spence
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Posts posted by spence
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GREAT GOING BUDDY! However & as we all now it's very early yet. These 87th annual Academy Awards may be of a history vent a bit though
You have both Oldman & Brain Cox as "Churchill" Benedict Cumbermatch as "Edison"_"Current War"), Steve Carell as Bobby Riggs in "Battle of the Sexes" & of course more, possibly K. Branagh in "Murder on the 0rient Express?" Also, though no footage is set yet but John Travolta portrays John Gotti
as for the Ladies> Dench, "Victoria & Abdul" Annete Benning-(her 5th shot), Emma Stone as "Billie Jean King" in "Battle of the Sexes" Salma Hayek & I'd have look, but even more & never know actors get lucky in *"The Woodman" films & *K. Winslet is due in "Wonder Wheel"
& from the looks of whats coming ahead & despite some of it's drawbacks>"Dunkirk" may still be a big contender? Also "Mudbark" "0ur Finest Hour" "The Current war" & several *Oscar pundits are high on "Wonder Woman"
& PLEASE HELP OUT!!! What ever happened to *Nicole's big "DUNKIRK?" Not 1 local theatre has plans to get it & no posters either?
WHO HAS SEEN IT & WHAT DID YOU THINK PLEASE?
These just may be a historical *Oscars
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though Extremely early I'LL SEARCH FOR THE SUPPORTING RACES FIR YOU
rECKON NOW THAT "the beguiled" WOULD NOW OPEN WIDE, NXCT I HOPE TO SEE IS "BATTLE OF THE sEXAS"
sadly though not among the greatest, but I REALLY GO FOR *NIC0LE ever since "To Die For"
Ever see 2004's "DOGVILLE?
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To Jakeem, did you or someone edit down these releases I posted on here yesterday? Because there was a lot more I submitted?
Looking ahead in the distant future, *Dench is the a-typical type they would want to vote a 2nd *Academy award & for a typical period pc costume drama. I'll never forget the late Gene Siskel was adamant about her winning for '97's "Mrs. Brown"
Stating she should win by "proclamation" Unless of course they finally want to honor Bening?
& though incredibally early, 0ldman seems the frontrunner already. Jakeem, ever see him in ":Sid & Nancy" "State of Grace" =(my pick as his finest work to date!)"Dracula"-(many pick on that thriller, but I agree w/Maltin in rating it a 3 & 1/2. It had everything going for it, music, performances, costumes, art-direction, sound, visuals. It's score was not in the race though> & did take home Best Make-Up, Sound Effects & Costume Design & made $83m. Not so much scary-(I rarely if ever get scared at a movie) but amazing to look at! & as you & others may be aware I'm very prejudiced when it comes to little WINONA! Others he did I wonder if you've seen yet>"True Romance"(AMAZING SUPPORTING WORK!), "The Professional" "The Contender"-(but Jeff Bridges got the nod.), But I've yet to see his sole *Oscar bid td "Tinker Tailor Soldier Spy?"
I know I got the same EW info & typically the magazine didn't even bother to include it???
Jakeem, good going again pal! I just got the newewst issue & **** you know early,it may tape a bit of shape?
(NOTE: Did you also cite the supporting masybes.,, because they have Carell in that role instead?
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Jakeem, did you see "W. Woman" yet? But by far as you of all know "BEAUTY AND THE BEAST" is 2007's biggest **** at over $500m. domestically only I think that makes it No. 7 ever
Elba was in talks to portray the next "BOND" My vote Tom Hardy This guy name literally do everything & only at 40!
Ever see the nasty british gangster film "Legend?" (strong ***) beware the cockney accents are even stronger then *Connery's 1965 powerhouse "The Hill" (***1/2)
In "My Alternate *Oscars" I voted for Hardy as Best performance by a leading role in that pic. But he was only up for s. actor that yr for "The Revevent" instead There was a 1990 crime-drama "The Krays" never saw it.
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Box Office: #TheDarkTowerMovie leads slow weekend with $19.5 million, #DetroitMovie stumbles http://bit.ly/2uwvyRm
Jakeem, did you see "W. Woman" yet? But by far as you of all know "BEAUTY AND THE BEAST" is 2007's biggest **** at over $500m. domestically only I think that makes it No. 7 ever
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To Jakeem, did you or someone edit down these releases I posted on here yesterday? Because there was a lot more I submitted?
Looking ahead in the distant future, *Dench is the a-typical type they would want to vote a 2nd *Academy award & for a typical period pc costume drama. I'll never forget the late Gene Siskel was adamant about her winning for '97's "Mrs. Brown"
Stating she should win by "proclamation" Unless of course they finally want to honor Bening?
& though incredibally early, 0ldman seems the frontrunner already. Jakeem, ever see him in ":Sid & Nancy" "State of Grace" =(my pick as his finest work to date!)"Dracula"-(many pick on that thriller, but I agree w/Maltin in rating it a 3 & 1/2. It had everything going for it, music, performances, costumes, art-direction, sound, visuals. It's score was not in the race though> & did take home Best Make-Up, Sound Effects & Costume Design & made $83m. Not so much scary-(I rarely if ever get scared at a movie) but amazing to look at! & as you & others may be aware I'm very prejudiced when it comes to little WINONA! Others he did I wonder if you've seen yet>"True Romance"(AMAZING SUPPORTING WORK!), "The Professional" "The Contender"-(but Jeff Bridges got the nod.), But I've yet to see his sole *Oscar bid td "Tinker Tailor Soldier Spy?"
I know I got the same EW info & typically the magazine didn't even bother to include it???
GREAT GOING BUDDY! However & as we all now it's very early yet. These 87th annual Academy Awards may be of a history vent a bit though
You have both Oldman & Brain Cox as "Churchill" Benedict Cumbermatch as "Edison"_"Current War"), Steve Carell as Bobby Riggs in "Battle of the Sexes" & of course more, possibly K. Branagh in "Murder on the 0rient Express?" Also, though no footage is set yet but John Travolta portrays John Gotti
as for the Ladies> Dench, "Victoria & Abdul" Annete Benning-(her 5th shot), Emma Stone as "Billie Jean King" in "Battle of the Sexes" Salma Hayek & I'd have look, but even more & never know actors get lucky in *"The Woodman" films & *K. Winslet is due in "Wonder Wheel"
& from the looks of whats coming ahead & despite some of it's drawbacks>"Dunkirk" may still be a big contender? Also "Mudbark" "0ur Finest Hour" "The Current war" & several *Oscar pundits are high on "Wonder Woman"
& PLEASE HELP OUT!!! What ever happened to *Nicole's big "DUNKIRK?" Not 1 local theatre has plans to get it & no posters either?
WHO HAS SEEN IT & WHAT DID YOU THINK PLEASE?
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Robert Mitchum-(l9l7-97) was actually black foot indian
& I read many times that Bob -(his own admittance on Cavett) was black foot. B. Reynolds-("Navajo"), *Cher-(don't know?),
^ I'm forgetting a couple right now?
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Great shows. Would probably purchase the DVD sets, but then they are too long.
I rate the first one a bit of the follow-up, how about you? Although a lady I've had a thing on since about 1980-("Somewhere In Time" starred in the follow-up
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Heh, my brother actually wrote to Mitch in the 70's asking for an autographed photo & he sent a 5x7! That must have been pretty exciting for a teen.
A few years ago I bought my brother a movie still from THE HUNTERS '58, his fave Mitch movie, showing Mitch in the cockpit. When the photo arrived I went to frame it and saw it was autographed on the back! And the writing matched!
My brother then gave me his personally autographed photo since he knows I collect them! I have since framed a half sheet poster from THE HUNTERS and my brother has made a replica helmet from the movie to display with it. (I tease him that he wears it when playing dress up)
I highly recommend the Mitchum biography Baby, I Just Don't Care. It's excellent.
That was neat of him to write back. Though I;m no fan, *J. Crawford always insisted on answering her fan mail & nightly
YTU & LOCATE THOSE 1970's DICK CAVETT-(miss him) INTERVIEWS. IT WAS AFTER ONE WITH *BRANDO THAT *MARLON TAKLED HIM INTO A SEEDY PT OF TOWN BECAUSE THEY HAD GREAT CHINESE FOOD & ALL THE WAY ACRES THE STRET WAS A #1 PAPARAZZO RON GALLALA-0(l931-0( NBOW, HE NEVER PEAKED IN WINOW, INVADED PRIVACY NADA. BUT, *MARLON ASKED DICK "WHGICH ONE IS GALLELA & HE RAN AWAY THE STREET & SHATTERED HIS FACE!
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Heh, my brother actually wrote to Mitch in the 70's asking for an autographed photo & he sent a 5x7! That must have been pretty exciting for a teen.
A few years ago I bought my brother a movie still from THE HUNTERS '58, his fave Mitch movie, showing Mitch in the cockpit. When the photo arrived I went to frame it and saw it was autographed on the back! And the writing matched!
My brother then gave me his personally autographed photo since he knows I collect them! I have since framed a half sheet poster from THE HUNTERS and my brother has made a replica helmet from the movie to display with it. (I tease him that he wears it when playing dress up)
I highly recommend the Mitchum biography Baby, I Just Don't Care. It's excellent.
THANX FOR WRITING! He had a brother that looked like him, but was bigger & when Cavett asked what happened to his bro he just said "I Don'T Know He Jumpoed A Train Somewhere"
His son-(I lbelieve) co-starred in the first Drive-in Chase picture from 1958 "Thunder Road" (***)
Did you know-(like Shatner) had his own album & sang the the theme for TR?"
His actually first features were in a couple Stan & 0llie films
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Top Top, I'm a wee bit confused, do you go when a lot of this was shot, or did fans send you these?
THAT PHENOMENAL MENTION IN THE PEERFECTLY DETAILED_(& I don't care for stuffy costume dramas) BUT IT WAS DIFFERENT, ESPECIALLY *SIR ANTHONY AS MR. STEVENS! I PERSOINALLY RATE HIS WORK IN THAT AMONG THEE FINEST IN THE 35 YEARS I'VE BEEN GOIG TO NEW RELEASES! Though I knew *Hanks would win for ""Philadelphia" that year)
HE HASN'T BEEN HONORED WITH THE AFI AWARD AS TET EITHER & 80 PRETTY LONG LIFE FOR AN ALCOHOLIC!
IT REMINDED ME ON THE MANSION IN THE BRILLIANT 1979 "BEING THERE"
(But please let me know)
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A Year In Hollywood 1998
The first half of the year was focused on two big events. As Monica Lewinsky remembered later for the New York Times (after Roger Ailes' passing): “Just two years after Rupert Murdoch appointed Mr. Ailes to head the new cable news network, my relationship with President Bill Clinton became public. Mr. Ailes, a former Republican political operative, took the story of the affair and the trial that followed and made certain his anchors hammered it ceaselessly, 24 hours a day.” Such was the almighty power of Fox News, along with CNN, MSNBC, the ABC, NBC, CBS and PBS news shows and an endless array of tabloid periodicals. The other ongoing event was Fox the film company jointly enjoying the spoils with Paramount over TITANIC, showing in no less than 3,200 national screens by March. There were plenty of off-color jokes combining the two, such as “while the ship went down once, Monica did so more than once”.
This was not a good year for the prudish easily embarrassed by bodily fluid talk. Even the word “hair gel” now meant something else altogether thanks to the Cameron Dias and Ben Stiller comedy THERE'S SOMETHING ABOUT MARY. Hollywood may have gingerly poked fun at Washington and its scandals when WAG THE DOG was released a bit earlier in 1997, but this year saw the film, music and TV industries slammed just as hard. In fact, 1998 seemed so much more eventful than the 1921-23 Fatty Arbuckle-WD Taylor-Wallace Reid years combined: Robert Downy Jr. was back in prison for violating his probation, fellow stars Brad Renfro, Charlie Sheen, Kate Moss and Daniel Baldwin all were struggling with their own addictions, Gérard Depardieu was motorcycling drunk, music star George Michael was caught enjoying himself in a park restroom, Christian Slater got arrested for beating both his girlfriend and an officer and, more ominously, details involving actor Phil Hartman's unexpected murder by his suicidal wife were all over the place. Celebrities had been living in a fish bowl for decades, but Tinsel Town was a lot more sensitive about it than in the past.
Peter Weir's THE TRUMAN SHOW came out in theaters this spring at just the right time. Jim Carrey's Truman Burbank (his last name synonymous with Hollywood's sleepy neighbor town, also involved in entertainment) is literally born on a reality television show. While movies try to replicate reality with studio sets, he only belatedly realizes that his entire life is all on a studio set. Not that there weren't occasional clues like a ceiling lamp falling from the “sky”. On the plus side, he is also scandal free. Was this because he was under the control of his TV executive “parent” (Ed Harris) and, thus, prevented from doing anything foolish?
Roberts and Grant on the set with director Roger Michell.
THE TRUMAN SHOW was filmed during a quieter and gentler time (December 1996 through April 1997), but NOTTING HILL started principal photography this April at the height of tabloid mania. It featured Julia Roberts as Anna Scott, movie star, and Hugh Grant as “average” Will Thacker; its script written by Richard Curtis of FOUR WEDDINGS AND A FUNERAL fame. Anna goes into hiding when an old film showing her nude resurfaces and even Will's flatmate Spike (humorously played by Rhys Ifans) is enjoying the magazine blow-ups. After telling her new London friends about getting “work” done on her face in order to maintain her public image, she moans “one day not long from now, my looks will go, they will discover I can't act and I will become some sad middle-aged woman who looks a bit like someone who was famous for a while.”
One reason Julia Roberts made the top ten in the Quigley polls for at least six years this decade was due to her displaying as much caution as her character Anna. The genders were still not being treated equally, as actresses had to struggle staying young enough and pretty enough while there was more latitude among actors. Not that Tom Hanks, Jim Carrey, Leonardo DiCaprio and Robin Williams were all suffering in the looks department. All however surpassed Meg Ryan (Hanks' co-star in YOU GOT MAIL) in popularity that year, with only Julia and Cameron Dias coming close to her as top actresses. Sherry Lansing was still one of the few ladies with executive power at this time even though quite a few releases this year featured historical women in power. Two actresses would later get Oscar nominations playing one particularly powerful lady of the past, Elizabeth I: SHAKESPEARE IN LOVE (which would cause a fury overtaking Steven Spielberg's SAVING PRIVATE RYAN at the next awards show) earned Judi Dench an Oscar for only eight minutes of screen time playing her, while Cate Blanchett in ELIZABETH would lose out to Gwyneth Paltrow in the other film playing an actress who must pose as a man in order to get professional acting recognition.
This year's 70th anniversary ceremony was probably the most watched Oscars in recent memory, dominated by TITANIC and the surprise upset of youthful bro-buddies Matt Damon and Ben Affleck winning for their screenwriting in Gus Van Sant's GOOD WILL HUNTING (also earning for actor Robin Williams). Yet another award can't be overlooked: Jan Pinkava's five minute animated short GERI'S GAME, featuring an elderly chess player competing with himself. This experiment in realistic cgi human-like animation was a necessary extra that Pixar needed to put out during the long waiting period between features TOY STORY and A BUG'S LIFE. With Andrew Stanton directing, the latter was well worth the wait, but it now had competition with DreamWorks' first cgi feature ANTZ, directed by Eric Darnell and Tim Johnson and also featuring anthropomorphic insects (and voiced by a huge cast: Woody Allen, Gene Hackman, Sharon Stone, Sylvester Stallone, Jennifer Lopez, Christopher Walken, Jane Curtin, Anne Bancroft, Dan Aykroyd and Danny Glover). It was now obvious that Pixar was no longer unique as every major studio had to have its own cgi animation studio. Fox took over the already established Blue Sky Studios based in Greenwich, Connecticut; its first “test” was the next Oscar one-reel winner, Chris Wedge's BUNNY. Although traditional animation styles were not neglected, the latest Disney “in-house” efforts like MULAN were getting more ballyhoo for their digital effects than their blood-and-sweat drawing work; in particular, the new “Atilla” software that created 2,000 Hun soldiers in battle.
A cgi BUNNY
The American film industry was operating from two angles: the independent “anything goes” versus the formula-that-worked-before. Sony/Tri-Star's GODZILLA got a new cgi-enhanced face lift to match better with the recent JURASSIC PARK films, but it was just another disaster pic like Disney's ARMAGEDDON and DreamWorks/Paramount's DEEP IMPACT that moviegoers complained about after spending their hard earned money. Even TITANIC's flaws were secondary to what were perceived as microwaved leftovers of better offerings in the past. The “neo noir” cycle was just starting to decline in fashion, but there were still more critical successes in the bunch: Scott B. Smith's A SIMPLE PLAN, with Bill Paxton, Billy Bob Thorton and Bridget Fonda, made interesting use of the Minnesota winter to match the ominous mood of FARGO a decade earlier.
An episode of Trey Parker and Matt Stone's animated SOUTH PARK televised August 19th featured a cartoon version of Robert Redford angry at the Hollywood “jet set” taking over the Sundance festival in Park City, Utah and wanting to move it all to South Park, Colorado... until that town becomes overloaded with tourists like Park City and Hollywood. All jokes aside, this and other festivals like Toronto's held each September and, of course, Berlin, Cannes and Venice had lately become battlegrounds for studio executives seeking the next “Oscar bait” that was cheaper to distribute than make from scratch. The film festivals also were a testing ground for controversial subject matter covered in experiments such as Todd Solondz' HAPPINESS and the latest in international cinematic styles like the new “Dogme 95” discipline of Danish directors Thomas Vinterberg (FESTEN) and Lars von Trier (IDIOTERNE). Sadly a great many worthy films got under promoted, even when bought. Miramax clearly had higher hopes for SHAKESPEARE IN LOVE than it did for Maya Angelou's DOWN IN THE DELTA (the final film of GOOD TIMES star Esther Rolle) or Peter Chelsom's THE MIGHTY (which at least gave Sharon Stone a Golden Globe nomination). Both were pretty much treated as limited-release “extras”. (Maya was a familiar enough face on TV and the literary circuit and this was a rare film she directed. Again, African American women operated best getting independent financing, like Cauleen Smith did with DRYLONGSO that same year.)
Most often purchased by the majors were the comedies featuring teens and twenty-somethings struggling to be themselves and dealing with dis-functional families. Although Ben Stiller in Fox's more mainstream THERE'S SOMETHING ABOUT MARY was much older, he blended well with this fabric. John Waters may have enjoyed a retrospective for his past “gross out” work at Sundance with DIVINE TRASH, but his current production, PECK ER, was much more moderate; the title referring to a self conscious teen's eating habits and the main part of the story concerning his photography talent getting discovered. Sort of a hybrid between an “indy” and major studio production was the Disney-Touchstone supported RUSHMORE, directed by Wes Anderson with newcomer Jason Schwartzman as a teen eccentric befriending (and later declaring war on) a rich industrialist played by Bill Murray. Sporting the glasses, Schwartzman's Max Fischer resembled an older version of Harry Potter gone wild and would invite comparison to Reese Witherspoon's equally over-achieving lady counterpart in the next year's (but filmed this year) ELECTION.
The movie rights to J.K. Rowling's Harry Potter series was sold to Warner Brothers this year, but these were to be much sweeter productions. As the successes of both Harry and Max proved, being different than everybody else was the new “normal”. Gone were the days of trying to maintain a fixed image. Even if you tried to pose with a public persona that was carefully built up, any possible scandal in the tabloids will remove your mask... as it was doing with a great many celebrities this year. As the millennium was drawing to a close, the screens would become more diversified and individualistic than ever...
Rushmore" is sooo terrific" ($18m.,) (***1/2) Bill Murray won just about all the pre-*Oscar awareds-(s. actor) but no nomination
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& THE LOST ALSO INCLUDES BOOKS, POSTERS, CD's THE WORKS
(P.S. who has ever had the pleasure of going into "Larry Edmund's" on H. Blvd.)
It's astonishing, you ask about a certain star & the pull out several photos
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"MOVIE MEMORABLIA"
-(tcm & otherwise) Please submit items that you have & have collected over the years?
Tried this before, but strangely for this site there were no takers???
My A #1 is something you can't purchase anymore-(maybe on Amazon)
& it was a christmas gift around 1996-98, but can you believe I've never been able to play it with another?
It's called "SCEN-IT?'-(tcm version, board game & has little pieces of classic cinema & it's mainly a dvd trivia game)
There have since been several others in the series "Seinfeld"
Very, very, frustrating for me
Again excuse the sloppy wring as some know I'm not doing well anymore
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Robert Mitchum-(l9l7-97) was actually black foot indian
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As his fmr leading ladies say, he was a very literate guy & read all the time. What do most think of his 2 epoic tv mini-series ":Winds of War" (l983) & 1989's ":War and Rememberance?"
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Yeah, the Annual AFI recipients seem to be getting a bit younger, obviously due to folks passing away, unfortunately
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& KNOWN AS "MR. RKO RADIO" though he's always claimed he rarely if ever saw his boss Howard Hughes-(l905-76) calling him "The Phantom"
He truly excelled as villians "Night of the Hunter" & "Cape Fear" (l962)
Early on though when at RKO he did his own stunts, breaking many bones, until the stuntmen remnded him they got paid for that job. Mostly on 1951's "His Kind of Woman"
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Dead Man I liked quite a bit. A black & white western/black comedy with a lot of odd casting, like Iggy Pop in drag hanging out with Billy Bob Thornton. I really liked the haunting closing section of the film.
The Brave was about a poor Native American (Depp) selling himself to a snuff filmmaker (Marlon Brando) to raise money for his kids. It's odd, and not terribly good, which is why it has never been officially released here, as far as I know. I have it on DVD from South Korea.
Saw "Dead Man" starring Johnny Depp. Wasn't too fond if it though, stylish over substance (**)
"Maria's Lovers" was around 1983 N. Kinski
& then of course *Scorsese's very expensive rehash of "Cape Fear" (l9l) ($78m.) (***1/2) But this viewer still prefers the original mainly due to the out of nowhere "asinine" hurricane at the finale?
Though Bob did have a marevelous line to Nolte ("Well, Pardon Me All 0ver the Place")
& PAY ATTENTION TO A VITAL MITCHUM ROLE HE MADE FOR TV IN 1983-(at 66) A TRUE STORY WHERE HGE GOT HIS 3 SONS TO BREAK HIM OUT OF JAIL-(lying to them of course) & THEN WENT ON A KILLING SPREE WITH THEM INVOLVED (J. Spader, E. Stoltz) also on hand
IT WAS CALLED "A KILLER IN THE FAMILY" (strong ***)
HE MAY HAVE BEEN MORE VISCOUS THEN "HIS BUGS" PREACHER & MAYBE EVEN "MAN CADY?"
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His own favorite of approix (97) was 1957's "Heaven Knows Mr. Allyson" (***1/2)
& as m,ost know he was only up for 1 *Oscar & in the supporting category for *"Wild Bill Wellman's 1945 "Story of G.I. Joe"-(losing to *James Dunn in "A Tree Grows in Brooklyn") He later said "Hell, I Even Voted for *Jimmy Dunn" unquote
Dick Cavett-(l935-) whom I really miss. Had him on a great interview-(TCM re-broadcast it & several others, including *Kate Hepburn, Hitch, *Brando & others. WHO SAAW THESE BY THE WAY? It was funny because someone off camera kept filling Bob's glass w/booze throughout
& Cavett make the error of saying Mitchum won an *Oscar though
He actually lost his & went temporarily blind & was always a huge insomniac. & lost his sight during WW11, mainly due to hating the job he had to get up & perform daily.
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And again to (Jakeem) do you know of *Streep's annual project? & without anyone looking it up first, name her #20 record nominations?
It's a fairl;y easy one, like *"The Woodman's" record (18) writing nods to date as well?
GIVE IT A TRY PLEASE
& given last years massive Best picture upset *"Moonlight" ($27m.) (***1/2) stunningly upset over the highly favored "La La Land" ($170m.) (4 stars!) Most of my fellow *Oscar pundits forecasted the musical to sweep 7 to 9 as opposed to just 6)
Probably the biggest BP upset since 1981's *"Chariots of Fire" ($58m.) (4 stars!) upset the predicted favorite "Reds" ($40m.) (****-stars!) & even "0n Golden Pond" ($118m.) (3 & 1/2) for "THE BIGGIE?"
How many black performances have "Walked Down-the-Aisle" so-far??? A HINT (14-15 so far, but who?)
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WOW, that's strange, nobody even gave an opinion on these upcoming releases???
I kinda' knew though on here, though the ultimate movie website, most on here don't also really go to new films
Still very surprising
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https://www.youtube.com/watch?v=wyTKAyqsIHY Saw the movie today in a state of the art Cinemark theatre. Forget character development. The film does a wonderful job depicting a piece of history of desperation and valor. Rating 1 to 10 > 8.5
I agree it's technically perfecto! & though very early, is the likely frontrunner for *Academy awards such as BD-(Nolan), Cinematography, Film Editing & maybe 1 of the Sound races?
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NATALIE IN JUST ABOUT ANYTHING SHE DID. & though 1961's "Splendor in the Grass'-(nom.) is well known & she preferred it by far the best as well, as her mt. summit role For some reason I have an incredible fondness for her in "Inside Daisy Clover" (l965) & have seen it by far the most of her (46) theatrical films
Also, *Tracy's Manuel Fedillo in 1937's ":C. Courageous" (MGM)
Anoither is "Marvelous Michelle Pfeiffer" in '89'sd terrific "Fabulous Baker Boys"-(nommed) as ****
ie Diamond
2017 Kennedy Center Honors
in General Discussions
Posted
I'll never forget-(look it up) when an aging *CAGNEY was awarded "Pesidential Medal of Freedom" around early 1980 & then president Reagan got the honor of giving it to him (Most fans don't know *JIM was his acting idol as well)