? The graphic design shows a split in lines and a split in the words - two halves become a whole. Perhaps this is a foreshadowing of the Norman/Mother personality split that is revealed in the end of the movie. This visual, combined with the sharp, scary music - almost shrill - raises the blood pressure and anxiety levels of the audience. We know
  13. There is minimal action in this scene, so any deviation from the overall pattern of focusing on the faces of the two leads will have increased significance. In that sense, discuss how Hitchcock uses the R.O.T. matchbook as an important piece of acting business (or as a prop) in this scene. How is Hitchcock using sound design in this scene? Consider music and other background sounds in your answer. The R.O.T. matchbook allows Eva Marie Saint to touch Cary Grant's hand as he is lighting her cigarette, but more importantly, it's a foreshadowing of what will happen later in the film. The matc
  14. In your own estimation, what is the single most powerful image in this title sequence? Defend your answer. How do Saul Bass’ images and Bernard Herrmann’s score work together? How different would this sequence be with a different musical score? The most powerful image is when the camera closes in on the widened, frightened eye, and it becomes a spiral. We have been set up by the ominous music that gets louder every time a name appears on the screen, i.e., Jimmy Stewart. We already don't know what to expect, why is the camera closing in on the lips, cheeks, the eyes and finally the one
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