Jump to content
 
Search In
  • More options...
Find results that contain...
Find results in...

GregoryPeckfan

Members
  • Posts

    6,228
  • Joined

  • Last visited

  • Days Won

    12

Posts posted by GregoryPeckfan

  1. **ANNOUNCEMENT**

    I am going to make note of everyone's winners in the various categories going forward so when we do our next decade review in 10 weeks time it will only be necessary to submit your best of the decade choices.  But to be included in the tally people must break any ties and have only one clearly marked winner in each category year-by-year. 

    Thanks for doing all that work, Bogie.  I know you love to write lists and this is a fun thread.  Keeping this tie-breaking in mind, I will try not to have any ties.

  2. BEST PERFORMANCES OF 1940

     

    BEST ACTOR

    Henry Fonda  The Grapes of Wrath****

    Cary Grant  The Philadelphia Story

    Raymond Massey  Abe Lincoln in Illinois

    Anton Walbrook  Gaslight

    Charles Chaplin  The Great Dictator

    W.C. Fields  The Bank Dick

    Cary Grant  His Girl Friday

    James Cagney  Torrid Zone

    Brian Donlevy  The Great McGinty

    James Cagney  The Fighting 69th

    Edward G. Robinson  Brother Orchid

    James Stewart  The Philadelphia Story

    Tyrone Power  The Mark of Zorro

    James Stewart  The Mortal Storm

     

    BEST ACTRESS

    Rosalind Russell  His Girl Friday****

    Joan Fontaine  Rebecca

    Katharine Hepburn  The Philadelphia Story

    Bette Davis  The Letter

    Ruth Gordon  Abe Lincoln in Illinois

    Ginger Rogers  Kitty Foyle

    Bette Davis  All This and Heaven Too

    Maureen O'Hara  Dance, Girl, Dance

    Greer Garson  Pride and Prejudice

    Margaret Sullavan  The Mortal Storm

     

    BEST SUPPORTING ACTOR

    Walter Brennan  The Westerner****

    Humphrey Bogart  They Drive By Night

    George Sanders  Rebecca

    Peter Lorre  Stranger on the Third Floor

    James Stephenson  The Letter

    Edmund Gwenn  Foreign Correspondent

    John Carradine  The Grapes of Wrath

    Allen Jenkins  Brother Orchid

    Robert Young  The Mortal Storm

    Wallace Ford  The Mummy's Hand

    Gene Lockhart  Abe Lincoln in Illinois

    Frank Craven  Our Town

    Eugene Pallette  The Mark of Zorro

     

    BEST SUPPORTING ACTRESS

    Judith Anderson  Rebecca****

    Jane Darwell  The Grapes of Wrath

    Gale Sondergaard  The Letter

    Ruth Hussey  The Philadelphia Story

    Lucille Ball  Dance, Girl, Dance

    Hedy Lamarr  Boomtown

    Flora Robson  The Sea Hawk

    Florence Bates  Rebecca

     

    BEST JUVENILE PERFROMANCE

    Sabu  Thief of Bagdad****

    Isn't Sabu fabulous?  Great choices, Lawrence.

  3. Great pick, Lawrence. I forgot about him when I made my own selection. My pick is good but yours may be better.

     

    Well. since Sabu was singled out already, I guess I will mention now that Sabu was my Juvenile pick as well.  I have not seen yours before, though Tom.

     

    By the way, I seem to have reached my like quota for the day, so just consider everyone's posts "liked' by GPF

  4. Looking over what I could read of the link( some other stuff was superimposed over some of it) I glanced at the list of names of the ones who "just missed" being included, and couldn't figure out why on some of them, but understood some others.

     

    But yeah, wisely inserted in an explanation was the word "subjective", which these kind of lists ARE laregly based on, and.....

     

    As complimentary your thread title is, it also really isn't all that accurate.  It suggests EVERYONE on the message boards are "experts" when actually, it's mostly filled with those who THINK they are!  B)

     

    Sepiatone

    Quite true, Sepia.  I know CMR got help from friends of his on other sites like Steve Lensman in England too- of course Steve is not on these boards.  I think the name of the thread, knowing CMR for 5 years or so, suggests that he was trying to be inclusive as he always has been on his own site. 

    • Like 1
  5. This is sad news.

     

    I loved watching Star Trek: The Animated Series and I have long been a collector of musical scores of film, stage and television in all the various stages of recordings from vinyl to 8 track to cassette tapes to cds.

     

    Thanks for telling us, Nip.

  6. Whose Line Is it Anyway? - Season 1 (1998-1999) - CW Seed via Roku

     

    I am currently taking advantage of the fact that the CW Seed has all eleven seasons of the U.S. version of this show available since I am currently multitasking and short-form improv makes for an ideal viewing choice in that situation. Too bad they don't have the U.K. version of this show available. Clive Anderson ruled!

    I love the original version.  I watch the American version too, but there was something about Clive Anderson himself that added a lot to the show.

    • Like 1
  7. Wow....there are quite a few well-known people born on April 16th.  Happy Birthday to all of them! 

     

     

     

    charlie_s_bday_big.jpg

     

     

     

    The "roll dance" from Gold Rush --

     

    I love this dance, Lawrence.  I love that you include these special  tributes as well as list days like "zoo day etc"

    • Like 1
  8. Those are great choices Tom.

     

    I agree that the duel scene between Tyrone Power and Basil Rathbone in The mark of Zorro is the best of the decade.

     

     

    Here are some "unique" categories for 1940 -my post for the day.  I'll mention Juvenile another day.

     

     

    FAVOURITE PERFORMANCE IN A HITCHCOCK MOVIE, MALE OR FEMALE:

     

    George Sanders for being excellent in *both* of Hitch's 1940 classics: Rebecca and Foreign Correspondent - again, see my Hitchcock thread for further details/nominees

     

     

     

    FAVOURITE SATIRICAL PERFORMANCE:

     

    Charlie Chaplin in The Great Dictator

     

     

     

    FAVOURITE ANIMATED PERFORMANCE:

     

    Mickey Mouse in Fantasia

     

     

     

    FAVOURITE SYNERGY;

     

    The cast of His Girl Friday with their spot on timing and in jokes about the stars and their on screen images

     

     

    FAVOURITE DUELING;

     

    Tyrone Power and Basil Rathbone in The mark of Zorro

     

     

    FAVOURITE ANIMAL PERFORMANCE:

     

    The animals in The Thief of Bagdad - all of them

    *the animals were treated cruelly and as such gave too much for their art, so I can't single one out

     

     

     

    FAVOURITE SCREEN HUSBAND AND WIFE TEAM:

     

    Powell and Loy in I Love You Again narrowly beating out Grant and Dunne in My Favourite Wife

     

     

     

    FAVOURITE DANCE TEAM:

     

    Fred Astaire and Eleanor Powell in Broadway Melody of 1940

    • Like 3
  9. I would love to see Robert Young as Star of the Month.

     

    In this particular instance, Robert Ryan Star of the Month happens on  Fridays  in May and he made a lot of war films.  In this way, TCM is able to combine Ryan as Star of the Month with their memorial Day weekend programming of  war movies.

     

    Welcome to the boards.

    • Like 1
  10. If I was going make a list of the 10 most overrated movies of all time, I would put THE FEARLESS VAMPIRE KILLERS on that list for sure.

     

    I hate this movie and nothing about it works. 

    I didn't see this movie, but as for vampire spoofs, I always enjoyed the movie Love at First Bite.   George Hamilton really was good at making fun of his movie star image.

    • Like 1
  11. I read Anthony Quinn`s autobiography, and he and his wife Katherine never got over the death of their first born Christopher. Anthony went on to have three more children with his first wife Katherine DeMille, and many other children when he remarried. I think the death of a child is almost unbearable.

    No, you never do.

     

    I remember that Lloyd Bridges and his wife had a second child after Beau who died of SIDS.  They waited a while, but they did have Jeff a few years later.

    • Like 1
  12. I watched two movies the other night.  

     

    Little Nellie Kelly (1940).  This was a Judy Garland movie that I had never seen before.  I'd seen the title mentioned in her filmography and I'd seen it listed among her films for sale on the Warner Archives site, but I had never seen the film on a TCM schedule.  This film was Judy's first film where she was cast in an adult role instead of a juvenile role.  Although, in this film, Judy plays dual roles, so she's actually cast as an adult and as a juvenile.  I wasn't sure what I thought of the film when I started watching it.  Judy and the other cast members all spoke with Irish brogues and I thought it seemed kind of hokey.  Once they left Ireland and were in America, I enjoyed the film before.  I liked Judy in her juvenile role better.  George Murphy sort of played dual roles as well.  He was Judy Garland's husband in the beginning of the film and then was her father in the later part of the film.  He was kind of bland.  Not bad, not that great either.  Charles Winninger also had two roles: Judy's father in the beginning and her grandfather later.  He was good as the cantankerous old man who seems adverse to change.  I realize my descriptions of the dual roles sound a bit sordid, but it all makes sense in the film and this movie is pretty squeaky clean.  I did not like the man who insisted on singing in an operatic style.

     

    Judy sings a lot of great songs in this film.  I also didn't realize how many times "Singin' in the Rain" had been around the block until Gene Kelly sang it.  Judy gives a rousing rendition of this song toward the end of the film.  It's probably my #2 favorite version after Kelly's.  My favorite song in the film was Judy's "It's a Great Day For the Irish" in the parade scene.  She sings it with such enthusiasm and with such infectious energy that it's hard not to be perked up by this song.  

     

    This isn't my favorite film of hers, but it's definitely not the worst of her films either.  I vastly prefer it over her films with Mickey Rooney.

     

    3/4 stars.

     

    ---

     

    Cape Fear (1962).  I followed my Judy film up with this suspense/thriller film starring Gregory Peck, Robert Mitchum, Martin Balsam and Polly Bergen.  I loved this movie! I don't normally like films that depict rape, but in this film, since the rapes are only alluded to and not seen, I wasn't bothered by the subject matter.  For 1962, I thought this film was very progressive for its time.  There aren't many films (if any) from this time where the villain is motivated by sexual desires.  I appreciated the clever script that explicitly stated what Mitchum did, but without explicitly saying what he did (if that makes any sense).  

     

    Robert Mitchum's performance of Max Cady absolutely made this film.  He was perfect as the creeper Cady who "innocently" stalks Peck, Bergen and their daughter.  I liked how his stalking started out with just watching Peck and his family, but then he slowly became more brazen with his crimes.  The fact that Peck couldn't prove that Mitchum committed any of these crimes only heightened the suspense.  Also add in the fact that Mitchum retained his own lawyer to challenge the extra scrutiny placed on Mitchum by Peck and friend (and police chief) Balsam.  Mitchum is well aware of the law and he and his lawyer use this to get the law on Mitchum's side and make Peck out to be the bad guy.  This whole layer to the story makes Mitchum seem even more sinister, and you, as the viewer, just wait for Mitchum to slip up.  The scene where Peck's daughter sees Mitchum outside her school was very chilling.  When she is inside the school trying to outrun the man whom she thinks is following her was very suspenseful.  I also thought it was clever how the man was only shown from the waist down.  

     

    Peck was excellent as the lawyer whom Mitchum was trying to punish for sending him to prison.  Mitchum blames Peck for interrupting his attack against a young woman and for providing the subsequent testimony that clinched the case and sent Mitchum to the clink.  I thought Peck's performance was very good in that he maintained his typical stoic manner, yet he also had moments of weakness when he was scared for the fate of his wife and daughter.  The scene where Peck decides to take the law into his own hands and leaves the family home with a gun despite wife Bergen frantically pleading with him to stop was very powerful.  

     

    Of course the famous scene on the houseboat was the best part of the film.  Mitchum's attack on Bergen was creepy and scary--especially when he rubs his hands across the egg he had splattered onto her chest.  The dialogue where Mitchum tells Bergen if she somehow consents, then he hasn't committed a crime, then where Mitchum tries to blackmail Bergen into having sex with him in exchange for him leaving her daughter alone was very creepy.  The subsequent attack was very scary.  While it isn't clear whether or not Mitchum actually raped her, I choose to believe he did because at that point, after the exchange between Mitchum and Bergen earlier in the scene, why wouldn't he?

     

    Peck and Mitchum's classic fight in the river was the best part of the film.  

     

    Sometimes when I watch a film that has unpleasant subject matter, I come away feeling happy that I watched the film, but have no desire to see it again.  Not with Cape Fear, I'd happily give this film another go.  The setting, the acting, the storyline, everything was absolutely fascinating.  

     

    4/4 stars.

    Glad you loved Cape Fear, Speedy.  Every time I see it, I find something else to consider when seeing it from before.  When it was on earlier this month I believe it was the first time I had seen it since Polly Bergan died.  I saw it not long after she died in her memory, but not since.  The film does indeed leave certain things to be decided for ourselves, partly because the film cannot be too explicit, but also because  of the genre.  I have seen both versions, and I have always found the original ore disturbing.

     

    In the remake, Peck plays Cady's lawyer.  Mitchum has a small role too.

© 2022 Turner Classic Movies Inc. All Rights Reserved Terms of Use | Privacy Policy | Cookie Settings
×
×
  • Create New...