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MarcY

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  1. Reflecting on Hitchcock’s masterful attention to detail, it’s interesting to note that, in this opening, Bruno enterers the screen from the right, while Guy enters from the left. Their movements toward and into this initial train car scene establishes the right half of the screen as Bruno’s, and the left half screen as Guy’s. We are made uncomfortable when Bruno encroaches into Guy’s space on the left. In the track “criss-cross” shot, the train begins going straight ahead, then veers across the emerging complex tracks to the take extreme right path; towards Bruno’s side of the screen. Cou
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