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okbuprof07

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About okbuprof07

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    Newbie
  • Birthday April 15

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    Male
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    OKC OK
  • Interests
    classic films, modern art and photography, architecture, travel, information technology, baseball, college football, data visualization and spatial computing
  1. A Thank You to Our Faculty in This Great MOOC Perhaps this adds a nice coda: https://www.youtube.com/watch?v=zFVxX3RtyhQ
  2. 1. In your own words, please describe the effect of watching the POV dolly shots / POV tracking shots in this scene? The most striking is the end of the scene when the young lady (the accuser) is being watched by the young man who was accused. AH "leans in closely" so you can see the anger in the oung lady's face. The use of POV is a stroke of genius because situations like the one depicted make viewers have to read nuances of facial expression to try to ascertain which of the two (the accuser and the accused) is "sincere," or "credible. The POV where the two young men go forward to see the
  3. 1. How does Hitchcock use montage or expressive editing to add vitality and rhythm to this scene? One way is that AH cuts back and forth between the bacchian-like party in one room and the discussion between the fighter, the trainer, and the manager in another room. The juxtaposition shows how professional sports is essentially entertainment in which the athlete pays the price (e.g. "North Dallas Forty"). In other words, AH is not creating "Pride of the Yankees." 2. As is the case with a lot of German Expressionist films, in this scene, there are many shots that are very subjective a
  4. 1. Compare the opening of The Lodger to the opening of The Pleasure Garden - what similarities and differences do you see between the two films? In each case there is an opening scene with a woman on display - a chorus girl ("The Pleaseure Garden") and a female corpse being looked over by policemen and the woman who found her ("The Lodger"). Both films begin at night and use a public place: a pub ("The Lodger") and a burlesque club ("The Pleasure Garden"). 2. Identify elements of the "Hitchcock style" in this sequence? Please provide specific examples. Even if you are not sure if i
  5. 1. Do you see the beginnings of the "Hitchcock touch" in this sequence? Please provide specific examples. The use of the descent from a staircase reminds me of how AH used heights such as in "North by Northwest," "Vertigo," "Rear Window," "Saboteur," and "To Catch a Thief." 2. Do you agree or disagree with Strauss, Yacowar, and Spoto assessments that this sequence contains elements, themes, or approaches that we will see throughout Hitchcock's 50-year career? Yes, I agree with that assessment. For example, the old lech thinks the chorus girl is probably a woman with lose morals or a
  6. The use of POV always seems to divide viewers. Some find in distracting others dislike it. It reminded me of Lady in the Lake.
  7. What wonderful comments!!! I agree that the opening scene offers a study in the use of juxtaposition ... reminds me of the "The Third Man" in which Joseph Cotton and Orson Welles have an incredible scene while in a ferris wheel
  8. In film noir ordinary people get swept up into extraordinary events by sheer chance or because of their fatal flaws.
  9. So many wonderful comments! I really have nothing I could add. The opening scene reminds me of a key scene in "The Third Man" where a child begins to cry out "murderer" at Joseph Cotton who is then chased by a mob.
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