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CinemaInternational

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Posts posted by CinemaInternational

  1. I saw the 1976 version of king Kong from Amazon Prime. Yes, it is the most maligned of the three versions. Yes, the ape effects look a bit dated now. But yet, the story still casts its magic spell, aided by two wonderful leads in Jessica Lange and Jeff Bridges, and of course, the gorilla, who radiates more sympathy than horror than he did in 1933. John Barry supplies a marvellous score, and when the inevitable finale comes, I was sobbing profusely. I feel that is worth a reevaluation.

    • Thanks 1
  2. 15 minutes ago, Dargo said:

    Took me a while to get this one CI, but once I did I gotta admit you just out-did me here in the "Did I Just Say That" department. ;) 

     

     

     

    Could be worse. She could put Beyond the Valley of the Dolls first on her schedule so that the Eastern part of the county gets it at 8 PM and the West gets it at 5 PM. Wouldn't that be fun? (being sarcastic) 

     

  3. 7 hours ago, Sepiatone said:

    Some opening credits got long for a while.  Back in the '70's, SUPERMAN ('78) had some long opening credits, and when I was a kid, it seemed Disney's 101 DALMATIANS' opening credits took up a lot of time.  And for a while it took a long time for the TITLE of a movie to be shown!  I'm thinking mostly the '80's

    Sepiatone

    I think one of the records for a pretitle sequence was on the 1999 James Bond film, The World is Not Enough. The credits appeared 16 minutes in.

    And then there was the 2012 Les Miserables, where I sat in the theatre waiting for the title to flash on screen. They saved it for the end credits, almost 150 minutes after the start!

  4. 41 minutes ago, midwestan said:

    Aw darn it Dargo...I was looking forward to see how you interpreted a modern-day Madame De Farge!  

    Madame De Farge if she was real appearing as a guest programmer on TCM.... consider her slate:

    Anne of the Thousand Days

    Mary of Scotland

    Lady Jane

    A Man for All Seasons

    Marie Antoinette

    • Like 1
  5. 10 minutes ago, midwestan said:

    Speaking of changes.  The day before Halloween, I got on the bathroom scale at my sister's house (I don't have a scale of my own), and my weight matched the number of an Interstate by-pass!  Talk about shocked and appalled...it was then that I got serious about working out and eating better.  Happy to say that I can now fit into my 4 pairs of 'good' blue jeans as opposed to one when I started this odyssey.  Granted, they may not look good on me yet, but at least I can squeeze into them without the assistance of a construction crew and a 20-mule team!  Now...what's all this about changed message boards around here....

    Congratulations on your new healthiness! I know what you mean about scales. I'm no fan of them, and could afford to lose quite a bit.....

    • Like 1
  6. I see where The Hollywood Reporter ran an article saying (much to their sadness) that the era of the independents and the up-and-comers seems to be coming to an end. I think that is correct, but I'd also say that another reason for it is that the Independent circuit was shaken to its core after the #metoo scandal hit in 2017, and it has never recovered. 

    https://www.hollywoodreporter.com/news/why-oscars-rarely-go-underdogs-anymore-1258854?utm_medium=social&utm_source=twitter

  7. Saw Chaplin's final film A Countess from Hong Kong on DVD. It really got attacked in 1967, but looking at it today, taking it away from when it was made makes it seem like an imperfect yet witty little film, sweetly old-fashioned. Sophia Loren was lovely as ever, and one scene close to the end was near vintage Chaplin levels. The rest was witty and elegant, and even if it wasn't a perfect swan song, it made for a better one than I expected going in.

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  8. I like her a lot. Looking at the films I have seen over the yearws and logged, I have seen Joan in 33 films, a nice little total that puts her in the top 25 actors/actresses that I have seen in the most films. She has impeccable comic timing, but is also a wonderful dramatic presence too.

    ... And I'm finishing up the King and the Chorus Girl right now.

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  9. http://www.tcm.com/schedule/weekly.html?tz=est&sdate=2020-02-02

    http://www.tcm.com/schedule/weekly.html?tz=est&sdate=2020-02-09

    http://www.tcm.com/schedule/weekly.html?tz=est&sdate=2020-02-16

    http://www.tcm.com/schedule/weekly.html?tz=est&sdate=2020-02-23

    http://www.tcm.com/schedule/weekly.html?tz=est&sdate=2020-03-01

    February 1st is still AWOL.

    The few premieres:

    Bull Durham (1988)/ February 8

    When Worlds Collide (1951)/February 13

    The Firm (1993)/February 14

    Sons and Lovers (1960)/ February 18

    The Hours (2002)/February 21

    Broken Lance (1954)/February 27

    The Card (1952)/March 2

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  10. I'll start with one that just came to mind a minute ago: 1971's A New Leaf.

    MV5BZGE1YTk0YzUtMDRlNC00NWM5LWE3MWMtMjk1

    I just noticed where it was absent from the BBC's list of best female-directed films (although May's Heartbreak Kid made the list), and it feels only right to highly such a funny film. Elaine May has appeared on screen only a few times, but she is a great comedian and in every scene as the eccentric heiress, she just glows. Walter Matthau is also in fine form, and May's script gets laughs out of almost every situation. It's just a great time.

  11. What with the upcoming Oscar month being more than a bit expected, it seems only fair to switch the spotlight for a livlier thread. Instead of focusing on oft-seen Oscar films, let's twist it around to celebrate films that weren't nominated for Oscars, of which there are far more of every year. As long as it doesn't have that yellow band on IM Db saying nominated for or won Oscars, its fair game. Have fun!

  12. There are three things which give me pause.

    First: The last few Oscar telecasts have not been kind to perceived front runners. Going into the big night, The Revenant, La La Land, Three Billboards Outside Ebbing Missouri, and Roma were perceived as the winners. They all lost. And even Birdman in 2014 was a question mark to the end.
     

    Second: Netflix is doing it. There are reports that some Academy members were not too happy that Netflix was in the running for best Picture last year, and that might hurt The Irishman (and Marriage Story, and The Two Popes) this year.

    Third: The film got raves.... but so did Once upon a Time in Hollywood, a valentine to Hollywood's past which took over $400 million worldwide making it a hit in a period when the Oscars are usually the subject of harangues over having winners that aren't "popular" enough. That film is still a top contender, and keep an eye too on the Korean passion pick Parasite and the war film 1917.

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