CinemaInternational
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Posts posted by CinemaInternational
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On 3/10/2020 at 4:25 AM, Bogie56 said:
Another great performance. Max von Sydow as Captain Schroeder in Voyage of the Damned (1976).
That's currently on demand for all HBO subscribers. I need to take a look at it.....
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On 3/9/2020 at 2:14 PM, Hibi said:
Who under 40 knows who Ingmar Bergman is?
Me. But after I heard of his death, I found myself watching The New Land instead.
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9 minutes ago, Hibi said:
Not the reviews I've read. Or audiences. MEGATON BOMB.
WB had a lot of films that faltered at the box office last year: Richard Jewell, Blinded by the Light, The Good Liar, Just Mercy, Motherless Brooklyn, The Goldfinch, there were some others too. Most actually sounded interesting....
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A Man Called Peter
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On 3/9/2020 at 6:40 PM, LornaHansonForbes said:
...and then when THE SWARM came out on VHS she would just watch and rewind the train scene while eating frosting out of the can.
Now I am having pictures of Joan and Olivia starring in a 1970s version of Death Becomes Her
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I have heard about this case for years. It's a terribly murky case, and not open and shut. But I have come to believe that Allen is most likely innocent. I heard that the ceilings of this attic where the abuse allegedly took place are only about 4 to 4 and a half feet tall. Woody is not a tall man, but if somebody would commit such an action they would have to be standing up I'd think., and that throws it a bit into doubt, as too does the date this abuse happened.It supposedly happened on August 4, 1992, the day of a party at this house. Bear in mind, it was Mia's house and she was not at this party. Mia discovered the Polaroids of Soon-Yi in January 1992. She immediately cut ties afters Husbands and Wives finished filming a few days later. Woody did not see the kids for several months until he received an invitation out of the blue to come to this birthday party that day.
i think it was meant to be a trap if you ask me. For such a crime to happen on what was by that time enemy territory,the claim is dubious at best. If it didn't happen (which I believe is the case), it would have still been drummed into those children's heads for close to 30 years, long enough to make it seem real (Munchhausen disease). Woody would have to have been twisted of mind and stupid at the same time to be guity. And while he might not be the smartest (he actually wanted to ask Mia to appear in Mighty Aphrodite 3 years after the scandal until his sister told him he was nuts to even consider it) and he has been known to like young women, it just smacks of dubiousness that a then 56 year old man decides to be guilty of a grave sexual offence against a young kid, and there is absolutely no evidence that he did anything to young kids both before and after this date. Sex offenders typically have a whole history or related cases, more than just one. And in this day and age of the #metoo movement, if there had been other victims of Allen they would have jumped on the bandwagon by now and accused him. Nobody else has. That plus what i wrote above (not to mention some other things I'd rather not say about Mia) make me think he is innocent.
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4 hours ago, LawrenceA said:
Yeah, I recall the McMartin case. A horrifying story. There was a good cable movie made about it starring James Woods.
Shirley Knight won an Emmy for it, as I recall. Mercedes Ruehl, Sada Thompson, Henry Thomas, and Lolita Davidovich were also in it.
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Coming in either July or August (not verified yet) according to Kino's Facebook page.....
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6 hours ago, LornaHansonForbes said:
these thumbnails are neat as hell, is this something imdb does for you?
Oh that is part of Letterboxd. It's like IMDb, but sorting there is easier, and I prefer it to IMDb actually. You get to log everything you've seen and you can add reviews and lists etc. They have free accounts and then also pay accounts but its really a nice site. This is my profile (I tend to give positive grades to films; 4 out of 5 is passing grade for me not 3)
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6 hours ago, LornaHansonForbes said:
these thumbnails are neat as hell, is this something imdb does for you?
I was born in 1978 and I am fascinated by films of the 30's, 40's, 50's, and 80's; and the 60s and 90s are interesting- but for years, on largely aesthetic grounds, i avoided the 70's entirely.
my favorite films of the period still largely are PERIOD FILMS- because that is one thing the 70's did REALLY WELL- DAY OF THE LOCUST, MURDER ON THE ORIENT EXPRESS, CABARET, MURDER BY DEATH, FAREWELL MY LOVELY, CHINATOWN, THE BOY FRIEND, AMERICAN GRAFFITI- and some I know I'm forgetting, are superb films, and even some of the others I admire- THE NIGHT DIGGER, THE LONG GOODBYE, JAWS and (yes, even) DOG DAY AFTERNOON (which I SWEAR is just like a great 30's screwball comedy) and WHAT'S UP DOC? have a sort of "timeless" feel- DELIBERATE OR NOT.
I HAVE DISCUSSED this more than maybe i ought to, but in real life I struggle with manic depression and sometimes when I am feeling very very low watching SOMETHING SICK AND TWISTED AND DEGENERATE acts as a sort of ELECTROSHOCK THERAPY and "brings me back."
I am being 100% on the level about this, and as such I have seen MANDINGO and CALIGULA and I SPIT ON YOUR GRAVE and and THE WICKER MAN (WHICH I ****ING LOVE BTW!!!!!!!!)
The film that jumpstarted my whole openness to 1970's viewing was KEN RUSSELL'S THE DEVILS (1971) which I watched UNEDITED on YOUTUBE (GOD BLESS IT) IN 28 PARTS ON FREEZING FEBRUARY NIGHT 10 YEARS AGO. it's a perfect example of what the 70's were all about...from someone who was, of course, not around for most of them (again, thank you Jesus.) All apologies to the rest of you who were conscious and sentient during that DARK time for hair and fashion and interior design and architecture and automotive engineering.
THE DEVILS is, at the same time, the most depraved AS WELL AS one of the most staunchly, honestly moral movies i have ever seen.
Plus you get to see topless nuns grinding on a fallen figure of JESUS.
ANYHOW, LONG STORY SHORT (too late) I realized that the 1970's were something of a SPAGHETTI DECADE IN FILMMAKING, in that- for the first time and for whatever the Hell reason- people were allowed to THROW WHAT THE **** EVER THEY WANTED AND THE WALL. Sometimes it sticks, sometimes it doesn't, the end result from one not alive in the time is rife with fascination.
ps- it also looks like you have not seen THE WICKER MAN (1971) which I WOULD REAAAAALLY RECOMMEND HIGHLY.
PSS- I LOVED THE BATTLE OF CABLE HOGUE
I'd also say that Paper Moon is another wonderful period set film of the 70s.... and strangely even the deliciously manic comedy I Want to Hold Your Hand, made in 1978, but set in 1964 already had a slight period feel to it. Of the then modern set films, Nashville is just wonderful. I'd say my favorite of the decade was Chinatown (a period piece in itself). And I too liked Cable Hogue a lot. Most underrated of the decade, perhaps Darling Lili, a different stripe of Julie Andrews musical that is not afraid to take emotional risks. I still plan to hunt down more from the decade, and I am sure I will find more films worth catching.
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Achieved a TCM milestone last night. Saw my very first "TCM Underground" film in a complete viewing (I had never seen one of the Underground picks on the late night it aired before): White Lightning from 1973.
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8 minutes ago, LawrenceA said:
There was a section that had many discussion threads, divided into sections much like this website, but much larger. And that's besides all of the comment threads on the film/show pages and performer/crew pages. I only posted in there once (in their version of the "Information" section, trying to find a movie title), but it was very active with hundreds of posts a day. There was also a large Off-Topic section that makes our Off-Topics seem like a Sunday picnic.
Not having been a user of those general discussion forums, I didn't mind their disappearance, but I did enjoy the specific film and performer comment sections, as they often provided a lot of interesting info.
4 hours ago, MovieCollectorOH said:Forums require interaction, but there is nobody over there interacting. So I suppose if you want to get through to them, it would follow you should create an account at one of their revered "social media" sites and force them into damage control mode... (be willing to play around with their crappy corporate SOP and so forth - it is nothing personal)
The very best forums I have ever seen have the board owners/moderators participating as registered users in discussions and everyone uses their real names. They tend to be small communities, though this forum is a what I would also consider to be a small community, so that is no excuse. That is what I have found most frustrating about visiting this site. Some here would clean up nicely, others not so much.
While some have chased trends and shifted over to "social media" types of sites (where ironically real names are used more often), they are no replacement for a proper forum, so as long as the forum is alive and well kept, the base users inevitably come back. "Social Media" is ephemeral at best, try using those as a resource to research or annotate anything. It is enough of a joke that some actually use Wikipedia as a source. "Social Media" is more of a selective memory hole, but just not your selective memory hole. If nothing else, they have done a remarkable job at deceiving their users that they are in control of their own information...oh yeah, and at advertising.
I don't buy into the thoughts that Amazon/IMDB didn't have the resources to continue their forum. It would seem more practical to me that they didn't have the stomach to police their forum. Well guys, with respect comes sales.
I used to be a poster back in the day there in the last few years they were up (they closed in 2017, reportedly over controversies involving internet trolls, political taunts, and charges of racism about the low ratings for several high profile black-themed films), mostly on the Movie Awards (formerly Oscar buzz) forum, but also occasionally posted on the classic film forum. I also posted a few times on individual film forums. Most of the individual film forums have been archived and they fascinating to run through. Just go here if you're interested, and type the name of the film you want to look up in the search box: https://www.filmboards.com/
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5 hours ago, LornaHansonForbes said:
it's only been in the past 2 years that i have started watching movies from the 70's. used to, i skipped the decade altogehter unless it was a period piece.
4 hours ago, Hibi said:Aside for a handful of up and coming directors, there's not much there.
Of the decades from the 30s onward, I've seen the least amount of films from the 70s..... 358. It's a strange decade because the good stuff is really sublime, and yet some of the other titles are in what were they thinking territory (although I must say Mahogany is a very enjoyable guilty pleasure, and some of the old fashioned films so slated at the time are actually quite lovely.). The clothing of the period is pretty eyeopening to say the least. The 70s landed on their feet like a cat in having many of their best films also being some of the best known of the era, something that would not be true about the 80s or 90s where many choice titles were swept under the rug. There are some hidden gems I loved. Having the studio guides though is a nice way to deal with the period because you get to read up on what films actually sound like they are worth a look. I'm sharing pictures of what I have seen from the decade for reference..... (What is it in this decade with making the titles had to see on the poster?) I think I'd be willing to go back and see quite a few of these.
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5 hours ago, Hibi said:
LOL. There was nothing leading up to it in the version TCM broadcast wondering if it explained it in the uncut version. Some people have seen it, but haven't commented on this tidbit.
Here, information about the differences between the two versions with no need to rewatch it all.
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5 hours ago, LornaHansonForbes said:
I seem to recall reading that IRWIN ALLEN wanted her for the JENNIFER JONES role in TOWERING INFERNO (Lisolette?) but she gave it a hard pass, then regretted it.
Hence, her appearance in this joint.
EDIT: Oh, but if it had been a menage betwixt Olivia, Fred MacMurray and Joan Fontaine...the killer bees would pale in comparison to the violence.
Well she had already done her disaster due in Airport 77!
Oh, by the way, her character survives in Airport 77, as do the characters played by Jack lemmon, Brenda Vaccaro, Jimmy Stewart, and Joseph Cotten. Lee Grant who (seemingly) survived in the Swarm was one of the fatalites as were Christopher Lee, and Robert Foxworth. The film does serve as a finale though. It was the final oscar nomination for Edith Head, and judging from Olivia's dress here, the costumes were better than the ones in The Swarm.
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There she is with the bees. Note: She was the only cast member in the film to actually get stung during production. And that is the fabric from the seats in the train scene so it must have been set after the explosion or just before.
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6 hours ago, Hibi said:
Does anyone know where Olivia and her chums were going on that train??? (3rd time question)
The film doesn't tell us. All they say is that they are evacuating the town, and show many of the town residents getting on the train. The town is supposed to be not that far from Huston, so they are likely going north or west judging from the cliffs in the sequence. Patty Duke's character misses the train because she goes into labor, and Lee Grant accompanies them to the hospital. Although we see Duke again after she has given birth, the film drops both characters and we are left to assume both survived.
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Back to the swarm... I am reporting on Roger Ebert's words about The Swarm's costume design nom in a 1979 video "I'm amazed that Paul Zastupnevich's costumes in The Swarm were even nominated. How ridiculous can you get? The characters aren't wearing asbestos suits to protect them from killer bees, they mostly just dressed is standard double-knit business suits and police uniforms. But then, why get all dressed up for the year's worst movie?" In the same video Ebert asks Siskel: "How do you account for the Academy Award nomination for The Swarm? How do you get an AcademyAward nomination for dressing people right off the rack?" Siskel replies: "Well there is only one explanation as I am concerned. And that is this costume designer must have an awful lot of friends among his fellow costume designers who nominated him."
Two years later, Siskel picked the same designer's costumes for When Time Ran Out as the worst Oscar nomination of 1980...... (Ebert picked the cinematography from The Formula, which I personally feel is an undervalued film... if also confusing at times)
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4 hours ago, EricJ said:
"Stephen King's 'Silver Bullet'"
"Nicholas Sparks 'The Notebook'"
"Tim Burton's 'The Nightmare Before Christmas'"
(Okay, so TNBC wasn't bad, but what the heck did he do on it, if he didn't direct?)
Burton came up with the original story idea of Nightmare and remained on as the producer, but Caroline Thompson ended up writing the script, and Henry Sellick ended up directing. Its a bit of a tenuous link to Burton but stronger than say Billy Rose's Jumbo. (Billy Rose produced the original Broadway show and insisted that the film still be called that when it was made in 1962)
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7 hours ago, LornaHansonForbes said:
I am curious as well. I know BRENDA VACCARO from SUPERGIRL, 12 episodes of MURDER SHE WROTE, her LEGENDARY APPEARANCE as PHIL'S WIFE on THE GOLDEN GIRLS and THE MIRROR HAS TWO FACES...I have to admit she intrigues me.
at least according to INSIDE OSCAR, the OFFICIAL TITLE of ONCE IS NOT ENOUGH was JACQUELINE SUSANN'S ONCE IS NOT ENOUGH (that's how it's listed by her official nomination.)
I have no idea what her part is even like.
She plays a man-hungry magazine editor. The film was regarded as an absolute fiasco outside of her (something about Deborah Raffin seeming too attached to her father Kirk Douglas for comfort; meanwhile Kirk is married to closeted lesbian Alexis Smith, who is seeing Melina Mercouri, while Raffin gets involved with alcoholic David Janssen, after previously being seduced by George Hamilton.... and so on ... it was shockingly toned down from the book which included an **** and hard drugs.) . Anyway, Vaccaro was praised though for having fun with her part in a dumpster fire of a film (and getting the films most lurid lines) and even won the Golden Globe that year!
Some internet quotes:
QuoteOnce is Not Enough resists being pure, unadulterated camp and instead is just a lethargic, turgid mess. This is one sleazy little film that pretends to be serious but it's an unconvincing masquerade. Some of the performances, notably Raffin's, are just laughably bad, but Vaccaro is an absolute hoot chewing through her unbelievable lines with relish as if to say, "****you, Jacqueline Susann! You can't defeat me!" In fact Vaccaro is probably the single greatest reason to watch Once is Not Enough, but even her contributions are probably not enough to warrant doing anything other than renting this.
QuoteI'm not going to get into a big song-and-dance about Jacqueline Susann and her various film adaptations; suffice it to say: the original Valley of the Dolls is one of my top five favorite films in any genre (I have my reasons)...so anything having a similar pedigree is naturally going to be of interest to me. I didn't see Jacqueline Susann's Once is Not Enough when it came out in the summer of Jaws (I was a weird little ten-year-old but not that weird), and I don't remember it being much of a presence on cable growing up. So imagine my anticipation when Olive Films' bare-bones disc arrived in the mail. However, after the first five minutes...my delight turned into a growing realization that this film was a hideous bore--the gravest sin a crappy melodrama can commit: thou shalt not put the viewer to sleep.
You wouldn't know it, though, looking at Jacqueline Susann's Once is Not Enough's opening credits. At least at first glance, that is. Ace cinematographer John Alonzo provides the lush look of the film. Film great Henry Mancini composed the sweeping, full orchestra score. Julius J. Epstein, of Casablanca fame, wrote the adapted screenplay, and Guy Green (The Mark, A Patch of Blue) directed the cast of big names like Kirk Douglas, Alexis Smith, David Janssen, and Melina Mercouri. But once you start thinking about those credits, and start actually watching Jacqueline Susann's Once is Not Enough, you realize it's all a bill of goods. Alonzo's palette is chilly and antiseptic; Mancini's score is overblown and syrupy in the worst tradition of the typical "woman's picture" music; Epstein and Green are ill-suited for what should have been a fast-moving, vulgar, sordid little tale of sexual peccadilloes among the rich and famous, and that cast is well-past its sell-by date, with only Brenda Vaccaro in on the joke......
Only Brenda Vaccaro seems to understand what this kind of movie needs (she scored a well-deserved Oscar® nomination for Best Supporting Actress here). Barely containing her glee at playing an impish prankster who pops up every ten minutes to say something outrageous, Vaccaro never looked more attractive (and don't get me started on that ultra-sexy, husky voice...), and that confidence shines blindingly through the other morose neurasthenics that inhabit the frame with her. She knows this is garbage, and she plays to the stalls, and in the process, walks away with the entire film. It's a delightfully brassy, open performance, and thank god it's there, but perversely, since the rest of Jacqueline Susann's Once is Not Enough is so funereal and backward, it's a turn that seems to be operating in an entirely different movie.
QuoteSimilarly, the performances are erratic: Raffin is terrible (flat line readings, unconvincing emotional shifts), Douglas is okay (hammy but intense), and Vaccaro is great (*****y, fragile, funny).
Quote
Meanwhile, January visits old school chum Linda Riggs (Vaccaro), who’s now the potty-mouthed, man-crazy editor of a women’s magazine. Although their friendship begs credibility (January is barely 20, Linda is 28. What the **** kind of school did they go to?) it’s nothing compared to the speed with which Linda offers January both a job and an apartment.Regarding Vaccaro though, i like her. Try to check out 1989's mob comedy Cookie where she has a small but delightful part as a cheated-upon mob wife. When there is a mob-related explosion in her characters driveway, she gets on TV about it to make a pitch for her dog grooming business.
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1964
ART DIRECTION (B&W)
The Americanization of Emily
Dear Heart
Fate Is the Hunter
Hush… Hush, Sweet Charlotte
Kiss Me, Stupid
Kisses for My President
The Night of the Iguana
Seven Days in May
Soldier in the Rain
Zorba the Greek
ART DIRECTION (COLOR)
Becket
The Carpetbaggers
Good Neighbor Sam
Goodbye Charlie
Mary Poppins
My Fair Lady
Sunday in New York
The Unsinkable Molly Brown
What a Way to Go!
The World of Henry Orient
CINEMATOGRAPHY (B&W)
The Americanization of Emily
Dead Ringer
Dear Heart
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Fate Is the Hunter
Hush… Hush, Sweet Charlotte
Kiss Me, Stupid
The Night of the Iguana
Seven Days in May
Zorba the Greek
CINEMATOGRAPHY (COLOR)
Becket
Cheyenne Autumn
Goodbye Charlie
Marriage Italian Style
Mary Poppins
My Fair Lady
Sunday in New York
The Unsinkable Molly Brown
What a Way to Go!
The World of Henry Orient
COSTUME DESIGN (B&W)
Fate Is the Hunter
A House Is Not a Home
Hush… Hush, Sweet Charlotte
Kiss Me, Stupid
Kisses for My Presidents
Kitten with a Whip
The Night of the Iguana
The Outrage
The Pumpkin Eater
The Visit
COSTUME DESIGN (COLOR)
Becket
The Chalk Garden
A Distant Trumpet
Island of the Blue Dolphinss
Mary Poppins
My Fair Lady
Robin and the 7 Hoods
The Unsinkable Molly Brown
What a Way to Go!
FILM EDITING
Becket
Father Goose
A Hard Day’s Night
Hush… Hush, Sweet Charlotte
Marnie
Mary Poppins
My Fair Lady
The Pink Panther
Topkapi
The Unsinkable Molly Brown
SOUND
Becket
The Chalk Garden
The Fall of the Roman Empire
Father Goose
Good Neighbor Sam
Kiss Me, Stupid
Mary Poppins
My Fair Lady
Pajama Party
Rio Conchos
Seven Days in May
The Unsinkable Molly Brown
MUSIC SCORE - SUBSTANTIALLY ORIGINAL
The Americanization of EmilyBecket
Cheyenne Autumn
The Fall of the Roman Empire
Hush... Hush, Sweet Charlotte
Mary Poppins
The Pink Panther
Rio Conchos
Topkapi
The World of Henry Orient
SCORING OF MUSIC - ADAPTATION OR TREATMENT
Dr. Strangelove or: How I Learned to Stop Worrying and Love the BombA Hard Day’s Night
The Incredible Mr. Limpet
Kiss Me, Stupid
Mary Poppins
My Fair Lady
Robin and the 7 Hoods
Roustabout
Summer Holiday
The Unsinkable Molly Brown
ORIGINAL SONG
Circus World, “Circus World”
Dear Heart, “Dear Heart”
Goodbye Charile, “Goodbye Charlie”
Hush… Hush, Sweet Charlotte, “Hush… Hush, Sweet Charlotte”
I’d Rather Be Rich, “Almost There”
Mary Poppins, “Chim Chim Cher-ee”
Mary Poppins, “A Spoonful of Sugar”
Robin and the 7 Hoods, “My Kind of Town”
The Unsinkable Molly Brown, “He’s My Friend”
Where Love Has Gone, “Where Love Has Gone”
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1963
ART DIRECTION (B&W)
America, America
The Caretakers
8½
Hud
The L-Shaped Room
Love with the Proper Stranger
Son of Flubber
The Stripper
Twilight of Honor
Wives and Lovers
ART DIRECTION (COLOR)
The Cardinal
Cleopatra
Come Blow Your Horn
How the West Was Won
Irma La Douce
A New Kind of Love
Spencer’s Mountain
Summer Magic
Tom Jones
Under the Yum Yum Tree
CINEMATOGRAPHY (B&W)
America, America
The Balcony
The Caretakers
8½
The Haunting
Hud
Lilies of the Field
Love with the Proper Stranger
Son of Flubber
The Victors
CINEMATOGRAPHY (COLOR)
Captain Newman, M.D.
The Cardinal
Charade
Cleopatra
The Great Escape
How the West Was Won
Irma La Douce
It’s a Mad Mad Mad Mad World
Tom Jones
Under the Yum Yum Tree
COSTUME DESIGN (B&W)
A Child Is Waiting
8½
Kill or Cure
Love with the Proper Stranger
The Stripper
Toys in the Attic
Wives and Lovers
COSTUME DESIGN (COLOR)
The Cardinal
Cleopatra
A Gathering of Eagles
How the West Was Won
Kings of the Sun
The Leopard
A New Kind of Love
Spencer’s Mountain
Summer Magic
Under the Yum Yum Tree
FILM EDITING
Bye Bye Birdie
The Cardinal
Cleopatra
The Great Escape
How the West Was Won
Hud
Irma La Douce
It’s a Mad Mad Mad Mad World
Lilies of the Field
Tom Jones
MUSIC SCORE - SUBSTANTIALLY ORIGINAL
America, AmericaCharade
Cleopatra
55 Days at Peking
How the West Was Won
It’s a Mad Mad Mad Mad World
Lilies of the Field
Summer Magic
Tom Jones
Toys in the Attic
SCORING OF MUSIC - ADAPTATION OR TREATMENT
Bye Bye BirdieFollow the Boys
Fun in Acapulco
Irma La Douce
Move Over Darling
A New Kind of Love
Sundays and Cybele
The Sword in the Stone
ORIGINAL SONG
Bye Bye Birdie, “Bye Bye Birdie”
Charade, “Charade”
55 Days at Peking, “So Little Time”
How the West Was Won, “How the West Was Won”
It’s a Mad Mad Mad Mad World, “It’s a Mad Mad Mad Mad World”
Love with the Proper Stranger, “Love with the Proper Stranger”
McLintock, “McLintock’s Theme (Love in the Country)”
Mondo Cane, “More”
Papa’s Delicate Condition, “Call Me Irresponsible”
Summer Magic, “Summer Magic”
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1962
ART DIRECTION (B&W)
Advise and Consent
Birdman of Alcatraz
The Cabinet of Dr. Caligari
Days of Wine and Roses
Five Finger Exercise
The Longest Day
Period of Adjustment
The Pigeon That Took Rome
To Kill a Mockingbird
Two for the Seesaw
ART DIRECTION (COLOR)
Billy Rose’s Jumbo
Black Tights
Bon Voyage!
The Counterfeit Traitor
Hatari!
Lawrence of Arabia
The Music Man
Mutiny on the Bounty
That Touch of Mink
The Wonderful World of the Brothers Grimm
CINEMATOGRAPHY (B&W)
Advise and Consent
Billy Budd
Birdman of Alcatraz
Experiment in Terror
Five Finger Exercise
The Longest Day
The Pigeon Who Took Rome
To Kill a Mockingbird
Two for the Seesaw
What Ever Happened to Baby Jane?
CINEMATOGRAPHY (COLOR)
Billy Rose’s Jumbo
Gypsy
Hatari!
Hemingway’s Adventures of a Young Man
Lawrence of Arabia
The Music Man
Mutiny on the Bounty
Taras Bulba
Tender Is the Night
The Wonderful World of the Brothers Grimm
COSTUME DESIGN (B&W)
Billy Budd
Cape Fear
Days of Wine and Roses
Electra
Five Finger Exercise
The Man Who Shot Liberty Valance
The Miracle Worker
Phaedra
Walk on the Wild Side
What Ever Happened to Baby Jane?
COSTUME DESIGN (COLOR)
Billy Rose’s Jumbo
Bon Voyage!
The Counterfeit Traitor
Five Weeks in a Balloon
Gypsy
If a Man Answers
The Music Man
My Geisha
Taras Bulba
The Wonderful World of the Brothers Grimm
FILM EDITING
Birdman of Alcatraz
The Interns
Lawrence of Arabia
The Longest Day
The Manchurian Candidate
The Music Man
Mutiny on the Bounty
Taras Bulba
What Ever Happened to Baby Jane?
The Wonderful World of the Brothers Grimm
MUSIC SCORE - SUBSTANTIALLY ORIGINAL
The Counterfeit TraitorFreud
Hatari!
Lawrence of Arabia
Mutiny on the Bounty
Taras Bulba
To Kill a Mockingbird
Two for the Seesaw
Walk on the Wild Side
The Wonderful World of the Brothers Grimm
SCORING OF MUSIC - ADAPTATION OR TREATMENT
Billy Rose’s JumboDavid and Lisa
Gay Purr-ee
Gigot
Girls! Girls! Girls!
Gypsy
The Music Man
The Notorious Landlady
State Fair
The Wonderful World of the Brothers Grimm
ORIGINAL SONG
Boys’ Night Out, “Boys’ Night Out”
Days of Wine and Roses, “Days of Wine and Roses”
Gay Purr-ee, “Little Drops of Rain”
In Search of the Castaways, “Enjoy It!”
Mutiny on the Bounty, “Love Song from Mutiny on the Bounty (Follow Me)”
State Fair, “Willing and Eager”
Taras Bulba, “Love Theme from Taras Bulba (The Wishing Star)”
Tender Is the Night, “Tender Is the Night”
Two for the Seesaw, “Song from Two for the Seeasaw (Second Chance)”
Walk on the Wild Side, “Walk on the Wild Side”
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1961
ART DIRECTION (B&W)
The Absent Minded Professor
The Children’s Hour
The Great Impostor
The Hustler
Judgment at Nuremberg
La Dolce Vita
One, Two, Three
A Raisin in the Sun
Sanctuary
The Young Doctors
ART DIRECTION (COLOR)
Babes in Toyland
Breakfast at Tiffany’s
Cry for Happy
El Cid
Flower Drum Song
A Majority of One
One-Eyed Jacks
The Parent Trap
Summer and Smoke
West Side Story
CINEMATOGRAPHY (B&W)
The Absent Minded Professor
The Children’s Hour
Claudelle Inglish
The Hustler
The Innocents
Judgment at Nuremberg
One, Two, Three
The Outsider
A Raisin in the Sun
The Young Doctors
CINEMATOGRAPHY (COLOR)
Babes in Toyland
El Cid
Fanny
Flower Drum Song
King of Kings
A Majority of One
One-Eyed Jacks
Splendor in the Grass
Summer and Smoke
West Side Story
COSTUME DESIGN (B&W)
The Children’s Hour
Claudelle Inglish
Judgment at Nuremberg
La Dolce Vita
Sanctuary
Yojimbo
COSTUME DESIGN (COLOR)
Babes in Toyland
Back Street
Flower Drum Song
Parrish
Pocketful of Miracles
Rachel Cade
The Second Time Around
Snow White and the Three Stooges
Voyage to the Bottom of the Sea
West Side Story
FILM EDITING
The Devil at 4 O’Clock
El Cid
Fanny
The Guns of Navarone
Judgment at Nuremberg
King of Kings
A Majority of One
One, Two, Three
The Parent Trap
West Side Story
SOUND
Breakfast at Tiffany’s
The Children’s Hour
The Comancheros
The Devil at 4 O’Clock
El Cid
Fanny
Flower Drum Song
The Guns of Navarone
Judgment at Nuremberg
King of Kings
La Dolce Vita
The Parent Trap
The Pit and the Pendulum
Splendor in the Grass
West Side Story
ORIGINAL DRAMATIC SCORE
Ballad of a Soldier
Breakfast at Tiffany’s
El Cid
Fanny
The Guns of Navarone
King of Kings
One-Eyed Jacks
One, Two, Three
The Parent Trap
Summer and Smoke
SCORE FOR A MUSICAL PICTURE
Babes in ToylandBlue Hawaii
Everything’s Ducky
Flower Drum Song
Khovanschina
Paris Blues
West Side Story
ORIGINAL SONG
All Hands on Deck, “All Hands on Deck”
Bachelor in Paradise, “Bachelor in Paradise”
Breakfast at Tiffany’s, “Moon River”
Cry for Happy, “Cry for Happy”
El Cid, “Love Theme from El Cid (The Falcon and the Dove)”
The Guns of Navarone, “The Guns of Navarone”
The Guns of Navarone, “Treu Sein”
The Parent Trap, “For Now, For Always”
Pocketful of Miracles, “Pocketful of Miracles”
Town without Pity, “Town without Pity”
SPECIAL EFFECTS
The Absent-Minded Professor
The Guns of Navarone
Voyage to the Bottom of the Sea
Publisher cancels Woody Allen memoir amid backlash
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I'll be checking that out in April. Sounds really good to me.