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spence

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Posts posted by spence

  1. 47 minutes ago, spence said:

    good one again

    by the way it usually reminds me whenever I see anything about HARVEY, that was a remake long in the planning stages & with TOM HANKS usually the name that came up first, wonder what happened?

  2. 11 hours ago, David Guercio said:

    Is Peter Bogdanovich actually blind in one eye now or are one of the lens of his glasses just a little blurry?

    don't know I've been watching him for decades even on THE SOPRANOS but looked off the other day?

    He is about 81 now

  3. 15 hours ago, slaytonf said:

    Is it a great movie?  Well, I dunno.  The Brits cherish it.  All I know is whenever I chance across it, even only intending it as a temporary bridge to something else, I end up watching to the end.  The songs and dance numbers are entertaining.  And the rousing title theme is terrific.  And there is one truly fine song toward the end ("Doll on a Music Box") that I can't understand why hasn't become a standard.  You can't knock the principals, especially Sally Ann Howes, whose voice is a ray of sunlight in a despairing world.  There is capable support from a list of familiar faces, who each get a moment or two to grab center stage:  Lionel Jeffries, James Robertson Justice, Robert Helpmann, Anna Quayle, and Gert Frobe.  The last playing with wonderful bombast the role of Baron Bomburst.  They exaggerate their performances just the right amount to create a whimsical tone that keeps the movie from being crushed by its scale.  And it is one of the handful of movies featuring adorable children you do not feel an overpowering urge to reach out and strangle.  Credit director Ken Hughes and cinematographer Christopher Challis for the visual charm and wit.  The pace is energetic and never drags even in the quieter interludes, and there are real thrilling shots, like when Chitty is first rolled out into the sunlight, and the aerial shots of the Great Western Railway train and Chitty.  Rowland Emett designed the car, and Caractacus Potts' fantastical machines which are a delight and hilarious to see (mal)function. 

    Great or not, I get hooked.

    was taken to see it as a little kid, but haven't seen it for many years since

  4. 3 minutes ago, Rudy's Girl said:

    I almost forgot Monty Python's Life of Brian!

     

    Can you believe I've yet to see entire comedy, only clips Did go to THE MEANING OF LIFE (l983) (***) is it great?

    John Cleese to me is easily #1 of the group & as a kid my mom used to watch their tv show & I first got a sampling then

     

    The utterly terrific l988 A DUISH CALLED WANDA ($63m.) can't really be called a true PYTHON comedy, who disagrees? But it's at times fantastic, especially KEVIN KLINE as Otto in his Oscar winning turn

  5. 21 minutes ago, sewhite2000 said:

    Has anyone mentioned Bob Hope? As a kid, I only knew him from those TV variety specials, and while I dutifully watched them because I thought they were of some importance, I was pretty meh on them. But I've since seen a number of his movies from his earlier career, and he was often quite funny.

    Ditto Burns and Allen in their brief joint movie careers.

    I somehow forgot him too?   Even solo he lead the annual $Box-0ffice$ for 1949 & holds the record by far as all-time most Oscar host with 15-18  years   Love him or hate him, you can easily see THE WOODMAN WOODY ALLEN in his performances  Matter of fact yrs ago-(40) WOODY said his ideal weekend would be to simply watch BOB HOPE movies   I read that in a comic book I used to own but lost it over the yrs

    Look at BANANAS, PLAY IT AGAIN, SAM, LOVE AND DEATH for just a few examples

    HOPE really selected a memorable yet off eat final resting place on a stage-(I forget right now where though)

  6. Just now, skimpole said:

    TCM last showed Ordet in December, while I always thought it made much more sense as an Easter movie.  There are going to be two movies based on Jesus' life on TCM this Easter, plus three that touch on it.  I can understand why TCM would agree that Monty Python's Life of Brian would not be the best choice.  But  I don't know a critic who thinks The Greatest Story Ever Told is as good as The Gospel According to St. Matthew,  which TCM has never shown.

    Scooped me, never saw any of it, but read about it   I hate the tv movie versions where the look like male models & have perfecto teeth, don't you

  7. To me they still don't have them like THE STUDIO-SYSTEM though Like Ballclubs they were  Who plsyed for whom,etc

    CHAPLIN-(Mack Sennett, others & later just built his own DREAM FACTORY still there on La Brea Avenue in mid TINSEL-TOWN, turned into Jim Henson prods & there is still a huge statue of KERMIT THE FROG on top)

    KEATON (started out on his own then L.B. Mayer hated comics at MGM & cast him in fluff & then you an see BUSTER is loaded after awhile playing 2nd fiddle to Durante at Metro  SINATRA got fired from there for once making a joke to L.B. at the race track about a woman as just 1 example)

    LLOYD-(don't know what DREAM FACTORY he was with?)

    STAN & OLLIE (Hal Roach)

    MARX BROS (-played for Paramount & then M-G-M, but only due to Thalberg)

    W.C. FIELDS (Paramount & then had an alcoholic breakdown & went to Universal)

    THE THREE STOOGES (were at Columbia fir 25yrs Moe who ran the business end thought it only right despite his 2 bros dying & Harry Cohn, to finish out the entire contract Back then COLUMBIA was the bottom of the barrel in the industry called Poverty Row)

    ABBOTT & COSTELLO (almost always Universal)

    DEAN MARTIN & JERRY LEWIS (Paramount) & so on

     

     

  8. 19 minutes ago, sewhite2000 said:

    I saw him in Downhill with Julia Louis Dreyfuss just before all the movie theaters closed. I wouldn't exactly call it a dark comedy, but it's a muted comedy, a remake of a European film. A little bit of a different role for him. He's still playing sort of his stereotypical man-child but in a more realistic way. I assume it's on streaming by now and recommend it. He and Dreyfuss were promoting the film heavily. The even presented an award together at the Oscars. But I don't think it did much box office.

     

  9. Who else loved THE BLUES BROTHERS, not at first as just an SN skit but the entire l980 movie?\

    It made $54m. but at that time was called incredibally $expensive$ due to the massive amount of cars

    & hate to say it speaking of sequels but l998's BLUES BROTHERS 2000 was alright (**1/2) ($18m.)

    Mostly due to it's music though & not comedy like the 1st

  10. 8 minutes ago, sewhite2000 said:

    I saw him in Downhill with Julia Louis Dreyfuss just before all the movie theaters closed. I wouldn't exactly call it a dark comedy, but it's a muted comedy, a remake of a European film. A little bit of a different role for him. He's still playing sort of his stereotypical man-child but in a more realistic way. I assume it's on streaming by now and recommend it. He and Dreyfuss were promoting the film heavily. The even presented an award together at the Oscars. But I don't think it did much box office.

    you mean Farrell, that new release was never even on the radar for some reason He had his weaker one's too BEWITCHED & wasn't he in THE STEPFORD WIVES don't think so, but positive he was in BEWITCHED with NICOLE KIDMAN (**)

     

    Though to me nowhere near the dynamo that JOHN BELUSHI was   VOLCANIC!

    Never forget the day he just up & died in l982 at THE CHATEAU MARMONT-(got to go by it a lot on tour) & immediately called my friends & told them JOHN BELUSHI just died, well, they thought it was one of my gags at first

    De Niro & Robin Williams had stopped by his bungalow earlier but found the girl too trashy& he was hanging with & left   Think her name is CATHY EVELYN SMITH

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